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Agnieszka, Warszawa Oct ‘19.
#120 #pentax67

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Ranunculus elegance red on film. #pentax67 #filmphotography

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The image is a black-and-white photograph taken outdoors in what appears to be a wild field or meadow filled with tall, dry grass and thin stems of plants. The grasses rise densely across the frame, creating a textured background of overlapping lines and soft shadows. Light filters unevenly through the vegetation, producing patches of brightness and darkness that give the scene a quiet, atmospheric mood. The photograph has a shallow depth of field, so some of the grass in the foreground appears blurred while the central area is sharper, drawing the eye toward the subject lying among the plants.
In the lower half of the frame, a nude human body is lying on its back in the grass. The figure is positioned diagonally from the lower right toward the left side of the image. Only part of the body is visible: the torso, abdomen, hips, and legs extend across the grass while the head and most of the upper chest are cropped out of the frame.
The texture of the grass contrasts strongly with the smooth surface of the skin. Thin stalks and seed heads bend and cross over one another around the body, some brushing lightly across the legs and torso. The lighting creates gentle highlights on the grass tips and the person’s skin while leaving other areas in soft shadow, giving the photograph a calm, contemplative quality.
Because the image is monochrome, the focus shifts away from color and toward shapes, light, and texture. The grayscale tones range from deep blacks in the dense grass shadows to bright silvery highlights where sunlight hits the plants and skin. The overall effect feels quiet and intimate, as if the person is resting or merging with the natural surroundings. The body appears calm and still within the tall grass, blending into the environment while also standing out through the contrast between the organic lines of the plants and the smooth curves of the human form.

The image is a black-and-white photograph taken outdoors in what appears to be a wild field or meadow filled with tall, dry grass and thin stems of plants. The grasses rise densely across the frame, creating a textured background of overlapping lines and soft shadows. Light filters unevenly through the vegetation, producing patches of brightness and darkness that give the scene a quiet, atmospheric mood. The photograph has a shallow depth of field, so some of the grass in the foreground appears blurred while the central area is sharper, drawing the eye toward the subject lying among the plants. In the lower half of the frame, a nude human body is lying on its back in the grass. The figure is positioned diagonally from the lower right toward the left side of the image. Only part of the body is visible: the torso, abdomen, hips, and legs extend across the grass while the head and most of the upper chest are cropped out of the frame. The texture of the grass contrasts strongly with the smooth surface of the skin. Thin stalks and seed heads bend and cross over one another around the body, some brushing lightly across the legs and torso. The lighting creates gentle highlights on the grass tips and the person’s skin while leaving other areas in soft shadow, giving the photograph a calm, contemplative quality. Because the image is monochrome, the focus shifts away from color and toward shapes, light, and texture. The grayscale tones range from deep blacks in the dense grass shadows to bright silvery highlights where sunlight hits the plants and skin. The overall effect feels quiet and intimate, as if the person is resting or merging with the natural surroundings. The body appears calm and still within the tall grass, blending into the environment while also standing out through the contrast between the organic lines of the plants and the smooth curves of the human form.

Between tall grass
#analog #pentax67 #ilford #fp4plus #nudeinnature

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Jenna (2018) #HP5 #Pentax67

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@saskiamuse.bsky.social
#analog #pentax67 #homemade

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The black and white photograph presents a woman standing within tall, dense grasses. She is nude, her body facing the viewer at a slight angle. Her gaze is direct and focused towards the camera, creating a sense of intimacy. Her hair is dark and falls loosely around her shoulders and down her back.
Her arms are raised above her head, with her elbows bent and hands resting gently on her shoulders, a pose suggesting vulnerability and openness. The harsh sunlight creates strong contrasts across her skin, highlighting her form with sharp lines and deep shadows. This sunlight also emphasizes the texture of her skin, revealing its contours and subtle details.
The grasses surrounding her are tall and slender, creating a natural frame around the figure. The texture of the grasses is prominent, with individual blades visible and creating a layered effect. The background is blurred, indicating a shallow depth of field, which emphasizes the subject. The overall lighting is stark and dramatic, contributing to the intensity of the image. The tone is natural and organic, with an emphasis on form and texture,
but with the added element of a high-contrast, sun-drenched feel.

The black and white photograph presents a woman standing within tall, dense grasses. She is nude, her body facing the viewer at a slight angle. Her gaze is direct and focused towards the camera, creating a sense of intimacy. Her hair is dark and falls loosely around her shoulders and down her back. Her arms are raised above her head, with her elbows bent and hands resting gently on her shoulders, a pose suggesting vulnerability and openness. The harsh sunlight creates strong contrasts across her skin, highlighting her form with sharp lines and deep shadows. This sunlight also emphasizes the texture of her skin, revealing its contours and subtle details. The grasses surrounding her are tall and slender, creating a natural frame around the figure. The texture of the grasses is prominent, with individual blades visible and creating a layered effect. The background is blurred, indicating a shallow depth of field, which emphasizes the subject. The overall lighting is stark and dramatic, contributing to the intensity of the image. The tone is natural and organic, with an emphasis on form and texture, but with the added element of a high-contrast, sun-drenched feel.

Whispers of the field
with Selin
#analoglove #shootmorefilm #pentax67 #ilfordfp4

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Maddie (2017) #HP5 #Pentax67

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Ghost of the mountain
📷 #pentax67 #165mmSMCf/2.8
🎞 Kodak #portra400

#filmphotography #mediumformat #filmisalive #blackcat #shootfilmstaybroke

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I’m sure that this lens breaks the time record between “Want” and “Acquisition”!

As w/most gear-heads, the gap between want-and-use of a fisheye is huge, but maybe this will get more use w/the 35mm film adapter that I’m using.

#Pentax67
#Fisheye
#35mmf4.5

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Erikah (2017) #HP5 #Pentax67

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A picture of a snowy cityscape. Brick buildings with snow-covered roof. In the background a large church dominates the landscape, rising out of the mass of roofs like a mountain.

A picture of a snowy cityscape. Brick buildings with snow-covered roof. In the background a large church dominates the landscape, rising out of the mass of roofs like a mountain.

Hooglandse Kerk: Lingering Snow

📷 #Pentax67, #55mmSMCf/4
🎞 Kodak #Portra400

#eightviewsofLeiden #雷電八景 #比良暮雪 #lingeringsnow #mitate #見立 #winterinleidn #shootfilmstaybroke #filmisalive

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Kimberly doubly exposed (2021) #hp5 #pentax67

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Nude, Mexico, 2019

- with art models Kate Snig and Sienna Hayes

@artdecomodel.bsky.social

@siennahayes.bsky.social

#artmodel #artnude #artnudephoto #fineartnude #fineartnudephoto #pentax67 ##notexplicit

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Shasta
#analog #pentax67

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a portrait of @mariaposa-muse.bsky.social on medium format film

#pentax67 #kodaktmax400 #120film #fineartnude

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She is Kamelot.

#AlbertFinch #TheLegend #filmphotography #pentax67 #shootonfilm #woman #elegant

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Post a car picture you took.

Cayman on Portra.

#believeinfilm #pentax67

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a portrait of virtue ✨

#pentax67 #ilforddelta3200 #120film

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portrait of @befreemarieee.bsky.social

#pentax67 #ilfordhp5 #120film

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Lynsey & Gavin | 6/365

#pentax67 | #kodakektar100
#SixSeven
Christian Photo dev/scan

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A close-up photograph of the texture of Bristol cone pine tree bark. The bear wood is exposed on most of the photo but due to its advanced age and the extreme climate at high altitude where it was found it is bleached completely white so the composition is made up of horizontal striations of very light wood with a dark band in the middle

A close-up photograph of the texture of Bristol cone pine tree bark. The bear wood is exposed on most of the photo but due to its advanced age and the extreme climate at high altitude where it was found it is bleached completely white so the composition is made up of horizontal striations of very light wood with a dark band in the middle

Bristlecone pines can live for over 4000 years. This close up of the bark on one was shot in a grove on top of the white mountains in California. Shot on Tri-x with a Pentax 6x7.

#filmphotography #pentax67 #believeinfilm

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A black-and-white photograph of the face of the matilija dam in Ojai California showing the top of the damn notched about 1/4 of its height across most of its width. At the left of frame a large piece of graffiti extends from the top of the dam all the way to the bottom with a painted on “cut here“ dashed line  with a scissors graphic. The dam was built in 1947 but very quickly the reservoir filled with silt so it has been functionally useless for at least the last 40 years. Many long-term research projects into the removal of the dam have been conducted 
 but so far only the notching has been completed.

A black-and-white photograph of the face of the matilija dam in Ojai California showing the top of the damn notched about 1/4 of its height across most of its width. At the left of frame a large piece of graffiti extends from the top of the dam all the way to the bottom with a painted on “cut here“ dashed line with a scissors graphic. The dam was built in 1947 but very quickly the reservoir filled with silt so it has been functionally useless for at least the last 40 years. Many long-term research projects into the removal of the dam have been conducted but so far only the notching has been completed.

Matilija Dam

Shot back when I lived in California but just finally got around to scanning. For scale, the dashes on the “cut here” line are about 6ft tall each. More details in the alt text.

Pentax 6x7, tri-x 400
#believeinfilm #matilijadam #tx400 #pentax67

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Joshua Tree NP roadtrip in my Syncro Vanagon. Took the Pentax 67 and shot lots of film. Had a great time. Want to do a Salton Sea/Slab City trip next.

#pentax67 #vanagon #mediumformat

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Dariia in Paris
#pentax67 #reading #athome #skin

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The photograph is a black and white portrait, focusing on a woman’s upper torso and midsection. She is nude, positioned facing forward with her head tilted downward, obscuring her facial features. Her dark hair falls forward, partially covering her face and upper chest. The hair's texture appears soft and slightly tousled.
Her body is slender, displaying a gentle curve around her ribcage and a subtle definition of her abdomen. The skin appears smooth, with the natural contours of the body softly rendered in grayscale. Her breasts are visible, appearing natural in shape and size. A small, circular navel is centered on her abdomen.
The background is a soft, uniform gray, suggesting a misty or diffused environment. There’s no discernible texture or detail in the background, which draws all attention to the subject's form. The lighting appears to be soft and diffused, lacking harsh shadows. The overall effect is one of quiet intimacy and understated beauty. The image possesses a sense of melancholy due to the obscured face and the muted grayscale palette.

The photograph is a black and white portrait, focusing on a woman’s upper torso and midsection. She is nude, positioned facing forward with her head tilted downward, obscuring her facial features. Her dark hair falls forward, partially covering her face and upper chest. The hair's texture appears soft and slightly tousled. Her body is slender, displaying a gentle curve around her ribcage and a subtle definition of her abdomen. The skin appears smooth, with the natural contours of the body softly rendered in grayscale. Her breasts are visible, appearing natural in shape and size. A small, circular navel is centered on her abdomen. The background is a soft, uniform gray, suggesting a misty or diffused environment. There’s no discernible texture or detail in the background, which draws all attention to the subject's form. The lighting appears to be soft and diffused, lacking harsh shadows. The overall effect is one of quiet intimacy and understated beauty. The image possesses a sense of melancholy due to the obscured face and the muted grayscale palette.

Lost in the haze
with Uta
#shootwithfilm #pentax67 #skinandsilver #fineart

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The photograph presents a serene and intimate portrait of a woman enveloped by tall, swaying grasses. She stands gracefully amidst the vegetation, her body elongated and slender, with her gaze directed upwards towards the sky.
Her posture is one of gentle surrender, her head tilted back and her expression seemingly peaceful.
The woman appears nude, her skin blending seamlessly with the grayscale palette. The surrounding grasses tower above her, creating a sense of enclosure and seclusion, almost as if she is emerging from a natural cathedral. The stalks are densely packed, creating a textured backdrop that frames her form.
The lighting is soft and diffused, casting gentle shadows and highlighting the contours of her body and the swaying grasses. The sky is overcast, contributing to the muted and tranquil atmosphere of the scene. The composition emphasizes the connection between the woman and her surroundings, creating a feeling of harmony and
vulnerability.
The depth of field is shallow, blurring the distant background and bringing the focus entirely on the woman and the immediate environment. The overall effect is one of quiet beauty, a delicate balance of exposure and shadow, and an exploration of the relationship between humanity and the natural world.

The photograph presents a serene and intimate portrait of a woman enveloped by tall, swaying grasses. She stands gracefully amidst the vegetation, her body elongated and slender, with her gaze directed upwards towards the sky. Her posture is one of gentle surrender, her head tilted back and her expression seemingly peaceful. The woman appears nude, her skin blending seamlessly with the grayscale palette. The surrounding grasses tower above her, creating a sense of enclosure and seclusion, almost as if she is emerging from a natural cathedral. The stalks are densely packed, creating a textured backdrop that frames her form. The lighting is soft and diffused, casting gentle shadows and highlighting the contours of her body and the swaying grasses. The sky is overcast, contributing to the muted and tranquil atmosphere of the scene. The composition emphasizes the connection between the woman and her surroundings, creating a feeling of harmony and vulnerability. The depth of field is shallow, blurring the distant background and bringing the focus entirely on the woman and the immediate environment. The overall effect is one of quiet beauty, a delicate balance of exposure and shadow, and an exploration of the relationship between humanity and the natural world.

Whispers of Grass
with Amelie
#fineart #shootwithfilm #pentax67 #nudeinnature

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The photograph presents a stark and intimate scene in black and white. A woman is positioned centrally, kneeling on a large, textured rock surface. Her posture suggests a contemplative or vulnerable state - her head is tilted back, eyes closed, with a slight arch to her spine. Her arms are extended outwards, hands gently resting on the rock’s surface, creating a connection with the natural element she is upon.
The woman appears nude, and her skin tone blends with the grayscale palette of the image. The rock she kneels upon is rough and uneven, its surface marked by visible cracks and fissures, providing a striking contrast to the smoothness of her skin.
The background is deeply shadowed, creating a sense of enclosure and mystery. It seems to depict a densely wooded area, with indistinct forms of trees and foliage just visible in the darkness. The depth of field is shallow, causing the background to fade into obscurity, further isolating the woman and drawing the viewer's attention to her presence.
The lighting is dramatic, highlighting the contours of her body and the texture of the rock, while allowing the surrounding environment to remain largely in darkness. The overall effect is one of quiet beauty, vulnerability, and a deep connection to nature. The composition emphasizes the woman’s form within the landscape, creating an evocative and atmospheric portrait.

The photograph presents a stark and intimate scene in black and white. A woman is positioned centrally, kneeling on a large, textured rock surface. Her posture suggests a contemplative or vulnerable state - her head is tilted back, eyes closed, with a slight arch to her spine. Her arms are extended outwards, hands gently resting on the rock’s surface, creating a connection with the natural element she is upon. The woman appears nude, and her skin tone blends with the grayscale palette of the image. The rock she kneels upon is rough and uneven, its surface marked by visible cracks and fissures, providing a striking contrast to the smoothness of her skin. The background is deeply shadowed, creating a sense of enclosure and mystery. It seems to depict a densely wooded area, with indistinct forms of trees and foliage just visible in the darkness. The depth of field is shallow, causing the background to fade into obscurity, further isolating the woman and drawing the viewer's attention to her presence. The lighting is dramatic, highlighting the contours of her body and the texture of the rock, while allowing the surrounding environment to remain largely in darkness. The overall effect is one of quiet beauty, vulnerability, and a deep connection to nature. The composition emphasizes the woman’s form within the landscape, creating an evocative and atmospheric portrait.

Stone and skin
with Amelie
#nudeinnature #analog #pentax67

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Morning coffee with Sarah (2017) #Portra400 #Pentax67

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Ryan, Sydney '17
#analog #pentax67

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Washington
October, 2023
#Pentax #Pentax67 #120Film #MediumFormat #FilmPhotography #Film #BelieveInFilm #Analog #FilmIsNotDead #Kodak #KodakProfessional #TriX400 #400TX #Monochrome

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