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Bottle with seated figure
Nasca artist(s)
1–300 CE
On view at The Met Fifth Avenue in Gallery 362
Unlike their northern counterparts, who used two-piece ceramic molds for manufacturing vessels, Nazca potters shaped containers by coiling and modeling. Figure vessels like the present example are rare and have an early date in the Nazca ceramic sequence, which lasted for at least 700 years. This engaging polychrome bottle takes the shape of a seated, compact human figure. It has a single spout and strap handle. The large head sits atop the broad shoulders, and the figure's legs are pulled close to the body, with arms and hands held tightly to the chest. Details such as fingers, toes, nails, and facial features are geometricized. The eyes and mouth are slightly raised, while prominent are the nose and a protuberance on the forehead. This mysterious knob may be a reference to fishermen, who are often shown with such a feature. The figure wears a head cover and a striped hipcloth. On his left upper arm is a stylized long-beaked bird, probably a sea bird, and on his right an anthropomorphized fish, perhaps a killer whale or shark. Marine imagery features prominently in all Nazca art, reflecting the economic importance of ocean resources. A source of constant wealth as well as danger, the sea played a major role in myths of all coastal peoples in the Andes.

Bottle with seated figure Nasca artist(s) 1–300 CE On view at The Met Fifth Avenue in Gallery 362 Unlike their northern counterparts, who used two-piece ceramic molds for manufacturing vessels, Nazca potters shaped containers by coiling and modeling. Figure vessels like the present example are rare and have an early date in the Nazca ceramic sequence, which lasted for at least 700 years. This engaging polychrome bottle takes the shape of a seated, compact human figure. It has a single spout and strap handle. The large head sits atop the broad shoulders, and the figure's legs are pulled close to the body, with arms and hands held tightly to the chest. Details such as fingers, toes, nails, and facial features are geometricized. The eyes and mouth are slightly raised, while prominent are the nose and a protuberance on the forehead. This mysterious knob may be a reference to fishermen, who are often shown with such a feature. The figure wears a head cover and a striped hipcloth. On his left upper arm is a stylized long-beaked bird, probably a sea bird, and on his right an anthropomorphized fish, perhaps a killer whale or shark. Marine imagery features prominently in all Nazca art, reflecting the economic importance of ocean resources. A source of constant wealth as well as danger, the sea played a major role in myths of all coastal peoples in the Andes.

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Fisherman bottle
polychrome pottery
100-300 CE
Nazca culture
Peru

#handmade #craft #art #pottery #bottle #seatedfigure #nazca #nasca #culture #peru #precolumbian #prehispanic #ancientart #ancientpottery #tribal #tribalart #precolumbianart #ancientamericas #fisherman #marine #symbols #fish #bird

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Seated figure
carved greenstone
900-600 BCE
Olmec culture
Mexico

#handmade #carved #green #stone #seatedfigure #olmec #olmecculture #mesoamerica #ancientmexico #prehispanic #precolumbian #ancientculture #sculpture #art #ancientart #precolumbianjade #nephrite #stone #carvedstone

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#Sculpture

Abstract Bronze #SeatedFigure
A striking bronze sculpture depicting a fragmented human form sitting on a bench creates a contemplative atmosphere in an urban park. The missing torso and elongated head structure evoke introspection and artistic depth.

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Beginning in 1900, young painters and sculptors of all nationalities migrated to the Paris neighborhood of Montparnasse, the city’s hub of avant-garde activity. Despite their different approaches and interests, the artists of the so-called School of Paris fostered an inspiring climate of imaginative cross-fertilization that helped to sustain the idea of Paris as the center of artistic activity until the beginning of World War II. Jacques Lipchitz moved to Paris in 1909, and through his friendships with Diego Rivera, Pablo Picasso, and others, he participated in the Cubist movement. His bas-reliefs and sculptures in the round communicate the geometric and fractured forms and the favored subject matter (musicians and seated bathers, for example) of contemporary Cubist paintings.

Beginning in 1900, young painters and sculptors of all nationalities migrated to the Paris neighborhood of Montparnasse, the city’s hub of avant-garde activity. Despite their different approaches and interests, the artists of the so-called School of Paris fostered an inspiring climate of imaginative cross-fertilization that helped to sustain the idea of Paris as the center of artistic activity until the beginning of World War II. Jacques Lipchitz moved to Paris in 1909, and through his friendships with Diego Rivera, Pablo Picasso, and others, he participated in the Cubist movement. His bas-reliefs and sculptures in the round communicate the geometric and fractured forms and the favored subject matter (musicians and seated bathers, for example) of contemporary Cubist paintings.

Seated Figure
limestone
1917
Jacques Lipchitz
(1891–1973)

#jacqueslipchitz #france #seatedfigure #sculpture #dated1917 #cubism #cubistsculpture #art #cubistart

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A pedestrian takes a break #Berlin #urban #twofigures #visualirony #seatedfigure #publicsculpture
fineartamerica.com/featured/sea...

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A large vintage 1950s 60s handmade sterling silver and multi-colored enamel Mexican modernist stylized figure brooch from Taxco. No doubt a Chato Castillo design for Los Castillo, this example is unsigned, and thus may have been made by one of their workers in his spare time to sell for extra money. This was an established practice in Taxco in all the larger talleres, and gave the workers an additional way to earn money, though they weren't allowed to use the studio marks for their extracurricular work. This fine example measures 2-5/8" tall by 1" wide and weighs 15 grams total. As noted above, this example is unsigned but no doubt a Los Castillo design, and has been tested and guaranteed to be as described. Excellent vintage condition.

A large vintage 1950s 60s handmade sterling silver and multi-colored enamel Mexican modernist stylized figure brooch from Taxco. No doubt a Chato Castillo design for Los Castillo, this example is unsigned, and thus may have been made by one of their workers in his spare time to sell for extra money. This was an established practice in Taxco in all the larger talleres, and gave the workers an additional way to earn money, though they weren't allowed to use the studio marks for their extracurricular work. This fine example measures 2-5/8" tall by 1" wide and weighs 15 grams total. As noted above, this example is unsigned but no doubt a Los Castillo design, and has been tested and guaranteed to be as described. Excellent vintage condition.

A stylized seated figure in sterling silver and enamel from Mexico circa 1960.

Available...

www.rubylane.com/item/1879775...

#handmade #wearableart #art #jewelrydesign #enamel #sterlingsilver #seatedfigure #stylized #enamelart #enameljewelry #hechoenmexico #mexicansilver #taxco #mexicandesign

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Seated woman (WIP) #art #traditionalart #classicalart #figurativeart #portrait #sketch #graphite #workinprogress #seatedfigure #handmade

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pencil and photos of wall texture -2025
#art #lifedrawing #seatedfigure #

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Seated Figures
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Seated Figure (1909)
By Wilhelm Morgner
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#art #painting #oilpainting #germanart #westernart #seatedfigure

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Seated Figures
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SEATED FIGURE AND BIRD (C. 1957)
By Sidney Nolan
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#art #artwork #waxcrayon #seatedfigure #australianart #australianartist #sidneynolan

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Seated Figures
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SEATED FIGURE (1961)
By Francis Bacon
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#art #artists #arthistory #oilpainting #francisbacon #seatedfigure

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Seated Figures
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Yellow Seated Figure (1949)
By Keith Vaughan
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#art #painting #Gouache #britishart #seatedfigure

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seahorse, oil on canvas #queerart #malenude #seatedfigure #hoomoeroticart

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seahorse, oil on canvas #queerart #malenude #seatedfigure #hoomoeroticart

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