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"Winter in Florida"

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Girl in a red dress reading by a swimming pool (1887).

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Anna Pavlova as a Bacchante, (1911)

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Viscountess Wimborn (1939)

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The Green Sofa

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Hazel in Rose and Gold (1918)

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“Mrs Dudley Ward, A Lady in Black and Green”, (1920)

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Anna Pavlova as the Swan

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#Art #SirJohnLavery

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#Art #SirJohnLavery

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The Terrace, Cap d'Ail, (1921)

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Viscountess Wimborne

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The Viscountess Castlerosse, Palm Springs, (1938)

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“Winter In Florida”, (1927)

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Lady in Red (Portrait of Constance Bridges) (1924).

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#ArtSky #EcceHomo #SirJohnLavery #ForSale

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#SirJohnLavery

"Winter in Florida"

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Irish artist Sir John Lavery married his second wife, Hazel Martyn, in 1909. She was a beautiful and artistic young American, with striking good looks and theatrical poise. This splendid and dramatic painting was one of several portraits he painted of her. In 1917, Lavery painted her as The Madonna of the Lakes for St Patrick’s, the church in Belfast where he was christened, and in 1927, as Kathleen ni Houlihan, the personification of Ireland, for the currency of the new Irish State.

In this 1926 painting, Hazel stands in front of a fireplace and mirror on mantelpiece. She wears a strapless purple dress with a floral motiff and attached flower at the top. A rich green material trimmed in gold fringe is draped around her as a coat.

There is an interesting juxtaposition between the elaborate nature of the green coat and delicate, feminine dress plus her bare shoulders and exposed neck. Hazel looks beautiful, but somewhat lost among her opulent surroundings, and capturing his wife lost in thought and looking slightly vulnerable, despite her finery, suggests the depth of the relationship between the artist and the sitter.

In its original form, where Hazel’s arms and shoulders were bare without the coat, the painting was used as an advertisement for Pond’s Cream, which Lady Lavery herself endorsed. She was very happy for the finished painting to be given to the Belfast Art Gallery (now the Ulster Museum) in 1929, saying “it is to my thinking the best one of me he has ever painted.”

Born in Belfast, Lavery was orphaned early in his life. He was sent to Scotland in 1866 and began his career in Glasgow, working in a photography studio and making art in his spare time. He progressed quickly as a painter and during the 1880s he visited Paris and the artists’ colony at Grez-sur-Loing, near Fontainebleau, where he painted several significant works. By 1910, he had become an artist of international renown and by the 1930s had collected many accolades and titles like “sir.”

Irish artist Sir John Lavery married his second wife, Hazel Martyn, in 1909. She was a beautiful and artistic young American, with striking good looks and theatrical poise. This splendid and dramatic painting was one of several portraits he painted of her. In 1917, Lavery painted her as The Madonna of the Lakes for St Patrick’s, the church in Belfast where he was christened, and in 1927, as Kathleen ni Houlihan, the personification of Ireland, for the currency of the new Irish State. In this 1926 painting, Hazel stands in front of a fireplace and mirror on mantelpiece. She wears a strapless purple dress with a floral motiff and attached flower at the top. A rich green material trimmed in gold fringe is draped around her as a coat. There is an interesting juxtaposition between the elaborate nature of the green coat and delicate, feminine dress plus her bare shoulders and exposed neck. Hazel looks beautiful, but somewhat lost among her opulent surroundings, and capturing his wife lost in thought and looking slightly vulnerable, despite her finery, suggests the depth of the relationship between the artist and the sitter. In its original form, where Hazel’s arms and shoulders were bare without the coat, the painting was used as an advertisement for Pond’s Cream, which Lady Lavery herself endorsed. She was very happy for the finished painting to be given to the Belfast Art Gallery (now the Ulster Museum) in 1929, saying “it is to my thinking the best one of me he has ever painted.” Born in Belfast, Lavery was orphaned early in his life. He was sent to Scotland in 1866 and began his career in Glasgow, working in a photography studio and making art in his spare time. He progressed quickly as a painter and during the 1880s he visited Paris and the artists’ colony at Grez-sur-Loing, near Fontainebleau, where he painted several significant works. By 1910, he had become an artist of international renown and by the 1930s had collected many accolades and titles like “sir.”

The Green Coat by Sir John Lavery (Irish) - Oil on canvas / 1926 - Ulster Museum (Belfast, Ireland) #womeninart #art #oilpainting #SirJohnLavery #JohnLavery #Lavery #womensart #portraitofawoman #UlsterMuseum #IrishArtist #BelfastMuseum #artwork #IrishArt #fashion #fineart #oiloncanvas #artoftheday

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A lady stands before a large fireplace, with her image reflected in the mirror above the fireplace.

She wears an off the shoulder mauve dress with a flower design and a mauve lily flower pinned to her bodice. Her green flowery robe hangs loosely off her shoulders & to her side. She wears gold high heel shoes.

She is pale skinned with short wavy auburn hair. She has bright red lipstick. She gazes off to her left hand side.

A lady stands before a large fireplace, with her image reflected in the mirror above the fireplace. She wears an off the shoulder mauve dress with a flower design and a mauve lily flower pinned to her bodice. Her green flowery robe hangs loosely off her shoulders & to her side. She wears gold high heel shoes. She is pale skinned with short wavy auburn hair. She has bright red lipstick. She gazes off to her left hand side.

“The Green Coat”, 1926
#SirJohnLavery

A painting of Lavery’s second wife, Hazel Martyn, a beautiful and artistic young American.

She became his muse & was the subject of many of his female portraits.

Now in #UlsterMuseum #Belfast

#Art #Portrait

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Girl in a red dress reading by a swimming pool (1887).

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ladyhazellavery was a rebel. While the London fashion house of Reville & Rossiter dressed Queen Mary, Hazel came up with designs with the help of um, her maid. Why hire a tailor? My novel drops Jan 14. geni.us/w6tFvhD
#sundaytimesireland #rothehouse #sirjohnlavery #belfast #london

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