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A black baseball cap embroidered with unhinged bilingual text about fleeing American humiliation and demanding gay hockey TV shows, held up like a cursed artifact that needs to be returned to the museum it escaped from

A black baseball cap embroidered with unhinged bilingual text about fleeing American humiliation and demanding gay hockey TV shows, held up like a cursed artifact that needs to be returned to the museum it escaped from

This hat is offsides and I'm calling the ref

#IWillGoToTheCottageWithYou #Ilya #IlyaRepin #ArtMemes #RussianArt #PaintingMemes #ArtHistory #ClassicalArt #Memes #Funny #Lol #Meme #Haha #MemeOfTheDay

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#IlyaRepin
At the piano (1905)

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#IlyaRepin

Portrait of Pavel Tretyakov, Founder of the Tretyakov Gallery

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The latest cartoon by
Dave Brown
@the-independent.com
Cartoon after #IlyaRepin
#Jenrick #Reform #Farage
#ToryDefectors #ToryParty

x.com/DaveBrownToo...

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Dave Brown’s #RoguesGallery after #IlyaRepin @Independent on #Farage #Jenrick #Reform #ToryParty #ToryDefectors #ReformUK – political cartoon gallery in London original-political-cartoon.com

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#IlyaRepin

Portrait of actress Eleonora Duse (1891)

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#IlyaRepin

Portrait of the poet, prose writer, translator and dramatist Sergei Mitrofanovich Gorodetsky with his wife (1914)

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Zinaida Serebriakova Ucrania, 1884–1967 fue quizás la pintora más importante de la Rusia pre-revolucionaria. Perteneció al movimiento «Mir Iskusstva», sobresaliendo claramente de los demás miembros del grupo. Son sus cuadros pequeñas obras maestras que rezuman armonía y plasticidad, y sus escenas de género son asombrosamente exquisitas: la vida rural de Rusia (el campo ruso con sus campesinos trabajando), escenas domésticas con sus hijos jugando o comiendo… Es la belleza de lo cotidiano.

Nació cerca de Jarkov (Rusia, hoy Ucrania) en una familia aristocrática con tradición artística y una privilegiada posición en la Rusia zarista que le permitió cursar estudios de arte. Uno de sus maestros fue nada menos que Ilya Repin.

Su vida cambia en 1917. Su esposo muere de tifus en una de las cárceles bolcheviques y queda sola al cuidado de sus cuatro hijos y una madre enferma, sin apenas medios para subsistir. Abandona en esa época el óleo y recurre a «técnicas baratas» como el carbón o el lápiz.

En 1924 consigue marcharse a París por un encargo y no pudo regresar a Moscú en años. Sólo consiguió traer a dos de sus hijos. Para consolarse, viaja por el mundo (Marruecos) pintando las mismas escenas domésticas y rurales, pero en otro país.

Tras poder volver a ver a sus hijos, vivió y murió en Francia.

Nunca pintó modelos profesionales. Siempre utiliza a amigos, familia y a sí misma como protagonista de sus cuadros, incluidos sus magníficos desnudos.
Desde muy joven demostró su talento para mostrar la belleza. Su forma natural de pintar junto a su audacia hacía de su obra muy superior al resto de artistas de la época (por no hablar del realismo socialista soviético). Además nadie dominó como ella en toda Rusia el calor y la emoción en la pincelada.

Es evidente la sensualidad que perfumaba sus lienzos. Mujeres hermosas cargadas de sutileza y erotismo, y siempre expresando la felicidad en sus rostros.

Zinaida Serebriakova Ucrania, 1884–1967 fue quizás la pintora más importante de la Rusia pre-revolucionaria. Perteneció al movimiento «Mir Iskusstva», sobresaliendo claramente de los demás miembros del grupo. Son sus cuadros pequeñas obras maestras que rezuman armonía y plasticidad, y sus escenas de género son asombrosamente exquisitas: la vida rural de Rusia (el campo ruso con sus campesinos trabajando), escenas domésticas con sus hijos jugando o comiendo… Es la belleza de lo cotidiano. Nació cerca de Jarkov (Rusia, hoy Ucrania) en una familia aristocrática con tradición artística y una privilegiada posición en la Rusia zarista que le permitió cursar estudios de arte. Uno de sus maestros fue nada menos que Ilya Repin. Su vida cambia en 1917. Su esposo muere de tifus en una de las cárceles bolcheviques y queda sola al cuidado de sus cuatro hijos y una madre enferma, sin apenas medios para subsistir. Abandona en esa época el óleo y recurre a «técnicas baratas» como el carbón o el lápiz. En 1924 consigue marcharse a París por un encargo y no pudo regresar a Moscú en años. Sólo consiguió traer a dos de sus hijos. Para consolarse, viaja por el mundo (Marruecos) pintando las mismas escenas domésticas y rurales, pero en otro país. Tras poder volver a ver a sus hijos, vivió y murió en Francia. Nunca pintó modelos profesionales. Siempre utiliza a amigos, familia y a sí misma como protagonista de sus cuadros, incluidos sus magníficos desnudos. Desde muy joven demostró su talento para mostrar la belleza. Su forma natural de pintar junto a su audacia hacía de su obra muy superior al resto de artistas de la época (por no hablar del realismo socialista soviético). Además nadie dominó como ella en toda Rusia el calor y la emoción en la pincelada. Es evidente la sensualidad que perfumaba sus lienzos. Mujeres hermosas cargadas de sutileza y erotismo, y siempre expresando la felicidad en sus rostros.

🎨Baño 1913 #ZinaidaSerebriakoba #Ucrania, 1884–1967 Nació cerca de #Jarkov #Rusia hoy Ucrania en una familia #aristocrática con tradición #artística y una privilegiada posición en la Rusia #zarista que le permitió cursar estudios de #arte nada menos que con #IlyaRepin #museoparticular

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Septiembre 29 de 1930, a los 86 años fallece el pintor ruso #IlyaRepin, un favorito 🖌️🎨🖼️💜

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5 de agosto de 1844, nace en Chuguev, parte del imperio Ruso (actual Ukrania), el pintor realista #IlyaRepin 🖌️🎨🖼️💜

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Tablonun orjinalini St.Petersburg’daki Rus Devlet Müzesi ( Русский музей) nde görmüş olmanın mutluluğu 💙✨💫🎨

#IlyaRepin #RDM #StPetersburg #Rusya

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#IlyaRepin
At the piano (1905)

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Ukrainian-born Russian artist Ilya Yefimovich Repin created many depictions of his daughter Nadezhda Ilyinichna Repina including this 1892 oil painting portraying her wearing a hunting outfit with a rifle slung over her back. 

She wears a simple, loose-fitting, off-white tunic-style garment that appears well-worn. Over this, she has a dark green strap across her body, carrying a long rifle across her back. Her black hat is slightly tilted, and she has dark hair partially visible under it. Her expression is serious and somewhat impatient. Her right hand rests on her hip  where a thick leather belt is cinched, and the other hand rests at her side on the butt of the rifle.

The background is a blurry, impressionistic landscape of muted greens and browns, suggestive of fields or farmland. The overall impression is one of quiet independence and resilience, possibly hinting at themes of rural life, war, or resistance. The muted color palette and the focus on the woman's countenance create a contemplative mood.

Repin became one of the most renowned artists in Russia in the 19th century. Born in Chuguev, Ukraine, he began painting icons at 16. He failed at his first effort to enter the Imperial Academy of Fine Arts in Saint Petersburg, but went to the city anyway in 1863, audited courses, and won his first prizes in 1869 and 1871. In 1872, after a tour along the Volga River, he presented his drawings at the Academy of Art in St. Petersburg. Grand Duke Vladimir Alexandrovich awarded him a commission for a large scale painting, “The Barge Haulers of the Volga,” which launched his career. He spent two years in Paris and Normandy, seeing the first Impressionist expositions and learning the techniques of painting outdoors.

In May 1872, he married Vera Alexeievna Shevtsova and his second daughter, Nadezhda, was born in 1874 … which makes her about 18 in this painting. By this time, Repin had already met writer Natalia Nordman, who became his common-law wife.

Ukrainian-born Russian artist Ilya Yefimovich Repin created many depictions of his daughter Nadezhda Ilyinichna Repina including this 1892 oil painting portraying her wearing a hunting outfit with a rifle slung over her back. She wears a simple, loose-fitting, off-white tunic-style garment that appears well-worn. Over this, she has a dark green strap across her body, carrying a long rifle across her back. Her black hat is slightly tilted, and she has dark hair partially visible under it. Her expression is serious and somewhat impatient. Her right hand rests on her hip where a thick leather belt is cinched, and the other hand rests at her side on the butt of the rifle. The background is a blurry, impressionistic landscape of muted greens and browns, suggestive of fields or farmland. The overall impression is one of quiet independence and resilience, possibly hinting at themes of rural life, war, or resistance. The muted color palette and the focus on the woman's countenance create a contemplative mood. Repin became one of the most renowned artists in Russia in the 19th century. Born in Chuguev, Ukraine, he began painting icons at 16. He failed at his first effort to enter the Imperial Academy of Fine Arts in Saint Petersburg, but went to the city anyway in 1863, audited courses, and won his first prizes in 1869 and 1871. In 1872, after a tour along the Volga River, he presented his drawings at the Academy of Art in St. Petersburg. Grand Duke Vladimir Alexandrovich awarded him a commission for a large scale painting, “The Barge Haulers of the Volga,” which launched his career. He spent two years in Paris and Normandy, seeing the first Impressionist expositions and learning the techniques of painting outdoors. In May 1872, he married Vera Alexeievna Shevtsova and his second daughter, Nadezhda, was born in 1874 … which makes her about 18 in this painting. By this time, Repin had already met writer Natalia Nordman, who became his common-law wife.

“Portrait of Nadezhda Ilyinichna Repina, the artist's daughter in a hunting suit” by Ilya Repin (Ukrainian-Russian) - Oil on canvas / 1892 - Pushkin State Museum of Fine Arts (Moscow, Russia) #WomenInArt #IlyaRepin #Repin #ИльяРепин #ArtText #portraitofawoman #russianart #womensart #ГМИИ #Pushkin

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#IlyaRepin 🖌️🎨🖼️💜

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#IlyaRepin (1844–1930)
Portrait of #LouisadeMercyArgenteau (1837-1890), who was #BornOnThisDay
1890
Tretyakov Gallery

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#IlyaRepin (1844-1930)
Portrait of #MikhailGlinka (1804-1857), who was #BornOnThisDay
1887
Tretyakov Gallery
#Glinka

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In 1873, Russian artist Ilya Repin, as a graduate of the Imperial Academy of Arts, traveled to Paris, France where he studied realism. This painting of an idealized "African Woman" was heavily influenced by that trip. The work shows Repin’s interest in the creative styles of the talented Spanish academic artist Mariano Fortuny.

Repin created an expressive "exotic" image of a dark-skinned woman, adorned in opulent gold jewelry and traditional clothing, sitting serenely on a richly patterned rug, near a hookah and a coffee set, creating an atmosphere of quiet dignity and cultural richness.

Repin displays mastery in depicting sparkling golden decorations, shimmering fabrics and the brilliant hookah. He used a variety of painting techniques from smooth strokes to dense brushwork that is seen in the accessories.

The young woman wears a long, loose-fitting, off-white outfit plus baggy pants with vertical stripes of muted colors and floral patterns as she relaxes cross-legged. Her expression is unrelenting and and direct as she gazes steadily at the viewer, giving the painting an air of quiet strength and self-awareness.

She is adorned with gold jewelry including a heavy necklace of large gold medallions, several gold bracelets on her wrists, and long golden earrings. The light reflecting off the jewelry contrasts beautifully with her gorgeous dark skin.

The setting is rather dark, a moody but warm palette of browns and reds dominating the background. The woman sits on a rug with intricate designs in muted reds, oranges, and browns. Behind her, a richly ornamented divan is visible, echoing the intricate patterns of the rug.

To the left, a water pipe (hookah) sits on an ornate wooden stand with intricate inlaid details. The hookah itself is also exquisitely decorated. A long, dark-green hose is coiled onto the floor. Near her feet are a pair of slippers plus a coffee pot and small cup on a tray.

The overall atmosphere is one of contemplation and understated luxury.

In 1873, Russian artist Ilya Repin, as a graduate of the Imperial Academy of Arts, traveled to Paris, France where he studied realism. This painting of an idealized "African Woman" was heavily influenced by that trip. The work shows Repin’s interest in the creative styles of the talented Spanish academic artist Mariano Fortuny. Repin created an expressive "exotic" image of a dark-skinned woman, adorned in opulent gold jewelry and traditional clothing, sitting serenely on a richly patterned rug, near a hookah and a coffee set, creating an atmosphere of quiet dignity and cultural richness. Repin displays mastery in depicting sparkling golden decorations, shimmering fabrics and the brilliant hookah. He used a variety of painting techniques from smooth strokes to dense brushwork that is seen in the accessories. The young woman wears a long, loose-fitting, off-white outfit plus baggy pants with vertical stripes of muted colors and floral patterns as she relaxes cross-legged. Her expression is unrelenting and and direct as she gazes steadily at the viewer, giving the painting an air of quiet strength and self-awareness. She is adorned with gold jewelry including a heavy necklace of large gold medallions, several gold bracelets on her wrists, and long golden earrings. The light reflecting off the jewelry contrasts beautifully with her gorgeous dark skin. The setting is rather dark, a moody but warm palette of browns and reds dominating the background. The woman sits on a rug with intricate designs in muted reds, oranges, and browns. Behind her, a richly ornamented divan is visible, echoing the intricate patterns of the rug. To the left, a water pipe (hookah) sits on an ornate wooden stand with intricate inlaid details. The hookah itself is also exquisitely decorated. A long, dark-green hose is coiled onto the floor. Near her feet are a pair of slippers plus a coffee pot and small cup on a tray. The overall atmosphere is one of contemplation and understated luxury.

African Woman by Ilya Repin (Russian) - Oil on canvas / 1875-1876 - State Russian Museum (Saint Petersburg, Russia) #WomenInArt #ArtText #IlyaRepin #Repin #ИльяРепин #art #oilpainting #portraitofawoman #womensart #orientalism #RussianArtist #StateRussianMuseum #осударственныйРусскиймузей #artwork

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#IlyaRepin (1844-1930)
Portrait of #NicholasII, Emperor of Russia (1868-1918), who was #BornOnThisDay
1896
#NikolaiII #Romanov #Repin

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"Reply of the Zaporozhian Cossacks to Turkish Sultan"
#politicalcartoon #subvertising #culturejamming #irancartoon #USA #russia #turkey #china #iran #Syria #NorthernSyria #ukrainewar #Gaza #antiwar #freedom #libertyequalityfraternity #peace #democracy #beduh #putin #ErdoganRegime #IlyaRepin

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Golgotha by Ilya Repin
Princeton University Art Museum

Golgotha by Ilya Repin Princeton University Art Museum

Choose 20 paintings that have stayed with you or influenced you. One painting a day for 20 days, in no particular order. No explanations, no reviews, just images (No AI). Day 4
"Golgotha" by Ilya Repin 1921-22
artmuseum.princeton.edu
#art #ilyarepin
#choose20paintings #artchallenge #paintings

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#IlyaRepin (1844-1930)
Portrait Modest #Mussorgsky (1839-81), who was #BornOnThisDay
1881
Tretyakov Gallery

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#IlyaRepin (1844-1930)
Portrait of Nikolai #RimskyKorsakov (1844-1908), who was #BornOnThisDay
1893

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Ilya Repin (1844-1930)
"What a Freedom", 1903,
Oil on canvas
#painting #oilpainting #art #northernpainter #IlyaRepin #Repin #wave

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#IlyaRepin
At the piano (1905)

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This is Ukrainian Girl By Wicker Fence by Ilya Repin, 1876, Latvian National Museum of Art, Riga.

#art #artist #ukrainiangirl #ukrainiangirlbywickerfence #ilyarepin #latviannationalmuseumofart #rigaukraine #ukraine #paint #paintin #oilpainting #painter #nineteenthcentury #friends #neighbors #allies

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Sadko in the Underwater Kingdom (1876)
By Ilya Repin
——————————————
#art #painting #russianart #russianpoem #sadko #ilyarepin #oilpainting #epicpoetry

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Glug adar trop ivan the terrible

Glug adar trop ivan the terrible

Ivan the terrible

Ivan the terrible

I had to.

#trop #adar #glûg #ivantheterrible #ilyarepin #doodle

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It’s done I guess
#art #artwork #IvantheTerrible #classicalart #miku #hatsunemiku #IlyaRepin

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#IlyaRepin

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