Lo scandalo Amo in Consiglio: "Recuperare tutti i soldi spariti. Si proceda contro Reggianini" Mozione di Luca Negrini (Fd’I): "Mettere in campo azioni anche contro l’ex amministratore" "Il Pd applica due pesi e due misure: inflessibile con l’ex dipendente e protettivo con altri" .

➡️ Leggi l'articolo: #ScandaloAmo #Politica #ConsiglioComunale #LucaNegrini #Reggianini

Scandalo Amo, Negrini: "Prelievi non registrati. Reggianini consapevole delle anomalie in corso?" Il capogruppo di Fd’I commenta l’esposto del revisore dei conti "Se il ritiro dei contanti è confermato, dove finiva quel denaro?. La vicenda getta un’ombra sulla gestione delle partecipate".

➡️ Leggi l'articolo: #ScandaloAmo #Politica #Reggianini #Fdi #ControlloConti

Italian painter Vittorio Reggianini frequently depicted upper-class life in his works, and in many of his paintings, women and children occupy the main focus. Reggiani's work is often sensual, and his detailed attention to painting textiles is masterful. He was also skilled in capturing the lives of peasants who lived in modest circumstances. “Muchacha frente a un espejo” depicts a young woman, fair-skinned with dark brown hair styled in an updo, seated at an elaborately carved vanity. She wears a floor-length, shimmering gold gown adorned with a subtle, repeating floral pattern. The gown's texture is realistically rendered, showing the sheen and drape of the fabric. Her posture is relaxed yet elegant, indicating a moment of quiet contemplation or self-admiration. She is delicately adjusting a pearl necklace. She wears what appears to be a gold bracelet on her left wrist. The vanity itself is a masterpiece of craftsmanship, intricately carved with gold accents against a light pink/cream background. It features several drawers and compartments, partially open to reveal glimpses of more jewelry. The marble top of the vanity reflects light and adds to its opulent feel. The background is a deep red drapery that hangs from a detailed frame, in keeping with the scene's lavishness. The wall behind the curtain displays gold-leaf detailing. A large, ornate, dark mirror hangs above the vanity, reflecting an indistinct image that adds depth to the painting. The overall atmosphere is one of refined luxury and quiet intimacy. The mood is peaceful, suggesting a moment of self-reflection or private pleasure in a woman's life of privilege. Reggiani studied at the Academy of Fine Arts in Modena and was later elected professor there. He moved to Florence, where he exhibited from 1907 to 1911. He was influenced by the work of other Florentine contemporaries, such as Federico Andreotti and Francesco Vinea. Their works feature similar themes and sometimes the same model.

Muchacha frente a un espejo (Girl looking at the mirror) by Vittorio Reggianini (Italian) - Oil on canvas / Unknown date - Museo Nacional de Bellas Artes de Cuba (Havana) #WomenInArt #art #ArtText #VittorioReggianini #Reggianini #womensart #ItalianArtist #mirror #MuseoNacionaldeBellasArtesdeCuba