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Brisbane artist contacted by police over works that allegedly violate new Queensland hate speech laws James Hillier, known as Nordacious, told he could face jail time for some of his designs made in support of Palestine

Yes, hello Streisand Effect, lovely to see you again, hope it works out well for you @nordacious.bsky.social.

#Australia #AustralianArt #Censorship #QldPol #AntiCop #AusPol

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Railway yards, Dimboola 1943
Ripolin enamel on canvas
77 x 64 cm
signed and dated I.r: Ν 17-3-43
inscribed verso, Railway Station Railway Yards, Dimboola March 43 Ν
Throughout the two year period Nolan maintained an almost daily exchange with his friends and supporters Sunday Reed and John Reed. The Nolan correspondence (amounting to over 200 letters) is a day by day account of Nolan’s social and intellectual life and a sustained commentary on his art and of things seen and experienced. For comparison one thinks of the Streeton and Roberts correspondence published in From Spike to Bulldog, or more accurately, given its size, character and range, of Vincent Van Gogh’s letters to his brother Theo. The Nolan letters represent a documentation rare in any context and unique in Australian terms.
source:https://www.ngv.vic.gov.au/essay/the-lost-wimmera-years-of-sidney-nolan-1942-44/

Railway yards, Dimboola 1943 Ripolin enamel on canvas 77 x 64 cm signed and dated I.r: Ν 17-3-43 inscribed verso, Railway Station Railway Yards, Dimboola March 43 Ν Throughout the two year period Nolan maintained an almost daily exchange with his friends and supporters Sunday Reed and John Reed. The Nolan correspondence (amounting to over 200 letters) is a day by day account of Nolan’s social and intellectual life and a sustained commentary on his art and of things seen and experienced. For comparison one thinks of the Streeton and Roberts correspondence published in From Spike to Bulldog, or more accurately, given its size, character and range, of Vincent Van Gogh’s letters to his brother Theo. The Nolan letters represent a documentation rare in any context and unique in Australian terms. source:https://www.ngv.vic.gov.au/essay/the-lost-wimmera-years-of-sidney-nolan-1942-44/

sidney nolan of the week
Railway yards, Dimboola (1943)
#AustralianArt

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Seeking Australian illustrators!

To express interest, email 3 images (1-2MB) and a link to your website/IG to ausfairytale.anthology@gmail.com by 30 Apr 2026.

#australianillustrator #australianart

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Archibald Prize off to a roaring start as entries pour in More than 50 artworks submitted to the Archibald Prize within the first hour of entries opening. The iconic Australian art competition awards $100,000 to the winner.

Archibald Prize off to a roaring start as entries pour in

#ArchibaldPrize #AustralianArt #ArtGalleryNSW #AusNews

thedailyperspective.org/article/2026-03-23-archi...

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""While with an Army supply company in Dimboola, Horsham, Nhill and Ballarat, Nolan remained closely involved with the affairs of the Contemporary Art Society (he was on the council) and was actively concerned with setting up the Reed & Harris publishing form and its first publications in 1943""
source: https://www.ngv.vic.gov.au/essay/the-lost-wimmera-years-of-sidney-nolan-1942-44/

""While with an Army supply company in Dimboola, Horsham, Nhill and Ballarat, Nolan remained closely involved with the affairs of the Contemporary Art Society (he was on the council) and was actively concerned with setting up the Reed & Harris publishing form and its first publications in 1943"" source: https://www.ngv.vic.gov.au/essay/the-lost-wimmera-years-of-sidney-nolan-1942-44/

sidney nolan of the week
Dimboola, 1944
#AustralianArt

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BRAG | Exhibitions & Events in City Of Bunbury WA Enriching lives through meaningful engagements with art, the environment and Aboriginal culture, and researching, exhibiting, and preserving the legacy of artists practicing in Australia’s South West....

Delighted to be selected as an exhibiting artist in the BRAGWA exhibition. Looking forward to sharing new work and being part of this incredible project brag.org.au
#BRAGWA #BunburyRegionalArtGallery #ContemporaryArt #WArtists #AustralianArt #ArtExhibition #VisualArts #EmergingArtist

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Hidden Masters Resurface: Perceval's Masterworks on View for First Time in Decades First major exhibition of John Perceval's work in decades opens at Heide Museum, bringing ceramic angels and rare paintings out of private collections.

Hidden Masters Resurface: Perceval's Masterworks on View for First Time in Decades

#AustralianArt #ModernistArt #HeideMuseum #AusNews #ArtExhibition

thedailyperspective.org/article/2026-03-19-hidde...

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A colourful abstract depicting shoreline hunting and gathering.

A colourful abstract depicting shoreline hunting and gathering.

‘My Country’ by K B P Paul of the Kaiadilt peoples, Australia. The painting, influenced by Kaiadilt Ceremonial body designs, & living a traditional life away from Western culture, talks of coastal hunting and gathering on Bentinck Island.
#art #davesfaves #indigenous #firstnations #australianart

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Installation view of a large black and white linocut print hung on a black wall.

Installation view of a large black and white linocut print hung on a black wall.

‘Girelal’ by Alick Tipoti, of the Maluyligal people of Zenadh-Kes, Australia. At the time of its making in 2011, this 130 x 830cm linocut was believed to be the largest print ever produced from a single linoleum block onto a single sheet.
#art #davesfaves #indigenousart #linocut #australianart

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Detail of a floral work, just sold. Tulips, auricula, daffodils, daisies, bluebells, iris, foxgloves, vines, roses and bat flower. The flowers are in large round pot with blue figures.

Detail of a floral work, just sold. Tulips, auricula, daffodils, daisies, bluebells, iris, foxgloves, vines, roses and bat flower. The flowers are in large round pot with blue figures.

‘Fortuna’ found her home this week, and I’m so honoured and glad.

#acrylicpainting #floralpainting #painting #traditionalart #australianart

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""Inspired by the writings of Sigmund Freud and Melbourne psychiatrist Reg Ellery, Nolan worked on a series of surrealist-inspired figures while stationed at Dimboola which powerfully channel a sense of war-time menace.

Nostalgia for the sky and Farmer, Dimboola are from Nolan’s Dimboola sketchbook. These strange characters – an upward-gazing, feline-like devilish figure and local farmer whose features appear inverted by old age – reveal how Nolan created psychological, rather than specific, portraits of the people he encountered in the Wimmera.

Nolan had previously used Dulux for painting, a household gloss paint based on a plastic medium called alkyd. When looking for paint in the local Dimboola hardware shop in 1942, Dulux was his first choice and used for the work in his notebook.""

source: https://www.artgallery.nsw.gov.au/artsets/e2ic90

""Inspired by the writings of Sigmund Freud and Melbourne psychiatrist Reg Ellery, Nolan worked on a series of surrealist-inspired figures while stationed at Dimboola which powerfully channel a sense of war-time menace. Nostalgia for the sky and Farmer, Dimboola are from Nolan’s Dimboola sketchbook. These strange characters – an upward-gazing, feline-like devilish figure and local farmer whose features appear inverted by old age – reveal how Nolan created psychological, rather than specific, portraits of the people he encountered in the Wimmera. Nolan had previously used Dulux for painting, a household gloss paint based on a plastic medium called alkyd. When looking for paint in the local Dimboola hardware shop in 1942, Dulux was his first choice and used for the work in his notebook."" source: https://www.artgallery.nsw.gov.au/artsets/e2ic90

sidney nolan of the week
farmer, dimboola (1943)
#AustralianArt

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Gold and Memory: How Archie Moore Transforms a Father's Dream Venice Golden Lion winner Archie Moore explores his father's unfulfilled dream of gold in a new Adelaide Biennial exhibition combining grief, hope, and precious materials.

Gold and Memory: How Archie Moore Transforms a Father's Dream

#AdelaideBiennial #ArchieM oore #AustralianArt #AusNews

thedailyperspective.org/article/2026-03-12-gold-...

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Intricate black and white linocut showing traditional design mixed with modern imagery.

Intricate black and white linocut showing traditional design mixed with modern imagery.

‘Mapping the Cosmos from Kisai’, linocut printed from one 80cm x 128cm block, by Brian Robinson of the Torres Strait, Australia.
#art #davesfaves #indigenousart #firstnations #linocut #australianart

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From a series : Painterly Portals for Time Travellers. A series of portraits drawn live in Perth, Australia.

#blueskyart #womensart
#Australianart #ACT

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a self portrait of sidney nolan, using a very limited colour palette. before the ned kelly series - think i need a break from the carnage for a week or two

a self portrait of sidney nolan, using a very limited colour palette. before the ned kelly series - think i need a break from the carnage for a week or two

sidney nolan of the week
self portrait (1943)
art gallery of new south wales
#AustralianArt

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Portrait of King Charles with a backdrop of Australian land.

Portrait of King Charles with a backdrop of Australian land.

“Charles on Country” by Vincent Namatjira. Gallery Of SA.
#Australia #AustralianArt

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Face Everything, Heide Museum of Modern Art, Bulleen, Australia.

#eastcoastkin #abstractia #alphabetchallenge #weekhforhs #happyface #happy #acrylic #art #artyear #vision #nell #reed #australianart #photography #photographersofbluesky #heidemodern

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‘I am amused that the police had hammocks in the bush.  It seems to indicate something of a comic opera’
source:https://www.geelonggallery.org.au/cms_uploads/docs/sidney-nolan-s-ned-kelly-series_national-gallery-of-australia-booklet--screen.pdf

‘I am amused that the police had hammocks in the bush. It seems to indicate something of a comic opera’ source:https://www.geelonggallery.org.au/cms_uploads/docs/sidney-nolan-s-ned-kelly-series_national-gallery-of-australia-booklet--screen.pdf

sidney nolan ned kelly (series) of the week
Morning Camp (1947)
#AustralianArt

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Art is not meant to be safe.
It is meant to stir you. Disrupt you. Seduce you.

#DangerousBeauty # DangerousBeautyFineArt #FineArtCollector #LimitedEditionArt #AustralianArt #BiophilicDesign #ArtWithImpact #ContemporaryArt #ArtCollectors #InvestInArt #InteriorInspiration

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"A Relaxing spot" . Kookaburras on a nice Australian vista. 16" bass drum
skin for a client. Acrylic paint . good times. 
#painter #artist #acrylicpaint #australianart #kookaburra #wildlife

"A Relaxing spot" . Kookaburras on a nice Australian vista. 16" bass drum skin for a client. Acrylic paint . good times. #painter #artist #acrylicpaint #australianart #kookaburra #wildlife

"A Relaxing spot" . Kookaburras on a nice Australian vista. 16" bass drum
skin for a client. Acrylic paint . good times.
#painter #artist #acrylicpaint #australianart #kookaburra #wildlife

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A floral abstract landscape in mostly muted pastel colours, framed on a wall. Large magnolias and poppies. Trumpet lily, tulip and a chrysanthemum. Daisies and dogwood flowers in the foreground.

A floral abstract landscape in mostly muted pastel colours, framed on a wall. Large magnolias and poppies. Trumpet lily, tulip and a chrysanthemum. Daisies and dogwood flowers in the foreground.

Back from the framer, lookin’ like she picked up some new shoes.
Elsewhere
Acrylic on canvas
101.5 x 101.5 cm

#traditionalart #floralart #painting #acrylicpainting #australianart #art #landscape

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I do other things besides blather on about politics 😁.. created this this morning. Porcelain and stoneware clay, painting, glazing and 2 kiln firings till i’s finished #australianart #kookaburra #australianceramics

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"These were once joined together and I had Mrs Reardon and her baby still fleeing for their lives. It was once six feet by four, but late one night, Jack Bellew, a journalist, said, ‘Look Sid, that painting is too bloody big, cut it in two.’ I told him to leave it alone, but to prove it was not too big, I would  cut it in two. You see I come from a long line of Irishmen. So I cut it and looked at them separated and together, and they looked better together. Unfortunately I parted them forever"
Source: https://nga.gov.au/exhibitions/burning-at-glenrowan-by-sidney-nolan/

"These were once joined together and I had Mrs Reardon and her baby still fleeing for their lives. It was once six feet by four, but late one night, Jack Bellew, a journalist, said, ‘Look Sid, that painting is too bloody big, cut it in two.’ I told him to leave it alone, but to prove it was not too big, I would cut it in two. You see I come from a long line of Irishmen. So I cut it and looked at them separated and together, and they looked better together. Unfortunately I parted them forever" Source: https://nga.gov.au/exhibitions/burning-at-glenrowan-by-sidney-nolan/

sidney nolan ned kelly of the week
Siege at Glenrowan (1946)
#AustralianArt

""Jack Bellew, a journalist, said, ‘Look Sid, that painting is too bloody big, cut it in two.’""

(part 2 of a 2 part series.)

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‘I find that a desire to paint the landscape involves a wish to hear more of the stories that take place within the landscape. Stories which may not only be heard in country towns and read in the journals of explorers, but which also persist in the memory, to find expression in such household sayings as ‘game as Ned Kelly’. From being interested in these stories it is a simple enough step to find that it is possible to combine two desires: to paint and to tell stories.

    The history of Ned Kelly possesses many advantages from this point of view. Most of us have heard of it, in one way or another, during our childhood, and it is still a topic of conversation in those parts of Victoria where the Kelly family lives.

    In its own way it can perhaps be called one of our Australian myths. It is a story arising out of the bush and ending in the bush.

    Whether or not the painting of such a story demands any comment on good and evil I do not know. There are doubtless as many good policemen as there are good bushrangers.’

    Sidney Nolan'
source:https://nga.gov.au/exhibitions/burning-at-glenrowan-by-sidney-nolan/

‘I find that a desire to paint the landscape involves a wish to hear more of the stories that take place within the landscape. Stories which may not only be heard in country towns and read in the journals of explorers, but which also persist in the memory, to find expression in such household sayings as ‘game as Ned Kelly’. From being interested in these stories it is a simple enough step to find that it is possible to combine two desires: to paint and to tell stories. The history of Ned Kelly possesses many advantages from this point of view. Most of us have heard of it, in one way or another, during our childhood, and it is still a topic of conversation in those parts of Victoria where the Kelly family lives. In its own way it can perhaps be called one of our Australian myths. It is a story arising out of the bush and ending in the bush. Whether or not the painting of such a story demands any comment on good and evil I do not know. There are doubtless as many good policemen as there are good bushrangers.’ Sidney Nolan' source:https://nga.gov.au/exhibitions/burning-at-glenrowan-by-sidney-nolan/

sidney nolan ned kelly of the week
Burning at Glenrowan (1946)
#AustralianArt

(part 1 of a 2 part series. sort of. tune in next week)

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The Hounddog
A made up scene, a balmy evening somewhere. On display at the Wodonga Plant Farm.
80 x 60 cms
Acrylic on Canvas

#impressionism #australianart #wodonga
#acrylicpainting

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‘Matters are not separated here. They are forced right against the eye, terror and evil so close that no one is seen as a whole; everyone is cut off in both senses of the word.'

‘Matters are not separated here. They are forced right against the eye, terror and evil so close that no one is seen as a whole; everyone is cut off in both senses of the word.'

sidney nolan ned kelly of the week
Death of Sergeant Kennedy at Stringybark Creek (1946)
#AustralianArt

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Image of a green envelop with large white letters that say Incognito Art Show. It has been addressed to an artist in Coonabarabran, NSW

Image of a green envelop with large white letters that say Incognito Art Show. It has been addressed to an artist in Coonabarabran, NSW

Australian artists it's on again! Get your work out there and help other Australian artists. It's free, easy to get work back to organisors and so exciting when your work sells. Sign up now!
www.incognitoartshow.com
#Art
#AustralianArt
#IncognitoArtShow

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A floral abstract landscape in mostly muted pastel colours, on an easel. Large magnolias and poppies. Trumpet lily, tulip and a chrysanthemum. Daisies and dogwood flowers in the foreground.

A floral abstract landscape in mostly muted pastel colours, on an easel. Large magnolias and poppies. Trumpet lily, tulip and a chrysanthemum. Daisies and dogwood flowers in the foreground.

Elsewhere
Acrylic on canvas
101.5 x 101.5 cm

#floralpainting #floralart #painting #art #landscape #acrylicpainting #australianart #traditionalart

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A sketch of 6 tulips in a bouquet, drawn in lead pencil.

A sketch of 6 tulips in a bouquet, drawn in lead pencil.

Sketchbook tulip practice.

#sketchbook #traditionalart #art #drawing #floralart #australianart #pencildrawing

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#AustralianArt #AusMusic #MissKaninna

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