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rip tiredness

tired of searching, lugging, peering, failing,
nagged by certainty that if he found it,
or if they, discovering themselves
to him, through half-dreamt chance, by half-remembered
waking, longing, long-abandoned planning, 
buried deep within forgotten books;
or crushed beneath a pile of magazines
long semi-read while meaning drained away;
or dwelling with a creche of much-loved toys
whose lovers, grown and gone, had bid adieu;
or furniture awaiting skilled repair
and warm return to rooms that never were;
or, trapped within soft piles of sleepless blankets,
confidants of truth to aid his quest;
or relics from the homes of hard departed,
promising solutions to life’s puzzles
only if he’d brave his torch to read them;
or, tucked beyond in some far crevice,
out of reach, denying his spent grasp,
he lay in darkness under his dark roof.









[…]

slipping the ripper between the flat slates,
its flat body subverting their reign of opacity,
feeling its nose tap against the old nail, 
he adjusted its tooth to engage in the darkness
and pulled out the nail… 

[…]

                                 …and began his ascent
to the light and the sky and his future beyond…

[…]


Paul Rapley 2025                               #NoFuture

rip tiredness tired of searching, lugging, peering, failing, nagged by certainty that if he found it, or if they, discovering themselves to him, through half-dreamt chance, by half-remembered waking, longing, long-abandoned planning, buried deep within forgotten books; or crushed beneath a pile of magazines long semi-read while meaning drained away; or dwelling with a creche of much-loved toys whose lovers, grown and gone, had bid adieu; or furniture awaiting skilled repair and warm return to rooms that never were; or, trapped within soft piles of sleepless blankets, confidants of truth to aid his quest; or relics from the homes of hard departed, promising solutions to life’s puzzles only if he’d brave his torch to read them; or, tucked beyond in some far crevice, out of reach, denying his spent grasp, he lay in darkness under his dark roof. […] slipping the ripper between the flat slates, its flat body subverting their reign of opacity, feeling its nose tap against the old nail, he adjusted its tooth to engage in the darkness and pulled out the nail… […] …and began his ascent to the light and the sky and his future beyond… […] Paul Rapley 2025 #NoFuture

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@alanparrywriter.co.uk
@thebrokenspine.co.uk
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knocked out quickly - interrupted by a person from Porlock
gaps to be filled...

10 2 3 0
Attributes

Landscape of dust and bitter wastefulness!
    Flogged catamite of the pubescent bros,
Submitting to them as they soil and mess
    With gangue the grace that through our Eden grows;
They choke with tailings ancient hills and trees,
     And excavate with coldness hallowed rock
          To plunder ground and seize the rarest earths
     To ship back homewards; thereby adding stock
Upon stock of so-called servers for our data,
Trapped in fortress clouds to play us later,
      Whose keystrokes, screenshots, will yield grim afterbirths.

Paul Rapley 2025 (with acknowledgement, 1820) #DogTags

Attributes Landscape of dust and bitter wastefulness! Flogged catamite of the pubescent bros, Submitting to them as they soil and mess With gangue the grace that through our Eden grows; They choke with tailings ancient hills and trees, And excavate with coldness hallowed rock To plunder ground and seize the rarest earths To ship back homewards; thereby adding stock Upon stock of so-called servers for our data, Trapped in fortress clouds to play us later, Whose keystrokes, screenshots, will yield grim afterbirths. Paul Rapley 2025 (with acknowledgement, 1820) #DogTags

a little sketch...
#poemsabout #DogTags #KeepWriting
thanks again to
@alanparrywriter.co.uk @thebrokenspine.co.uk
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13 3 3 0
Maeve’s glove avoids the blood

Assigned a coarse, chaotic, struggling school,
both he and I, like to a desert beach,
within the desiccated Larkin’s rule
that he should never strive to overreach
his pent-up realm, sought fruitful pertinence
in Maeve’s unnoticed glove. Afghanistan,
her lives and deaths, the bloody warzone whence
he’d fled, left little space for Philip’s yarn
in verse of how he’d tried to hear Maeve clapping
on his radio. What was Phil’s point?
Intelligent, polite, forthright, and strapping,
his closest London friend in some dull joint
had been stabbed dead, his blood soaked through the concrete floor.
With all he’d known, how little I, how might I help him soar?

Paul Rapley 2025							#blood

Maeve’s glove avoids the blood Assigned a coarse, chaotic, struggling school, both he and I, like to a desert beach, within the desiccated Larkin’s rule that he should never strive to overreach his pent-up realm, sought fruitful pertinence in Maeve’s unnoticed glove. Afghanistan, her lives and deaths, the bloody warzone whence he’d fled, left little space for Philip’s yarn in verse of how he’d tried to hear Maeve clapping on his radio. What was Phil’s point? Intelligent, polite, forthright, and strapping, his closest London friend in some dull joint had been stabbed dead, his blood soaked through the concrete floor. With all he’d known, how little I, how might I help him soar? Paul Rapley 2025 #blood

thepoetryhour.com/poems/broadc...
Thankyou, all...
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18 2 2 0
parsing the heart

Today we have parsing the heart.
Last week we had long-buried grief
and next month we’ll have how to revive,
but today we have parsing the heart.
Hatred burns like acid across the public landscape
so today we have parsing the heart.

These are the lower heart ventricles
and these are the upper heart auricles
whose use you will feel
when fleeing authority.
And this is the lifeblood
which in your case you have not got.
Our biota was born of the beauty of stardust
which in our case we have not got.

This is the conscience which is always inspired
by a careful understanding of the other. And please
do not let me see anyone using their ignorance.
You can find it quite easily
if you have any depth in your soul.
The rulers are selfish and hopeless, unashamedly
letting everyone see all of them using their ignorance.

 



And that which we feel is the fear.
The purpose of this is to close down our impulses, as you can sense.
They can pump it rapidly upwards and downwards:
we call this pumping the fear.
And  rapidly upwards and downwards
mock-elected lords are assaulting and trashing your laws.
They call this pumping the fear.

All call it pumping the fear.
It is not easy to counter, but doable
if one has enough depth in one’s soul
with the hope and the aim and the will and the way and the means
which in our case we must ask if we’ve got
while the old leaders sit silent in all of the lands
and the fear’s driven upwards and upwards.
Thus today we have probing of hearts.  

Paul Rapley 2025, with grateful acknowledgement to Henry Read 1942  #BreakingTheMould

parsing the heart Today we have parsing the heart. Last week we had long-buried grief and next month we’ll have how to revive, but today we have parsing the heart. Hatred burns like acid across the public landscape so today we have parsing the heart. These are the lower heart ventricles and these are the upper heart auricles whose use you will feel when fleeing authority. And this is the lifeblood which in your case you have not got. Our biota was born of the beauty of stardust which in our case we have not got. This is the conscience which is always inspired by a careful understanding of the other. And please do not let me see anyone using their ignorance. You can find it quite easily if you have any depth in your soul. The rulers are selfish and hopeless, unashamedly letting everyone see all of them using their ignorance. And that which we feel is the fear. The purpose of this is to close down our impulses, as you can sense. They can pump it rapidly upwards and downwards: we call this pumping the fear. And rapidly upwards and downwards mock-elected lords are assaulting and trashing your laws. They call this pumping the fear. All call it pumping the fear. It is not easy to counter, but doable if one has enough depth in one’s soul with the hope and the aim and the will and the way and the means which in our case we must ask if we’ve got while the old leaders sit silent in all of the lands and the fear’s driven upwards and upwards. Thus today we have probing of hearts. Paul Rapley 2025, with grateful acknowledgement to Henry Read 1942 #BreakingTheMould

followed a mind-trail & came to this
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thanks for stepping in @karenpgonzalez.bsky.social
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17 5 4 0
matters of the clock

Flower power liberated me.
Smart suit and tie, straight job: the movies preached
those made a man. Impossibility.
My trade-off: sanity for duties breached.
Our first-born, anxious she’d be late for school
aged only six, delayed by me—dumb rules
go hang, they know you’ll miss no class—blind fool
I was, now watching as her play unspools
and mark my irresponsibility.
Base theme: her stumbling over keeping time
since angst subverted punctuality.
Though I’ve rebuilt my views, that early crime—
plus many others flickering her screen—
she’s worked to straighten, made her clock run clean.

Paul Rapley 2025				       #ImperfectMe

matters of the clock Flower power liberated me. Smart suit and tie, straight job: the movies preached those made a man. Impossibility. My trade-off: sanity for duties breached. Our first-born, anxious she’d be late for school aged only six, delayed by me—dumb rules go hang, they know you’ll miss no class—blind fool I was, now watching as her play unspools and mark my irresponsibility. Base theme: her stumbling over keeping time since angst subverted punctuality. Though I’ve rebuilt my views, that early crime— plus many others flickering her screen— she’s worked to straighten, made her clock run clean. Paul Rapley 2025 #ImperfectMe

#poemsabout #ImperfectMe #KeepWriting
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45 7 6 1
Apolloshopped

milling headphoned joggers scud hardpacing
trilling foodsearch bluetits quickflit tracing
shillingsized fleet spiders scatter fleeing
billing birdborne beaks sharp eyes unseeing
chilling gapyear lads laughlocked amusing
thrilling younggirl watchers snappers cruising
willing clotheshorse models deftly choosing

asking youthrich lad would you like posing
basking handsome visage snaplights rosing
grasping youngblood pixchance buffskin glowing
tasking lad seductive profile showing
casting adolescent bloom brief staying
masking blemishes best side displaying
drafting image likely prospect paying

glowing skin judoka bold announcing
flowing strength exotic tincture bouncing 
growing knowledge brighteyed aura moulding  
knowing buyers seek unflawed beholding
throwing defects out skinfaults withholding
going softlensed filtered fogs spots scolding
slowing flagrant sparks soft clothes enfolding

signing greenhorn heartthrobs free performing
priming figures faces nonconforming
twining face to rubric figure stifling
mining real imagined wardrobes rifling
pining mannequins more oft endearing
whining tough reality sour sneering
dining out on fashion’s interfering

Paul Rapley 2025
#Mannequin

Apolloshopped milling headphoned joggers scud hardpacing trilling foodsearch bluetits quickflit tracing shillingsized fleet spiders scatter fleeing billing birdborne beaks sharp eyes unseeing chilling gapyear lads laughlocked amusing thrilling younggirl watchers snappers cruising willing clotheshorse models deftly choosing asking youthrich lad would you like posing basking handsome visage snaplights rosing grasping youngblood pixchance buffskin glowing tasking lad seductive profile showing casting adolescent bloom brief staying masking blemishes best side displaying drafting image likely prospect paying glowing skin judoka bold announcing flowing strength exotic tincture bouncing growing knowledge brighteyed aura moulding knowing buyers seek unflawed beholding throwing defects out skinfaults withholding going softlensed filtered fogs spots scolding slowing flagrant sparks soft clothes enfolding signing greenhorn heartthrobs free performing priming figures faces nonconforming twining face to rubric figure stifling mining real imagined wardrobes rifling pining mannequins more oft endearing whining tough reality sour sneering dining out on fashion’s interfering Paul Rapley 2025 #Mannequin

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@alanparrywriter.co.uk
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14 3 5 0
Practical Ethics 
    (lines 41-109)

Once, when the plasterer was young, he said,
before he’d even gained a skillset, led
by war’s great claim to power, he’d joined the fight
and disembarked in France to strive for right.
His regiment, bombarded each long day
while battling field by field on foot: soft prey
for enfilading small arms fire, for tanks
and raining mortar shells, their bloodied ranks
cut down by injuries, mortalities
and fractured will, all old normalities
far blown to bits, inert upon the cordite air;
the very soil their enemy, sown
with guileful mines... In one small group, alone,
he’d charged a hedge to claim a hard-won field.
His NCO roared loud that all must yield.
Our plasterer-to-be surveyed the corn
that waved chest-high, gold filigree soft worn
by dread Persephone, held close by trees
on each sequestered side: a square to seize
for the advance. Commands roared forth again.
A pause… They watched, alert… until the grain
but lightly stirred, vague movements in mirage—
while, out of sight, two armies’ fell barrage
informed the sky that mortals claimed the earth,
and to the earth each shortly would return—
…a trembling of the filigree… a hand…
then two, soft rising… Across the field he scanned…
the goddess, stricken, rippling her fine dresses
to hide each humbled foe, soft acquiesces
with slow grief to thunderous human strife,
and, in shy deshabille, reveals the life
that she has held in trust, as men’s hands rise
in trembling pairs, war-grimed, with wearied eyes,
their weapons tossed from sight, an endless prize,
till, wordlessly, all plead beneath the skies.
 

He tries to estimate the number caught,
but can’t, for they spread wide, outnumber thought: 
so many men stand poached in one chance swoop, 
too much to swallow for their tiny group.
What shall we do? he asks the NCO,
remembering that by Convention no
dire harm may come to captured serving men.
How can we round them up? The goddess then
keeps watch while

		                     (continues)

Practical Ethics (lines 41-109) Once, when the plasterer was young, he said, before he’d even gained a skillset, led by war’s great claim to power, he’d joined the fight and disembarked in France to strive for right. His regiment, bombarded each long day while battling field by field on foot: soft prey for enfilading small arms fire, for tanks and raining mortar shells, their bloodied ranks cut down by injuries, mortalities and fractured will, all old normalities far blown to bits, inert upon the cordite air; the very soil their enemy, sown with guileful mines... In one small group, alone, he’d charged a hedge to claim a hard-won field. His NCO roared loud that all must yield. Our plasterer-to-be surveyed the corn that waved chest-high, gold filigree soft worn by dread Persephone, held close by trees on each sequestered side: a square to seize for the advance. Commands roared forth again. A pause… They watched, alert… until the grain but lightly stirred, vague movements in mirage— while, out of sight, two armies’ fell barrage informed the sky that mortals claimed the earth, and to the earth each shortly would return— …a trembling of the filigree… a hand… then two, soft rising… Across the field he scanned… the goddess, stricken, rippling her fine dresses to hide each humbled foe, soft acquiesces with slow grief to thunderous human strife, and, in shy deshabille, reveals the life that she has held in trust, as men’s hands rise in trembling pairs, war-grimed, with wearied eyes, their weapons tossed from sight, an endless prize, till, wordlessly, all plead beneath the skies.   He tries to estimate the number caught, but can’t, for they spread wide, outnumber thought: so many men stand poached in one chance swoop, too much to swallow for their tiny group. What shall we do? he asks the NCO, remembering that by Convention no dire harm may come to captured serving men. How can we round them up? The goddess then keeps watch while (continues)

He tries to estimate the number caught,
but can’t, for they spread wide, outnumber thought: 
so many men stand poached in one chance swoop, 
too much to swallow for their tiny group.
What shall we do? he asks the NCO,
remembering that by Convention no
dire harm may come to captured serving men.
How can we round them up? The goddess then
keeps watch while his incumbent boss, perhaps
but few years older than himself, and taught
by war to make decisions, paused in thought,
considers what their options are. Her field
soft shimmers as she awaits to count the yield
of finest crop she will receive this day.
The corn floats wide, yet, like an alleyway
enclosed and dark and short, his choice lies stark:
round up their catch with his scant troops, embark
on thinning out his men and risk that hands
now raised will drop and seize the trampled land’s
discarded, fratricidal tools of steel
and turn hard victory to fatal loss;
or tear the moral codebook up and live
that life called free in others’ deaths, and give
another certain day to those he leads.
The goddess languidly with patience reads
his calculating mind while our man sweats
and each man stranded in her corn regrets
forever that this bloody world’s events
have swept him to his present broken tense.
We round them up? No, lift your guns and shoot
and leave no man alive. Thus falls the fruit 
of many mothers’ loves strewn in her stores,
her golden skin soaked red.				 

Paul Rapley 2025			                     (continues)

He tries to estimate the number caught, but can’t, for they spread wide, outnumber thought: so many men stand poached in one chance swoop, too much to swallow for their tiny group. What shall we do? he asks the NCO, remembering that by Convention no dire harm may come to captured serving men. How can we round them up? The goddess then keeps watch while his incumbent boss, perhaps but few years older than himself, and taught by war to make decisions, paused in thought, considers what their options are. Her field soft shimmers as she awaits to count the yield of finest crop she will receive this day. The corn floats wide, yet, like an alleyway enclosed and dark and short, his choice lies stark: round up their catch with his scant troops, embark on thinning out his men and risk that hands now raised will drop and seize the trampled land’s discarded, fratricidal tools of steel and turn hard victory to fatal loss; or tear the moral codebook up and live that life called free in others’ deaths, and give another certain day to those he leads. The goddess languidly with patience reads his calculating mind while our man sweats and each man stranded in her corn regrets forever that this bloody world’s events have swept him to his present broken tense. We round them up? No, lift your guns and shoot and leave no man alive. Thus falls the fruit of many mothers’ loves strewn in her stores, her golden skin soaked red. Paul Rapley 2025 (continues)

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16 7 6 1
Flags Put Out

We must put out the flag, my father said,
rejoice in our new queen and that we’re free—
or so I think he meant. Dad went ahead,
and hung one from upstairs for all to see.
On our estate, few others did the same.
Why not? he wondered: they were Labour, too.
The Queen enraptured me—but, to my shame,
perplexed, I could not see how Royal poo
could even be a thing just like mine own.
The Wondrous Coronation Coach So Golden,
Her Majesty, Divine: might She, alone,
do that thing too? With time, I’m less beholden
to pomp: in jest, I’d wave their jolly banners
had not thieves soiled them with bleak and boorish manners.

Paul Rapley 2025

Flags Put Out We must put out the flag, my father said, rejoice in our new queen and that we’re free— or so I think he meant. Dad went ahead, and hung one from upstairs for all to see. On our estate, few others did the same. Why not? he wondered: they were Labour, too. The Queen enraptured me—but, to my shame, perplexed, I could not see how Royal poo could even be a thing just like mine own. The Wondrous Coronation Coach So Golden, Her Majesty, Divine: might She, alone, do that thing too? With time, I’m less beholden to pomp: in jest, I’d wave their jolly banners had not thieves soiled them with bleak and boorish manners. Paul Rapley 2025

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10 5 3 0
Lennie

Your lad Lennie’s lit a candle, and it’s got too hot to handle,
such a fiery candle handled in a manic-panic heat:
like, it’s scared the pants off Lennie cos it’s leapt his sister Jennie
then absconded through the window and gone blazing down the street! —

That squirt Lennie’s such a vandal, I’ll right thrash him with my sandal
if he’s singed my hits on vinyl while I’m working down the pub;
but if he’s scorched his ma’s best curtain, then of one thing I am certain:
that I’ll bring him here to whoop it up and treat him to their grub—

Mate, that text was from Bob Randall and there ain’t no time to dandle
with them is it-ain’t it riddles when your place is getting smoked;
why don’t you pause your drinking, loan a moment to some thinking:
run along with me to check that Robert Randall ain’t just joked—

If he’s pissing me I’ll lamp him and then kick his arse and stamp him
in his jewels in a bundle—Hang on, mate! What’s out that door?
Who’s them voices out there screaming? Wow! Your Len! I ain’t, like, dreaming—
Let me get at that daft toerag and I’ll teach him quick what’s for! —

Hello Dad, I’m in a muddle—If you’ve come here for a cuddle
you can think again, you spindle. Spit it: what’s with this fake news? —
Well, this candle jumped right out—Then shut it there! I’ve got no doubt
about your lies and—Dad! Stop doubting and lay down that stinking booze! —

Clamp your gob, you—Mate, get humble. Tell us, Len. Speak up, don’t mumble, 
what has happened to your candle? —Well, we followed it to Dave’s,
where the shouts were loud and hearty (Dad had banned me from Dave’s party),
yet the candle sailed right in and then the cheers rang out in waves—

So, then what? —I heard the jangle of Dave’s mother’s silver bangle
as she skipped out at an angle, blithely burbling, dazed in shock:
“You won’t believe what has transpired: a kindly angel has inspired
a wax” —You stupid boy! Your fibs make me the town’s new laughing stock—

On you, mate. Did you wangle your way in? —No…

Lennie Your lad Lennie’s lit a candle, and it’s got too hot to handle, such a fiery candle handled in a manic-panic heat: like, it’s scared the pants off Lennie cos it’s leapt his sister Jennie then absconded through the window and gone blazing down the street! — That squirt Lennie’s such a vandal, I’ll right thrash him with my sandal if he’s singed my hits on vinyl while I’m working down the pub; but if he’s scorched his ma’s best curtain, then of one thing I am certain: that I’ll bring him here to whoop it up and treat him to their grub— Mate, that text was from Bob Randall and there ain’t no time to dandle with them is it-ain’t it riddles when your place is getting smoked; why don’t you pause your drinking, loan a moment to some thinking: run along with me to check that Robert Randall ain’t just joked— If he’s pissing me I’ll lamp him and then kick his arse and stamp him in his jewels in a bundle—Hang on, mate! What’s out that door? Who’s them voices out there screaming? Wow! Your Len! I ain’t, like, dreaming— Let me get at that daft toerag and I’ll teach him quick what’s for! — Hello Dad, I’m in a muddle—If you’ve come here for a cuddle you can think again, you spindle. Spit it: what’s with this fake news? — Well, this candle jumped right out—Then shut it there! I’ve got no doubt about your lies and—Dad! Stop doubting and lay down that stinking booze! — Clamp your gob, you—Mate, get humble. Tell us, Len. Speak up, don’t mumble, what has happened to your candle? —Well, we followed it to Dave’s, where the shouts were loud and hearty (Dad had banned me from Dave’s party), yet the candle sailed right in and then the cheers rang out in waves— So, then what? —I heard the jangle of Dave’s mother’s silver bangle as she skipped out at an angle, blithely burbling, dazed in shock: “You won’t believe what has transpired: a kindly angel has inspired a wax” —You stupid boy! Your fibs make me the town’s new laughing stock— On you, mate. Did you wangle your way in? —No…

Hi, all.
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12 1 5 0
Heaven-bound

So sleek of body, her curves will carry us
unto the heavens, entrapped in perfect form,
thrust ever forward by deeper-welling powers 
torn from earth to feed her ever-thirsty locomotion.

Held in her embrace, secure and smooth,
constrained by nymphs and satyrs high above,
the wealth of the world, upon sheer molecules
of air, transported blissfully to richer, far-off dreams.

Her panoply proclaims her constancy:
our safety in her arms is their concern—
their legend blazons reassuringly,
declaring that there’s nothing here for you to worry about.

But those who tend her majesty, do they
both understand her foibles and take heed
to keep her complex systems in good health 
and fix all threats to her deep need for equilibrium?

While she conveys the hopes and fears and fluids
that flow from all the folk that she uplifts,
her membranes, stretched ten hundred thousand times,
with silent ache may chafe, then fray, then rupture, sight unseen.

Beneath the flawless skin, decay assays  
her flexing struts and stays, subverts her strength,
accosts her labyrinthine nerves, and questions
if her skilled creators’ claimed omniscience will hold.

So, should our mortal liquids—blithely spilled
and lurking through her spaces that are closed
from our own eyes by corporate facades
blanked off—find ingress to reactive salts: who’d know in time?

Or if a humble sensor, rudely wiped
by chance with oily rags, sends out three blips
of data to her flight control which tips
her whole anatomy to stall—how can we help her fly?

She seems a single whole, although we know
a million parts and more take her aloft;
and thus we greet each other, faces bold,
you good? I’m good: as rats inside consume our tangled souls.

Paul Rapley 2025

#Facades

Heaven-bound So sleek of body, her curves will carry us unto the heavens, entrapped in perfect form, thrust ever forward by deeper-welling powers torn from earth to feed her ever-thirsty locomotion. Held in her embrace, secure and smooth, constrained by nymphs and satyrs high above, the wealth of the world, upon sheer molecules of air, transported blissfully to richer, far-off dreams. Her panoply proclaims her constancy: our safety in her arms is their concern— their legend blazons reassuringly, declaring that there’s nothing here for you to worry about. But those who tend her majesty, do they both understand her foibles and take heed to keep her complex systems in good health and fix all threats to her deep need for equilibrium? While she conveys the hopes and fears and fluids that flow from all the folk that she uplifts, her membranes, stretched ten hundred thousand times, with silent ache may chafe, then fray, then rupture, sight unseen. Beneath the flawless skin, decay assays her flexing struts and stays, subverts her strength, accosts her labyrinthine nerves, and questions if her skilled creators’ claimed omniscience will hold. So, should our mortal liquids—blithely spilled and lurking through her spaces that are closed from our own eyes by corporate facades blanked off—find ingress to reactive salts: who’d know in time? Or if a humble sensor, rudely wiped by chance with oily rags, sends out three blips of data to her flight control which tips her whole anatomy to stall—how can we help her fly? She seems a single whole, although we know a million parts and more take her aloft; and thus we greet each other, faces bold, you good? I’m good: as rats inside consume our tangled souls. Paul Rapley 2025 #Facades

Now I've finally got into this (nice idea, Alan), I think I'll rework it and make it twice the length.
But here's a rough sketch.
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12 3 2 0
Venting
The populus must have a way to vent
the pressure of its anger vs the state,
says Niccolò—for lacking their consent
in weighty things, their patience will not wait.
When Gnaeus Marcius forced a punishment
upon the people, starving them of corn,
the tumult would have slaughtered him, absent
the tribunes—commoners—who braved his scorn
and set a trial from which he fled to foes—
the city saved from civil discontent,
resolved to face a war—but juxtapose
that with how Caesar aimed to circumvent
the obsequious tribunes’ now corrupted powers:
and how their time so resonates with ours. 

Paul Rapley 2025 


#Riots

Venting The populus must have a way to vent the pressure of its anger vs the state, says Niccolò—for lacking their consent in weighty things, their patience will not wait. When Gnaeus Marcius forced a punishment upon the people, starving them of corn, the tumult would have slaughtered him, absent the tribunes—commoners—who braved his scorn and set a trial from which he fled to foes— the city saved from civil discontent, resolved to face a war—but juxtapose that with how Caesar aimed to circumvent the obsequious tribunes’ now corrupted powers: and how their time so resonates with ours. Paul Rapley 2025 #Riots

Thanks for the challenge, Alan.
#poemsabout #Riots
@alanparrywriter.co.uk @thebrokenspine.co.uk
#poetrycommunity #poetry #PoetsWhoSupportPoets #PoetsOfBlueSky

10 2 2 0
Falling in
According to the gazetteer
of some part of our hemisphere
[not known for being insincere
nor knowingly to interfere
with facts—nor be a profiteer
from fables she might overhear
from any passing balladeer]:
one night a lonely grenadier
[born long years past in Leicestershire—
his mother, a famed scrutineer
of cheeses; father, profiteer
from porky pies, the domineer
of heists throughout the biosphere—
who’d made the choice to disappear,
escape their dump and volunteer
for service—be it fusilier
or musketeer or bombardier
or pontonier or pistoleer
or even sun-soaked cameleer—
and, trained to use the troposphere
to launch grenades in Aboukir,
in Naples, Spain and Agadir
(wherever the high puppeteer
would deign to send each pioneer
beneath the burning lithosphere)]
while passing through the aerosphere
in thick clouds with his brigadier,
three swordsmen and a muleteer
(no mules), clothed in thin cassimere,

Falling in According to the gazetteer of some part of our hemisphere [not known for being insincere nor knowingly to interfere with facts—nor be a profiteer from fables she might overhear from any passing balladeer]: one night a lonely grenadier [born long years past in Leicestershire— his mother, a famed scrutineer of cheeses; father, profiteer from porky pies, the domineer of heists throughout the biosphere— who’d made the choice to disappear, escape their dump and volunteer for service—be it fusilier or musketeer or bombardier or pontonier or pistoleer or even sun-soaked cameleer— and, trained to use the troposphere to launch grenades in Aboukir, in Naples, Spain and Agadir (wherever the high puppeteer would deign to send each pioneer beneath the burning lithosphere)] while passing through the aerosphere in thick clouds with his brigadier, three swordsmen and a muleteer (no mules), clothed in thin cassimere,

steered by a nervous gondolier
more used to the earth’s hydrosphere
than boating through the atmosphere
(could hot air—like a bandoleer—
keep them above the rhizosphere?)
en route to eye Diyarbakir,
was caught out by an oversteer
and, tipped towards to the centrosphere,
fast tumbling like a charioteer
struck from his cart, ear-over-ear,
and screeching out like Chanticleer,
fell doom-wards (writes our pamphleteer)
till stopped mid-air: a bayadere,
who’d dodged her king, like Guinevere,
and chanced just then to reappear
as if she were a rocketeer
in beauteous form; a privateer
upon the air; a mutineer
who’d rise beyond the stratosphere—
thus saving our shocked grenadier
whom she, with spirit cavalier,
(a woman born to persevere)
flew to her favoured belvedere
where (lauded by a sonneteer
who penned fine verse as souvenir
so great, their fame reached Windermere,
plus many a loving banqueteer)
they wed beneath the chandelier.

Paul Rapley 2025

steered by a nervous gondolier more used to the earth’s hydrosphere than boating through the atmosphere (could hot air—like a bandoleer— keep them above the rhizosphere?) en route to eye Diyarbakir, was caught out by an oversteer and, tipped towards to the centrosphere, fast tumbling like a charioteer struck from his cart, ear-over-ear, and screeching out like Chanticleer, fell doom-wards (writes our pamphleteer) till stopped mid-air: a bayadere, who’d dodged her king, like Guinevere, and chanced just then to reappear as if she were a rocketeer in beauteous form; a privateer upon the air; a mutineer who’d rise beyond the stratosphere— thus saving our shocked grenadier whom she, with spirit cavalier, (a woman born to persevere) flew to her favoured belvedere where (lauded by a sonneteer who penned fine verse as souvenir so great, their fame reached Windermere, plus many a loving banqueteer) they wed beneath the chandelier. Paul Rapley 2025

Thanks for the new prompt, Alan
Something serious...
#poemsabout #Chandeliers
@alanparrywriter.co.uk @thebrokenspine.co.uk
#poetrycommunity #poetry #PoetsWhoSupportPoets #PoetsOfBlueSky

7 1 4 0
Responses

All signs are pointing to a yes—
they’ll sign next week, is our best guess:
agreed on land and checks and arms
and stepped responses to alarms,
absorbing scares and threats and warnings,
planning ways to cool hot mornings—
protocols to shape reactions,
reining in their wilder factions:
it looks certain, all plants say,
a cease-fire’s marching on its way.

Time to pull out those old files
and wipe out their pacific smiles.
We won’t allow the sides to sign
when we’ve such intel—dead malign—
gross photos, audio, and logs,
and evidence of when, like dogs,
they sweated at it in our places:
compromised their public faces.
Make it clear what we’ll enable:
smash their treaty off the table.

Paul Rapley 2025

Responses All signs are pointing to a yes— they’ll sign next week, is our best guess: agreed on land and checks and arms and stepped responses to alarms, absorbing scares and threats and warnings, planning ways to cool hot mornings— protocols to shape reactions, reining in their wilder factions: it looks certain, all plants say, a cease-fire’s marching on its way. Time to pull out those old files and wipe out their pacific smiles. We won’t allow the sides to sign when we’ve such intel—dead malign— gross photos, audio, and logs, and evidence of when, like dogs, they sweated at it in our places: compromised their public faces. Make it clear what we’ll enable: smash their treaty off the table. Paul Rapley 2025

Something for the pot.
Thanks for the prompt, Alan.
#poemsabout #Ceasefire
@alanparrywriter.co.uk @thebrokenspine.co.uk
#poetrycommunity #poetry #PoetsWhoSupportPoets #PoetsOfBlueSky

13 3 3 1
Bortle One to Four
I think I’ve never seen the Milky Way,
I said—at least, not registered it as such—
for many years had churned since I’d not known
that earthly lights would cancel out the stars
and blanch stark blackness into tinted greys
that mock the glistening fractured tears
which mighty giants weep and beam to us
in mourning for their snuffed-out spectral kin.

Acknowledging their house amid the hills,
set far from towns and screened from neighbours’ homesteads,
crouching mute beneath the moonless sky,
was blighting night’s eternal darkest blackness,
blazing out its own illumination
which, with a finger’s flick he might extinguish;
and, learning of my longing to gaze further,
he quenched the lights to outside space for me.

The porch and drive and field and further workshop,
the bend, the private road, and flanking trees
sunk down to formless shadows while the vault
of heaven permeated my tired eyes…
Yet, where’s the Milky Way? I had to ask.
Look up, above your head. Yes, she was there
but faint, like long-lost memories of love
or soaked-in, blotted, spilled ambrosia.

My sister and his wife were still inside
not drawn to stepping into chill and dark—
perhaps not knowing quite why we were out,
or even that we’d left. Their lights were on
so, even near the bend, they teased our sky
and sapped the Bortle scale. I’d not the cheek
to ask, invite them to join in. That other
star, he said, I think’s a satellite.

Paul Rapley, 2025

Bortle One to Four I think I’ve never seen the Milky Way, I said—at least, not registered it as such— for many years had churned since I’d not known that earthly lights would cancel out the stars and blanch stark blackness into tinted greys that mock the glistening fractured tears which mighty giants weep and beam to us in mourning for their snuffed-out spectral kin. Acknowledging their house amid the hills, set far from towns and screened from neighbours’ homesteads, crouching mute beneath the moonless sky, was blighting night’s eternal darkest blackness, blazing out its own illumination which, with a finger’s flick he might extinguish; and, learning of my longing to gaze further, he quenched the lights to outside space for me. The porch and drive and field and further workshop, the bend, the private road, and flanking trees sunk down to formless shadows while the vault of heaven permeated my tired eyes… Yet, where’s the Milky Way? I had to ask. Look up, above your head. Yes, she was there but faint, like long-lost memories of love or soaked-in, blotted, spilled ambrosia. My sister and his wife were still inside not drawn to stepping into chill and dark— perhaps not knowing quite why we were out, or even that we’d left. Their lights were on so, even near the bend, they teased our sky and sapped the Bortle scale. I’d not the cheek to ask, invite them to join in. That other star, he said, I think’s a satellite. Paul Rapley, 2025

Sorry this is late - done in a rush
Thanks, Alan, for setting the challenge.
#poemsabout #BlackSky
@alanparrywriter.co.uk @thebrokenspine.co.uk
#poetrycommunity #poetry #PoetsWhoSupportPoets #PoetsOfBlueSky

8 2 1 0
The Bortle Scale, from One to Four
I think I’ve never seen the Milky Way,
I said—at least, not registered it as such—
for many years had churned since I’d not known
that earthly lights would cancel out the stars
and blanch stark blackness into tinted greys
that mock the glistening fractured tears
which mighty giants weep and beam to us
in mourning for their snuffed-out spectral kin.

Acknowledging their house amid the hills,
set far from towns and screened from neighbours’ homesteads,
crouching mute beneath the moonless sky,
was blighting night’s eternal darkest blackness,
blazing out its own illumination
which, with a finger’s flick he might extinguish;
and, learning of my longing to gaze further,
he quenched the lights to outside space for me.

The porch and drive and field and further workshop,
the bend, the private road, and flanking trees
sunk down to formless shadows while the vault
of heaven permeated my tired eyes…
Yet, where’s the Milky Way? I had to ask.
Look up, above your head. Yes, she was there
but faint, like long-lost memories of love
or soaked-in, blotted, spilled ambrosia.

My sister and his wife were still inside
not drawn to stepping into chill and dark—
perhaps not knowing quite why we were out,
or even that we’d left. Their lights were on
so, even near the bend, they teased our sky
and sapped the Bortle scale. I’d not the cheek
to ask, invite them to join in. That other
star, he said, I think’s a satellite.

Paul Rapley, 2025

The Bortle Scale, from One to Four I think I’ve never seen the Milky Way, I said—at least, not registered it as such— for many years had churned since I’d not known that earthly lights would cancel out the stars and blanch stark blackness into tinted greys that mock the glistening fractured tears which mighty giants weep and beam to us in mourning for their snuffed-out spectral kin. Acknowledging their house amid the hills, set far from towns and screened from neighbours’ homesteads, crouching mute beneath the moonless sky, was blighting night’s eternal darkest blackness, blazing out its own illumination which, with a finger’s flick he might extinguish; and, learning of my longing to gaze further, he quenched the lights to outside space for me. The porch and drive and field and further workshop, the bend, the private road, and flanking trees sunk down to formless shadows while the vault of heaven permeated my tired eyes… Yet, where’s the Milky Way? I had to ask. Look up, above your head. Yes, she was there but faint, like long-lost memories of love or soaked-in, blotted, spilled ambrosia. My sister and his wife were still inside not drawn to stepping into chill and dark— perhaps not knowing quite why we were out, or even that we’d left. Their lights were on so, even near the bend, they teased our sky and sapped the Bortle scale. I’d not the cheek to ask, invite them to join in. That other star, he said, I think’s a satellite. Paul Rapley, 2025

Sorry this is late - done in a rush
Thanks, Alan, for setting the challenge.
#poemsabout #DarkSky @alanparrywriter.co.uk
@thebrokenspine.co.uk
#poetrycommunity #poetry #PoetsWhoSupportPoets #KeepCreative #PoetsOfBlueSky

5 2 2 0
Look at Me
I’d set my heart on all you loving me
so learned the ways to catch your needy eye
I’ve sussed the greedy blatancy of fame
and how to blag a freebie with cool cheek
I shine and strut with sleek insouciance
while flashing charming smiles to devotees
I’m setting shame apart for it is just 
that my smart clique should pleasure out its days
since I was yearning for this as a child
and mildness never stopped a bee’s despatch
I shall be earning squillions at this mine
as others bend the knee and trudge for miles
I shall have been…
What?
Your bad. I was misled. I swear you’d said
I had to stitch an epic thread on grammar.

Paul Rapley 2025

Look at Me I’d set my heart on all you loving me so learned the ways to catch your needy eye I’ve sussed the greedy blatancy of fame and how to blag a freebie with cool cheek I shine and strut with sleek insouciance while flashing charming smiles to devotees I’m setting shame apart for it is just that my smart clique should pleasure out its days since I was yearning for this as a child and mildness never stopped a bee’s despatch I shall be earning squillions at this mine as others bend the knee and trudge for miles I shall have been… What? Your bad. I was misled. I swear you’d said I had to stitch an epic thread on grammar. Paul Rapley 2025

My stitch for the thread
#poemsabout #Glamour @alanparrywriter.co.uk @thebrokenspine.co.uk
#Authentic #TakeRisks #poetrycommunity #poetry #PoetsWhoSupportPoets #KeepCreative #PoetsOfBlueSky
[BTW my #waxtears effort was a rip-off of that wonderful novel, Charlotte Brontë's Jane Eyre.]

15 5 5 0
darkness, light, passion
For shame! For shame! Lock up the mad cat!
Red. Pink. Crimson. Mahogany.
No jail was ever more secure.
Rain beating, wind howling, fireplace blank 
violent tyrannies, proud indifference, plain aversion
darkening deposits in my mind’s turbid well
courage sinking cold into the coming night…

Outside, a swift-darting beam, unrecognised [from the burning oil of a whale, perhaps]
the herald of some coming vision from another world
head hot, heart thick, the rushing of wings in my ears
in terror i hear my cry…

there was a stranger in the room
soothing conviction of protection and security
more tenderly than ever before, i felt raised, upheld
before the warm fire and a friendly flame [from the combusting fat of sheep, no doubt]
before he went out, and then the fire and the flame

A loud bell ringing
in bitter cold the girls up and dressing
evincing fortitude under wintry privation
night irked out by feeble glimmers [from the ignited pith of grease-dipped rushes, for sure]
water frozen in the pitchers

i let down the window and look out
behind us, the town
to judge by the number of its lights [from volatile components of coal, distributed, in main]
a place of considerable magnitude

darkness, light, passion For shame! For shame! Lock up the mad cat! Red. Pink. Crimson. Mahogany. No jail was ever more secure. Rain beating, wind howling, fireplace blank violent tyrannies, proud indifference, plain aversion darkening deposits in my mind’s turbid well courage sinking cold into the coming night… Outside, a swift-darting beam, unrecognised [from the burning oil of a whale, perhaps] the herald of some coming vision from another world head hot, heart thick, the rushing of wings in my ears in terror i hear my cry… there was a stranger in the room soothing conviction of protection and security more tenderly than ever before, i felt raised, upheld before the warm fire and a friendly flame [from the combusting fat of sheep, no doubt] before he went out, and then the fire and the flame A loud bell ringing in bitter cold the girls up and dressing evincing fortitude under wintry privation night irked out by feeble glimmers [from the ignited pith of grease-dipped rushes, for sure] water frozen in the pitchers i let down the window and look out behind us, the town to judge by the number of its lights [from volatile components of coal, distributed, in main] a place of considerable magnitude

Re-reposting cos heavily indebted to writer far greater than me [As Harold Bloom said 'No, Thomas Stearns, not Dante] Anyone?
(2 pts)
#poemsabout #WaxTears @alanparrywriter.co.uk
@thebrokenspine.co.uk #Authentic #TakeRisks #poetrycommunity #poetry #PoetsWhoSupportPoets #KeepCreative #PoetsOfBlueSky

3 1 1 0
darkness, light, passion
For shame! For shame! Lock up the mad cat!
Red. Pink. Crimson. Mahogany.
No jail was ever more secure.
Rain beating, wind howling, fireplace blank 
violent tyrannies, proud indifference, plain aversion
darkening deposits in my mind’s turbid well
courage sinking cold into the coming night…

Outside, a swift-darting beam, unrecognised [from the burning oil of a whale, perhaps]
the herald of some coming vision from another world
head hot, heart thick, the rushing of wings in my ears
in terror i hear my cry…

there was a stranger in the room
soothing conviction of protection and security
more tenderly than ever before, i felt raised, upheld
before the warm fire and a friendly flame [from the combusting fat of sheep, no doubt]
before he went out, and then the fire and the flame

A loud bell ringing
in bitter cold the girls up and dressing
evincing fortitude under wintry privation
night irked out by feeble glimmers [from the ignited pith of grease-dipped rushes, for sure]
water frozen in the pitchers

i let down the window and look out
behind us, the town
to judge by the number of its lights [from volatile components of coal, distributed, in main]
a place of considerable magnitude

darkness, light, passion For shame! For shame! Lock up the mad cat! Red. Pink. Crimson. Mahogany. No jail was ever more secure. Rain beating, wind howling, fireplace blank violent tyrannies, proud indifference, plain aversion darkening deposits in my mind’s turbid well courage sinking cold into the coming night… Outside, a swift-darting beam, unrecognised [from the burning oil of a whale, perhaps] the herald of some coming vision from another world head hot, heart thick, the rushing of wings in my ears in terror i hear my cry… there was a stranger in the room soothing conviction of protection and security more tenderly than ever before, i felt raised, upheld before the warm fire and a friendly flame [from the combusting fat of sheep, no doubt] before he went out, and then the fire and the flame A loud bell ringing in bitter cold the girls up and dressing evincing fortitude under wintry privation night irked out by feeble glimmers [from the ignited pith of grease-dipped rushes, for sure] water frozen in the pitchers i let down the window and look out behind us, the town to judge by the number of its lights [from volatile components of coal, distributed, in main] a place of considerable magnitude

#poemsabout #WaxTears @alanparrywriter.co.uk
@thebrokenspine.co.uk
& #Authentic #TakeRisks #poetrycommunity #poetry #PoetsWhoSupportPoets #KeepCreative #PoetsOfBlueSky

10 1 2 0
rogue state

frame zero shows some scrubby sneakers, masked—
five tooled-up shapes which, catalogued, might pass
for men—who prowl around a small box truck;
at six, a shout plus baton strike (unasked)
full totals the guy’s window; eight—sans class—
you are, you fucking (incoherent); pluck
the inner door lock up, pull wide the door— 
till more men drag the filmer to the floor;
at eighteen: get him down! get the fuck down!
while felled phone eavesdrops: you just fucking lay there!
give me your fucking hand! crude barks can’t drown
fierce scuffles off; on mic, the grim affray fair
rends the ear; at thirty-two—you wannit?
you gottit, sir, you fucking gottit—pale sky
is blocked: smudged dark by faces forced upon it,
snarling demi-wolves and curs who tie
his hands: you wanna go to jail? (that’s) fine, 
you gottit; the face is glum, a concubine,
quite plump and grey and passing forty, topped—
like all—in adolescent cap, full stopped
from intellectual thought by tribal hatred
making brutalising action something sacred;
you wanted it—you gottit; as radio instructs,
one minute in: right, boom! (lurch) boom! the picture
wobbles; get up sir, get up, the petty boss conducts
his handcuffed quarries upwards; boss’s stricture:
you wanna put your phone (back) in your pocket
comes at one-o-five: the screen goes dark,
while I Am Become Ice, Son Of Moloch!
booms quite eerily around the vehicle park.

Paul Rapley 2025

rogue state frame zero shows some scrubby sneakers, masked— five tooled-up shapes which, catalogued, might pass for men—who prowl around a small box truck; at six, a shout plus baton strike (unasked) full totals the guy’s window; eight—sans class— you are, you fucking (incoherent); pluck the inner door lock up, pull wide the door— till more men drag the filmer to the floor; at eighteen: get him down! get the fuck down! while felled phone eavesdrops: you just fucking lay there! give me your fucking hand! crude barks can’t drown fierce scuffles off; on mic, the grim affray fair rends the ear; at thirty-two—you wannit? you gottit, sir, you fucking gottit—pale sky is blocked: smudged dark by faces forced upon it, snarling demi-wolves and curs who tie his hands: you wanna go to jail? (that’s) fine, you gottit; the face is glum, a concubine, quite plump and grey and passing forty, topped— like all—in adolescent cap, full stopped from intellectual thought by tribal hatred making brutalising action something sacred; you wanted it—you gottit; as radio instructs, one minute in: right, boom! (lurch) boom! the picture wobbles; get up sir, get up, the petty boss conducts his handcuffed quarries upwards; boss’s stricture: you wanna put your phone (back) in your pocket comes at one-o-five: the screen goes dark, while I Am Become Ice, Son Of Moloch! booms quite eerily around the vehicle park. Paul Rapley 2025

#poemsabout #ItsASin
@alanparry83.bsky.social @brokenspinearts.bsky.social
& #Authentic #TakeRisks #poetrycommunity #poetry #PoetsWhoSupportPoets #KeepCreative #PoetsOfBlueSky

10 3 6 0
Post image

#poemsabout #Transitions
@alanparry83.bsky.social @brokenspinearts.bsky.social
& #Authentic #TakeRisks #poetrycommunity #poetry #PoetsWhoSupportPoets #KeepCreative #PoetsOfBlueSky

7 1 3 0
let nature do her thing

leylandii rise so very high, set two sides of the little pond
weak strength outdone by endless skyward growth
flanking shoots and cones drag down their feeble boughs
darkness within: old tinder brittle dry 
sterile inner zones where tiny goldcrest hide
atop the firs, the robin sings his ownership
the sweet gum, now in springtime leaf, holds bold the eastern sector
one head-high limb extends clear out—a sun-blessed southwards salient
a lesser branch extends right-angled across the water
pacific pigeons mumble smugly far aloft 
a shadowy arena
beyond, a mass of lush green tangled foliage 
cool…verdant…sylvan
arboreal eden
left free by lax suburbanites to sprout and swell and screen
before the fall

holding morning’s mug of instant, sipping slow upon our bendy bench
light breezes tickle leaves; soft traffic throbs back of beyond

a crash—hoarse mocking screech on angry scream and panicked shrieking—
cracked twigs loud crushed en masse—massed leaves resound to sudden impact—
hideous flurry in the western eden—grim pursuit concealed within—
fast chuckling ha!ha!ha! and dire screamed kshehr! kshehr! near overwhelm
shrill high-pitched shrieking, kyek!kyek!kyek!kyek! kyek!
and out they burst, punch through the dark core of the far leylandii and
—while the clock is ticking through one single second—
compounded into black and white with speeding shades of pink and flashing blue,
wild wings and somersaulting torsos, hoarse beaks ashriek with scream and screech—
the frenzied fledgling jay, its desperate dam and hungry magpie
crash onto the southern salient bough to clash and claw beat wings and stab amid the scattering sweet leaves 
almost within my grasp  
unyielding flapping, magpie straining for the fledgling, mother bouncing off the magpie
harsh sardonic chatter of the predator for prey
mother blocking, feinting, guarding, screaming
young’un, dressed for fancy partying, much confused, hops rapidly about the branch’s end
kyek!kyek! +350 chas

let nature do her thing leylandii rise so very high, set two sides of the little pond weak strength outdone by endless skyward growth flanking shoots and cones drag down their feeble boughs darkness within: old tinder brittle dry sterile inner zones where tiny goldcrest hide atop the firs, the robin sings his ownership the sweet gum, now in springtime leaf, holds bold the eastern sector one head-high limb extends clear out—a sun-blessed southwards salient a lesser branch extends right-angled across the water pacific pigeons mumble smugly far aloft a shadowy arena beyond, a mass of lush green tangled foliage cool…verdant…sylvan arboreal eden left free by lax suburbanites to sprout and swell and screen before the fall holding morning’s mug of instant, sipping slow upon our bendy bench light breezes tickle leaves; soft traffic throbs back of beyond a crash—hoarse mocking screech on angry scream and panicked shrieking— cracked twigs loud crushed en masse—massed leaves resound to sudden impact— hideous flurry in the western eden—grim pursuit concealed within— fast chuckling ha!ha!ha! and dire screamed kshehr! kshehr! near overwhelm shrill high-pitched shrieking, kyek!kyek!kyek!kyek! kyek! and out they burst, punch through the dark core of the far leylandii and —while the clock is ticking through one single second— compounded into black and white with speeding shades of pink and flashing blue, wild wings and somersaulting torsos, hoarse beaks ashriek with scream and screech— the frenzied fledgling jay, its desperate dam and hungry magpie crash onto the southern salient bough to clash and claw beat wings and stab amid the scattering sweet leaves almost within my grasp   unyielding flapping, magpie straining for the fledgling, mother bouncing off the magpie harsh sardonic chatter of the predator for prey mother blocking, feinting, guarding, screaming young’un, dressed for fancy partying, much confused, hops rapidly about the branch’s end kyek!kyek! +350 chas

Post image

#poemsabout #FierceBattle
@alanparry83.bsky.social @brokenspinearts.bsky.social
& #Authentic #TakeRisks #poetrycommunity #poetry #PoetsWhoSupportPoets #KeepCreative #PoetsOfBlueSky

8 1 2 0
well I ain’t

tentacle manacle equivocal reciprocal—
why’m i trapped here like a fool? 
friable pliable convertible retractable—
think you’ll bend me to your rule?
spiracle pinnacle—
them dork words the cream for you?
risible visible—
having a laugh? see this be true:
miscible permissible—  
i hate mixing with them dorks
biddable formidable—
listening to your boring talks
look at them they’re o so teachable
don’t touch me cos I ain’t reachable
why’re they staring? what’s she want?
what you looking at? huh? well don’t
god these boring losers bore
what you looking at me for?
so why you staring at me now?
god I hate that pretty cow
you look away or get a slap—
stay out this miss—you want gift-wrap?
see all them get right cowed and hunching
under my dread gaze, fists bunching—
why’m I up? i’m that susceptible
to my red rage? so dead intractable—
rage to legs to fist—directable
by my ire? so who’s a spectacle?
i make a spectacle right here?
i’ll give you one—just lend your ear
for I can scream the whole school down
you bores and swots and preaching clown
now watch me stride from desk to desk
and throw your books with their school crest
in scattered glory through the air
and kick the bins and toss this chair
at your glazed miss and thrust the door
and twerk right through and slam its poor
mute trembling frame and bang each class
along the hall and smash the glass
of that big lamp that hangs respectable
scare the head with my great spectacle
your christmas tree—you’d love a miracle?
something’s grabbed me most satirical
so let’s grab it and let me climb
high up the wall for my first time
onto that beam—o you’re assembling
to watch my show? huh! they’re all trembling
way down there while peering up
for miracles to fill their cup
behold! a shower of sparkling balls  
and tinsel, stars and angels falls
upon your dorkish faces chums
and hallowed needles painted plums
and now the tree herself descends
upon your horrid cliquish friends
so all of you can badmouth me
i’m out +25

well I ain’t tentacle manacle equivocal reciprocal— why’m i trapped here like a fool? friable pliable convertible retractable— think you’ll bend me to your rule? spiracle pinnacle— them dork words the cream for you? risible visible— having a laugh? see this be true: miscible permissible— i hate mixing with them dorks biddable formidable— listening to your boring talks look at them they’re o so teachable don’t touch me cos I ain’t reachable why’re they staring? what’s she want? what you looking at? huh? well don’t god these boring losers bore what you looking at me for? so why you staring at me now? god I hate that pretty cow you look away or get a slap— stay out this miss—you want gift-wrap? see all them get right cowed and hunching under my dread gaze, fists bunching— why’m I up? i’m that susceptible to my red rage? so dead intractable— rage to legs to fist—directable by my ire? so who’s a spectacle? i make a spectacle right here? i’ll give you one—just lend your ear for I can scream the whole school down you bores and swots and preaching clown now watch me stride from desk to desk and throw your books with their school crest in scattered glory through the air and kick the bins and toss this chair at your glazed miss and thrust the door and twerk right through and slam its poor mute trembling frame and bang each class along the hall and smash the glass of that big lamp that hangs respectable scare the head with my great spectacle your christmas tree—you’d love a miracle? something’s grabbed me most satirical so let’s grab it and let me climb high up the wall for my first time onto that beam—o you’re assembling to watch my show? huh! they’re all trembling way down there while peering up for miracles to fill their cup behold! a shower of sparkling balls and tinsel, stars and angels falls upon your dorkish faces chums and hallowed needles painted plums and now the tree herself descends upon your horrid cliquish friends so all of you can badmouth me i’m out +25

Post image

First draft

#poemsabout #spectacle
@alanparry83.bsky.social
@brokenspinearts.bsky.social
& #Authentic #TakeRisks #poetrycommunity #poetry #PoetsWhoSupportPoets #KeepCreative #PoetsOfBlueSky

10 3 4 0
The Briar Rose, the Plum Tree, and the Pear
The briar leans out to kiss the blossoming plum.
He lifts it lightly from a compliant sprig
And guides it back – its task to hug and twine
Around the pear-tree’s stem: a living shroud
Shooting from earth—dead wood within enshrined,
Bleak bark parched black, he notes—then tests a twig,
Which cracks with brittle snap beneath his thumb.
A climbing rose—could such a shrub become
The arbiter whose smiling blooms might signify
Maternal peace—or would sharp thorns consign
Her withered frame, dried xylem, trunk de-boughed,
To haunting him? Each briar thrusts out a line
Away: they’ve never flowered. In mute indignity
The pear declares opprobrium.  
No Epsom salts to treat magnesium
Deficiency, nor iron chelates rigorously
Dispersed beneath the tree’s decline— 
While leaf-stalks weakened, veins once green and proud
Yellowed, then shrank, biochemically maligned— 
Could halt her fade: the foliate stigmata
Of this gift he’d watched succumb.
Eight years ago, his mind a vacuum,
With fork in hand, preparing for a dig,
Some brightly tinctured fluttering caught his eye
Near the far fence. “What’s that?” he’d asked aloud
Of no-one. Strode across, where all seemed fine
Except autumnal leaves— a few—some big,
Each scorched, in spring: the pear’s long fall had come.


In her prior seasons, strung to maximum
With nascent pears purporting fruitful vigour, 
Learning that the tree could not define
Her need, he’d carefully thinned the swelling crowd
To ease her birth. Yet from the spurs he’d finally
Spared, the crop slipped off, half rotted, figures
He feared, of past distress, now lying dumb. 
Perhaps by pruning to the minimum—
Or even less—he’d leased to her the signal
“I can’t touch you.” Why so meek? Why sign
Away his rights to secateurs, and cloud
His cutting judgement? Why prune the others fine— 
The plum so young, the cherries bulging big— 
And yet by one pear tree be overcome?
Cut it down, Dad, burn the lumber,
Plant (plus another 240 words)

The Briar Rose, the Plum Tree, and the Pear The briar leans out to kiss the blossoming plum. He lifts it lightly from a compliant sprig And guides it back – its task to hug and twine Around the pear-tree’s stem: a living shroud Shooting from earth—dead wood within enshrined, Bleak bark parched black, he notes—then tests a twig, Which cracks with brittle snap beneath his thumb. A climbing rose—could such a shrub become The arbiter whose smiling blooms might signify Maternal peace—or would sharp thorns consign Her withered frame, dried xylem, trunk de-boughed, To haunting him? Each briar thrusts out a line Away: they’ve never flowered. In mute indignity The pear declares opprobrium. No Epsom salts to treat magnesium Deficiency, nor iron chelates rigorously Dispersed beneath the tree’s decline— While leaf-stalks weakened, veins once green and proud Yellowed, then shrank, biochemically maligned— Could halt her fade: the foliate stigmata Of this gift he’d watched succumb. Eight years ago, his mind a vacuum, With fork in hand, preparing for a dig, Some brightly tinctured fluttering caught his eye Near the far fence. “What’s that?” he’d asked aloud Of no-one. Strode across, where all seemed fine Except autumnal leaves— a few—some big, Each scorched, in spring: the pear’s long fall had come. In her prior seasons, strung to maximum With nascent pears purporting fruitful vigour, Learning that the tree could not define Her need, he’d carefully thinned the swelling crowd To ease her birth. Yet from the spurs he’d finally Spared, the crop slipped off, half rotted, figures He feared, of past distress, now lying dumb. Perhaps by pruning to the minimum— Or even less—he’d leased to her the signal “I can’t touch you.” Why so meek? Why sign Away his rights to secateurs, and cloud His cutting judgement? Why prune the others fine— The plum so young, the cherries bulging big— And yet by one pear tree be overcome? Cut it down, Dad, burn the lumber, Plant (plus another 240 words)

Great challenge - forced me to confront a time:
did three 9-line stanzas - I reckon will run to 15+
So, smthg from past.
#poemsabout #Defeat @alanparry83.bsky.social
@brokenspinearts.bsky.social
& #Authentic #TakeRisks #poetrycommunity #poetry #PoetsWhoSupportPoets #KeepCreative #PoetsOfBlueSky

8 1 3 0
Still blazing after fifty years

They seldom spoke about their war, the ones
who did come back. Their postwar lives rethought,
some found a job, a wife, a home, and sons
who, stirred by glorious tales and legends, sought
to trace their fathers’ gallantry in wars’
heroics, roaring guns, and derring-do.
Mine volunteered and was assigned the stores
to organise, and feed the ship. I knew
that in the Med he’d bought an orchard’s fruit
amid the years’-long battles—and survived
a bomb that smashed the screws. But he’d stayed mute—
until the TV coverage contrived
to free his tears—re D-Day. And then:
Those poor drowning kids, their ship ablaze,
we hauled them screaming out the burning oil…
He wept alone for those lost lads of Omaha.

Paul Rapley 2025

Still blazing after fifty years They seldom spoke about their war, the ones who did come back. Their postwar lives rethought, some found a job, a wife, a home, and sons who, stirred by glorious tales and legends, sought to trace their fathers’ gallantry in wars’ heroics, roaring guns, and derring-do. Mine volunteered and was assigned the stores to organise, and feed the ship. I knew that in the Med he’d bought an orchard’s fruit amid the years’-long battles—and survived a bomb that smashed the screws. But he’d stayed mute— until the TV coverage contrived to free his tears—re D-Day. And then: Those poor drowning kids, their ship ablaze, we hauled them screaming out the burning oil… He wept alone for those lost lads of Omaha. Paul Rapley 2025

Glory
#poemsabout #Glory @alanparry83.bsky.social @brokenspinearts.bsky.social
and #Authentic #TakeRisks #poetrycommunity #poetry #PoetsWhoSupportPoets #KeepCreative #PoetsOfBlueSky
(work in progress)

18 2 6 0
Rescued from Drowning
You saw me slowly sink, and caught my hand;
and, praising me for swimming well, you lightly
buoyed me up, so wise to understand	
my churlish grunts, tendentious rants, when rightly
heard, denoted the turmoil of deep distress.
Twisting the skirts of your gown, coughing smoke
at twenty-eight, hearkening as I express
dogmatic views and judge boys’ rhymes, evoke 
my inchoate ideals, you give me Life
in Shakespeare’s England; Faulkner; Plutarch; one
of C.P. Snow’s, to redirect my strife.
I never knew you’d rescued me. Then on
I swam: no thanks. Rod Connors, with your wife,
A thousand thanks I send, now you are gone.
Paul Rapley

First published in Blue Unicorn, vol. XLVIII no. 1 (Fall 2024)

Rescued from Drowning You saw me slowly sink, and caught my hand; and, praising me for swimming well, you lightly buoyed me up, so wise to understand my churlish grunts, tendentious rants, when rightly heard, denoted the turmoil of deep distress. Twisting the skirts of your gown, coughing smoke at twenty-eight, hearkening as I express dogmatic views and judge boys’ rhymes, evoke my inchoate ideals, you give me Life in Shakespeare’s England; Faulkner; Plutarch; one of C.P. Snow’s, to redirect my strife. I never knew you’d rescued me. Then on I swam: no thanks. Rod Connors, with your wife, A thousand thanks I send, now you are gone. Paul Rapley First published in Blue Unicorn, vol. XLVIII no. 1 (Fall 2024)

#poemsabout #NeverForget
@alanparry83.bsky.social @brokenspinearts.bsky.social
and #Authentic #TakeRisks #poetrycommunity #poetry #PoetsWhoSupportPoets #KeepCreative #PoetsOfBlueSky

7 1 1 0
stardust
Laetitia told such startling tales—
like how she’d stripped the Prince of Wales
of mantle, rod, and coronet,
rolled down his socks, and, tête-à-tête,
apprised him he’d just soiled his shirt
—you marvelled how she’d dish the dirt
on toffs, celebs, knights of the stage,
the VIPs of every age:
those grace-and-favour shady grandees
holding out for bungs and candies,
brushing dirt beneath their Persian
carpets, each a tawdry version
of the scum Laetitia did for:
all—in sum—Laetitia hid. Four
artistes, newly rub-a-dubbed— 
bare potty-mouthed—she’d fast re-scrubbed,
till, laundered thus, hung out and dried,
they’d topped the charts. Strong men had cried
at stern Laetitia’s forceful rinsing,
tumbling, beating, past convincing
she was right, till foul events
proclaimed Laetitia made most sense.
She’d swept the floor with high-born Yankees,
sobbing in their sodden hankies;
dirty, lying Texan oilmen
came out clean when Titty’d boiled ’em;
trolls, cleansed she, from X, née Twitter,
cleared up Gary’s gaudy glitter,
fixed it so that Jim could play on,
rubbed out Rolf’s most errant crayon,
mopped up dons’ sick sycophants,
and bleached our Tommy’s underpants,
till Hollywood and Bollywood
spilled all before her, bad and good:
great heartthrobs of the silver screen,
while acting faithless, sight unseen—
their brightness dulled to fractured light
—she’d buffed like burnished anthracite,
then passed right through each smiling face
to reach out to that central space
where heart should beat: an empty cavity,
that she wrung out with quiet gravity,
then tossed their garbage in the trash, 
and stored the best stuff in her cache.
Should you declare, “You’re such a star!”
she’d answer, like S. Bolivar,
“I swept their rooms, I read their dust,
I helped them shine, I gained their trust—
Debrett’s, IMDb, and all
the charts of stars, as I recall,
ne’er breathe my name, which means my joy:
the dust of stars was my employ.
I’m super pleased my name’s a void:
I’m just a dust-free asteroid.”

stardust Laetitia told such startling tales— like how she’d stripped the Prince of Wales of mantle, rod, and coronet, rolled down his socks, and, tête-à-tête, apprised him he’d just soiled his shirt —you marvelled how she’d dish the dirt on toffs, celebs, knights of the stage, the VIPs of every age: those grace-and-favour shady grandees holding out for bungs and candies, brushing dirt beneath their Persian carpets, each a tawdry version of the scum Laetitia did for: all—in sum—Laetitia hid. Four artistes, newly rub-a-dubbed— bare potty-mouthed—she’d fast re-scrubbed, till, laundered thus, hung out and dried, they’d topped the charts. Strong men had cried at stern Laetitia’s forceful rinsing, tumbling, beating, past convincing she was right, till foul events proclaimed Laetitia made most sense. She’d swept the floor with high-born Yankees, sobbing in their sodden hankies; dirty, lying Texan oilmen came out clean when Titty’d boiled ’em; trolls, cleansed she, from X, née Twitter, cleared up Gary’s gaudy glitter, fixed it so that Jim could play on, rubbed out Rolf’s most errant crayon, mopped up dons’ sick sycophants, and bleached our Tommy’s underpants, till Hollywood and Bollywood spilled all before her, bad and good: great heartthrobs of the silver screen, while acting faithless, sight unseen— their brightness dulled to fractured light —she’d buffed like burnished anthracite, then passed right through each smiling face to reach out to that central space where heart should beat: an empty cavity, that she wrung out with quiet gravity, then tossed their garbage in the trash, and stored the best stuff in her cache. Should you declare, “You’re such a star!” she’d answer, like S. Bolivar, “I swept their rooms, I read their dust, I helped them shine, I gained their trust— Debrett’s, IMDb, and all the charts of stars, as I recall, ne’er breathe my name, which means my joy: the dust of stars was my employ. I’m super pleased my name’s a void: I’m just a dust-free asteroid.”

For #PoemsAbout #Stardust @alanparry83.bsky.social
& #brokenspinearts.bsky.social
#Authentic #TakeRisks #poetrycommunity #poetry #PoetsWhoSupportPoets #KeepCreative #PoetsOfBlueSky
Thanks to Cindy Ana with help in posting.
(this intro redone & reposted, plus alt)

11 4 5 0
Stardust me 

Behind a star in Hercules’s shoulder, 
I hide from astronomer probes 
to dissect, colonize.

Leaked radio waves whisper
there are cracks
in this constellation’s armor.
 
I tightly hold his upper arm.

If I let go, I could drift 
into a black hole valley 
or sink to the bottom 
 
of a frozen planetary sea
partially thawed 
by the heat of my despair.

I would be lost. 

Earth emigrant
— pinging in a pinball game
against others in the Milky Way— 
  
I can no longer return.
 
The third rock from the sun
has boundary issues; 
does not yield enough.

Collisions 
billions of years old
still ripple me. 

I now lean into this kneeling giant,
nicked by asteroids, 
poked by scientific claims 

and kiss his split seams – 
love them
for their own fractured sake.
 
Karen Pierce Gonzalez

Stardust me Behind a star in Hercules’s shoulder, I hide from astronomer probes to dissect, colonize. Leaked radio waves whisper there are cracks in this constellation’s armor. I tightly hold his upper arm. If I let go, I could drift into a black hole valley or sink to the bottom of a frozen planetary sea partially thawed by the heat of my despair. I would be lost. Earth emigrant — pinging in a pinball game against others in the Milky Way— I can no longer return. The third rock from the sun has boundary issues; does not yield enough. Collisions billions of years old still ripple me. I now lean into this kneeling giant, nicked by asteroids, poked by scientific claims and kiss his split seams – love them for their own fractured sake. Karen Pierce Gonzalez

In this galaxy, all is #Stardust. Thank you for this #PoemsAbout prompt @brokenspinearts.bsky.social @alanparry83.bsky.social and thank you to the #PoetsWhoSupportPoets #KeepCreative #PoetsOfBlueSky #PoetryCommunity

40 15 17 0