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A ★★★★★ review of The Passion of Anna (1969) Le poster de ce Bergman est présent dans le film The Drama, Borgli sait

The Passion of Anna de #IngmarBergman

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Loneliness was a central theme in Ingmar Bergman’s films. The idea that you could be left alone by those you love was the most terrifying thing he could imagine. As we enter the Easter Triduum, here’s a heartbreaking scene about loneliness from WINTER LIGHT. #IngmarBergman

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"HUMP THE HOSTESS!!!!" - A Look at the Best Films of 1966 After a rather relatively weak 1965 that failed to live up to the strength of the early half of the decade, we get to enter 1966 with a bit ...

After the valley that 1965 was for my personal tastes, we see a small but mighty boom as we go into 1966.

Let’s all be floozies, hump the hostess, and talk about the films of 1966.

#MovieSky #FilmSky #IngmarBergman #MikeNichols #Blowup

anthonyjhost.blogspot.com/2026/04/hump...

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Variant cover C by 𝘎𝘢𝘣𝘳𝘪𝘦𝘭 𝘊𝘢𝘪𝘵𝘢𝘯𝘰 𝘥𝘰𝘴 𝘚𝘢𝘯𝘵𝘰𝘴 w/ colour by 𝘔𝘢𝘵𝘩𝘦𝘶𝘴 𝘏𝘶𝘷𝘦 is available at www.kickstarter.com/projects/red...

An #homage to #swedish #cinema #masterpiece #theseventhseal by #ingmarbergman

#indiecomics #variantcover #cover #movies #films

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Been deep in Peter Cowie's biography of Ingmar Bergman this week — God and the Devil — and while the filmmaking detail is endlessly fascinating, what keeps stopping me cold are the contemporary reviews. #IngmarBergman #filmmaking #filmsky #cinema #filmcriticism

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A ★★★★★ review of Shame (1968) D’une double dissonance,  intime et politique,  le réalisateur suédois,  avec l’acuité redoutable qu’on lui connaît,  montre qu’à chaque convulsion d’un monde, là précisément où les violons se mettent...

La Honte de #IngmarBergman

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Ingmar Bergman para principiantes - Zenda En una nueva entrega de su serie 'Cine para principiantes', Hilario J. Rodríguez profundiza en la filmografía y el estilo de Ingmar Bergman.

Nunca me cansaré de reivindicar a #IngmarBergman. Os lo cuento por partida doble en @zendalibros 👇

www.zendalibros.com/ingmar-bergm...

www.zendalibros.com/feroz-ingmar...

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Apart from the fact that it is an absolute classic... it is a fascinating example of a film that asks the viewer more questions than it answers, but still gives satisfaction.
#Film #ClassicCinema #IngmarBergman #ArtHouse #FilmAnalysis #Cinephile

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How I’m spending my Sunday afternoon.

#IngmarBergman #Criterion #FilmSky #MovieSky

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“For me, the human face is the most important subject of the cinema.”
Attributed to Ingmar Bergman, film and stage director 🍿
-------------------------------------
📸: Photo taken by Joost Evers/Anefo in 1966 and released under a CC BY-SA 3.0 License
📝 : #movies, #films, #IngmarBergman, #cinema

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Alphaville (1965), rated four stars
The Seventh Seal (1957), rated five stars
The Big Short (2015), rated four stars
Breathless (1960), rated five stars

Alphaville (1965), rated four stars The Seventh Seal (1957), rated five stars The Big Short (2015), rated four stars Breathless (1960), rated five stars

#LetterboxdFriday #LastFourWatched #Letterboxd #FilmSky #MovieSky #JeanLucGodard #IngmarBergman #Godard #Bergman

#Alphaville
#TheSeventhSeal
#TheBigShort
#Breathless

@letterboxd.social 🟠🟢🔵

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Homer Simpson, fresh off his stint as Judge of the Springfield FILM Festival: " Aw... you know something,
 Marge? It's not that tough
 being a film cricket."

Homer Simpson, fresh off his stint as Judge of the Springfield FILM Festival: " Aw... you know something, Marge? It's not that tough being a film cricket."

MFW I finish recording another solid-gold episode about a 60yo movie that's been analyzed to death by legit scholars.

#HourOfTheWolf #IngmarBergman

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MOVIE QUOTE OF THE DAY:
“Your acting in the past few minutes is among the worst I’ve ever seen. You’re ruthless, immoral and rotten. People like you don’t deserve to live.”
Anders Ek in The Rite
#TheRite #Bergman #IngmarBergman #moviequotes #moviequoteoftheday

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#IngmarBergman #Persona #CriterionChannel #FilmSky
“If I see something good, I steal it.”

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MOVIE QUOTE OF THE DAY:
“You act healthy. Act it so well that everyone believes you. Everyone except me. Because I know how rotten you are.”
Bibi Andersson in Persona
#Persona #Bergman #IngmarBergman #BibiAndersson #moviequotes #moviequoteoftheday

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The Gaze

Puberty has pounced,
Painting my
Gauche,
Bumbling,
Graceless
Eleven-year-old self in
Ever more egregious,
Hormonal hues. A

Year passes. We move.
Felixstowe Beach,
Summer 1983 - 
Perhaps the last time I would
Look good in skinny jeans.

Buoyant, voluble interludes 
Between bouts of familial dysfunction
Punctured by a Presence that 
Only I seem to be aware of.
Stranger: pallid, corpulent, 
Puffy-faced, blank-eyed
Forty-year-old mother, 
Unseasonably clad in
Black and brown layers – 
Mute, motionless, 
Expressionless, with
Evident hair loss.

My barely acknowledged 
Horror, revulsion at finding myself on a
Noisy, crowded beach in 
Summer has likely found its
Fleshy form.

Simile, analogy
Elude me. Incongruity:
Not the woman, but the
Mirth, 
Conviviality.






Weegee. Coney Island, 1940.
Girl flashes a smile at the
Camera, while her
Drowned boyfriend is tended to by
Lifeguards. Muscled, young-buck
Rubberneckers glare back at the viewer,
Some perhaps in years to come:
Corpses themselves – 
Shot up, charred, washed up - on
Utah, Omaha, Iwo Jima beaches.

Then I myself am
Rubbernecked. Executing a maladroit
Manoeuvre under a bathing towel, Changing into or out of trunks, 
I lock eyes with The Gaze. 
Her husband, children, 
My siblings, parents 
Dissolve into shits and giggles at my
Twelve-year-old awkwardness.

The Gaze is of those
Sunk up to their oxters in 
Quicksand or slurry, no longer
Struggling – but surrendering.
Eyes glazed, resigned, but not vacant.

I feel Her Gaze is parsing some
Hidden portion of my psyche. 

Three years later,
I meet The Gaze again,
Watching Bergman’s 
Fanny and Alexander. 


© Jan Peters/Solivagant Wisdom, 2025

The Gaze Puberty has pounced, Painting my Gauche, Bumbling, Graceless Eleven-year-old self in Ever more egregious, Hormonal hues. A Year passes. We move. Felixstowe Beach, Summer 1983 - Perhaps the last time I would Look good in skinny jeans. Buoyant, voluble interludes Between bouts of familial dysfunction Punctured by a Presence that Only I seem to be aware of. Stranger: pallid, corpulent, Puffy-faced, blank-eyed Forty-year-old mother, Unseasonably clad in Black and brown layers – Mute, motionless, Expressionless, with Evident hair loss. My barely acknowledged Horror, revulsion at finding myself on a Noisy, crowded beach in Summer has likely found its Fleshy form. Simile, analogy Elude me. Incongruity: Not the woman, but the Mirth, Conviviality. Weegee. Coney Island, 1940. Girl flashes a smile at the Camera, while her Drowned boyfriend is tended to by Lifeguards. Muscled, young-buck Rubberneckers glare back at the viewer, Some perhaps in years to come: Corpses themselves – Shot up, charred, washed up - on Utah, Omaha, Iwo Jima beaches. Then I myself am Rubbernecked. Executing a maladroit Manoeuvre under a bathing towel, Changing into or out of trunks, I lock eyes with The Gaze. Her husband, children, My siblings, parents Dissolve into shits and giggles at my Twelve-year-old awkwardness. The Gaze is of those Sunk up to their oxters in Quicksand or slurry, no longer Struggling – but surrendering. Eyes glazed, resigned, but not vacant. I feel Her Gaze is parsing some Hidden portion of my psyche. Three years later, I meet The Gaze again, Watching Bergman’s Fanny and Alexander. © Jan Peters/Solivagant Wisdom, 2025

This time, I’m a teenage 
Alexander Ekdahl, face to face with
Aunt Elsa who – 
Toad-like, mute,
Immobile, bed-ridden - 
Bodies forth the joyless, oppressive
Atmosphere of the Bishop’s house.

That year, I’m riveted to my own bed for
Days on end by some
Malignant sadness.
Until my mother literally shakes me
Out of it. 

Years of dysthymia, dislocation,
Desolation follow. I scrape through
School badly bruised, travel, drift,
Make it to university at twenty-one.
First-classed, but adrift again, I am 
Blindsided by the first episode of
Major depression at twenty-five -
Classic age of onset, apparently.

Decades of recurrent bouts ensue.

What did The Gaze see all those 
Years ago?

And who was She?

Shadow?
Kindred Spirit?
Malign Twin?
Familiar?
Witch trapped by a wicked spell?










Or simply a clinically depressed
Mother on the cusp of midlife?

I often feel I was cursed-blessed by 
That Gaze.

Was it imparting some secret
Knowledge to my twelve-year-old
Self?

The Evil Eye, it seems, is 
Not
Always 
Malevolent. 


© Jan Peters/Solivagant Wisdom, 2025

This time, I’m a teenage Alexander Ekdahl, face to face with Aunt Elsa who – Toad-like, mute, Immobile, bed-ridden - Bodies forth the joyless, oppressive Atmosphere of the Bishop’s house. That year, I’m riveted to my own bed for Days on end by some Malignant sadness. Until my mother literally shakes me Out of it. Years of dysthymia, dislocation, Desolation follow. I scrape through School badly bruised, travel, drift, Make it to university at twenty-one. First-classed, but adrift again, I am Blindsided by the first episode of Major depression at twenty-five - Classic age of onset, apparently. Decades of recurrent bouts ensue. What did The Gaze see all those Years ago? And who was She? Shadow? Kindred Spirit? Malign Twin? Familiar? Witch trapped by a wicked spell? Or simply a clinically depressed Mother on the cusp of midlife? I often feel I was cursed-blessed by That Gaze. Was it imparting some secret Knowledge to my twelve-year-old Self? The Evil Eye, it seems, is Not Always Malevolent. © Jan Peters/Solivagant Wisdom, 2025

🙏 @alanparrywriter.co.uk @thebrokenspine.co.uk #PoemsAbout #Undressed

#poetry: ©Jan Peters/Solivagant Wisdom, 2025

#TheGaze #Depression #Adolescence #Vulnerability #IngmarBergman #FannyandAlexander

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Incroyable ! 😱
Il s’agit de #PeterSellers et #IngmarBergman, qui se sont rencontrés sur le tournage de UN CADAVRE AU DESSERT.
Dès mardi prochain, retrouvez nos 2 ouvrages respectivement consacrés à Sellers et Bergman.
📚️ Actuellement en préco sur : laboutique.carlottafilms.com/collections/livres

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Se puede decir que los cineastas son cartógrafos y sus películas mapas como los que utilizábamos cuando la mitad del mundo estaba inexplorada. #IngmarBergman, en ese sentido, llegó más lejos que nadie en sus búsquedas. Os lo cuento en @zendalibros.bsky.social 👇

www.zendalibros.com/feroz-ingmar...

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Preview
The Silence (1963) watch uncut - Grindhouse and Forgotten Exploitation Cinema Also known as: Tystnaden

grindhousecinema.com/the-silence-...
Two sisters and a young boy stop in a foreign city they can’t understand, sheltering in a vast, empty hotel. One sister is ill and isolated; the other seeks connection outside. Between them drifts a silent child
#IngmarBergman #IngridThulin #GunnelLindblom

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📚TOUS LES VISAGES DE BERGMAN, textes, critiques, écrits par #IngmarBergman et traduction de #JeanBaptisteBardin : 85 textes qui dessinent le portrait d’un artiste et de son époque, d’un cinéaste se mettant en scène comme il le ferait d’un acteur.
laboutique.carlottafilms.com/collections/precommandes

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Depuis mardi retrouvez le livre TOUS LES VISAGES DE BERGMAN, traduction de #JeanBaptisteBardin, où l’on découvre #IngmarBergman critique, conférencier et même polémiste.
📚 Un ouvrage passionnant dispo le 10/02, en précommande : laboutique.carlottafilms.com/products/tous-les-visages-de-bergman-livre

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La muerte se sentó a comer
#Macario #detsjundeinseglet #SeptimoSello #robertogavalon #ingmarbergman #muerte #EnriqueLucero #BengtEkerot #sketch #blancoynegro

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Persona Official Trailer #1 - Liv Ullmann Movie (1966) HD
Persona Official Trailer #1 - Liv Ullmann Movie (1966) HD YouTube video by Rotten Tomatoes Classic Trailers

#+Movie
#filmsky
#Moviesky
#IngmarBergman

#仮面/Persona(66)

ベルイマンの作品も好きですが、これは撮り方も構成も抜群に良いです。ベルイマンのすごさは女性をいろいろな角度から切り、語ることができるその一点です。彼の作品を見れば、いかに女性について表現できてない作家が多いかを感じずにはいられません。

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Seven directors of your choice for the seven days of the week until 2026. Name the film and director. Provide an image.
Film: Through a Glass Darkly (1961)
Director: Ingmar Bergman
#IngmarBergman #SevenDirectorsChallenge #Filmsky #MovieSky #MovieChallenge #FilmChallenge #TuesdaysAreForBergman

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#SentimentalValue #Review #Film #Movie #FilmReview #MovieReview #Drama #Family #Norway #Oslo #Norwegian #TheWorstPersonInTheWorld #IngmarBergman #JoachimTrier #EskilVogt #RenateReinsve #StellanSkarsgard #ElleFanning #IngaIbsdotterLilleass #InternationalFeatureFilm #Oscars #MUBI

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Seven directors of your choice for the seven days of the week until 2026. Name the film and director. Provide an image.
Film: The Virgin Spring (1960)
Director: Ingmar Bergman
#IngmarBergman #SevenDirectorsChallenge #Filmsky #MovieSky #MovieChallenge #FilmChallenge #TuesdaysAreForBergman

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Preview
a man in a tuxedo and bow tie is looking at a girl in a pink dress ALT: a man in a tuxedo and bow tie is looking at a girl in a pink dress

It’s time for the annual viewing of #FannyAndAlexander.

#IngmarBergman #FilmSky #MovieSky #GodJul

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Video

Il #film di oggi è #ilpostodellefragole di #ingmarbergman

www.valeriotagliaferri.it/il-posto-del...

iscriviti gratis al #podcast #lafogliadacanto e ascolta la #recensione

pdca.st/9rcv

lafogliadacanto.podcast.audio/@lafogliadac...

youtu.be/Il40Qjm79QQ?...

open.spotify.com/episode/5UqV...

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From Crab Monsters, Teenage Cavemen, and Candy Stripe Nurses - Chris Nashawaty

> [Roger Corman] did that first for [Ingmar Bergman's] Cries and Whispers. He dubbed the picture, and he played it in drive-ins.
>
> - Joe Dante

#film
#JoeDante
#RogerCorman
#IngmarBergman
#OlisQuoteFile

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L'Œil du maître

Irving Penn #IngmarBergman

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