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The Journey of Life 2 More paintings from Louis Janmot's epic Poem of the Soul, Walter Crane's concise Bridge of Life, and a selection from Edvard Munch's second Frieze of Life, exhibited in 1902.
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The Journey of Life 2 More paintings from Louis Janmot's epic Poem of the Soul, Walter Crane's concise Bridge of Life, and a selection from Edvard Munch's second Frieze of Life, exhibited in 1902.
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Preview
The Journey of Life 2 More paintings from Louis Janmot's epic Poem of the Soul, Walter Crane's concise Bridge of Life, and a selection from Edvard Munch's second Frieze of Life, exhibited in 1902.
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Preview
The Journey of Life 2 More paintings from Louis Janmot's epic Poem of the Soul, Walter Crane's concise Bridge of Life, and a selection from Edvard Munch's second Frieze of Life, exhibited in 1902.
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Preview
The Journey of Life 2 More paintings from Louis Janmot's epic Poem of the Soul, Walter Crane's concise Bridge of Life, and a selection from Edvard Munch's second Frieze of Life, exhibited in 1902.
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Preview
The Journey of Life 2 More paintings from Louis Janmot's epic Poem of the Soul, Walter Crane's concise Bridge of Life, and a selection from Edvard Munch's second Frieze of Life, exhibited in 1902.
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Preview
The Journey of Life 2 More paintings from Louis Janmot's epic Poem of the Soul, Walter Crane's concise Bridge of Life, and a selection from Edvard Munch's second Frieze of Life, exhibited in 1902.
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The Journey of Life 1 Series of paintings showing the journey of life are unusual. Here are excerpts from Poussin's Seven Sacraments, Thomas Cole's Voyage of Life, and the start of Louis Janmot's 34-image epic.
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The Journey of Life 1 Series of paintings showing the journey of life are unusual. Here are excerpts from Poussin's Seven Sacraments, Thomas Cole's Voyage of Life, and the start of Louis Janmot's 34-image epic.
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Preview
The Journey of Life 1 Series of paintings showing the journey of life are unusual. Here are excerpts from Poussin's Seven Sacraments, Thomas Cole's Voyage of Life, and the start of Louis Janmot's 34-image epic.
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Preview
The Journey of Life 1 Series of paintings showing the journey of life are unusual. Here are excerpts from Poussin's Seven Sacraments, Thomas Cole's Voyage of Life, and the start of Louis Janmot's 34-image epic.
0 0 0 0
Preview
The Journey of Life 1 Series of paintings showing the journey of life are unusual. Here are excerpts from Poussin's Seven Sacraments, Thomas Cole's Voyage of Life, and the start of Louis Janmot's 34-image epic.
0 0 0 0
Preview
The Journey of Life 1 Series of paintings showing the journey of life are unusual. Here are excerpts from Poussin's Seven Sacraments, Thomas Cole's Voyage of Life, and the start of Louis Janmot's 34-image epic.
0 0 0 0
Preview
The Journey of Life 1 Series of paintings showing the journey of life are unusual. Here are excerpts from Poussin's Seven Sacraments, Thomas Cole's Voyage of Life, and the start of Louis Janmot's 34-image epic.
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This melancholy woman, seated in a landscape and holding freshly gathered flowers, cultivates mystery. The precision with which French painter Louis Janmot has depicted her face could suggest it is a portrait. However, his model’s identity remains unknown and her features seem both realistic and idealized.

A closer look at this young woman’s clothes reveals that the drapery is much more reminiscent of the portraits painted by Leonardo da Vinci or Raphael in the late 15th and early 16th centuries than of the garments of a 19th-century woman. This reference to the art of the Renaissance is reinforced by the choice of a wooden support (rather than canvas), following the example of those same painters long ago.

In the distant background, the mountainous landscapes of Bugey open the depth of the space towards the Alps. Surrounding the woman, flowers depicted with meticulous care recall the flower-painting tradition in Lyon in the 19th century. Unlike most of his colleagues, here, Janmot prefers wild species to cultivated ones. 

Behind the apparent simplicity of a naturalistic image lies a different intention on the part of artist: perhaps an allusion to the ancient goddess Flora, but also an invitation to consider the passing of time. In fact, the flowers in the field, like the butterflies that the young woman is watching, are ephemeral and an awareness of that destiny bathes the picture in melancholy.

The painting was notably exhibited at the Paris Salon in 1845 and at the Exposition Universelle (1855), also in Paris, among other exhibitions. It was acquired in 1893 by the Musée des Beaux-Arts de Lyon and was restored in 1974.

This melancholy woman, seated in a landscape and holding freshly gathered flowers, cultivates mystery. The precision with which French painter Louis Janmot has depicted her face could suggest it is a portrait. However, his model’s identity remains unknown and her features seem both realistic and idealized. A closer look at this young woman’s clothes reveals that the drapery is much more reminiscent of the portraits painted by Leonardo da Vinci or Raphael in the late 15th and early 16th centuries than of the garments of a 19th-century woman. This reference to the art of the Renaissance is reinforced by the choice of a wooden support (rather than canvas), following the example of those same painters long ago. In the distant background, the mountainous landscapes of Bugey open the depth of the space towards the Alps. Surrounding the woman, flowers depicted with meticulous care recall the flower-painting tradition in Lyon in the 19th century. Unlike most of his colleagues, here, Janmot prefers wild species to cultivated ones. Behind the apparent simplicity of a naturalistic image lies a different intention on the part of artist: perhaps an allusion to the ancient goddess Flora, but also an invitation to consider the passing of time. In fact, the flowers in the field, like the butterflies that the young woman is watching, are ephemeral and an awareness of that destiny bathes the picture in melancholy. The painting was notably exhibited at the Paris Salon in 1845 and at the Exposition Universelle (1855), also in Paris, among other exhibitions. It was acquired in 1893 by the Musée des Beaux-Arts de Lyon and was restored in 1974.

Fleurs des champs (Flower of the Fields) by Louis Janmot (French) - Oil on wood / 1845 - Musée des Beaux-Arts de Lyon (France) #womeninart #art #oilpainting #LouisJanmot #Janmot #artwork #womensart #portraitofawoman #MuséedesBeaux-ArtsdeLyon #FrenchArt #MuséedesBeaux-Arts #Frenchartist #fineart

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@mba_lyon 🎨 Le “Poème de l’âme” de Louis Janmot est de retour à Lyon !

Les œuvres ont réintégré cette semaine le 2e étage du musée.

Louis Janmot, “Le Poème de l’âme - L’idéal”, 1854.

#museum #museums #musee #lyon #dream #aesthetic #artist #artlover #romantisme #romantic
#janmot
#louisjanmot

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