Advertisement · 728 × 90
#
Hashtag
#glasgowmuseums
Advertisement · 728 × 90
The painting captures a specifically British pre-wedding custom, the hen party, but artist Beryl Cook treats it as more than comic spectacle. She makes working-class and middle-class women the stars of public life by being visible, celebratory, self-possessed, and fully entitled to pleasure. Her art often centered women in pubs, clubs, cafés, and streets, recording the sociability of everyday life with affection rather than condescension.

Five women cluster together in a tight, cheerful group, filling nearly the whole picture. Their bodies are rounded and buoyant, with Cook’s signature exaggeration making them feel larger than life, confident, and impossible to ignore. At the center is the bride-to-be, wearing a large tall white party hat trimmed with balloons, ribbons, and floral decorations. The others lean close around her in bright dresses and tops, their faces rosy, amused, and alert with shared excitement. Red lipstick, flushed cheeks, and glossy accessories heighten the mood of a night out before marriage. The scene feels crowded but affectionate, with no background distraction pulling attention away from the women’s camaraderie. Cook turns the group into a monument of laughter, ritual, and collective female presence. These are not idealized bodies or polished society beauties. They are vivid, social, ordinary women made unforgettable through humor, scale, and warmth.

Made in 1995, “Hen Party II” belongs to Cook’s mature period, when her instantly recognizable style had become one of the most widely loved in Britain. A plausible real-life spark for this image survives in local Plymouth memory when a specific woman’s 1995 hen night reportedly inspired both this painting and a related work. That rootedness matters. Cook was not inventing fantasy women from a distance. She was observing the social worlds around her and transforming them into democratic icons. The humor is real, but so is the dignity for a record of female friendship and public joy.

The painting captures a specifically British pre-wedding custom, the hen party, but artist Beryl Cook treats it as more than comic spectacle. She makes working-class and middle-class women the stars of public life by being visible, celebratory, self-possessed, and fully entitled to pleasure. Her art often centered women in pubs, clubs, cafés, and streets, recording the sociability of everyday life with affection rather than condescension. Five women cluster together in a tight, cheerful group, filling nearly the whole picture. Their bodies are rounded and buoyant, with Cook’s signature exaggeration making them feel larger than life, confident, and impossible to ignore. At the center is the bride-to-be, wearing a large tall white party hat trimmed with balloons, ribbons, and floral decorations. The others lean close around her in bright dresses and tops, their faces rosy, amused, and alert with shared excitement. Red lipstick, flushed cheeks, and glossy accessories heighten the mood of a night out before marriage. The scene feels crowded but affectionate, with no background distraction pulling attention away from the women’s camaraderie. Cook turns the group into a monument of laughter, ritual, and collective female presence. These are not idealized bodies or polished society beauties. They are vivid, social, ordinary women made unforgettable through humor, scale, and warmth. Made in 1995, “Hen Party II” belongs to Cook’s mature period, when her instantly recognizable style had become one of the most widely loved in Britain. A plausible real-life spark for this image survives in local Plymouth memory when a specific woman’s 1995 hen night reportedly inspired both this painting and a related work. That rootedness matters. Cook was not inventing fantasy women from a distance. She was observing the social worlds around her and transforming them into democratic icons. The humor is real, but so is the dignity for a record of female friendship and public joy.

“Hen Party II” by Beryl Cook (British) - Oil on board / 1995 - Glasgow Museums Resource Centre (Glasgow, Scotland) #WomenInArt #WomensArt #WomanArtist #WomenArtists #BerylCook #Cook #BritishArt #GlasgowMuseums #GlasgowMuseumsResourceCentre #artText #art #1990sArt #BritishArtist #WomenPaintingWomen

40 7 2 0
Post image

The Glasgow Transport Museum's Infinite Velodrome. This is a metal Möbius Strip hanging from the ceiling of Zaha Hadid's magnificent Riverside Museum building displaying all sorts of bicycles from different eras of cycling.

#glasgow #glasgowmuseums #riversidemuseum #cycling

45 4 1 1
Post image Post image

Yet another good reason to visit GoMA in Glasgow… I’m biased of course but the team there do such great work on such vital projects!
#GoMA #GlasgowMuseums #SimonCommunity

1 0 0 0

Designed by Ian Begg and built in the Scots Baronial style as a homage to the Medieval Bishop's Castle which once occupied the same site, the museum was first opened in 1993.

#glasgow #architecture #glasgowmuseums #museum #architecturephotography

13 0 0 0
Post image

The Saint Mungo Museum of Religious Life and Art in central Glasgow with Glasgow Cathedral in the background.

Cont./

#glasgow #architecture #glasgowmuseums #museum #architecturephotography

55 4 1 0

Choose 20 works of visual art that have stayed with you. One artwork per day. #artsky

Day16: Something slightly more contemporary today ...
#Patriots by #PeterHowson (1991) #GlasgowMuseums

0 0 0 0

The body covering is made from coconut while the helmet, which is more for show than protection, is made from the inflated and then dried skin of a porcupine fish.

Cont./

#glasgow #kelvingroveartgallery #kiribati #armour #sharks #glasgowmuseums

15 1 1 0
Post image

Glasgow's Kelvingrove Art Gallery and Museum has many treasures in it, but this probably the one which most facinated me as a child. It's a suit of armour from Kiribati in Micronesia.

Cont./

#glasgow #kelvingroveartgallery #kiribati #armour #sharks #glasgowmuseums

43 4 2 2
Post image

#cuadrodeldía El ángel, 1881 (Edward Coley Burne-Jones 1833-98) #GlasgowMuseums Glasgow #art Vinculado a la 2ª fase del prerrafaelismo, muy atraído por la belleza y el romanticismo del Cristianismo medieval y la pureza decorativa de los primeros pintores italianos #FelizJueves

40 6 0 0

Designed by Ian Begg and built in the Scots Baronial style as a homage to the Medieval Bishop's Castle which once occupied the same site, the museum was first opened in 1993.

#glasgow #architecture #glasgowmuseums #museum #glasgowbuildings #buildingphotography #architecturephotography #scotland

7 0 0 0
Post image

The St Mungo Museum of Religious Life and Art in central Glasgow.

Cont./

#glasgow #architecture #glasgowmuseums #museum #glasgowbuildings #buildingphotography #architecturephotography #scotland

58 0 2 0
Post image

Seen lurking in Glasgow yesterday.
#glasgowmuseums #riversidemuseum #droids

1 0 0 0
Side view of a woman’s mantle or dolman in red silk velvet plush trimmed with brown marabou feathers. Wide sleeve flared from elbow. Shaped and cut to go over a small bustle.

Side view of a woman’s mantle or dolman in red silk velvet plush trimmed with brown marabou feathers. Wide sleeve flared from elbow. Shaped and cut to go over a small bustle.

Heading to work Christmas dinner & wishing I had something as warm and festive as this red silk velvet dolman in #GlasgowMuseums collection to wear on the freezing bus

6 1 1 1
Post image

#Kelvingrove #GlasgowMuseums #Glasgow #LindaMcCartney #photography #McCartney #tartan

2 0 0 0