#Womenphotographers hashtag - Bluesky

@kalamata2024.bsky.social

2 days ago

A black & white selfie photo of a white woman with lace over her face, a crown of flowers, an a lace sleeveless garment over a short sleeved shirt.

By Gertrud Arndt (1903-2000), Masked Self-Portrait, 1930. “Maybe you always have a mask... Someplace you always have an expression you want." ~ Gertrud Arndt. #photography #womanphotographer #womenphotographers #photographyhistory

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Forest Wytch Photography

@forestwytch.bsky.social

2 days ago

Spring has sprung

#photography #naturephotography #nature #art #crocus #novascotia #bluesky #spring #eastcoast #canada #flower #landscape #womenphotographers #photographersofbluesky

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Kalamata 🏳️‍🌈 🇺🇦 🇻🇪 🇨🇺

3 days ago

#BirdOfTheDay #clarksnutcracker #banff #Birds #Wildlife #Nature #Photography #Birding #NaturePhotography #BirdPhotography #PhotographyIsArt #womenphotographers #leafandlight

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Kalamata 🏳️‍🌈 🇺🇦 🇻🇪 🇨🇺

@kalamata2024.bsky.social

3 days ago

I'm a day late for this robin post ... #BirdOfTheDay #Robins #Robin #Birds #Wildlife #Nature #Photography #Birding #NaturePhotography #BirdPhotography #PhotographyIsArt #womenphotographers

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#WomenPhotographers #LeeMiller #Photography

3 days ago

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3 days ago

Helen Levitt (1913-2009), one of the most influential street photographers of the 20th Century, 'N. Y.' (The Foreign Legion), gelatin silver print. As a photo it appears in many collections both public & private. #womanphotographer #womenphotographers #vintagephotography
#darkroom

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4 days ago

#WomenPhotographers #AstroPhotography #SolarPhotography #AdmirableWomen #WomenYouDeserveToKnow

@hundredheroines.org

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1 week ago

A black & white portrait photo of a young white woman, three-quarter view, with an impossibly long graceful neck. She wears a large flowery hat. Excerpts from her obituary in The Guardian, written by Veronica Horwell, 16 Feb 2012: ‘Lillian Bassman wandered into fashion photography in pursuit of the happiness of constant creation. Her absorption in her work showed in every picture she took, or rather in every image she printed, for Bassman… was an exuberant experimenter in the darkroom. "In there, I felt a sense of being able to say something I wanted to say," she remarked. Her pictures are closer to those of the illustrators who shared the glossy pages of fashion magazines with photographers until the 1950s than to contemporaries such as Richard Avedon and Irving Penn. Avedon knew what Bassman was up to though, saying that she made "visible that heartbreaking invisible place between the appearance and the disappearance of things". Bassman was a bohemian from her childhood in Brooklyn and Greenwich Village, New York, onwards. She was the daughter of Ukrainian emigres who had courted in the galleries of the Metropolitan Museum. Bassman admired the old masters, too, and was inspired by El Greco's near-monochrome, elongated portraits. Her early intention was to be a dancer, and she kept her eye for the grace in female movement that, she said, "usually passes unnoticed in everyday life".’

By fashion photographer Lillian Bassman (1917-2012), “Night Bloom, Olga Pantushenkova, hat by Christian Lacroix Haute Couture, Paris,” gelatin silver print, published in The New York Times Magazine, 31 March 1996. #fashionphotography #darkroom #womanphotographer #womenphotographers

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1 week ago

Portrait photo, sepia toned, of a young woman in profile. From the lot essay: “The present lot shows Julia Margaret Cameron’s niece, a young and recently-wed Julia Jackson, modeled as an example of Victorian purity and grace. As a steady fixture in Cameron's work, Jackson appears in more than fifty portraits by Cameron, her natural beauty embodying the artist’s pursuit of ideal reality. The measured lighting of Cameron’s photographs demonstrates an intention to confront the unadorned beauty of her subjects; this particular example relies on Jackson's natural countenance to depict austere elegance. The present lot is a fine example of the manner and intention of Pre-Raphaelite paintings that informed and inspired Cameron’s work.“

Julia Margaret Cameron (1815-1879), “Julia Jackson,” 1867, albumen print, mounted on board, this print 9 7/8 x 7 7/8 in. (24.9 x 19.8 cm.), listed at Christie’s 2 Apr 2019. #vintagephotography #darkroom #PhotographyHistory #womenphotographers #womenshistory

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1 week ago

#WomenPhotographers #WomenInPhotography #FemalePhotogs

@hundredheroines.org

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