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#peoplematchingartworks #hansthoma #berlinischegalerie
#stefandraschan #photography #contemporaryart #berlin

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« Siegfried mit dem getöteten Drachen », 1889

by Hans Thoma (German artist, 1839-1924)
Watercolor on paper, 33,8 x 36,5 cm

#vintagefantasyart #fantasyart #fantasyillustration #HansThoma #siegfried #fafnir #nibelungen #norsemythology #ScandinavianMythology #artnouveau

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#WomanInTheWindow311
#FrauAmFenster
#FemmeALaFenêtre
#MujerEnLaVentana
#art
#HansThoma

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An elderly mother and a young daughter sit close together at a table, their bodies angled toward a large open bible that spans the foreground. The older woman with light skin and deeply lined face wears a red headscarf tied under her chin, small round wire-frame glasses, and a dark gray sleeveless bodice over a white blouse with gathered sleeves. Her hands rest near the book’s edge, steady and practiced, as if holding the place. The younger woman with light skin and a warm flush in the cheeks leans in from the right, her forearm on the tabletop and her gaze lowered in concentration. She wears a textured maroon vest over a cream blouse with puffed sleeves. Her brown hair is parted and smoothed back. The younger woman’s arm drapes across the older woman’s shoulders in a gentle, protective arc, creating a quiet bridge between them. The background is muted soft gray and shadowed brown so the warm reds, skin tones, and the book’s pale pages become the emotional center. Their expressions are serious and inward, suggesting attentive listening, shared study, and a calm, intimate hush.

German artist Hans Thoma frames reading as both devotion and kinship. The Bible is not simply an object, but a shared space where memory, instruction, and tenderness meet. His mother’s glasses and weathered hands evoke lived experience including years of labor, routine, and belief. Meanwhile, his sister’s softened posture and lowered eyes suggest learning that is chosen, not forced. That single arm around her mother’s shoulders matters as it can read as comfort, solidarity, or a reversal of care, where the daughter offers steadiness while receiving tradition. The pared-back setting intensifies the scene’s moral quiet. There is no spectacle, just the gravity of ordinary faith and family closeness. Painted in 1866, Thoma leans into Realism’s respect for everyday life, treating domestic ritual as worthy of monumentality.

An elderly mother and a young daughter sit close together at a table, their bodies angled toward a large open bible that spans the foreground. The older woman with light skin and deeply lined face wears a red headscarf tied under her chin, small round wire-frame glasses, and a dark gray sleeveless bodice over a white blouse with gathered sleeves. Her hands rest near the book’s edge, steady and practiced, as if holding the place. The younger woman with light skin and a warm flush in the cheeks leans in from the right, her forearm on the tabletop and her gaze lowered in concentration. She wears a textured maroon vest over a cream blouse with puffed sleeves. Her brown hair is parted and smoothed back. The younger woman’s arm drapes across the older woman’s shoulders in a gentle, protective arc, creating a quiet bridge between them. The background is muted soft gray and shadowed brown so the warm reds, skin tones, and the book’s pale pages become the emotional center. Their expressions are serious and inward, suggesting attentive listening, shared study, and a calm, intimate hush. German artist Hans Thoma frames reading as both devotion and kinship. The Bible is not simply an object, but a shared space where memory, instruction, and tenderness meet. His mother’s glasses and weathered hands evoke lived experience including years of labor, routine, and belief. Meanwhile, his sister’s softened posture and lowered eyes suggest learning that is chosen, not forced. That single arm around her mother’s shoulders matters as it can read as comfort, solidarity, or a reversal of care, where the daughter offers steadiness while receiving tradition. The pared-back setting intensifies the scene’s moral quiet. There is no spectacle, just the gravity of ordinary faith and family closeness. Painted in 1866, Thoma leans into Realism’s respect for everyday life, treating domestic ritual as worthy of monumentality.

“Mutter und Schwester des Künstlers, in der Bibel lesend” (The Artist’s Mother & Sister Reading the Bible) by Hans Thoma (German) - Oil on cardboard / 1866 - Staatliche Kunsthalle Karlsruhe (Germany) #WomenInArt #HansThoma #Thoma #artText #art #StaatlicheKunsthalleKarlsruhe #KunsthalleKarlsruhe

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Hans Thoma, 1921. “The Fall of Icarus”

#illustration #1920s #HansThoma #Icarus

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Sketch version detail of Hans Thoma´s "Woman with a Mirror and Death", 1880

Sketch version detail of Hans Thoma´s "Woman with a Mirror and Death", 1880

Sketch version of Hans Thoma´s "Woman with a Mirror and Death", 1880

Sketch version of Hans Thoma´s "Woman with a Mirror and Death", 1880

Sketch version detail of Hans Thoma´s "Woman with a Mirror and Death", 1880

Sketch version detail of Hans Thoma´s "Woman with a Mirror and Death", 1880

“Woman with a Mirror and Death ”
Thoma (Hans Thoma), 1880
Private Collection
8.25 x 5 in (21,5 x 12,7 cm)
Ink markers on plain 70 G/M² sketchbook paper
11/09/25
#pandemicmasters #thoma #hansthoma #mememtomori

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🎨 #HansThoma, German painter, #DOTD 7 November 1924. #Art #Painting

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Hans Thoma (1839-1924)
"Saint Michael the Archangel", 1901
#drawing #illustration #HansThoma #Archangel #dragon

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Hans Thoma (1839-1924)
"Chronos sharpens the scythe", undated
#painting #art #drawing #illustration #watercolor #HansThoma

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Painting of a nude man standing over a canyon’s edge while long necked birds fly overhead.

Painting of a nude man standing over a canyon’s edge while long necked birds fly overhead.

Hans Thoma

‘Sehnsucht’ (Longing)

#hansthoma #vintageart

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#Art #Painting #Paintings #Oilpainting #Oilpaintings #Blueskyart #Traditionalart #Artwork #Artsky #Blueskyart #Bskyart #Portrait #Portraits #Fineart #Vintage #Arthistory #Museum #HansThoma #Thoma

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Death and the Girl, 1916
#HansThoma (1839–1924)
#death #drawing #art

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'Woman with a mirror and Death'.
#HansThoma. 1880.
#death #painting #art

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Shepherds Sleeping
——————————————
A Sleeping Shepherd (c. 1886)
By Hans Thoma
——————————————
#art #painting #oilpainting #hansthoma #germanart #arthistory #sleep #sleepinginart

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Death and the Maiden (1872)
#HansThoma
#death #painting #art

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Der Fall Thoma - on art magazine 100 Jahre nach seinem Tod häufen sich die Ausstellungen zu Hans Thoma. War Thoma Antisemit? "Doch ich bin gar kein Antisemit und muss ruhig zusehen, wenn sie [die Juden] dem deutschen Volke jetzt auch...

Antisemitismus war in der Kunst bereits vor der #Nazi-Zeit ein alltägliches Phänomen. Dies zeigt beispielhaft unser neuester Beitrag "Der Fall Thoma" über den "Lieblingsmaler des deutschen Volkes", #HansThoma.
on-art.news/2025/02/28/d...
@onart.bsky.social
#HugoBall #MarcelvanEeden #HitoSteyerl

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'Woman with a mirror and Death'.
#HansThoma. 1880.
#death #painting #art

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The Bee Friend, 1863 by Hans Thoma - Linda Howes Website The Bee Friend, 1863 by Hans Thoma - Linda Howes Website

Such an interesting tradition! for sale here - linda-howes.pixels.com/featured/the...

#wallart #beeKeeper #Bees #HansThoma #BeeFriend1863 #nature #Hives #Traditions #art #Paintings #trees

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#hansthoma

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“Violinist Playing in a Moonlit Garden.” Hans Thoma (German; 1839–1924). Lithograph printed in colours with highlights in silver, ca. 1900. The British Museum, London. © The Trustees of the British Museum.

#hansthoma
#thoma
#britishmuseum
@britishmuseum

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“Frühling auf dem Gebirgssee.” Spring on a Mountain Lake). Hans Thoma (German; 1839–1924). Lithograph printed in colors, 1898. Published by: Gesellschaft für Vervielfältigende Kunst. The British Museum, London | © Trustees of the British Museum.

#hansthoma
#thoma
#britishmuseum
@britishmuseum

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#hansthoma

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