#peoplematchingartworks #jmwturner #lenbachhaus #stefandraschan #photography #contemporaryart #munich
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Hashtag
#lenbachhaus
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„Museum der Unschuld“ auf Netflix - gucken oder es lieber beim
Buch von #OrhanPamuk und der Erinnerung an die Ausstellung im #Lenbachhaus belassen?
Liebe #Literatur -Beflissene und Vielleser*innen?
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#peoplematchingartworks #jmwturner #lenbachhaus #stefandraschan #photography #contemporaryart #munich
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#peoplematchingartworks #jmwturner #lenbachhaus #stefandraschan #photography #contemporaryart #munich
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Erma Bossi: Interieur mit drei Figuren im Cafe/Interieur with three Figures in the Café.
#Ausstellung #exhibition "Der Blaue Reiter"
#Lenbachhaus
#München #Munich #Bavaria #Germany
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Franz Marc: Weidende Pferde I/Grazing Horses I
#Ausstellung #exhibition "Der Blaue Reiter"
#Lenbachhaus
#München #Munich #Bavaria #Germany
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Maria Franck-Marc: Apfelkorb im Gras/Apple Basket in the Grass
#Ausstellung #exhibition "Der Blaue Reiter"
#Lenbachhaus
#München #Munich #Bavaria #Germany
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Franz Marc: Eichbäumchen/Little Oak Tree
#Ausstellung #exhibition "Der Blaue Reiter"
#Lenbachhaus
#München #Munich #Bavaria #Germany
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📸 In the 1970s, Leonore Mau traveled to Haiti with Hubert Fichte. Decades of unseen photographs are now revealed at the Lenbachhaus, offering a rare glimpse into Haiti’s history, culture, and spirituality. Until 15 Feb
#LeonoreMau #Lenbachhaus #Photography #Haiti #FineArtPhotography #WomenInArt
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Welche Geschichte können Alltagsgegenstande erzählen? In einem Dialogrundgang mit dem #Lenbachhaus sprechen wir über die Herkunft und Bedeutung einzelner Objekte aus unserer Intervention #ErinnrungIst, und über die Frage, wie Erinnern durch Dinge möglich wird. www.nsdoku.de/programm/akt...
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Zeichnung einer Frühstückssituation, angereichert durch geometrische Figuren und der Museumseintrittskarte
Nochmal #Lenbachhaus, Auguste Herbin gucken. Vorher gabs Frühstück bei Ella, wo der Kellner anerkennend grinste, „krass Eiskaffee zum Frühstück, aber gut. Lassen sie sichs schmecken.“
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The reason why the #Lenbachhaus has so many artworks of Blue Rider is because a member of the art collective, Gabriele Münter, donated 1,000 works by the group to the museum in 1957 that she had hidden behind shelves in the basement of her villa during the Nazi period.
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Russian artist Marianne von Werefkin painted this famous self-portrait with scorching red eyes during a period of deep friendship with Russian painter Wassily Kandinsky who returned to Munich with his former student and partner German painter Gabriele Münter. They spent three crucially important summers with Werefkin and her longtime partner Russian artist Alexej von Jawlensky in the Bavarian village of Murnau. This was the time when the wealthy Werefkin’s so-called “Pink Salon” was at its most vibrant and guests could almost feel the force of her extraordinary intellectual energy. It was Werefkin who instigated the discussions that led in 1909 to the four friends being founding members of the Neue Künstlervereinigung München (Munich New Artists’ Association) aka N.K.V.M.) and then later “Der Blaue Reiter" (The Blue Rider). Both avant-garde artist groups promoted work that other institutions in the city found unacceptably modern. Münter, 17 years younger than Werefkin, was likely intimidated by the imposing ‘Baroness’ (as Werefkin was nicknamed). She painted Werefkin in 1909 wearing one of her signature flamboyant hats, which she described looking like “a wagon wheel, with all manner of things piled upon it.” This self portrait exudes a German Expressionist vibe from the era using vibrant and non-natural colors to prioritize emotional impact over realism. Brushstrokes are visible and contribute to the self-portrait’s textured appearance with forms simplified and slightly distorted. The artist renders her own skin with a mix of yellows and greens, not aiming for realistic skin tones but rather emphasizing her emotional state. The hat is a deep red with a lone orange flower, while the background is a blend of blues and greens. The painting shows the influence of Vincent van Gogh, whose innovative approach to brushwork Werefkin admired, while the dynamic, emotive use of color speaks to both Gauguin's work and that of Norwegian Expressionist Edvard Munch.
Selbstbildnis I (Self-portrait I) by Marianne von Werefkin (Russian) - Tempera & lacquer bronze on paper on cardboard / c. 1910 - Städtische Galerie im Lenbachhaus (Munich) #WomenInArt #ArtText #FemaleArtist #womensart #WomanArtist #art #MariannevonWerefkin #Werefkin #StädtischeGalerie #Lenbachhaus
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Croatian-Italian artist Erma Bossi was born Erma Barrera-Bossi in the city of Pula (now in Croatia), and received artistic training in Munich, Germany. She exhibited regularly with the expressionist art group "Neue Künstlervereinigung München" (New Artists' Association Munich) aka N.K.V.M. between 1909 and 1911, and with the German expressionist group "Blaue Reiter" (The Blue Rider) between 1911 and 1912. This portrait from around 1910 of fellow artist and wealthy benefactor Marianne von Werefkin is in the collection of the famous Lenbachhaus in Munich. Werefkin's father was from Russian nobility and her mother belonged to a family of Cossack princes. Werefkin was a private student of legendary Russian painter Ilya Repin who also painted a portrait of her in 1888. In 1892, Werefkin entered into a 27-year relationship with Alexej von Jawlensky. Werefkin was more advanced in painting than Jawlensky and decided to train and support the penniless military officer who was five years her junior. They moved to Munich in 1896 and one year later, she founded the "Bruderschaft von Sankt Lukas" (Brotherhood of St. Luke) in her "pink salon", whose members saw themselves in the tradition of the Guild of Saint Luke and which ultimately formed the nucleus of the N.K.V.M. and The Blue Rider. Bossi depicts Werefkin elegantly dressed in a pink gown and dark shawl, posing relaxed, yet refined on a yellow chair, looking away from us with a mix of confidence and introspection. Her flowing gown pools around her on the chair. She wears a black shawl over the dress which drapes softly from her shoulders, giving her an air of comfortable elegance. She also sports a wide-brimmed black hat adorned with pink, purple, and teal accents to add a touch of glamour. Her hair is dark and styled neatly under the hat. Werefkin's features are softly rendered with a hint of a smile playing on her lips while Bossi has chosen a color palette that complements Werefkin's attire and personality.
Portrait of Marianne von Werefkin by Erma Bossi (Croatian-Italian) - Oil on cardboard / c. 1910 - Städtische Galerie im Lenbachhaus (Munich, Germany) #WomenInArt #WomanArtist #PortraitofanArtist #FemaleArtist #womensart #MariannevonWerefkin #art #ErmaBossi #Bossi #Lenbachhaus #StädtischeGalerie
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Gabriele Münter jetzt im #Lenbachhaus 🌞 #München
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#art #museum #arts #visualarts #artwork #artist #artistlife #creativeprocess #artdiscussion #museumsarenotneutral
#Surrealism #Anti-fascism #Surrealistmovement #Lenbachhaus
www.wsws.org/en/articles/...
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Kopie zweier Gemälde von Lovis Corinth ( Buntstift), außerdem: Fotografie der Eintrittskarte des Lenbachhauses
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The fascinating and timely ‘surrealism and anti-fascism’ exhibition at #Lenbachhaus in #Munich runs until 30 March. And, no, it’s not about Dali - it’s much more interesting than that: art, Spanish Civil War, Lee Miller, photography, South America …
#München
www.lenbachhaus.de/en/program/e...
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#AlexejvonJawlensky (1864–1941), who was #BornOnThisDay
Portrait of #AlexanderSakharoff (1886-1963)
1909
#Lenbachhaus
#Jawlensky #Javlenski
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A temple of art - is art stay alive, or turns it into a relic?
#museumCulture #minimalism #artVsSpace #silenceSpeaks #lenbachhaus #creativePhotography
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Eine sehenswerte Ausstellung im Lenbachhaus und Kunstbau München - aktueller denn je! #lenbachhaus #München #Ausstellung #kultur
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