You likely know studies have found art can reduce stress and improve mood. “Cozy” by Andrea Petitto is a perfect example. Please contact the gallery for more info and to view. Wishing you peace.
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#LouisJanmot (French, 1814–1892) • Fleurs des champs (Flowers of the Fields) • 1845 • Oil on wood • Musée des Beaux-Arts de Lyon, France
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Laurits Andersen Ring (Danish, 1854–1933) • In the Month of June • 1899
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Edgar Degas (French, 1834 - 1917) • The Milinary Shop • 1879-1886 • The Art Institute of Chicago
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"Where there is love there is life." —Mahatma Gandhi (Shown: Mums by Sharon McGauley)
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Both during Klimt's lifetime and later, there have always been examples of an eroticizing aim to recreate his art or even go beyond it. Other authors have pointed out that the erotic could be regarded as a socio-political and culturally progressive force. Thus, Klimt is seen as an artist who contributed considerably to the emancipation of women and the rediscovery of the lost power of the erotic element, an artist who was critical of his time and its outmoded cultural morality. "Klimt's permanent achievement," wrote Han Bisanz in 1984, "is that he liberated the artistic depiction of human beings from the fetters of morality and opportunism and that he made visible by means of his style, the basic mental images of man's inner life, images that point to a timeless element in the course of a person's individual destiny. And finally, as the quoted passage seems to indicate, Klimt can be seen as a psychologist, as someone who analyzed psychological phenomena and who pursued similar aims to those of his great contemporary, Sigmund Freud. – gustaveklimt.com
Gustav Klimt (Austrian, 1862-1918) • The Maiden • 1913 (see ALT text)
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British painter, etcher, and draughtsman. He was born in Dumbarton, where he was briefly apprenticed to a shipbuilding firm before moving to London (he lived there for the rest of his life) and studying at the *Slade School, 1876–80. Under the guidance of Alphonse *Legros he took up etching and it was in this field that he originally made a name for himself. By the mid-1890s he had an international reputation, but from this time he turned increasingly to painting, and after the turn of the century he was regarded more as a painter-etcher than an etcher-painter. At first he concentrated on imaginative (often allegorical) scenes in a pseudo-Venetian manner influenced by his friends Ricketts and Shannon, but he came to specialize mainly in portraits. – Courtesy of ArtUK
William Strang (British/English, 1859–1921) • The Feather Fan • 1910s • Gallery Oldham, Oldham, England (see alt text)
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