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@adamchristopher.me @christinahenry.bsky.social @ravineangel.bsky.social @tatebrombal.bsky.social @jacobphillips.com @rachelharrison.bsky.social #WomenInHorrorMonth #TransRightsReadathon

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Literary Lollapalooza A dark-hearted literary blog of monthly reviews and upcoming book recommendations for horror, thrillers, fiction, fantasy, and thoughtful nonfiction.

In March I read 27 books! My biggest month yet, with #WomenInHorrorMonth and #TransRightsReadathon packing the heat!

Join me for the March Review Roundup tomorrow on my blog!

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Thank you so much for adding me to this awesome #WomenInHorrorMonth list!! 😍

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It’s #TransDayOfVisibility and the last day of the #TransRightsReadathon as well as the last day of #WomenInHorrorMonth! What are you reading today? I’m reading “Moonflow” by @bitterkarella.bsky.social and listening to “Fierce Femmes and Notorious Liars” by Kai Cheng Thom. #TVOD 💙📚🩸🌈⚧️

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Dangerous Dames: Women Who Write Horror I started writing seriously in high school after reading several of Stephen King’s novels; I got hooked on Horror at the tender age of…

Dangerous Dames: Women Who Write Horror #AuthorSky #BookSky #HorrorSky #NYCAuthor #PoetrySky #WomenInHorrorMonth #WriterSky #WritingSky

medium.com/@crimsonscre...

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Rhiannon Grist on Rage, Weird Fiction, and Home Sick Women in Horror 2026, #4

Hop over to @christinogle.bsky.social 's Substack to read her interview with our very own @rhiannonagrist.bsky.social where she talks all things HOME SICK (July 2026) for #WomenInHorrorMonth!

"I’m a big believer that to find your mind you have to lose it first."

Preorder https://geni.us/homesick

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☠️Last Day to Enter: Our #WomenInHorrorMonth giveaway!

2 winners will receive 5 Meerkat Press horror novels by women authors. 🔪

Entry: zurl.co/ueBKI

🔁 RT & @ mention a horror fan

🌍 US/CAN/UK/EUR/AUS | 18+

📅 Ends 3/31 11:59 EST

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#WomenInHorrorMonth celebrates Kathe Koja's #TheCipher !! Bram Stoker & Locus Award, Book Riot's 50 Scariest Books Of All Time list!

zurl.co/rJjAT

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Images:
1: Floral grey background with a closeup of the cover from 1000 Women in Horror (2026) poster in the centre (text reads: Grim Reader's syllabus; Women in Horror).
2: Floral pink background with black bands containing text at top (Women in Horror; Nonfiction book recs (horror analysis)) and bottom (HoL logo). Six covers in the middle (clockwise): 1000 Women in Horror, 1895–2018 by Alexandra Heller-Nicholas (2020); House of Psychotic Women: An Autobiographical Topography of Female Neurosis in Horror and Exploitation Film (Expanded Edition) by Kier-La janisse (2024); I Spit On Your Celluloid: The History of Women Directing Horror Movies by Heidi Honeycutt (2024); Lost in the Static: The Untold Stories of Shot-On-Video Horror Directed by Women by Rachael Herb-Neterer (2026); 
Return of the Monstrous-Feminine: Feminist New Wave Cinema by Barbara Creed (2022); Women of Horror and Speculative Fiction in Their Own Words: Conversations with Authors and Editors edited by Sébastien Doubinsky and Christina Kkona (2024).
3: As above (book titles: Unquiet Spirits: Essays by Asian Women in Horror edited by Lee Murray and Angela Yuriko Smith (2023); 160 Black Women in Horror by Suimko Saulson and Kenya Moss-Dyme (2023); New Blood in Contemporary Cinema: Women Directors and the Poetics of Horror by Patricia Pisters (2022); Women Make Horror: Filmmaking, Feminism, Genre edited by Alison Peirse (2020); Monster, She Wrote: The Women Who Pioneered Horror and Speculative Fiction by Lisa B. Kröger and Melanie R. Anderson (2019); Bloody Women: Women Directors of Horror edited by Victoria McCollum and Aislínn Clarke (2022)).
4: Floral pink background with black bands containing HoL logo at top and text at bottom. Grim Reader bookworm (designed by Jessica Rose) in centre and finger pointing at bottom text: holpublishing.com/grimreader.

Images: 1: Floral grey background with a closeup of the cover from 1000 Women in Horror (2026) poster in the centre (text reads: Grim Reader's syllabus; Women in Horror). 2: Floral pink background with black bands containing text at top (Women in Horror; Nonfiction book recs (horror analysis)) and bottom (HoL logo). Six covers in the middle (clockwise): 1000 Women in Horror, 1895–2018 by Alexandra Heller-Nicholas (2020); House of Psychotic Women: An Autobiographical Topography of Female Neurosis in Horror and Exploitation Film (Expanded Edition) by Kier-La janisse (2024); I Spit On Your Celluloid: The History of Women Directing Horror Movies by Heidi Honeycutt (2024); Lost in the Static: The Untold Stories of Shot-On-Video Horror Directed by Women by Rachael Herb-Neterer (2026); Return of the Monstrous-Feminine: Feminist New Wave Cinema by Barbara Creed (2022); Women of Horror and Speculative Fiction in Their Own Words: Conversations with Authors and Editors edited by Sébastien Doubinsky and Christina Kkona (2024). 3: As above (book titles: Unquiet Spirits: Essays by Asian Women in Horror edited by Lee Murray and Angela Yuriko Smith (2023); 160 Black Women in Horror by Suimko Saulson and Kenya Moss-Dyme (2023); New Blood in Contemporary Cinema: Women Directors and the Poetics of Horror by Patricia Pisters (2022); Women Make Horror: Filmmaking, Feminism, Genre edited by Alison Peirse (2020); Monster, She Wrote: The Women Who Pioneered Horror and Speculative Fiction by Lisa B. Kröger and Melanie R. Anderson (2019); Bloody Women: Women Directors of Horror edited by Victoria McCollum and Aislínn Clarke (2022)). 4: Floral pink background with black bands containing HoL logo at top and text at bottom. Grim Reader bookworm (designed by Jessica Rose) in centre and finger pointing at bottom text: holpublishing.com/grimreader.

Images:
1: Floral grey background with a closeup of the cover from 1000 Women in Horror (2026) poster in the centre (text reads: Grim Reader's syllabus; Women in Horror).
2: Floral pink background with black bands containing text at top (Women in Horror; Nonfiction book recs (horror analysis)) and bottom (HoL logo). Six covers in the middle (clockwise): 1000 Women in Horror, 1895–2018 by Alexandra Heller-Nicholas (2020); House of Psychotic Women: An Autobiographical Topography of Female Neurosis in Horror and Exploitation Film (Expanded Edition) by Kier-La janisse (2024); I Spit On Your Celluloid: The History of Women Directing Horror Movies by Heidi Honeycutt (2024); Lost in the Static: The Untold Stories of Shot-On-Video Horror Directed by Women by Rachael Herb-Neterer (2026); 
Return of the Monstrous-Feminine: Feminist New Wave Cinema by Barbara Creed (2022); Women of Horror and Speculative Fiction in Their Own Words: Conversations with Authors and Editors edited by Sébastien Doubinsky and Christina Kkona (2024).
3: As above (book titles: Unquiet Spirits: Essays by Asian Women in Horror edited by Lee Murray and Angela Yuriko Smith (2023); 160 Black Women in Horror by Suimko Saulson and Kenya Moss-Dyme (2023); New Blood in Contemporary Cinema: Women Directors and the Poetics of Horror by Patricia Pisters (2022); Women Make Horror: Filmmaking, Feminism, Genre edited by Alison Peirse (2020); Monster, She Wrote: The Women Who Pioneered Horror and Speculative Fiction by Lisa B. Kröger and Melanie R. Anderson (2019); Bloody Women: Women Directors of Horror edited by Victoria McCollum and Aislínn Clarke (2022)).
4: Floral pink background with black bands containing HoL logo at top and text at bottom. Grim Reader bookworm (designed by Jessica Rose) in centre and finger pointing at bottom text: holpublishing.com/grimreader.

Images: 1: Floral grey background with a closeup of the cover from 1000 Women in Horror (2026) poster in the centre (text reads: Grim Reader's syllabus; Women in Horror). 2: Floral pink background with black bands containing text at top (Women in Horror; Nonfiction book recs (horror analysis)) and bottom (HoL logo). Six covers in the middle (clockwise): 1000 Women in Horror, 1895–2018 by Alexandra Heller-Nicholas (2020); House of Psychotic Women: An Autobiographical Topography of Female Neurosis in Horror and Exploitation Film (Expanded Edition) by Kier-La janisse (2024); I Spit On Your Celluloid: The History of Women Directing Horror Movies by Heidi Honeycutt (2024); Lost in the Static: The Untold Stories of Shot-On-Video Horror Directed by Women by Rachael Herb-Neterer (2026); Return of the Monstrous-Feminine: Feminist New Wave Cinema by Barbara Creed (2022); Women of Horror and Speculative Fiction in Their Own Words: Conversations with Authors and Editors edited by Sébastien Doubinsky and Christina Kkona (2024). 3: As above (book titles: Unquiet Spirits: Essays by Asian Women in Horror edited by Lee Murray and Angela Yuriko Smith (2023); 160 Black Women in Horror by Suimko Saulson and Kenya Moss-Dyme (2023); New Blood in Contemporary Cinema: Women Directors and the Poetics of Horror by Patricia Pisters (2022); Women Make Horror: Filmmaking, Feminism, Genre edited by Alison Peirse (2020); Monster, She Wrote: The Women Who Pioneered Horror and Speculative Fiction by Lisa B. Kröger and Melanie R. Anderson (2019); Bloody Women: Women Directors of Horror edited by Victoria McCollum and Aislínn Clarke (2022)). 4: Floral pink background with black bands containing HoL logo at top and text at bottom. Grim Reader bookworm (designed by Jessica Rose) in centre and finger pointing at bottom text: holpublishing.com/grimreader.

Images:
1: Floral grey background with a closeup of the cover from 1000 Women in Horror (2026) poster in the centre (text reads: Grim Reader's syllabus; Women in Horror).
2: Floral pink background with black bands containing text at top (Women in Horror; Nonfiction book recs (horror analysis)) and bottom (HoL logo). Six covers in the middle (clockwise): 1000 Women in Horror, 1895–2018 by Alexandra Heller-Nicholas (2020); House of Psychotic Women: An Autobiographical Topography of Female Neurosis in Horror and Exploitation Film (Expanded Edition) by Kier-La janisse (2024); I Spit On Your Celluloid: The History of Women Directing Horror Movies by Heidi Honeycutt (2024); Lost in the Static: The Untold Stories of Shot-On-Video Horror Directed by Women by Rachael Herb-Neterer (2026); 
Return of the Monstrous-Feminine: Feminist New Wave Cinema by Barbara Creed (2022); Women of Horror and Speculative Fiction in Their Own Words: Conversations with Authors and Editors edited by Sébastien Doubinsky and Christina Kkona (2024).
3: As above (book titles: Unquiet Spirits: Essays by Asian Women in Horror edited by Lee Murray and Angela Yuriko Smith (2023); 160 Black Women in Horror by Suimko Saulson and Kenya Moss-Dyme (2023); New Blood in Contemporary Cinema: Women Directors and the Poetics of Horror by Patricia Pisters (2022); Women Make Horror: Filmmaking, Feminism, Genre edited by Alison Peirse (2020); Monster, She Wrote: The Women Who Pioneered Horror and Speculative Fiction by Lisa B. Kröger and Melanie R. Anderson (2019); Bloody Women: Women Directors of Horror edited by Victoria McCollum and Aislínn Clarke (2022)).
4: Floral pink background with black bands containing HoL logo at top and text at bottom. Grim Reader bookworm (designed by Jessica Rose) in centre and finger pointing at bottom text: holpublishing.com/grimreader.

Images: 1: Floral grey background with a closeup of the cover from 1000 Women in Horror (2026) poster in the centre (text reads: Grim Reader's syllabus; Women in Horror). 2: Floral pink background with black bands containing text at top (Women in Horror; Nonfiction book recs (horror analysis)) and bottom (HoL logo). Six covers in the middle (clockwise): 1000 Women in Horror, 1895–2018 by Alexandra Heller-Nicholas (2020); House of Psychotic Women: An Autobiographical Topography of Female Neurosis in Horror and Exploitation Film (Expanded Edition) by Kier-La janisse (2024); I Spit On Your Celluloid: The History of Women Directing Horror Movies by Heidi Honeycutt (2024); Lost in the Static: The Untold Stories of Shot-On-Video Horror Directed by Women by Rachael Herb-Neterer (2026); Return of the Monstrous-Feminine: Feminist New Wave Cinema by Barbara Creed (2022); Women of Horror and Speculative Fiction in Their Own Words: Conversations with Authors and Editors edited by Sébastien Doubinsky and Christina Kkona (2024). 3: As above (book titles: Unquiet Spirits: Essays by Asian Women in Horror edited by Lee Murray and Angela Yuriko Smith (2023); 160 Black Women in Horror by Suimko Saulson and Kenya Moss-Dyme (2023); New Blood in Contemporary Cinema: Women Directors and the Poetics of Horror by Patricia Pisters (2022); Women Make Horror: Filmmaking, Feminism, Genre edited by Alison Peirse (2020); Monster, She Wrote: The Women Who Pioneered Horror and Speculative Fiction by Lisa B. Kröger and Melanie R. Anderson (2019); Bloody Women: Women Directors of Horror edited by Victoria McCollum and Aislínn Clarke (2022)). 4: Floral pink background with black bands containing HoL logo at top and text at bottom. Grim Reader bookworm (designed by Jessica Rose) in centre and finger pointing at bottom text: holpublishing.com/grimreader.

Images:
1: Floral grey background with a closeup of the cover from 1000 Women in Horror (2026) poster in the centre (text reads: Grim Reader's syllabus; Women in Horror).
2: Floral pink background with black bands containing text at top (Women in Horror; Nonfiction book recs (horror analysis)) and bottom (HoL logo). Six covers in the middle (clockwise): 1000 Women in Horror, 1895–2018 by Alexandra Heller-Nicholas (2020); House of Psychotic Women: An Autobiographical Topography of Female Neurosis in Horror and Exploitation Film (Expanded Edition) by Kier-La janisse (2024); I Spit On Your Celluloid: The History of Women Directing Horror Movies by Heidi Honeycutt (2024); Lost in the Static: The Untold Stories of Shot-On-Video Horror Directed by Women by Rachael Herb-Neterer (2026); 
Return of the Monstrous-Feminine: Feminist New Wave Cinema by Barbara Creed (2022); Women of Horror and Speculative Fiction in Their Own Words: Conversations with Authors and Editors edited by Sébastien Doubinsky and Christina Kkona (2024).
3: As above (book titles: Unquiet Spirits: Essays by Asian Women in Horror edited by Lee Murray and Angela Yuriko Smith (2023); 160 Black Women in Horror by Suimko Saulson and Kenya Moss-Dyme (2023); New Blood in Contemporary Cinema: Women Directors and the Poetics of Horror by Patricia Pisters (2022); Women Make Horror: Filmmaking, Feminism, Genre edited by Alison Peirse (2020); Monster, She Wrote: The Women Who Pioneered Horror and Speculative Fiction by Lisa B. Kröger and Melanie R. Anderson (2019); Bloody Women: Women Directors of Horror edited by Victoria McCollum and Aislínn Clarke (2022)).
4: Floral pink background with black bands containing HoL logo at top and text at bottom. Grim Reader bookworm (designed by Jessica Rose) in centre and finger pointing at bottom text: holpublishing.com/grimreader.

Images: 1: Floral grey background with a closeup of the cover from 1000 Women in Horror (2026) poster in the centre (text reads: Grim Reader's syllabus; Women in Horror). 2: Floral pink background with black bands containing text at top (Women in Horror; Nonfiction book recs (horror analysis)) and bottom (HoL logo). Six covers in the middle (clockwise): 1000 Women in Horror, 1895–2018 by Alexandra Heller-Nicholas (2020); House of Psychotic Women: An Autobiographical Topography of Female Neurosis in Horror and Exploitation Film (Expanded Edition) by Kier-La janisse (2024); I Spit On Your Celluloid: The History of Women Directing Horror Movies by Heidi Honeycutt (2024); Lost in the Static: The Untold Stories of Shot-On-Video Horror Directed by Women by Rachael Herb-Neterer (2026); Return of the Monstrous-Feminine: Feminist New Wave Cinema by Barbara Creed (2022); Women of Horror and Speculative Fiction in Their Own Words: Conversations with Authors and Editors edited by Sébastien Doubinsky and Christina Kkona (2024). 3: As above (book titles: Unquiet Spirits: Essays by Asian Women in Horror edited by Lee Murray and Angela Yuriko Smith (2023); 160 Black Women in Horror by Suimko Saulson and Kenya Moss-Dyme (2023); New Blood in Contemporary Cinema: Women Directors and the Poetics of Horror by Patricia Pisters (2022); Women Make Horror: Filmmaking, Feminism, Genre edited by Alison Peirse (2020); Monster, She Wrote: The Women Who Pioneered Horror and Speculative Fiction by Lisa B. Kröger and Melanie R. Anderson (2019); Bloody Women: Women Directors of Horror edited by Victoria McCollum and Aislínn Clarke (2022)). 4: Floral pink background with black bands containing HoL logo at top and text at bottom. Grim Reader bookworm (designed by Jessica Rose) in centre and finger pointing at bottom text: holpublishing.com/grimreader.

For #womenshistorymonth and #womeninhorrormonth, March's reading list is focused on women creatives in horror—writers, editors, and filmmakers.

Save for later, share, and follow the #grimreader for more (150+ book recs!): holpublishing.com/grimreader! 🖤

#horrorsky #booksky #bookrecs #wihm #author

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#WomeninHorrorMonth Carla E. Dash's debut collection MONSTERS & OTHER TALES OF HUMANITY! See what Publishers Weekly had to say!

zurl.co/uFjUZ

#shortfiction #CarlaEDash #speculativefiction #horror #darkfantasy @publisherswkly.bsky.social

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Happy release day to @tamikathompson.bsky.social for THE CURSE OF HESTER GARDENS!

If anyone hasn't heard about the book yet, here is an interview we did earlier for Women in Horror Month. #wihm #womeninhorror #womeninhorrormonth #wihm2026

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A couple new reviews to share at the tail-end of #womeninhorrormonth.

🧵

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Women In Horror Month All the WiHM features hosted by C.M. Rosens

THE FORM IS NOW CLOSED

I have 37 features this year for #WomenInHorrorMonth, and they cover a range of fields! Thank you to everyone who completed the form.

Don't worry, I'll re-open to WiH features next year, and add to what we've got. In the meantime, check these out!

women-in-horror.carrd.co

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Cover to Earthlings by Sayaka Murata

Cover to Earthlings by Sayaka Murata

31prompts for women in horror month

31prompts for women in horror month

Today’s recommendation for #WomenInHorrorMonth A little body horror in translation. #WIHM2026

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#womeninhorrormonth #IntoBonesLikeOil by @KaaronWarren (@AurealisAwards Winner, @ShirleyJAwards & @TheStokerAwards Finalist)

https://smpl.is/3bu9

#gothichorror #ghoststory #ghosts #darkfantasy #horror #mustread #kaaronwarren

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cover of Mage of Fools

cover of Mage of Fools

#WomeninHorrorMonth: Eugen Bacon's Mage of Fools is a dark and unforgettable afro-rreal dystopian tale! A Foreword Indies Silver Award-winner🏅

zurl.co/ti890

@genni.bsky.social

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Me (curly auburn hair, little smirk, pair of nose rings) leaning forward over the camera. It's a sunny day, and behind me there's a cloudless blue sky and bare tree branches.

Me (curly auburn hair, little smirk, pair of nose rings) leaning forward over the camera. It's a sunny day, and behind me there's a cloudless blue sky and bare tree branches.

Holding my book, Tell Me Yours, I'll Tell You Mine (yellow cover, pink text, brown hares sprinting around the corners), in front of a brown wood bookshelf with a row of blue-spined books on the upper shelf and white-spined books on the lower shelf.

Holding my book, Tell Me Yours, I'll Tell You Mine (yellow cover, pink text, brown hares sprinting around the corners), in front of a brown wood bookshelf with a row of blue-spined books on the upper shelf and white-spined books on the lower shelf.

Last couple days of #womeninhorrormonth, and, yeah, I’m one of those! My debut collection, TELL ME YOURS, I’LL TELL YOU MINE, came out last fall from Stillhouse Press. It's filled with dark, strange stories—think Are You Afraid of the Dark, but for “grown-ups” (or whatever we are). [1/5]

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Happy Middle Grade Monday and more Women in Horror! Part 1 today with

Daka Hermon
@wendyparrisauthor.bsky.social
@lorasenf.bsky.social

#MiddleGradeMonday for #womeninhorrormonth

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East Village Wordsmiths Literary Salon | Book Club Bar Independent general bookstore and full service cocktail and espresso bar in the East Village of NYC, serving handcrafted drinks in a cozy community space.

I'm reading at #BookClubBar
TONIGHT from 8:00 PM - 10:00 PM. Hope to see you there!
www.bookclubbar.com/events/41823...
#AuthorSky #BookSky #HorrorSky #NYCAuthor #PoetrySky #WomenInHorrorMonth #WriterSky #WritingSky

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WiHM Special - Renee S. DeCamillis An accomplished author with plenty of celebrated works to her name, Renee S. DeCamillis has made a strong impression with her work appearing...

My Women in Horror Month interview with Don Anelli.
Happy Women in Horror Month to all the ladies of horror!

#WiHM #WomenInHorrorMonth #WiHM2026 #horror #authors #horrorcommunity

donshorrorworld.blogspot.com/2026/03/wihm...

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Classic Short Horror Stories by Women (Part 2) Another list of classic short horror stories by women (1800s-1930s), this time ones you can find on Taesha Glasgow's podcast, Just Chills - Short Scary Stories. Here you'll find 35 authors to check out!

Another list of classic short horror stories by women (1800s-1930s), this time ones you can find on Taesha Glasgow's podcast, Just Chills - Short Scary Stories. Here you'll find 35 authors to check out! #WomenInHorrorMonth #WomenInHorror

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a black and white photo of a woman with a scar on her neck . Alt: A black and white photo of a woman with a scar along her jaw laughing.

I just saw a list that listed ANZ authors for #WomenInHorrorMonth & my name wasn't on it, so I'm here to remind everyone that I'm from Australia & I happen to be a Woman in Horror. 😁

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WiHM Special - Trish Wilson A guest on several previous spotlights , I'm pleased to welcome back Trish Wilson to talk about her editorial work for The Horror Zine and...

I've been interviewed by Don Anelli of Don's World of Horror & Exploitation for Women In Horror Month! I talk about projects I'm working on, my writing process, my work with The Horror Zine & more!

donshorrorworld.blogspot.com/2026/03/wihm...

#WIHM #womeninhorrormonth #horror #thehorrorzine

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Cover to seed by Ania Alborn. Title of the top says the devil made me do it. Caption at the bottom says what’s a little demonic possession among friends?

Cover to seed by Ania Alborn. Title of the top says the devil made me do it. Caption at the bottom says what’s a little demonic possession among friends?

Cover to the woman in black by Susan Hill. Titled the top says paranormal, caption at the bottom says I love a good atmospheric ghost story.

Cover to the woman in black by Susan Hill. Titled the top says paranormal, caption at the bottom says I love a good atmospheric ghost story.

Cover to the mysteries of Adolfo by Ann Radcliffe. Title says Gothic. Caption says: I mean, I had to go for one of the classics here: secret chambers, a remote castle with pirates, Briggins, ghost, and specters

Cover to the mysteries of Adolfo by Ann Radcliffe. Title says Gothic. Caption says: I mean, I had to go for one of the classics here: secret chambers, a remote castle with pirates, Briggins, ghost, and specters

31 book prompts for women in horror month

31 book prompts for women in horror month

More recommendations for #WomenInHorrorMonth I think I might need someone to help me with remembering how time works.

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Book cover for Persona by Aoife Josie Clements (2026 L’il Puss Press) features a painting of the bottom half of a young woman’s face

Book cover for Persona by Aoife Josie Clements (2026 L’il Puss Press) features a painting of the bottom half of a young woman’s face

Persona - @ravineangel.bsky.social Aoife Josie Clements 📖💻🌈⚧️💙📚🩸
#WomenInHorrorMonth

A seedy, visceral labyrinth of identity and transformation that will leave you breathless and afraid to close your eyes: Like a modern, queer Metamorphosis. One of the best horror novels of the year ⭐️⭐️⭐️⭐️1/2 #LilPuss

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My ghost & her black cat bring out the best of my muse! #AuthorSky #BookSky #NYCAurhor #NewYorkCityPoet #PoetrySky #WiHM #WomenInHorrorMonth

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☠️Still time to enter: Our #WomenInHorrorMonth giveaway!

2 winners will receive 5 Meerkat Press horror novels by women authors. 🔪

Entry: https://smpl.is/ai1b9

🔁 RT & @ mention a horror fan

🌍 US/CAN/UK/EUR/AUS | 18+

📅 Ends 3/31 11:59 EST

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Last Saturday for #womeninhorrormonth and this #horrorsuggestsaturday got THE CURE (2026). This horror is a bit psychological thriller and sci fi as a girl with mysterious illness deals with the possibly of her parents not being who they are. #wiccaburrwatches #horrorfam #mutantfam

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Better Out Than In: The Catharsis of Writing Horror by Samantha Bryant / a Guest Article for Hook on WiHM Better Out Than In: The Catharsis of Writing Horrorby Samantha J Bryant, Author  I’ve got one of those faces. As a child, I was often compared to Laura Ingalls Wilder from the Little…

I'm famous today! Well, not really. But I do have a new article about writing horror on Hook of a Book! hookofabook.wordpress.com/2026/03/28/b... #WomenInHorrorMonth #WIHM2026 #WIHM

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It's still #WomenInHorrorMonth so if you don't know @spookeats.bsky.social's work across The Feminine Macabre, her work in fiction & non-fiction and now across horror filmmaking (see above), rectify that! And *someday* schedules will align for us to both give a talk at @eveninghouse.bsky.social! 🖤

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