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Arnold Schwarzenegger only had about 700 words of dialogue in the film. Salary: approximately $15 million, or about $21,000 per word. 😀

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When the final scene ended and the credits began, you could hear in the cinema: "The management of this theater suggests that, for the greater entertainment of your friends who have not yet seen the picture, you will not divulge to anyone the secret of the ending..."

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In this first film, Hannibal is called “Lecktor.” In later films, he is called “Lecter,” including in the remake starring Anthony Hopkins, “Red Dragon” (2002).

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I think one great is missing...

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Taken during the filming of To "Catch a Thief" (1955) on the French Riviera

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New in Version 2.150

- Backup & Restore: All personal data can now backed up and restored
- News Ticker: Get the latest news from the world of movies
- Enhanced “Open In” feature
- Improved CSV Export

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Guess the movie from the point-and-click game #21:

Attention! A pixelated gendarme barks orders under the Riviera sun. Which film is this, and who am I—this furious little lawman with a whistle and too much authority?

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What’s unusually funny about Ella McCay is that the film never tries to be humorous. Instead, it reveals how absurdly serious people become when they actually have no idea what they’re doing—and that observation lands with surprising accuracy.

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Jean Arthur’s character combines idealism with pragmatism. She is not merely a love interest, but an ethical compass navigating between law, conscience, and personal loyalty.

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Lange portrays Frances Farmer with a physical and emotional force that was shocking at the time. For this performance, she received her first Academy Award nomination. Many consider it to be the finest role of her career.

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The film does not live off events, but off in-between moments: glances, pauses, fatigue, jet lag. Many scenes feel incidental.

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The film was made in the midst of the economic crisis. Instead of offering escapism, it portrays a man who fights his way through a broken economic system using illusion, hope, and optimism. Audiences in 1932 immediately recognized themselves in it.

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The entire movie appears to be a single, unbroken shot. Technically, it consists of approximately 10-minute takes (the limit of a film reel), which are concealed by camera movements into dark areas.

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Originally, Carpenter and O’Bannon began the project as a short film at the University of Southern California (USC). With a budget of only about 60,000 US dollars, the film was produced over a period of three years.

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New in Version 2.100

* Now available on iPad
Switch TV ON is now available on iPad as well. Your favorites and watchlists are automatically synced via iCloud.

* Improved Quiz Mode

* Fast access to your archive

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Guess the movie from the point-and-click game #20:

„Tell me, stranger… from which arena tale does this scene spring? And far more important—who am I, the emperor you dare gaze upon? Choose wisely—Rome watches.“

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The image is a detailed pixel-art scene styled like a classic 1990s point-and-click adventure game. It shows two men in what appears to be the dim interior of a submarine or ship.

On the right side, a stern older man with a thick gray beard and heavy eyebrows is shown in close-up. His expression is serious and focused, with deep shadows emphasizing the contours of his face.

On the left, a younger man in a sailor’s uniform is slightly hunched forward, looking down at something in front of him. His face is partially in shadow, giving a tense or concentrated mood.

The background is made of metal walls and compartments, adding to the industrial, military atmosphere.

At the bottom of the image is a user interface typical of old adventure games: command buttons such as “Give,” “Open,” “Use,” “Talk to,” and “Walk,” along with an inventory bar showing various items like a captain’s hat, keys, a watch, and a whistle.

Overall, the scene feels dramatic and suspenseful, as if both characters are in a critical moment aboard a submarine.

The image is a detailed pixel-art scene styled like a classic 1990s point-and-click adventure game. It shows two men in what appears to be the dim interior of a submarine or ship. On the right side, a stern older man with a thick gray beard and heavy eyebrows is shown in close-up. His expression is serious and focused, with deep shadows emphasizing the contours of his face. On the left, a younger man in a sailor’s uniform is slightly hunched forward, looking down at something in front of him. His face is partially in shadow, giving a tense or concentrated mood. The background is made of metal walls and compartments, adding to the industrial, military atmosphere. At the bottom of the image is a user interface typical of old adventure games: command buttons such as “Give,” “Open,” “Use,” “Talk to,” and “Walk,” along with an inventory bar showing various items like a captain’s hat, keys, a watch, and a whistle. Overall, the scene feels dramatic and suspenseful, as if both characters are in a critical moment aboard a submarine.

Guess the movie from the point-and-click game #19:
Tell me, comrade… from which cold-water tale does this scene arise, and which captain stands before you? Choose wisely, defection is not for the faint-hearted.
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Guess the movie from the point-and-click game #18:
Citizen, I need your help. My badge is missing, my gun’s jammed, and this screenshot looks familiar. Which film am I bungling this time… and who am I before I trip over myself again?

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Garner delivers a brilliant, extremely subtle performance.
With tiny shifts in her gaze, tense movements, a subdued voice, and underlying anxiety, she holds back her emotions.

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Even before Hammer produced its monster movies, the studio experimented with noir, melodrama, and thrillers.
Stolen Face is one of the most interesting films from this transitional phase.

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Did you know: The temperature on set was often lowered to below zero degrees Celsius, sometimes as low as −40°F (approximately −40°C) during filming, and the actors were blown with ice-cold air to create real clouds of breath.

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The legendary director Fritz Lang appears in the film as himself.
This gives the film a meta touch: a film about film production, starring one of the greatest directors of all time.

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„Klaatu barada nikto“

Gort, the giant robot, became an absolute sci-fi cult icon, even decades later.

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Director Toth's signature harsh shadows, unusual camera angles, and sense of constant menace make the film a masterclass in noir atmosphere.

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The film is based on the real-life crimes of John Christie, who murdered several women in the 1940s and early 1950s in his apartment at 10 Rillington Place in London.

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Guess the movie from the point-and-click game #17:
Come closer. Which film hides behind this bleak little puzzle… and who am I, the quiet man with bandaged fingertips and a purpose you’d rather not know?

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Version 2.0 introduces a modern glass design, clearer navigation with consistent system messages, and improved stability with smarter background processes and numerous fixes.

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INDIANA JONES AND THE SHADOWS OF ATLANTIS

is an independent Indiana Jones fan film from Augsburg that rekindles the classic adventure spirit with a strong, emotional story and character driven focus.

shadows-of-atlantis.com

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#SwitchTVON
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