Martyrdom of St. Lucy by Domenico Veneziano, c. 1445-c. 1448, Staatliche Museen (Berlin, Germany)
#ArtHistory #EarlyRenaissance
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Virgin Annunciate by Antonello da Messina, c. 1476, Palazzo Abatellis (Patella), Palermo, Italy
#ArtHistory #EarlyRenaissance
See: www.italymagazine.com/featured-sto...
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Check out my Religious Art Collection linda-howes.pixels.com/featured/the...
#wallartforsale #wallart #ReligiousArt #religiousPainting #Triptych #Bosch #Earth #EarlyRenaissance #Spain #christianity #lust #Allegory #sin #hell #creation #fantasy #giftideas
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The #steelyard in depth as well as breadth. Balance in more than one dimension is vital to good composition.
#TheHuntersInTheSnow by #PieterBruegelTheElder
#EarlyRenaissance
#HenryRankinPoore
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This detail focuses on Saint Catherine, depicted as a beautiful young woman with flowing golden hair and a richly decorated dress. She holds a book, symbolizing her learning and intellectual pursuits, and a palm branch, representing her martyrdom. Botticelli's characteristic linear style is evident in the delicate outlines and graceful forms. The saint's expression is serene and contemplative, reflecting her piety and devotion. The overall effect is one of refined elegance and spiritual depth. The painting is part of a larger altarpiece commissioned for the church of San Barnabas in Florence.
Detail of St. Catherine from Virgin and Child with Saints, Altarpiece of San Barnabas by Sandro Botticelli, 1491, Uffizi Gallery (Florence, Italy)
#ArtHistory #EarlyRenaissance
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Fra Angelico executed three altarpieces for the church and convent of San Domenico in Florence. They not only demonstrate his mastery in the 1420s but are suffused with Dominican ideals, most notably the veneration of Christ and Mary. The San Domenico Altarpiece was the first painting that Angelico painted for the church, it was followed by the Annunciation and the Coronation of the Virgin. The Altarpiece represents the Virgin and Child surrounded by angels and flanked by four saints: Thomas Aquinas, the Order's greatest scholar; Barnabus, patron saint of Barnaba degli Agli, benefactor of the convent, to whom the church was jointly dedicated; Dominic, founder of the Order; and Peter Martyr, the Order's first martyr and most eloquent preacher. originally conceived as a triptych, it was united into a single panel and its background repainted by the artist Lorenzo di Credi in 1501, when the church was modernized.
San Domenico Altarpiece by Fra Angelico, 1424-1430, Convent of San Domenico (Fiesole, Italy)
#ArtHistory #EarlyRenaissance #ChristianArt
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Fra Angelico, The Dormition and Assumption of the Virgin, c 1425 5/10/18 #gardnermuseum #earlyrenaissance #italy #painting
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Giusto de' Menabuoi, Virgin and Child Enthroned with Saints and Angels, detail, 1345, tempera and gold on wood
#earlyrenaissance #artaddict #dailyart #artaddictgalleria
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π¨ 'Pallas And The Centaur' (1480-1485)
by Sandro BotticelliΒ (Italian, 1444-1510)
#EarlyRenaissance
#FlorentineStyle #MythologicalPainting #Painting #Art
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π¨ 'Tobiolo E I Tre Arcangeli (Tobias and the Three Archangels)' (1485)
by Filippino Lippi
#EarlyRenaissance #ReligiousPainting #Painting #Art #FlorentineStyle
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The image shows "The Garden of Earthly Delights," a triptych painted by Hieronymus Bosch between 1490 and 1510. It's known for its intricate detail, vibrant colors, and surreal imagery. When the triptych is closed, the outer panels depict the earth in grisaille during its creation. Opened, it reveals three scenes: Left panel: Represents the Garden of Eden, with God introducing Eve to Adam. It features strange creatures and a unique interpretation of the biblical story. Center panel: The "Garden of Earthly Delights" itself, a scene of nude figures, fantastical animals, and oversized fruits, symbolizing earthly pleasures and sin. This panel is where the triptych gets its modern name. Right panel: Depicts Hell, a dark and chaotic landscape where sinners are punished with torturous devices, often involving musical instruments. The painting is interpreted as a moralistic warning against the temptations of earthly life, showing the progression from innocence in Eden to the consequences of sin in Hell. It is housed at the Museo del Prado in Madrid.
Hieronymus Bosch
The Garden of Earthly Delights, 1490-1510
oil on oak panels
205.5 cm Γ 384.9 cm (81 in Γ 152 in)
Museo del Prado, Madrid
#ArtSky #Bosch #Gothic #EarlyRenaissance
en.wikipedia.org/wiki/The_Gar...
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Jacobello Alberegno, Polittico dell'Apocalisse (detail), c.1397, Galleria dell Accademia, Venice
#JacobelloAlberegno #GalleriadellAccademia #Venice #earlyrenaissance #artaddict #art #DailyArt
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π¨ 'Resurrection of Christ and Women at the Tomb' (1440 - 1442)
by Fra Angelico
#EarlyRenaissance #ReligiousPainting #Painting #Art #Easter #EasterSunday #Fresco
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π¨ 'Angel Gathering Flowers in a Heavenly Landscape (detail)' (1460)
by Benozzo Gozzoli (Italian, 1421 - 1497)
#EarlyRenaissance #ReligiousPainting #Art #Fresco
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π¨ 'The Expulsion of the Devils from Arezzo' (1452)
by Benozzo Gozzoli
#EarlyRenaissance #ReligiousPainting #Painting #Art #Fresco
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π¨ 'Preaching to the Birds and Blessing Montefalco' (1452)
by Benozzo Gozzoli
#EarlyRenaissance #ReligiousPainting #Painting #Art #Fresco
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π¨ 'Primavera (The Spring)' (1478 - 1482)
by Sandro Botticelli
#EarlyRenaissance
#AllegoricalPainting #Painting #Art #Spring
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Piero della Francesca, Flagellation of Christ, detail, c. 1468 - 1470
#PierodellaFrancesca #Flagellation #Christ #earlyrenaissance #renaissance #ArtHistory #ArtInspiration #ArtoftheDay #FineArt #ArtCommunity #art #artaddictgalleria
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π¨ 'Episodes of the hermit life' (1460)
By Paolo Uccello
#EarlyRenaissance #Art
#ReligiousPainting #Painting
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π¨ 'The Battle of San Romano' c.1438 - 1440
Series: Three paintings of the battle of Romano for the Medici
by Paolo Uccello
#EarlyRenaissance #Art
#BattlePainting #Painting
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π¨ 'Portrait of a Princess of the House of Este' (c.1449)
by Pisanello
#EarlyRenaissance #Portrait #Art #Painting
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π¨ 'Mystic Wheel (The Vision of Ezekiel)'
Series: Paintings for the Armadio degli Argenti
by Fra Angelico
#EarlyRenaissance
#Painting #Art
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π¨ 'Allegory of March β Triumph of Minerva and Sign of Aries. Frescos in Palazzo Schifanoia (detail)'
(1470)
by Francesco del Cossa
- Frescos in Palazzo Schifanoia (Ferrara)
#Mythological #EarlyRenaissance
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Virgin and Child Surrounded by Angels (Melun Diptych)
Jean Fouquet, 1450
#frenchrenaissance #earlyrenaissance #lategothic #arthistory
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The Baptism of Christ
Piero della Francesca, 1450
#earlyrenaissance #tempera #perspective #goldenratio #geometry #arthistory
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Fra Angelico, The bust of a cleric, c.1450, Metalpoint, touches of pen and ink, and white heightening, on orange prepared paper, Β©οΈRoyal Collection Trust
Fra Angelico, The bust of a cleric, c.1450, Metalpoint, touches of pen and ink, and white heightening, on orange prepared paper, Β©οΈRoyal Collection Trust
#FraAngelico #Metalpoint #RoyalCollection #London #earlyrenaissance #drawing #artaddict #arthistory #art
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Andrea Mantegna, Frescoes from Camera degli Sposi, 1465 - 1474, Ducal Palace, Mantua
Andrea Mantegna, Frescoes from Camera degli Sposi, 1465 - 1474, Ducal Palace, Mantua
#AndreaMantegna #mantegna #Fresco #CameradegliSposi #DucalPalace #Mantua #art #artaddict #earlyrenaissance #arthistory #art #artaddict
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Andrea Mantegna, Frsco detail from Camera degli Sposi, 1465 - 1474, Ducal Palace, Mantua
Andrea Mantegna, Frsco detail from Camera degli Sposi, 1465 - 1474, Ducal Palace, Mantua
#AndreaMantegna, #Fresco #detail #CameradegliSposi #DucalPalace #Mantua #dog #dogs #art #artaddict #earlyrenaissance #arthistory #art #artaddict
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