Third of three in my series of #Klimt @klimtgustav.bsky.social loose adaptations with #acrylicmarker on a small 4x6 canvas. 🎨#acrylics #painting #viennasecession #skyart #artsky

Original: artsandculture.google.com/asset/danae-...

Here's another adaptation of Klimt's Beethoven Frieze 🎨

Acrylic marker on 4x6 canvas

Reference image: Inge Prader’s recreation (share.google/HsZEgbt89KFm...)

#artsky #skyart #acrylics #painting #viennasecession

Original #Klimt painting: artsandculture.google.com/asset/the-be...

Adaptation of #Klimt @klimtgustav.bsky.social Beethoven Frieze 🎨

First time I tried #acrylicmarker on canvas instead of mixed media paper. Small 4x6 canvas. It worked well!

#acrylics #painting #skyart #artsky #viennasecession

artsandculture.google.com/asset/the-be...

No elenco de O Último Azul tem um Rhuann e um Klindson.
(pensando aqui se eu tivesse um filho botar nome de Klimtson")
#ViennaSecession

Monday Lustre

Wonderful late 19th c aubergine and gold Vienna Secession candleholder

#art #antique #antiqueart #vintageart #antiques #langtrygallery #austria #viennasecession #austrianjugendstil #homedecor #jugendstil #artnouveau #secession #antiquario #arte #antiquités #vase #secessioneviennese

Writing Metallica lyrics with a fountain pen in Vienna Secession-style lettering

#art #lettering #ink #fanart #arthistory #viennasecession #metallica

#queeringfinearts #QueerArt #ArtAndDesire #MasculineIntimacy #ImaginaryMuseum #HiddenHistories #QueeringArtHistory #HomoeroticArt #ArtHistory #ForbiddenHistories #art #daddy #fetish #kinky #fantasy #muscle #gayart #gayaiart #hotmen #gay #ViennaSecession #Symbolism #FinDeSiècle

Mäda Gertrude Primavesi
Gustav Klimt, 1912

"No part of life is so small and insignificant that it does not offer space for artistic aspirations.”

#viennasecession #artnouveau #symbolism #portraiture #austrianartists #arthistory

Austrian artist Gustav Klimt began this portrait in 1903, after seeing the sixth-century mosaics of Ravenna, which he called of “unprecedented splendor.” Their shimmer helped catalyze his Golden Phase, in which paint, silver, and gold leaf fused icon and portrait. The sitter, Adele Bloch-Bauer was a Jewish Viennese patron and salonnière and was the only person Klimt painted twice in full-length portraits, signaling their artistic rapport and the family’s support of the Viennese avant-garde. A luminous, mosaic-like field of gold envelops the pale, oval-faced Adele with cropped dark hair and crimson lips. Centered frontally, she gazes outward, her forearms lifted and hands clasped into an elegant, slightly tense knot at her chest. A flat, patterned sheath and diaphanous golden mantle merge with the background, studded with triangles containing “all-seeing” eye motifs and tiny raised monograms “AB.” A diamond choker hugs her neck; bracelets and rings glint at the wrists and fingers. Around her head, a halo of ornament presses forward; below, a band of black-and-white trim at the lower left hints at the artist’s studio furnishings. Space feels ambiguous as she seems at once seated and standing as spirals, rectangles, and circles ripple across the surface like Byzantine tesserae bits of stone and glass pulsing with light. Commissioned by her husband, industrialist Ferdinand Bloch-Bauer, the work originally hung in their Vienna, Austria home. In 1938, the Nazis seized the family’s Klimts; in Vienna the canvas was retitled “Woman in Gold” to obscure Adele’s identity. Decades later, her niece Maria Altmann pursued restitution; following the landmark U.S. Supreme Court decision enabling the case and an Austrian arbitration, the painting was returned to the heirs. In 2006, Ronald S. Lauder acquired it for the Neue Galerie in New York, where it has remained on permanent view and is often described as the museum’s “Mona Lisa.”

"Portrait of Adele Bloch-Bauer I" by Gustav Klimt (Austrian) – Oil, gold, and silver on canvas / 1907 – Neue Galerie New York #WomenInArt #GustavKlimt #Klimt #art #artText #artwork #AustrianArtist #PortraitofaWoman #NeueGalerieNewYork #NeueGalerie #gold #fin-de-siècle #ViennaSecession #ArtNouveau

Tuesday Lustre

Wonderful late 19th century aubergine and gold Vienna Secession candleholder

#art #antique #antiqueart #vintageart #antiques #langtrygallery #austria #viennasecession #austrianjugendstil #classicdecor #homedecor #jugendstil #artnouveau #interiordesign #antiquario #arte #antiquités

Whispers of Light: A Midsummer Tree
#art #Painting #DecorativeModernism #NaïveArt #DecorativeArt #PostImpressionism #ViennaSecession #GustavKlimtstyle

Timeless beauty
Chair designed by the Austrian architect Josef Hoffmann (1907)
Philadelphia Museum of Art.
#josefhoffman #viennasecession

Gold-leaves dome of the Secession Building in Vienna.

VIENNESE MOMENTS
April in July: After the Rain is before the Rain
The Dome of Gilded Leaves still shines!
Secession Building, Friedrichstraße
Inner City (First District)
Image © Merisi Vienna
#EastCoastkin #JosefMariaOlbrich
#ViennaSecession #ArtNouveau #Jugendstil
#Krauthäupl #Cabbage #Vienna

VIENNESE IMPRESSIONS
Galileihof (1906)
Altgasse and Lainzer Straße
Hietzing (13th District)
Image © Merisi Vienna
#EastCoastKin #Secession #ViennaSecession
#Jugendstil #ArtNouveau

Josef Maria Auchentaller was an Austrian painter, draftsman, and printmaker associated with the Vienna Secession and the Art Nouveau style. He joined the Vienna Secession in 1896 and was a member of Ver Sacrum’s editorial committee in 1900 and 1901.
#loveart #thattick #illustration #ViennaSecession

Asilomar Sunset

In the style of Gustav Klimt.

(From my original photo.)
www.duemler.com/gallery
#art #digitalart #photomanipulation #digitalpainting #seascape #symbolism #viennasecession #pacificgrove #california

Day 5: The Museum of Women in the Arts asks us to name at least 5 women artists. For #WomensHistoryMonth, I am naming 1 a day.

#NorbertineBresslern-Roth 2/2
#AustrianArtist
#ViennaSecession
#AnimalPainter
#Painter
#Printmaker
#WomenInArt
@artherstory.bsky.social

Day 5: The Museum of Women in the Arts asks us to name at least 5 women artists. For #WomensHistoryMonth, I am naming 1 a day.

#NorbertineBresslern-Roth 1/2
#AustrianArtist
#ViennaSecession
#AnimalPainter
#Painter
#Printmaker
#WomenInArt
@artherstory.bsky.social

Both during Klimt's lifetime and later, there have always been examples of an eroticizing aim to recreate his art or even go beyond it. Other authors have pointed out that the erotic could be regarded as a socio-political and culturally progressive force. Thus, Klimt is seen as an artist who contributed considerably to the emancipation of women and the rediscovery of the lost power of the erotic element, an artist who was critical of his time and its outmoded cultural morality. "Klimt's permanent achievement," wrote Han Bisanz in 1984, "is that he liberated the artistic depiction of human beings from the fetters of morality and opportunism and that he made visible by means of his style, the basic mental images of man's inner life, images that point to a timeless element in the course of a person's individual destiny. And finally, as the quoted passage seems to indicate, Klimt can be seen as a psychologist, as someone who analyzed psychological phenomena and who pursued similar aims to those of his great contemporary, Sigmund Freud. – gustaveklimt.com

Gustav Klimt (Austrian, 1862-1918) • The Maiden • 1913 (see ALT text)
#GustaveKlimt #klimt #artnouveau #art #painting #ArtHistory #ViennaSecession #symbolism #AustrianArtist #EroticismInArt #WomenInPaintings #Art&Beauty

Poster in black and gray on a cream background. At the top is an illustration of women in a simplified style with gray streaks in front reminiscent of tree bark. At the bottom is a block of lettering in an unusual square, bold style as if the interior spaces were cut out of solid black blocks.

Zoomed detail of the lettering. The text reads: Besichtigung der Räume D[er] Vereinigung Wiener Kunst im Hause Wien Jakobergasse 3 Dec Januar Täglich v[on] 9–4 Eintritt 60 H[eller]

Leopold Forstner, Poster (facsimile) for “Wiener Kunst im Hause” (Viennese Art in the House), 1903.

Get to know another nouveau through Jugendstil, the Vienna Secession, and Die Fläche: letterformarchive.org/news/die-fla...

#ViennaSecession #LeopoldForstner #Lettering

typo.social/@letterforma...

New typeface alert! Light, Regular, Semi-Bold & Chonky. Plus ornaments. Monday the 3rd I'm releasing this ode to Wanda Gag, the Vienna Secession and Speedball Series B pens. It'll be on www.futurefonts.xyz/marthasuecou... More soon! #womenintype #newtype #wandagag #viennasecession #speedballpens

Photo of a page from a book showing the cover of a periodical. The cover features a woman with flowing hair printed in dark blue ona green paper background. Next to her is the title “Ver Sacrum [The Spring]” in organic lettering with similar flowing shapes as the illustration. At the bottom is more lettering: “ZEITSCHRIFT DER VEREINIGUNG BILDENDER KÜNSTLER / OSTERREIHES” [Magazine of the Association of Visual Artists / Easter]”

Koloman Moser, Ver Sacrum, year 2, no. 4, 1899.

Get to know another nouveau through Jugendstil, the Vienna Secession, and Die Fläche: letterformarchive.org/news/die-fla...

#Jugendstil #ViennaSecession #VerSacrum #ArtNouveau #KolomanMoser #Lettering

THAT MONOGRAM! #viennasecession #antiquesroadshow #kolomanmoser #gustavmahler What a combination of talent

We went to the #NationalMuseumOfKorea yesterday for an exhibition of the #ViennaSecession, with works by #EgonSchiele and #GustavKlimt! #art

Today's musing. #Midjourney Peace of Mind in #ViennaSecession