Many of Caravaggio’s best works were produced in southern Italy after he fled Rome and was on-the-run. The narrative of Lazarus, starting at John 11, is one of the most interesting in the New Testament. Caravaggio brilliantly pulls the full drama together while also making powerful allusions. Christ’s head is shadowed to emphasize – as in the quote – that it is the power of God that is at work. Michelangelo’s gesture from the “Creation of Adam,” directs the story and here gives life to the awakening Lazarus. Lazarus’ pose foreshadows the Crucifixion, an event set in motion (John 45-57) by this miracle, while the pressing of Martha’s face to Lazarus echoes earlier painted Lamentation and Pieta’ images of Mary and Christ, and acts as another foreshadowing. One should also note each and every individual face and gesture of reaction and relate them back to the full text of John. Seeking out this stunning work in Messina is well worth the effort.
A Stunning Work – One of Caravaggio’s Lesser-Known Masterpieces. More in ALT #art #paintings #italy #sicily #easter