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Transportation remains key issue impacting MMIWG2S on Highway of Tears, 2 decades later | CBC News Safer transportation to discourage hitchhiking between communities was one of 33 recommendations produced by the original 2006 symposium and took 10 years advocacy to bring to fruition, with gaps pers...

www.cbc.ca/news/indigen... #MMIW #IndigenousWomen #transportation #HighwayOfTears

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Thank you again for this, @lizrenzetti.bsky.social !

#IndigenousWomen #MMIWG #HumanRights #Canada #SocialJustice #ResistanceToFascism

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Prince Albert Daily Herald

Prince Albert Daily Herald

Cameco gift supports Sask Polytech includes Prince Albert training Program for Indigenous women


#Cameco #education #IndigenousWomen #InternationalStudents #LarryRosia #Layoffs #M
paherald.sk.ca/cameco-gift-supports-sas...

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This is going to be powerful.

Come to "Trading at the Rio" for a Fireside Chat with Kansas Begaye (Diné Nation)

Artist. Speaker. Former Miss Indian World.

Apr 21–23
bit.ly/47DS7c9
bit.ly/ClydeHotel

#IndigenousWomen #WomenInLeadership #Entrepreneurship #NativeWomenLead #GrowthCapitalSummit

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When we restore Felix Cove, we restore the connections that have always belonged to us.
🔗 Sign the Vision Plan → www.alliance4felixcove.org/vision-plan#...
#WomensHistoryMonth #IndigenousWomen

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Show up, actively listen, and commit to action on the priorities of the Assembly of First Nations. This is a phenomenal partnership waiting to happen, and it's how the NDP can demonstrate that it's the party of Indigenous people.

#ndp #cdnpoli #assemblyoffirstnations #indigenouswomen

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Honoring Rigoberta Menchú: K’iche’ Maya leader, activist, and Nobel Laureate who turned her voice into global change 🌎

#IndigenousWomen #RigobertaMenchu #womenhistory #HumanRights #SocialJustice

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I didn't let a high entry fee discourage me from putting my name forward, building a team + running hard so NDP members can vote for change on their ballots. We're at the finish line because of you 🙏

www.tanille.ca to donate to our grassroots movement 🧡

#ndp #cdnpoli #votetanille #indigenouswomen

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#Matoaka #Amonute #RealPocahontas #IndigenousTruth #DecolonizeHistory #NativeHistory #HonorHerTruth #IndigenousWomen #TellTheTruth #Powhatan #womenshistory

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Zitkála-Šá used her words, music, and activism to fight against the erasure of Indigenous identity. At a time when Native children were forced into assimilation, she stood firm.

#IndigenousWomen #ZitkalaSa #NativeHistory #WomenInAdvocacy #BreakingBarriers #CulturalResistance

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“In line with this year’s United Nations World Water Day theme, “Water and Gender,” we celebrate the leadership of Indigenous women in advancing water stewardship and building strong, resilient communities.“

#cdnpoli #UNWorldWaterDay #IndigenousWomen #Stewardship

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Corn Pollen Babe 🌽✨️




#corn #Navajo #IndigenousWomen #TwoSpirit #springbreak2026

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Nonhelema Hokolesqua Archives • Kentucky Lantern

Kentucky history doesn’t start with statehood—it starts with leaders like Nonhelema Hokolesqua, a towering Shawnee diplomat who shaped the Ohio Valley long before the Commonwealth existed. 🌾⭐
#KentuckyHistory #IndigenousWomen
kentuckylantern.com/tag/nonhelem...

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The NDP leadership race is in its final days, so if you haven't voted yet, now is the time! Your vote could be the one that makes the difference 📊

Let's finish strong and show what a movement led by real change can do 🧡

#ndp #cdnpoli #indigenouswomen

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This NDP leadership race is about real change, and I'm here to shake things up.

#ndp #votetanille #indigenouswomen

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Missing Indigenous Monday: Kristyn Richerson
Missing Indigenous Monday: Kristyn Richerson YouTube video by domytriesthis

Name :: Kristyn Richerson
Born :: 1967
Last Seen :: May 25, 2018 in Muskogee, Oklahoma
5′ 6″, 200 lbs, brown short faux hawk, hazel eyes, scar on back of rt leg, a tattoo of Stevie Nicks rt calf

#KristynRicherson #mmiw #indigenouswomen #nativeamerican #bringherhome

www.youtube.com/watch?v=29dO...

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INTERNATIONAL WOMEN'S DAY IS EVERY DAY.
#internationalwomensday #powerfulwomen #indigenouswomen #ladiesfirst #IWD2026

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Today I had the honour of attending the International Women’s Day Luncheon & Workshop hosted by the Indigenous Women Entrepreneur (IWE) Program, in partnership with Community Futures Treaty Seven and NACCA.

#InternationalWomensDay
#IndigenousWomen
#WomenEntrepreneurs
#Treaty7 #CommunityFutures

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NCCIH podcast episode "Voices from the field 35 – Kinauvit? What's your name? The Eskimo disc system and a daughter's search for her grandmother – A conversation with Norma Dunning"

NCCIH podcast episode "Voices from the field 35 – Kinauvit? What's your name? The Eskimo disc system and a daughter's search for her grandmother – A conversation with Norma Dunning"

For #InternationalWomensDay we would like to celebrate by sharing #TheNCCIH podcast “Kinauvit? What's your name? The Eskimo disc system and a daughter's search for her grandmother”: https://loom.ly/3NRjnmg

See also: https://loom.ly/PQ7kDBU

#WomensHealth #IndigenousWomen #GiveToGain

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This is how the story gets passed now.

Emperor of the Cherokee publishes April 3, 2026, the 296th anniversary of his coronation.

We are still here. 🔥
emperorofthecherokee.com

#IWD2026 #EmperorOfTheCherokee #IndigenousWomen #Books

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This is defiance. Happy Women's Day.

The Cherokee matriarchy outlasted everything the European patriarchy built to replace it.

It was never written down in a way that could be taken.

It moved through women. 🪶

#IWD2026 #IndigenousWomen #AniYunwiya #Cherokee #BookLovers #Books #ᎠᏂᏴᏫᏯᎢ #WomensDay

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Mina Kinagwakiing Kwewag Giizhigad (Happy International Women’s Day)💖💪

Shoutout to the amazing work these women and gender-diverse-led music companies do, amplifying women’s voices and creating space for artists to be heard.

#InternationalWomensDay #IndigenousWomen #WomenInMusic #IndigenousArtists

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Indigenous Women Driving Economic and Social Change in Bangladesh​ By Sukanto Barman (Barman, CS Intern) Indigenous women in remote areas of Bangladesh uphold traditional values while contributing to their families and the nation's broader society in their own way. T...

On #InternationalWomensDay, we honor Indigenous women whose leadership sustains families, cultures, and local economies. In Bangladesh, their contributions continue to shape stronger communities. #IWD2026 #IndigenousWomen #IndigenousRights

www.culturalsurvival.org/news/indigen...

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This #InternationalWomensDay, we're showing up louder than ever. Host an action. Bring your neighbors. Refuse to flinch. #IWD #IndigenousWomen
act.womensmarch.com/survey/brave...

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Join us in celebrating #WomensHistoryMonth, our achievements, leadership, innovation & much more! Throughout history, women continue to shape the world for the better - and we are here to put a spotlight on Indigenous Women! Visit www.return2heart.org to support Native Women now!

#IndigenousWomen

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Their leadership is medicine. Their voice is power. Their existence is resistance. ♥️

We celebrate you. We uplift you. We follow your lead. 👏🏽🗣️

#WomensHistoryMonth #EraOfTheMatriarch #IndigenousWomen #Naeva #NativeVoters

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Our campaign has already made history.

Because of your incredible support, I am the first Indigenous person ever on a Canadian federal leadership ballot.

I'm so grateful that this historic first gets to live with the NDP 🧡

#ndp #cdnpoli #votetanille #indigenouswomen

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Two Indigenous (Native American) women crouch close together on sunlit ground, turned slightly toward our right as if focused on something just beyond the frame. Both hold their hands raised at chest level, palms nearly caught mid-clap to suggest a steady rhythm rather than a single loud strike. The woman at left appears older, with a deeply lined face and a calm, intent expression. She wears a light blanket or shawl draped over her shoulders with geometric banding. The woman at right appears slightly younger, her dark hair pulled back. She wears a pale top and a warm, reddish skirt. The background is pared down to soft, sandy tones with minimal detail, so the women’s bodies, garments, and gestures carry the whole scene. Their posture is grounded, balanced, and purposeful like communal music and movement you can almost hear.

American artist Joseph Henry Sharp frames the women’s clapping as both performance and prayerful attention, emphasizing rhythm as a shared form of knowledge and something made together, not possessed. As an artist closely associated with Taos, New Mexico and the early 20th-century art colony there, he repeatedly painted Indigenous life through an outsider’s eye, often blending careful observation with the era’s taste for “timeless” images of Native cultures. That tension matters here because the women’s identities are not named, yet their presence is rendered with dignity and concentration, asking us to notice skill (timing, breath, cadence) rather than spectacle.

Scholarship around this work’s dating is complicated. Museum records place it around 1930, while other research links the title and signature style to Sharp’s earlier western period which suggests he may have revisited a long-held subject over time. Either way, the painting lingers on what endures: synchronized hands, shared song, and the authority of women shaping ceremony through sound and movement.

Two Indigenous (Native American) women crouch close together on sunlit ground, turned slightly toward our right as if focused on something just beyond the frame. Both hold their hands raised at chest level, palms nearly caught mid-clap to suggest a steady rhythm rather than a single loud strike. The woman at left appears older, with a deeply lined face and a calm, intent expression. She wears a light blanket or shawl draped over her shoulders with geometric banding. The woman at right appears slightly younger, her dark hair pulled back. She wears a pale top and a warm, reddish skirt. The background is pared down to soft, sandy tones with minimal detail, so the women’s bodies, garments, and gestures carry the whole scene. Their posture is grounded, balanced, and purposeful like communal music and movement you can almost hear. American artist Joseph Henry Sharp frames the women’s clapping as both performance and prayerful attention, emphasizing rhythm as a shared form of knowledge and something made together, not possessed. As an artist closely associated with Taos, New Mexico and the early 20th-century art colony there, he repeatedly painted Indigenous life through an outsider’s eye, often blending careful observation with the era’s taste for “timeless” images of Native cultures. That tension matters here because the women’s identities are not named, yet their presence is rendered with dignity and concentration, asking us to notice skill (timing, breath, cadence) rather than spectacle. Scholarship around this work’s dating is complicated. Museum records place it around 1930, while other research links the title and signature style to Sharp’s earlier western period which suggests he may have revisited a long-held subject over time. Either way, the painting lingers on what endures: synchronized hands, shared song, and the authority of women shaping ceremony through sound and movement.

“The Chanters” by Joseph Henry Sharp (American) - Oil on canvas / c. 1930 - New Mexico Museum of Art (Santa Fe, New Mexico) #WomenInArt #JosephHenrySharp #JosephSharp #NativeAmericanArt #IndigenousWomen #PortraitofWomen #art #artText #AmericanArt #AmericanArtist #NewMexicoMuseumofArt #TaosSchool

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On this #WarriorWomenWednesday, we announce our new 2025-2026 Traditional Helpers & Healers Grant recipients! We have awarded 37 Indigenous Women with this micro grant to support their unique projects that serve their communities across Indian country. Congrats to the recipients!

#IndigenousWomen

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New Mexico launches investigation of forced sterilization of Native American women In the 1970s, the agency that provides health care to Native Americans sterilized thousands of women without their full and informed consent.

New Mexico launches investigation of forced sterilization of Native American women

apnews.com/article/indi...
#indigenouswomen #sterilization

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