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A luminous chest-up portrait centers an unidentified woman facing forward, her expression focused and unyielding. Her eyes meet ours directly beneath sharply arched brows and long lashes while warm reds and cool shadows model her light-to-medium skin. A black crow perches close on her left shoulder, looking to the side like a watchful companion. Above, her hair erupts into a dramatic crown of flame-orange and red with whorls, ribbons, and looping marks dotted with bright rings that hover like sparks. Her dress is painted as overlapping, scale-like strokes in greens, aquas, yellows, and coral, creating a shimmering surface that feels protective and celebratory at once. The background melts into soft gold, mauve, and pale green with floating shapes, giving the figure an icon-like stillness inside a dreamlike atmosphere.

The title only identifies the woman as being Maslawi (Moslawi), which means “from Mosul” or a person who belongs to the city of Mosul in northern Iraq.

Artist Marwan Fathi, a Mosul-born painter and professor of fine arts, made this work after years of living through the city’s occupation and the devastating campaign that drove ISIS (Daesh) out. He has spoken about lasting trauma and still jolting awake at night expecting an airstrike, but his art insists on survival in full color. The crow is a close witness to coercion and fear, perched at the body’s edge but unable to eclipse her presence. The scale-like garment evokes fish skin and the Jonah-and-the-whale story tied to Mosul’s cultural memory. This was especially resonant after the destruction of Jonah’s shrine and turns local history into a symbol of endurance and return. Presented through Al-Ghad Radio’s documentation of Mosul’s cultural revival, the portrait is both testimony and reclamation depicting a woman rendered not as erased, but as radiant, composed, and unquestionably seen.

A luminous chest-up portrait centers an unidentified woman facing forward, her expression focused and unyielding. Her eyes meet ours directly beneath sharply arched brows and long lashes while warm reds and cool shadows model her light-to-medium skin. A black crow perches close on her left shoulder, looking to the side like a watchful companion. Above, her hair erupts into a dramatic crown of flame-orange and red with whorls, ribbons, and looping marks dotted with bright rings that hover like sparks. Her dress is painted as overlapping, scale-like strokes in greens, aquas, yellows, and coral, creating a shimmering surface that feels protective and celebratory at once. The background melts into soft gold, mauve, and pale green with floating shapes, giving the figure an icon-like stillness inside a dreamlike atmosphere. The title only identifies the woman as being Maslawi (Moslawi), which means “from Mosul” or a person who belongs to the city of Mosul in northern Iraq. Artist Marwan Fathi, a Mosul-born painter and professor of fine arts, made this work after years of living through the city’s occupation and the devastating campaign that drove ISIS (Daesh) out. He has spoken about lasting trauma and still jolting awake at night expecting an airstrike, but his art insists on survival in full color. The crow is a close witness to coercion and fear, perched at the body’s edge but unable to eclipse her presence. The scale-like garment evokes fish skin and the Jonah-and-the-whale story tied to Mosul’s cultural memory. This was especially resonant after the destruction of Jonah’s shrine and turns local history into a symbol of endurance and return. Presented through Al-Ghad Radio’s documentation of Mosul’s cultural revival, the portrait is both testimony and reclamation depicting a woman rendered not as erased, but as radiant, composed, and unquestionably seen.

“Portrait of a Maslawi Woman” by مروان فتحي / Marwan Fathi (Iraqi) - Oil on canvas / 2019 - Al-Ghad Radio (Mosul, Iraq) #WomenInArt #MarwanFathi #مروان_فتحي #Fathi #AlGhadRadio #PortraitofaWoman #Maslawi #BlueskyArt #IraqiArt #art #arte #artText #artwork #IraqiArtist #Symbolism #ContemporaryPortrait

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Wenn in 10-20 Jahren der Tag kommen sollte, an dem Sebastian #Hoeneß beim #VfB mit dem Triple den Ruhestand antritt, könnten wir die Pro-Lizenz von Malik #Fathi vielleicht gebrauchen. Schließlich lernt er vom Besten.

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Doppelbelastung für Bauer: Die Kandidaten für die Pro-Lizenz des DFB Zum 72. Mal startet nun schon der DFB-Pro-Lizenz-Lehrgang und auch in diesem Jahr ist der eine oder andere prominente Name dabei.
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Malik #Fathi absolviert Pro-Lizenz-Lehrgang

Der Co-Trainer des VfB erlangt in den nächsten Monaten die höchste Lizenzstufe im deutschen Profifußball.

Zur Meldung: go.vfb.de/news7256

#VfB | #VfB1893

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⭕Un drone #Israélien a ouvert le feu et tué le docteur #Bakr_Fathi_Al-Raqab à #Bani_Suhaila, à l'Est de #KhanYounis, dans la bande de #Gaza, aujourd'hui.

Il rejoint son père, le Dr #Fathi, et son frère, le Dr #Abdul_Karim tous deux tués plus tôt par les forces SS #Israéliennes.

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Der perfekte Start in den Tag: Die dritte Folge VfB Daily-News aus dem Trainingslager ist online. 😍
Wir haben unsere Co-Trainer David #Krecidlo und Malik #Fathi beim Training verkabelt. Außerdem waren wir beim „VfB im Ländle Pub-Quiz" mit dabei.

Hier geht's zur Folge: go.vfb.de/news6580

#VfB

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Malik #Fathi und Florian #Mohr verlängern, Nate #Weiss kehrt zurück

Der Co-Trainer und der Leiter Performance des #VfB bleiben dem Club aus Cannstatt bis 30. Juni 2028 erhalten. Zudem wird das Trainerteam der Lizenzmannschaft um einen Techniktrainer ergänzt.

Zur Meldung: go.vfb.de/news6501

#VfB

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"Ick mach en Abjang."

Malik #Fathi und neuer #VfB Content: www.youtube.com/watch?v=OEXj...

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