next open call: witchy music 2016 tracks only. read all info for be part. send the track/s to dawnofdarknessnetlabel@gmail.com //// regards
#opencall #10yearsago #flashback #thelovewitch #experimentalmusic #darkmusic #opencallmusic #opencallcompilation #witchy #ritualmusic #downtempo #witchhouse
Clearly a stock footage of a deer, but it works. Time for another potion #thelovewitch ##fullmoonfrights
That is quite the tarot reading before she finds Wayne dead #TheLoveWitch #Fullmoonfrights
And my curse 🤣🤣🤣 #FullMoonFrights #TheLoveWitch
She roofied him 😁 #FullMoonFrights #TheLoveWitch
This is really nice isn’t it? I mean, it would be better if we were nekkid but ….
#FullMoonFrights #TheLoveWitch
"Oh you like nature?" #TheLoveWitch #Fullmoonfrights
💯 accurate 🤣🤣 #FullMoonFrights #TheLoveWitch
Joining #FullMoonFrights for #TheLoveWitch. Have only seen this when it was on #TheLastDriveIn
Here we go #fullmoonfrights #TheLoveWitch
Pen drawing of Denise Richards talking on a vintage telephone drawn on a torn-out book page.
Pen drawing of Samantha Robinson tilting her head slightly to the left with a smile on her face drawn on a black background.
On February 12, 2021, Tammy and the T-Rex and The Love Witch were screened as a double-feature on The Last Drive-In with Joe Bob Briggs. Here’s some Denise Richards and Samantha Robinson art!
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#TheLastDriveIn #TammyAndTheTRex #TheLoveWitch #Art #MutantFam
#oilpastel #thelovewitch this 2018 movie was so striking. It felt like watching a film from the 1960s or 70s from the length of shots to the acting style and colors! When I was in the mood for a Valentine’s themed painting, I immediately thought of the live witch #witchy
yes, the love witch is a feminist film, one that explores how progressive and emancipatory movements like the sexual revolution could be undermined by predatory men who would use liberatory language to ensnare and abuse women. boxd.it/bzy16P #TheLoveWitch #hooptober12 #filmsky #letterboxd
Elaine from the movie The Love Witch, a woman with long brown hair and very retro glamour style makeup. She is smoking.
Elaine from the movie The Love Witch, a woman with long brown hair and very retro glamour style makeup. She is making a potion with candles, potion making items and ritual items around her.
Elaine from the movie The Love Witch, a woman with long brown hair and very retro glamour style makeup. She is looking in the mirror.
Elaine from the movie The Love Witch, a woman with long brown hair and very retro glamour style makeup. She is wearing a beautiful big brim pink hat.
Elaine appreciation post #TheLoveWitch
The Love Witch
Digital painting
Spent ages completing this bit by bit. What movie scene shall I do next?
#thelovewitch #horrorart #digitalart #moviescenes #movieart #witchcraft #occult #procreate
#TheLoveWitch: An Infinite Cauldron of the Macabre Held to the Candlelight of the Occult ★★★★ The day he left me was the day that I died... but then I was reborn... as a witch. brendanjohnanthony.substack.com/p/the-love-w...
Beneath the Technicolor of #TheLoveWitch, you feel the rebellion of Anna Biller, cinema her confessional, the allure of Samantha Robinson her requiem, the artifice of love her ritual, a woman who has loved too deeply, and through death... finally, herself. boxd.it/br4Hax
In its hauntingly beautiful tragedie of the ethereal Samantha Robinson, #TheLoveWitch more than reflects her celestial eyes, it reclaims them, lamenting the cultural perception of women, love, and power still breathing today, a macabre ghost of expectation masquerading as desire.
The allure of old Hollywood love and the consumption that lies beneath... the feminine as spectacle. #TheLoveWitch paints the sacrifice behind the iridescence through a heart that knows love is the most exquisite illusion of all, and in its reflection, perhaps, the truest horror.
#TheLoveWitch is a tragedie, not because she fails to find love, but because she finds it exactly as she was told it should be, consuming, absolute... and hollow. Samantha Robinson leaves you spellbound in that realisation, that longing to be loved is just another form of hunger.
And yet, beneath all the incandescence, #TheLoveWitch aches with solitude, a love letter where love and death become the same incantation within its denouement... the celestial eyes of Samantha Robinson looking up not for salvation, but for absolution she knows will never arrive.
The pursuit of love, despite its deadly consequences, is heartbreakingly human in revealing its hollowness, a meditation on the aesthetic that #TheLoveWitch pays homage to. The pacing builds tension, however, drags what could have been an impactful narrative into slight overkill.
In its dance of cinematic enchantment and disturbing insight, a timeless lament for femininity, power, and desire was born of ritual, bewitched by the seductively fatal illusions of romance, a requiem in how aesthetic can entrance like an enigmatic spell of #TheLoveWitch herself.
The dedication within #TheLoveWitch to the detail of an era is majestic, painting its aesthetic world dreamlike, yet surgically precise, intoxicating your entire being, where you almost fail to notice its extensive runtime slowly breaking the spell, as it lingers just too long...
There is a poetry in her dance of autonomy and the eviscerating weight of idealised romance of #TheLoveWitch, where dark sorcery is a symbol of empowerment and entrapment, allowing Samantha Robinson to balance femme fatale with the heartbroken romantic, both goddess and tragedie.
Samantha Robinson is not simply playing #TheLoveWitch, this is a possession of an ideal, the fantasy society demanded of her, an enchantress modelled by the role of a woman, until it devours her... and so she alchemises that fragility of a woman into her weapon, and devours them.
The divine contradiction of #TheLoveWitch is its beating heart, the effervescent Samantha Robinson in her ethereal transfiguration into Elaine, muse to Anne Biller... both goddess and ghost, she is an infinite cauldron of haunting beauty, held up to the candlelight of the occult.
The auteurship of Anne Biller is the true spell of #TheLoveWitch, as she reclaims what cinema long forgot, that femininity can be both creation and critique, every eyelash, every deliberate imperfection... is emancipation, an act of a woman wielding the tools that once bound her.
