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American artist Ilse Martha Bischoff titled the work "Mary," and contemporary records also preserve her longer original title, "Mary (Portrait of a Negress)" using language now recognized as harmful, but historically revealing of how Black women were categorized in U.S. visual culture. The painting somewhat counters that flattening with a touch of personhood via a name, a careful likeness, and a pause that lets Mary remain unknowable on her own terms.

Mary is depicted as adult Black woman seated in a curved wooden chair, shown in three-quarter profile with her torso angled left and her face turned back toward us. Her deep brown skin is modeled with warm highlights along the cheekbone and brow, while the background dissolves into smoky gray-browns that brighten behind her head, as if a spotlight were drifting through mist. She wears a loose, slate-blue dress painted in broad, soft strokes that suggest weight and drape more than crisp seams. Across her forearm lies a luminous shawl of golden bronze with cool turquoise folds with a satin-like sheen catching the strong light. Her hands rest together at her lap, fingers gently interlaced for a quiet anchor in the pose. A dark blue hat frames her face, trimmed with pink, coral, and orange flowers, green leaves, and pale blue feathers. Small light earrings glint at each ear. Mary’s mouth curves into a restrained, knowing smile, and her eyes turn slightly downward rather than meeting ours, keeping a measure of privacy inside the portrait. The left edge deepens into shadow, and the chair’s pale rail arcs behind her shoulder, emphasizing how Mary occupies space with calm, self-possessed presence.

In 1943, with European travel cut off by war, Bischoff worked between Manhattan and a Hartland, Vermont home she purchased in 1942, staying committed to representational portraiture. Here, light becomes both respect and restraint to honor Mary’s style and dignity while pointing to what history withholds about her life.

American artist Ilse Martha Bischoff titled the work "Mary," and contemporary records also preserve her longer original title, "Mary (Portrait of a Negress)" using language now recognized as harmful, but historically revealing of how Black women were categorized in U.S. visual culture. The painting somewhat counters that flattening with a touch of personhood via a name, a careful likeness, and a pause that lets Mary remain unknowable on her own terms. Mary is depicted as adult Black woman seated in a curved wooden chair, shown in three-quarter profile with her torso angled left and her face turned back toward us. Her deep brown skin is modeled with warm highlights along the cheekbone and brow, while the background dissolves into smoky gray-browns that brighten behind her head, as if a spotlight were drifting through mist. She wears a loose, slate-blue dress painted in broad, soft strokes that suggest weight and drape more than crisp seams. Across her forearm lies a luminous shawl of golden bronze with cool turquoise folds with a satin-like sheen catching the strong light. Her hands rest together at her lap, fingers gently interlaced for a quiet anchor in the pose. A dark blue hat frames her face, trimmed with pink, coral, and orange flowers, green leaves, and pale blue feathers. Small light earrings glint at each ear. Mary’s mouth curves into a restrained, knowing smile, and her eyes turn slightly downward rather than meeting ours, keeping a measure of privacy inside the portrait. The left edge deepens into shadow, and the chair’s pale rail arcs behind her shoulder, emphasizing how Mary occupies space with calm, self-possessed presence. In 1943, with European travel cut off by war, Bischoff worked between Manhattan and a Hartland, Vermont home she purchased in 1942, staying committed to representational portraiture. Here, light becomes both respect and restraint to honor Mary’s style and dignity while pointing to what history withholds about her life.

"Mary" by Ilse Martha Bischoff (American) - Oil on canvas / 1943 - Hood Museum of Art, Dartmouth College (Hanover, New Hampshire) #WomenInArt #HoodMuseumOfArt #HoodMuseum #IlseMarthaBischoff #Bischoff #BlackPortraiture #art #artText #BlueskyArt #PortraitofaWoman #WomensArt #WomanArtist #WomenArtists

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bsky.app/profile/did:...

better-experience.blogspot.com/2026/01/the-...

#HANS #BISCHOFF
headlines-world.com/advanced-sea...
#SEPTEMBER 1990 #CZECHOSLOVAK #PEOPLE S #PARTY #LEADERSHIP #ELECTION
allgraph.ro/advanced-sea...
#RICHARD #BROWNING #POLITICIAN
headlines-world.com/advanced-sea...
aepiot.ro

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Co-President #Vince usso claims that #Hogan was using his creative control clause to demand that he defeat #DoubleJ for the belt that night, despite nobody else in the business besides #Hogan and Co-President #Bischoff thinking this was a good idea...

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#Bischoff halts Maul!

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Original post on korallenherz.masto.host

Seit Tagen macht die #AktuelleStunde Werbung für ihr neues rassistisches Format (korallenherz.masto.host/@Korallenherz/1153000724... Es geht einzig darum zu transportieren, dass Migranten megaschlimm sind und quasi die Gewalt importieren. Richtig mieser Dreck und ich hasse den […]

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#Bischoff füllt die Lücke, die #Ruhs hinterlässt gut.

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They can have a complaints debate with #bischoff as MC

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Vincent Alo

Vincent Alo

#OTD (Aug 23) in 1950, a grand jury in #BrowardCounty #Florida indicts brothers Meyer and Jack #Lansky, William #Bischoff, Vincent #Alo and others for operating illegal #gambling houses.

#MafiaHistory 🗃️ #Skystorians

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Top relative experience*, 🇩🇰🇳🇴🇸🇪
🥇 #SverreNypan 🇳🇴 x2.10
🥈 #MatiasSiltanen 🇫🇮 x2.08
🥉 #VictorFroholdt 🇩🇰 x2.06
#Kosugi 🇯🇵 #WalleEgeli 🇳🇴 #Broholm 🇳🇴 #Bischoff 🇩🇰 #Tangvik 🇳🇴 #Osorio 🇨🇱 #Nartey 🇩🇰
* Last year minutes and matches' sporting level compared to same age and position players

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Verve Hires New York Talent Agent Barrett Bischoff, Promotes L.A.-Based Lacey Hunsucker EXCLUSIVE...

deadline.com/2025/02/verve-hires-barr...

#Agencies #Barrett #Bischoff #Lacey #Hunsucker #Verve

Event Attributes

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#Scouting #Superliga
Clement #Bischoff (19, LWB, #Brøndby, 3.5 Mio) 🔥
Extraordinary talented. Technically adept, attack-minded wingback
#DataScouting ##BrøndbyIF #ROOF

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Original post on mastodon.social

#Migration erhöht nicht die #Kriminalitätsrate in Deutschland - Spektrum der #Wissenschaft

In der Polizeilichen #Kriminalstatistik sind ausländische Menschen überrepräsentiert. Grund hierfür sind aber herkunftsunabhängige Faktoren wie Geschlecht, Alter und Wohnort.

von Manon #Bischoff […]

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Yeah, #Bischoff is really the guy to talk... about, well, anything?

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60 mio. kroner for vores vel nok største talent i nyere tid. Det er jeg meget lidt imponeret over (hvis det er sandt)... #Brøndby #Bischoff

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Im Rennen um Tom #Bischoff soll die #SGE derzeit wohl die besten Karten haben.
Natürlich nur eine Wasserstandsmeldung, aber es zeigt, dass sie nicht chancenlos ist, trotz der großen Konkurrenz. 🦅

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#MLW1SHOT
Lovin’ the Eric Bischoff #HeStillGotIt TV Confrontations #You’reFired & Gotta note my Reveling on that CLASSIC #Bischoff #TNA #Spoiler #HardyBoyz to Kickoff the #Event. 😁👍

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Amanda Palmer & Jherek Bischoff - "Everybody Knows" (Leonard Cohen)
Amanda Palmer & Jherek Bischoff - "Everybody Knows" (Leonard Cohen) YouTube video by Amanda Palmer

Here's another great #LeonardCohen song: #EverbodyKnows -- as covered by #AmandaPalmer & Jherek #Bischoff www.youtube.com/watch?v=A97u... #music #musicvideo #AmandaFPalmer

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In der #Kreistag|ssitzung am 18.03.24 hatte Jungspund #Zeißler (€dU) den Linken #Bischoff in seiner ausschweifenden Haushaltsrede böse beleidigt: er solle „zu Hause sein #Klette-Poster über dem Bett anbeten“ (oder so).

Nun ist die Rede online – gekürzt & ohne Beleidigung. Selbstzensur der €dU?

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