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Painted in the 1920s, “The Green Dress” captures a moment when women’s fashion and public self-presentation were being rewritten. Acquired in 2021 as the first American artist Jane Peterson painting to enter the McNay’s collection, the work expanded the museum’s American Modernism section amplifying women’s voices. Peterson, who trained in New York and pursued international study and travel throughout her career, brings worldly confidence so this portrait is stylish without being decorative while being quietly insistent on agency.

A young woman with light skin sits turned slightly to her right, meeting us with a steady, unsmiling gaze. Her hair is cut into a crisp 1920s bob rounded at the jaw and painted in warm chestnut and copper tones against a cool, pale background. She wears a vivid green dress rendered in broad, fluid strokes with a soft white collar that frames her neck, and a dark neckerchief is tied loosely at her chest. A long, low-slung necklace with beads in deep green, ivory, and small flashes of orange drops down the center of her torso. The nearly square canvas heightens a sense of closeness. Behind her, the room dissolves into mint, gray, and teal paint with perhaps a doorway edge at left, and at right a hazy shadow. Peterson builds the face with confident blocks of cool blue-green shadows, rose on the cheeks, and sharp highlights so the portrait feels immediate, modern, and alert. 

The cropped haircut, relaxed neckwear, and elongated jewelry signal a new, mobile kind of elegance. Peterson’s modernism is less about distortion than about sensation to see how cool greens and quick, visible strokes can describe presence, mood, and light. The young woman’s direct look holds the center while the background remains deliberately unresolved, as if the world around her is in motion and only the subject’s self-possession stays sharp.

Painted in the 1920s, “The Green Dress” captures a moment when women’s fashion and public self-presentation were being rewritten. Acquired in 2021 as the first American artist Jane Peterson painting to enter the McNay’s collection, the work expanded the museum’s American Modernism section amplifying women’s voices. Peterson, who trained in New York and pursued international study and travel throughout her career, brings worldly confidence so this portrait is stylish without being decorative while being quietly insistent on agency. A young woman with light skin sits turned slightly to her right, meeting us with a steady, unsmiling gaze. Her hair is cut into a crisp 1920s bob rounded at the jaw and painted in warm chestnut and copper tones against a cool, pale background. She wears a vivid green dress rendered in broad, fluid strokes with a soft white collar that frames her neck, and a dark neckerchief is tied loosely at her chest. A long, low-slung necklace with beads in deep green, ivory, and small flashes of orange drops down the center of her torso. The nearly square canvas heightens a sense of closeness. Behind her, the room dissolves into mint, gray, and teal paint with perhaps a doorway edge at left, and at right a hazy shadow. Peterson builds the face with confident blocks of cool blue-green shadows, rose on the cheeks, and sharp highlights so the portrait feels immediate, modern, and alert. The cropped haircut, relaxed neckwear, and elongated jewelry signal a new, mobile kind of elegance. Peterson’s modernism is less about distortion than about sensation to see how cool greens and quick, visible strokes can describe presence, mood, and light. The young woman’s direct look holds the center while the background remains deliberately unresolved, as if the world around her is in motion and only the subject’s self-possession stays sharp.

“The Green Dress” by Jane Peterson (American) - Oil on canvas / c. 1920s - McNay Art Museum (San Antonio, Texas) #WomenInArt #JanePeterson #Peterson #McNayArtMuseum #PortraitofaWoman #AmericanArtist #WomensArt #WomanArtist #WomenArtists #BlueskyArt #artText #art #1920s #McNay #WomenPaintingWomen

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Just some random words in my head last night and some nice art ✨

Blue dissolves
into white
like dark
dissolves
into night
And I don’t know
what it means
yet~
But I will

#random #poetry #photography #art #light #mcnayartmuseum
📸 mine
🎨 Thoughts and Prayers, 2020
Einar and Jamex De La Torre

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Stylized composition of a woman art upper right a d a young girl at lower left, with a black cat on the woman's lap at center.  Color scheme is gray with accents of blue and orange.  
#willbarnet  #gato #cat #catsinart #kat #katt #neko #猫 #ネコ #kot #고양이  #кішка #chatsdinstagram  ‎#aquatint #womanandcat #catandwoman #feline #complementarycolors #blackcat #gatonegro #chatnoir #schwarzekatze #animalsinart #retratogato #americanartist #contemporaryart #animalart #amorgatuno #artecontemporaneo #חתול

Stylized composition of a woman art upper right a d a young girl at lower left, with a black cat on the woman's lap at center. Color scheme is gray with accents of blue and orange. #willbarnet #gato #cat #catsinart #kat #katt #neko #猫 #ネコ #kot #고양이 #кішка #chatsdinstagram ‎#aquatint #womanandcat #catandwoman #feline #complementarycolors #blackcat #gatonegro #chatnoir #schwarzekatze #animalsinart #retratogato #americanartist #contemporaryart #animalart #amorgatuno #artecontemporaneo #חתול

Credit: Will Barnet (USA, 1911-2012). "The Blue Robe," 1971, aquatint. Collection of the McNay Art Museum. I appreciate the feline representation.

www.mcnayart.org/exhibition/m...

#cat #feline #art #artsky #aquatint #blue #contemporaryart #willbarnet #mcnayartmuseum #blackcat #gatonegro

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Russian-born American painter and theatre designer Eugene Berman crowns the head of his muse and future wife, Hollywood actress Ona Munson, with an explosive fireball in this fantastical portrait of her as a mythical figure amidst a fantastical, almost apocalyptic landscape. Tattered drapery in red, blue, and yellow cascades off a dilapidated and patched wooden structure. Bits of shell and rock litter the ground and tabletop, where Munson leans, oblivious to the devastation around her.

In Berman’s paintings of ancient heroines including Cassandra, for which Munson modeled, the leading lady is typically depicted with her back to the viewer or face obscured. In this case, Munson is shown defiantly in profile, eyes coyly downcast, and long blonde hair loose over her exposed back.

Munson starred in 9 Broadway productions and 20 feature films in her career, which spanned over 30 years. Born Owena Elizabeth Wolcott and raised in Portland, Oregon, she began her stage career in New York theater in 1919, debuting on Broadway in "George White's Scandals." By 1930, she moved to Los Angeles and Hollywood. Her most famous role is likely in David O. Selznick's 1939 masterpiece "Gone with the Wind" as madam Belle Watling.

This painting is from the early 1940s; however, Munson didn't marry Berman until 1950. He was her 2nd husband after a 5-year marriage to American movie director Edward Buzzell. She also had several documented affairs with women, including Russian-American actress Alla Nazimova and American playwright Mercedes de Acosta.

Eugène Berman and his brother Leonid were Russian Neo-romantic painters and theater and opera designers. They fled the Russian Revolution in 1918 to Europe and then arrived in New York in 1935. He became famous for his modern art and work as a stage designer. Sadly, in 1955, Berman found Munson dead in their Manhattan apartment, having committed suicide via a barbiturate overdose. He moved to Rome and worked the remainder of his life in Italy.

Russian-born American painter and theatre designer Eugene Berman crowns the head of his muse and future wife, Hollywood actress Ona Munson, with an explosive fireball in this fantastical portrait of her as a mythical figure amidst a fantastical, almost apocalyptic landscape. Tattered drapery in red, blue, and yellow cascades off a dilapidated and patched wooden structure. Bits of shell and rock litter the ground and tabletop, where Munson leans, oblivious to the devastation around her. In Berman’s paintings of ancient heroines including Cassandra, for which Munson modeled, the leading lady is typically depicted with her back to the viewer or face obscured. In this case, Munson is shown defiantly in profile, eyes coyly downcast, and long blonde hair loose over her exposed back. Munson starred in 9 Broadway productions and 20 feature films in her career, which spanned over 30 years. Born Owena Elizabeth Wolcott and raised in Portland, Oregon, she began her stage career in New York theater in 1919, debuting on Broadway in "George White's Scandals." By 1930, she moved to Los Angeles and Hollywood. Her most famous role is likely in David O. Selznick's 1939 masterpiece "Gone with the Wind" as madam Belle Watling. This painting is from the early 1940s; however, Munson didn't marry Berman until 1950. He was her 2nd husband after a 5-year marriage to American movie director Edward Buzzell. She also had several documented affairs with women, including Russian-American actress Alla Nazimova and American playwright Mercedes de Acosta. Eugène Berman and his brother Leonid were Russian Neo-romantic painters and theater and opera designers. They fled the Russian Revolution in 1918 to Europe and then arrived in New York in 1935. He became famous for his modern art and work as a stage designer. Sadly, in 1955, Berman found Munson dead in their Manhattan apartment, having committed suicide via a barbiturate overdose. He moved to Rome and worked the remainder of his life in Italy.

"Portrait Fantasy of Ona Munson" by Eugene Berman (Russian-American) - Oil on canvas / 1941-1942 - McNay Art Museum (San Antonio, Texas) #WomenInArt #ArtText #TheMcNay #Portraitofawoman #art #EugeneBerman #Berman #OnaMunson #womensart #oilpainting #symbolism #ModernArt #McNayArtMuseum #surrealism

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Group portrait of three women in floral dresses wearing lace veils and shawls over their shoulders.

Group portrait of three women in floral dresses wearing lace veils and shawls over their shoulders.

Portrait of Three Spanish Ladies by Natalia Gontcharova (Russian) - Oil on canvas / 1925 - McNay Art Museum (San Antonio, TX) #art #gontcharova #russianart #painting #womeninart #womanpainter #womanartist #mcnayartmuseum #sanantonio #spanishladies #womanart #artwork #artoftheday

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Colorful Pablo Picasso oil on canvas painting of a woman with black hair wearing a hat with a plume

Colorful Pablo Picasso oil on canvas painting of a woman with black hair wearing a hat with a plume

Woman with a Plumed Hat by Pablo Picasso (Spanish) - Oil on canvas / 1901 - McNay Art Museum (San Antonio, Texas) #picasso #art #womeninart #mcnayartmuseum #painting #paintingofawoman #sanantonio #hat

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