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The painting depicts a long, broad garden path in its centre. At its end, we can see an arch that may be covered in flowers in summer. Two high and dark fences flank the path. There is a rest of snow on the left side of the path as well as on the lawn.

The painting depicts a long, broad garden path in its centre. At its end, we can see an arch that may be covered in flowers in summer. Two high and dark fences flank the path. There is a rest of snow on the left side of the path as well as on the lawn.

Jardín de invierno / Garden in winter, by Santiago Rusiñol, oil on canvas, 1891.
«Gloria al buen catalán — jardinero de ideas, jardinero de sol - , y al pincel y a la pluma y a la barba y a la risa, con que nos hace alegre la vida Rusiñol.” (Rubén Darío)
#GardenLove #SpanishArts

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a walled garden in a rural setting. The trees are without leaves. In the background, a few houses can be seen, even more in the background olive groves

a walled garden in a rural setting. The trees are without leaves. In the background, a few houses can be seen, even more in the background olive groves

Jardín de Quesada en invierno / Garden of Quesada in winter, by Rafael Zabaleta, 1944, oil on canvas.
#postimpressionism #SpanishArts #GardenLove

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from the museum's webpage: During his visit to Cuenca in the summer of 1910 Beruete particularly focused on this part of the city, which overlooks the river Huécar. The very low viewpoint allowed the artist to show the fertile nature of this area of market gardens and also emphasise the uniqueness of the city’s architecture, with the monastery of San Pablo standing out on the left.

from the museum's webpage: During his visit to Cuenca in the summer of 1910 Beruete particularly focused on this part of the city, which overlooks the river Huécar. The very low viewpoint allowed the artist to show the fertile nature of this area of market gardens and also emphasise the uniqueness of the city’s architecture, with the monastery of San Pablo standing out on the left.

Las huertas (Cuenca) / The orchards (Cuenca), by Aureliano de Beruete, 1910, oil on canvas,
Museo del Prado, Madrid (not on display)
#GardenLove #GardenPainting #SpanishArts

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In the centre of the painting, we can see a white-coloured fountain. The area around the fountain is dominated by low-growing plants. These plants look more greyish than green. In the background, we can see trees with autumnal leaves. The centre part of the picture is arranged in a very symmetrical manner.

In the centre of the painting, we can see a white-coloured fountain. The area around the fountain is dominated by low-growing plants. These plants look more greyish than green. In the background, we can see trees with autumnal leaves. The centre part of the picture is arranged in a very symmetrical manner.

Otoñal / Autumnal, by Santiago Rusiñol Prats, 1910, oil on canvas
Museo de Bellas Artes, Buenos Aires
#GardenLove #GardenPainting #SpanishArts

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The leafy mass of a large tree, on the left, next to a parapet where a woman and a child are leaning. Dense patches of trees follow one another, fading into the distance. Clouds indicated with faint outlines (Gutiérrez Márquez, A., Carlos de Haes en el Museo del Prado 1826-1898, Madrid, 2002). (from the Prado's webpage)

The leafy mass of a large tree, on the left, next to a parapet where a woman and a child are leaning. Dense patches of trees follow one another, fading into the distance. Clouds indicated with faint outlines (Gutiérrez Márquez, A., Carlos de Haes en el Museo del Prado 1826-1898, Madrid, 2002). (from the Prado's webpage)

Jardín / Garden, by Carlos de Haes, 1877-1884, graphite on watercolor paper
Museo del Prado Madrid (not on display)
#GardenLove #GardenPainting #SpanishArts

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