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'Fan Out High' --when I'm at the High Museum in Atlanta I always try to find a new perspective, an angle I haven't noticed yet, some spot most people never realize. It's getting more difficult as the the visits pile up #art #photography #Atlanta #HighMuseum #museums #galleries

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There was so much to see at this exhibition. #viktor&Rolf #highmuseum #fashion #art

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Made in 1945, this black-and-white lithograph sits within American artist Marion Greenwood’s broader commitment to figure-centered work that treats daily life as worthy of monumentality. Greenwood, known for her training in New York and abroad, her mural practice, and years of travel, brings public-scale seriousness into an intimate portrait format because even though the sitter is unnamed, she is not anonymous in feeling. 

The print shows a seated young Black woman. Her skin is rendered in rich, velvety tones, with soft highlights along her cheekbone, nose, collarbones, and the curve of her forearm. She holds her head high, chin gently lifted, and looks outward with a confident expression as if she’s meeting our gaze without performing for it. Her hair is swept up into a tall, wind-blown shape, adding height and movement to an otherwise quiet pose. She wears a loose, open-neck blouse that almost falls off one shoulder, revealing the strap and lace edge of an undergarment. The fabric is described with broad, chalky strokes that contrast with the darker modeling of her face and neck. Her left arm drapes over the back of a wooden chair, hand hanging loosely, while her left hand rests in her lap. A patterned skirt with dense dark, repeating marks anchors the lower portion of the image. Behind her, a pared-down interior space of suggested walls and a vertical edge like a window frame keeps our attention on her presence and posture.

The lithographic medium amplifies Greenwood’s empathy through pressure, grain, and contrast. As velour blacks build dignity, lighter passages leave room for breath and interiority. The girl’s lifted chin and resting hands read as both ease and resolve for an image of girlhood that resists sentimentality, offering instead quiet authority. In a decade marked by upheaval and return, Greenwood’s portrait suggests a different kind of “rural America” … not a backdrop, but a person who is steady, specific, and fully centered.

Made in 1945, this black-and-white lithograph sits within American artist Marion Greenwood’s broader commitment to figure-centered work that treats daily life as worthy of monumentality. Greenwood, known for her training in New York and abroad, her mural practice, and years of travel, brings public-scale seriousness into an intimate portrait format because even though the sitter is unnamed, she is not anonymous in feeling. The print shows a seated young Black woman. Her skin is rendered in rich, velvety tones, with soft highlights along her cheekbone, nose, collarbones, and the curve of her forearm. She holds her head high, chin gently lifted, and looks outward with a confident expression as if she’s meeting our gaze without performing for it. Her hair is swept up into a tall, wind-blown shape, adding height and movement to an otherwise quiet pose. She wears a loose, open-neck blouse that almost falls off one shoulder, revealing the strap and lace edge of an undergarment. The fabric is described with broad, chalky strokes that contrast with the darker modeling of her face and neck. Her left arm drapes over the back of a wooden chair, hand hanging loosely, while her left hand rests in her lap. A patterned skirt with dense dark, repeating marks anchors the lower portion of the image. Behind her, a pared-down interior space of suggested walls and a vertical edge like a window frame keeps our attention on her presence and posture. The lithographic medium amplifies Greenwood’s empathy through pressure, grain, and contrast. As velour blacks build dignity, lighter passages leave room for breath and interiority. The girl’s lifted chin and resting hands read as both ease and resolve for an image of girlhood that resists sentimentality, offering instead quiet authority. In a decade marked by upheaval and return, Greenwood’s portrait suggests a different kind of “rural America” … not a backdrop, but a person who is steady, specific, and fully centered.

“Mississippi Girl” by Marion Greenwood (American) - Lithograph on paper / 1945 - High Museum of Art (Atlanta, Georgia) #WomenInArt #WomensArt #WomanArtist #HighMuseumOfArt #Lithograph #BlackArt #AmericanArt #AmericanArtist #art #artText #artwork #Greenwood #HighMuseum #WomenArtists #MarionGreenwood

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A view through an interior window to an exterior window, a mix of curves, straight lines and right angles.

A view through an interior window to an exterior window, a mix of curves, straight lines and right angles.

High Museum of Art, window, 2019, processed 2025

#blackandwhitephotography #atlantaphotography #highmuseumofart #highmuseum

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View from hall to a bench of a rest area within the restrooms area. Minimalism.

View from hall to a bench of a rest area within the restrooms area. Minimalism.

High Museum of Art, Restrooms, 2019, processed 2025

#blackandwhitephotography #atlantaphotography #highmuseumofart #highmuseum

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All low-contrast grays of a view from the Stent Family Wing to the snack bar in the Weiland Wing (main entrance lobby)

All low-contrast grays of a view from the Stent Family Wing to the snack bar in the Weiland Wing (main entrance lobby)

High Museum of Art, 2019, processed 2025

#blackandwhitephotography #atlantaphotography #highmuseumofart #highmuseum

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View of single bench with cushion.

View of single bench with cushion.

Museum Seating, Bench with Cushion, High Museum of Art
2019, processed 2025
I love museum seating.
#blackandwhitephotography #atlantaphotography #highmuseumofart #highmuseum

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View of two benches with cushions in a T-shape

View of two benches with cushions in a T-shape

Museum Seating, Benches with Cushions, High Museum of Art
2019, processed 2025
I love museum seating.
#blackandwhitephotography #atlantaphotography #highmuseumofart #highmuseum

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Looking out a dark room into a well-lit highway at the museum. No art visible, just blank walls.

Looking out a dark room into a well-lit highway at the museum. No art visible, just blank walls.

Hallway at The High Museum, 2019, processed 2025

#highmuseum #atlantaphotography #blackandwhitephotography
6m

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Looking through several walls toward a hall, varying shades of dark to light gray, at the museum but no art work visible

Looking through several walls toward a hall, varying shades of dark to light gray, at the museum but no art work visible

Walls at The High Museum, 2019, processed 2025

#highmuseum #atlantaphotography #blackandwhitephotography

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Inside the High Museum of Art in Atlanta. The building alone is a masterpiece.
#HighMuseum #HighMuseumOfArt #Atlanta #WindowsOnWednesday #ClassicMono #Monochrome #Blackandwhite #B&W #PhotographersOfBluesky #PhotographersUnited #EastCoastKin

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From Joe Minter’s Chains In Paradise to Sam Doyle’s A Dream, the High Museum in Atlanta is home to a powerful cross-section of works from the Souls Grown Deep collection—each piece transforming memory into monument.

#HighMuseum #SGDArtists #SoulsGrownDeep

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Dance Dance
#highmuseum #fashion

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Richard Dial’s The Comfort and Service My Daddy Brings to Our Household (1988) is part of the High Museum’s collection—where furniture becomes family.
#RichardDial #HighMuseum #SoulsGrownDeep #FunctionalArt #SouthernArtists

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Circular skylights in the ceiling of the High Museum, Atlanta, Georgia, arranged in a geometric pattern, each recessed into dome-shaped cutouts creating circular glows of white light in vertical rows, with a single small amber light breaking the symmetry.

Circular skylights in the ceiling of the High Museum, Atlanta, Georgia, arranged in a geometric pattern, each recessed into dome-shaped cutouts creating circular glows of white light in vertical rows, with a single small amber light breaking the symmetry.

'High Sky Light' --the ceiling of one of the top floor galleries of the @highmuseumofart.bsky.social (Atlanta, Georgia)

#atlanta #art #photography #highmuseum #architecturephotography

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Original post on mastodon.world

#RyojiIkeda: data-verse - #HighMuseum of #Art

https://high.org/exhibition/ryoji-ikeda/

Ryoji Ikeda’s data-verse is an immersive #audiovisual trilogy considered his ultimate project, created by transforming vast scientific datasets into complex visual and sonic experiences.

It consists of […]

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reflection in water of trees and party

reflection in water of trees and party

Saturday at the High.
#highmuseum #atlantaga

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data-verse #highmuseum #dataverse

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Back and White Film
High Museum
Atlanta Ga. 1986
#Photography #photographersonbluesky #bnw #filmcommunity #highmuseum #Atlanta #filmisnotdead

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"You don't have to see the whole staircase,
just take the first step."
~Martin Luther King, Jr.

#stairs #bnw #blackandwhite #mono #design #up #down #mlk #highmuseum #atlanta #photography #travel #urban #street #architecture #inspiration #thursday #mindfulness

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Nice! I miss and will continue to miss Midtown #Atlanta, especially visits to the #HighMuseum, until democracy returns to the USA.

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Went to the High Museum here in Atlanta to see this exhibit many years ago along with the famous painter and lithographer Henri Toulouse Lautrec
#booksky
#art
#subsahranafrica
#blackbooksky
#HighMuseum

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Preview
High Museum  Presents Ezrom Legae: Beasts — Preview WHEN: June 13-Nov. 16, 2025 For more information visit the High Museum website. WHERE: High Museum of Art 1280 Peachtree St NE Atlanta, GA 3

...more than 30 works on view address apartheid in South Africa through form and metaphor - READ THE PREVIEW
#HighMuseum #AtlantaMuseums #AtlantaArt #EzromLegae #apartheid #SouthAfrica #PictureThisPostArt #PictureThisPostMuseums #SowetoUprising #Artivism

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Black and White Film
Minolta x370
1987 High Museum Atlanta Georgia
#photography #bnw #blackandwhitephotography #filmisnotdead #highmuseum #Atlanta #35mm #minolta

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🖼️ 🎨 #HighMuseum

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#Ryoji #dataverse #highmuseum #art #Atlanta

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Preview
RYOJI IKEDA’S IMMERSIVE SOUND AND LIGHT TRILOGY“DATA-VERSE” at high museum atl — ELSV. ATLANTA — Before its opening, viewing Ryoji Ikeda’s immersive sound and light trilogy ‘Data Verse’ was an experience. Immediately immersed in sounds, lights and contrasted visuals that seem to all flo...

Yesterday’s viewing of RYOJI IKEDA’S IMMERSIVE SOUND AND LIGHT TRILOGY“DATA-VERSE” at High Museum

#art #artist #highmuseum #artexhibit #mediatour

elsv.net/features/fea...

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Olympus OM-D E-M10 II
LENS: Olympus M.40-150mm F4.0-5.6 R
STATS: 40 mm; 1/250 sec; ISO 3200; ƒ/8.0

Always check your settings. I didn't, so I'll claim the ISO 3200 was 'intended' for filmic grit!

#cityscape #mural #newtopography #HighMuseum #Atlanta #GeorgiaUS #pickoftheweek #blog #YFGF

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The piece's name is a double-entendre, also referring to workers' right to livelihood & dignity.

CAMERA: Olympus OM-D E-M10 II
LENS: Lumix G 20/F1.7 II
SETTINGS: 20 mm; 1/150 sec; ISO 3200; ƒ/5.6

#sculpture #baseball #HighMuseum #Atlanta #GeorgiaUS #YFGF #OlympusPassion #microfourthirds

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Focusing on the positive (not the backslide on all recent health issues): took my Mom to the #Plazatheater for B&W Zorro, the #highmuseum for Georgia O'Keefe, the Botanical Gardens for #orchiddaze, the #taratheater for David Lynch, and #evolation for yoga. Pretty good cross section of my #atllife.

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