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Er moet nog zoveel, maar eigenlijk wil ik opgaan in de mist. Misty days

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photographed in my Studio in Solingen.
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Monument to the Founders of Kyiv in Navodnytsky Park
Monument to the founders of Kiev was erected in the park on the Dnieper embankment in spring 1982 in preparation for the 1500 anniversary of the city

The monument to the legendary founders of Kyiv was installed in the spring of 1982 on the banks of the Dnipro River as part of preparations for the city's 1500th anniversary celebration. According to ancient legend, Kyiv was founded by three brothers—Kyi, Shchek, and Khoryv—and their sister Lybid. As they traveled along the Dnipro, they were captivated by the beauty of its hills, decided to settle there, and named the city after the eldest brother.

The sculptural composition, created by sculptor Vasyl Zakharovych Borodai and architect Mykhailo Mykhailovych Feshchenko, depicts the founders standing on a boat. The sculpture is made of wrought copper and mounted on a granite pedestal, with a basin at its base. In front of the monument, a granite stone bears a quote from the Primary Chronicle: "And there were three brothers: the eldest was Kyi, the second was Shchek, the third was Khoryv, and their sister was Lybid. They built a town in the name of their eldest brother and called it Kyiv."

The monument has become a traditional location for wedding photography. However, on February 23, 2010, due to metal corrosion in the reinforced concrete structure, part of the monument collapsed—specifically, the sculptures of Shchek and Khoryv. After restoration, the monument was ceremoniously reopened on May 28, 2010, in time for Kyiv Day.

Today, the monument remains an important symbol of the city, though it requires periodic maintenance. In recent years, discussions have emerged about potential restoration efforts to preserve its historical and artistic significance.
Taken on July 22, 2013

Monument to the Founders of Kyiv in Navodnytsky Park Monument to the founders of Kiev was erected in the park on the Dnieper embankment in spring 1982 in preparation for the 1500 anniversary of the city The monument to the legendary founders of Kyiv was installed in the spring of 1982 on the banks of the Dnipro River as part of preparations for the city's 1500th anniversary celebration. According to ancient legend, Kyiv was founded by three brothers—Kyi, Shchek, and Khoryv—and their sister Lybid. As they traveled along the Dnipro, they were captivated by the beauty of its hills, decided to settle there, and named the city after the eldest brother. The sculptural composition, created by sculptor Vasyl Zakharovych Borodai and architect Mykhailo Mykhailovych Feshchenko, depicts the founders standing on a boat. The sculpture is made of wrought copper and mounted on a granite pedestal, with a basin at its base. In front of the monument, a granite stone bears a quote from the Primary Chronicle: "And there were three brothers: the eldest was Kyi, the second was Shchek, the third was Khoryv, and their sister was Lybid. They built a town in the name of their eldest brother and called it Kyiv." The monument has become a traditional location for wedding photography. However, on February 23, 2010, due to metal corrosion in the reinforced concrete structure, part of the monument collapsed—specifically, the sculptures of Shchek and Khoryv. After restoration, the monument was ceremoniously reopened on May 28, 2010, in time for Kyiv Day. Today, the monument remains an important symbol of the city, though it requires periodic maintenance. In recent years, discussions have emerged about potential restoration efforts to preserve its historical and artistic significance. Taken on July 22, 2013

«And there were three brothers...»
(Fragment of the Monument to the Founders of Kyiv) 
The three legendary brothers—Kyi, Shchek, and Khoryv—are said to have founded the city and named it after the eldest, Kyi. According to the Primary Chronicle, each settled on a different hill, which later became part of Kyiv. Their sister, Lybid, also became part of the legend, and her name remains in the city's geography.

Some researchers believe that the legend of Kyiv’s founding may have been an etymological myth explaining local place names. Different versions of the tale exist—one describes Kyi as a prince, while another portrays him as a ferryman on the Dnipro River.
Taken on July 22, 2013

«And there were three brothers...» (Fragment of the Monument to the Founders of Kyiv) The three legendary brothers—Kyi, Shchek, and Khoryv—are said to have founded the city and named it after the eldest, Kyi. According to the Primary Chronicle, each settled on a different hill, which later became part of Kyiv. Their sister, Lybid, also became part of the legend, and her name remains in the city's geography. Some researchers believe that the legend of Kyiv’s founding may have been an etymological myth explaining local place names. Different versions of the tale exist—one describes Kyi as a prince, while another portrays him as a ferryman on the Dnipro River. Taken on July 22, 2013

«...and their sister Lybid»
(Fragment of the Monument to the Founders of Kyiv) Lybid is the sister of the three legendary founders of Kyiv: Kyi, Shchek, and Khoryv. Her name, which resembles the Ukrainian word for "swan," has been preserved in the city's geography. Kyiv's Lybid River, according to some researchers, may have inspired the name of this legendary figure.
Taken on July 22, 2013

«...and their sister Lybid» (Fragment of the Monument to the Founders of Kyiv) Lybid is the sister of the three legendary founders of Kyiv: Kyi, Shchek, and Khoryv. Her name, which resembles the Ukrainian word for "swan," has been preserved in the city's geography. Kyiv's Lybid River, according to some researchers, may have inspired the name of this legendary figure. Taken on July 22, 2013

«Brothers»
(A close-up fragment of the Monument to the Founders of Kyiv) A portrait of two of the three legendary brothers.
Taken on July 22, 2013

«Brothers» (A close-up fragment of the Monument to the Founders of Kyiv) A portrait of two of the three legendary brothers. Taken on July 22, 2013

Monument to the Founders of Kyiv in Navodnytsky Park
More info in ALT

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"The Ballerina" – Kyiv’s Unique Street Art Sculpture
The "Ballerina" sculpture stands at the intersection of Sretenskaya and Streletskaya Streets in Kyiv.
Carved from linden wood, the Ballerina stands on the corner of Sretenskaya and Streletskaya Streets, her tutu made of wire mesh giving the impression she has just gracefully floated down from the stage. Her ceramic face is slightly sad, pensive, and beautiful. Interestingly, the sculpture was installed at the request of local residents in honor of a real-life ballerina who lives nearby.

"The face and hands are made of ceramic, the hair from red synthetic threads, and the tutu from construction mesh," explains Skretutsky. "A month ago, someone tried to vandalize her. There was a sneaker print high up on her left leg," he says, touching the sculpture. "Looks like some karate enthusiast tested her durability. The Ballerina held strong—I smoothed out the damage—but I still can’t understand how anyone could kick a girl, even if she is just a sculpture."
Photo taken on July 20, 2013

"The Ballerina" – Kyiv’s Unique Street Art Sculpture The "Ballerina" sculpture stands at the intersection of Sretenskaya and Streletskaya Streets in Kyiv. Carved from linden wood, the Ballerina stands on the corner of Sretenskaya and Streletskaya Streets, her tutu made of wire mesh giving the impression she has just gracefully floated down from the stage. Her ceramic face is slightly sad, pensive, and beautiful. Interestingly, the sculpture was installed at the request of local residents in honor of a real-life ballerina who lives nearby. "The face and hands are made of ceramic, the hair from red synthetic threads, and the tutu from construction mesh," explains Skretutsky. "A month ago, someone tried to vandalize her. There was a sneaker print high up on her left leg," he says, touching the sculpture. "Looks like some karate enthusiast tested her durability. The Ballerina held strong—I smoothed out the damage—but I still can’t understand how anyone could kick a girl, even if she is just a sculpture." Photo taken on July 20, 2013

From a Matchstick to a Ballerina: The Story Behind Kyiv’s Charming Sculpture
At the corner of Sretenskaya and Streletskaya Streets, sculptor Konstantin Skretutsky—already known for his other works—installed a unique monument honoring a ballerina who lives nearby. Ironically, he originally planned to create… an ordinary matchstick. But everything changed thanks to an anonymous note.

Here’s how the artist describes the matchstick’s transformation into a ballerina:
"At first, I made a matchstick sculpture there. The tree was perfect—straight, thin, and smooth. I ordered a ceramic 'head' for it and sawed the trunk into shape. Just a simple matchstick. But two days later, someone left a note on it: 'Please make a ballerina here. A renowned ballerina lives nearby—it would mean a lot to her. Thank you.' How could I ignore such a request? And so, the matchstick became a ballerina."
Photo taken on July 20, 2013

From a Matchstick to a Ballerina: The Story Behind Kyiv’s Charming Sculpture At the corner of Sretenskaya and Streletskaya Streets, sculptor Konstantin Skretutsky—already known for his other works—installed a unique monument honoring a ballerina who lives nearby. Ironically, he originally planned to create… an ordinary matchstick. But everything changed thanks to an anonymous note. Here’s how the artist describes the matchstick’s transformation into a ballerina: "At first, I made a matchstick sculpture there. The tree was perfect—straight, thin, and smooth. I ordered a ceramic 'head' for it and sawed the trunk into shape. Just a simple matchstick. But two days later, someone left a note on it: 'Please make a ballerina here. A renowned ballerina lives nearby—it would mean a lot to her. Thank you.' How could I ignore such a request? And so, the matchstick became a ballerina." Photo taken on July 20, 2013

"The Ballerina" – Kyiv’s Unique Street Art Sculpture
Sculpture by Konstantin Skritutsky
More info in ALT

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Monument to Yaroslav the Wise in Kyiv 
The monument to Grand Prince Yaroslav the Wise was installed in 1997 in the Zolotovorotsky Square, opposite the historic Golden Gate. The sculpture was designed based on a sketch by the renowned Ukrainian sculptor Ivan Kavaleridze, who originally envisioned the composition as a small statuette.

The monument depicts the prince seated, holding a model of Saint Sophia Cathedral—one of the most significant symbols of his reign. His gaze is directed toward the location where the cathedral now stands, emphasizing his role in the development of Kyivan Rus. The bronze figure is mounted on a massive granite pedestal, which itself rests on an artificial earthen mound. Granite steps lead up to the monument, and to the right of the staircase, there is a boulder inscribed with the prince’s name in Old East Slavic script.

An interesting detail: the monument has earned the humorous nickname “The Man with the Cake” due to the cathedral model in Yaroslav’s hands, which resembles a festive cake

Monument to Yaroslav the Wise in Kyiv The monument to Grand Prince Yaroslav the Wise was installed in 1997 in the Zolotovorotsky Square, opposite the historic Golden Gate. The sculpture was designed based on a sketch by the renowned Ukrainian sculptor Ivan Kavaleridze, who originally envisioned the composition as a small statuette. The monument depicts the prince seated, holding a model of Saint Sophia Cathedral—one of the most significant symbols of his reign. His gaze is directed toward the location where the cathedral now stands, emphasizing his role in the development of Kyivan Rus. The bronze figure is mounted on a massive granite pedestal, which itself rests on an artificial earthen mound. Granite steps lead up to the monument, and to the right of the staircase, there is a boulder inscribed with the prince’s name in Old East Slavic script. An interesting detail: the monument has earned the humorous nickname “The Man with the Cake” due to the cathedral model in Yaroslav’s hands, which resembles a festive cake

Monument to Yaroslav the Wise in Kyiv The monument to Grand Prince Yaroslav the Wise was installed in 1997 for Kyiv Day in Zolotovorotsky Square, opposite the historic Golden Gate. The sculpture was based on a design by the renowned Ukrainian sculptor Ivan Kavaleridze, who originally envisioned it as a small statuette and did not intend for it to be cast in metal.

The monument depicts the prince seated, holding a model of Saint Sophia Cathedral—a symbol of his reign and cultural legacy. His gaze is directed toward the location where the cathedral now stands. The bronze figure is mounted on a massive granite pedestal, which rests on an artificial earthen mound. Granite steps lead up to the monument, and to the right of the staircase, there is a boulder inscribed with the prince’s name in Old East Slavic script.

An amusing detail: the monument has earned the popular nickname “The Man with the Cake” due to the cathedral model in Yaroslav’s hands, which resembles a festive cake.

The monument was constructed in a short timeframe, leaving sculptors and architects with limited opportunity to refine its urban and artistic aspects. The project was carried out by sculptors Vitaliy Sivko, Mykola Bilyk, Vitaliy Redko, and Volodymyr Chepelik, with architect Mykola Kislyi overseeing the installation.

Notably, another version of the monument exists as a model on Andriivskyi Descent near Kavaleridze’s Museum-House, emphasizing the historical significance of the project.

Monument to Yaroslav the Wise in Kyiv The monument to Grand Prince Yaroslav the Wise was installed in 1997 for Kyiv Day in Zolotovorotsky Square, opposite the historic Golden Gate. The sculpture was based on a design by the renowned Ukrainian sculptor Ivan Kavaleridze, who originally envisioned it as a small statuette and did not intend for it to be cast in metal. The monument depicts the prince seated, holding a model of Saint Sophia Cathedral—a symbol of his reign and cultural legacy. His gaze is directed toward the location where the cathedral now stands. The bronze figure is mounted on a massive granite pedestal, which rests on an artificial earthen mound. Granite steps lead up to the monument, and to the right of the staircase, there is a boulder inscribed with the prince’s name in Old East Slavic script. An amusing detail: the monument has earned the popular nickname “The Man with the Cake” due to the cathedral model in Yaroslav’s hands, which resembles a festive cake. The monument was constructed in a short timeframe, leaving sculptors and architects with limited opportunity to refine its urban and artistic aspects. The project was carried out by sculptors Vitaliy Sivko, Mykola Bilyk, Vitaliy Redko, and Volodymyr Chepelik, with architect Mykola Kislyi overseeing the installation. Notably, another version of the monument exists as a model on Andriivskyi Descent near Kavaleridze’s Museum-House, emphasizing the historical significance of the project.

«The Man with the Cake»
(Monument to Yaroslav the Wise in Kyiv)
More info in ALT

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The Way of the Cross—traditional 14 stations represented in 14 sculptural objects. The image captures fragments of the sculptural composition of the Fourteenth Station (XIV: The Burial of Jesus Christ): "The body of Jesus is laid in the tomb." Matthew 27:59-61: Joseph took the body, wrapped it in a clean linen shroud, and laid it in his own new tomb, which he had hewn in the rock. He rolled a great stone to the door of the tomb and departed. Mary Magdalene and the other Mary were there, sitting opposite the tomb. See also: Mark 15:46-47; Luke 23:53-56; John 19:39-42.

The Way of the Cross—traditional 14 stations represented in 14 sculptural objects. The image captures fragments of the sculptural composition of the Fourteenth Station (XIV: The Burial of Jesus Christ): "The body of Jesus is laid in the tomb." Matthew 27:59-61: Joseph took the body, wrapped it in a clean linen shroud, and laid it in his own new tomb, which he had hewn in the rock. He rolled a great stone to the door of the tomb and departed. Mary Magdalene and the other Mary were there, sitting opposite the tomb. See also: Mark 15:46-47; Luke 23:53-56; John 19:39-42.

This sculptural composition follows the European tradition of Calvaria (Latin: Golgotha), a term used for various historical and architectural monumental religious sites, primarily found in European countries.

Uniquely, this composition is also dedicated to the 1130th anniversary of the death of Prince Askold and was installed on the 20th anniversary of the restoration of prayer at Askold’s Grave by Father Ihor Onyshkevych. (Ukrainian inscription: Installed in memory of Mykola-Askold, king and martyr for the Christian faith, on the 1130th anniversary of his passing and the 20th anniversary of the restoration of prayer at Askold’s Grave by Father Ihor Onyshkevych.)

This sculptural composition follows the European tradition of Calvaria (Latin: Golgotha), a term used for various historical and architectural monumental religious sites, primarily found in European countries. Uniquely, this composition is also dedicated to the 1130th anniversary of the death of Prince Askold and was installed on the 20th anniversary of the restoration of prayer at Askold’s Grave by Father Ihor Onyshkevych. (Ukrainian inscription: Installed in memory of Mykola-Askold, king and martyr for the Christian faith, on the 1130th anniversary of his passing and the 20th anniversary of the restoration of prayer at Askold’s Grave by Father Ihor Onyshkevych.)

According to unverified sources, the entire 14-station complex was originally planned for a different location: "There was no space near the Church of St. Basil the Great to place the Way of the Cross. And on the Left Bank, near the Patriarchal Cathedral of the Resurrection of Christ, it seemed less appropriate than in Askold’s Grave Park." (I searched extensively for confirmation of this statement but found no reliable sources.)

Date of unveiling: 2012 Materials: Granite, bronze, wood Sculptor: V.I. Dyakonov

According to unverified sources, the entire 14-station complex was originally planned for a different location: "There was no space near the Church of St. Basil the Great to place the Way of the Cross. And on the Left Bank, near the Patriarchal Cathedral of the Resurrection of Christ, it seemed less appropriate than in Askold’s Grave Park." (I searched extensively for confirmation of this statement but found no reliable sources.) Date of unveiling: 2012 Materials: Granite, bronze, wood Sculptor: V.I. Dyakonov

Askold’s Grave (Askoldova Mohyla) is a historic site and park in Kyiv, Ukraine, located on the steep right bank of the Dnipro River. According to legend, it marks the burial place of Prince Askold, who, along with Dir, ruled Kyiv in the 9th century before being overthrown by Prince Oleg in 882. The site has long been associated with medieval Kyiv’s history and religious traditions.

In the 10th century, Princess Olga, the first Christian ruler of Kyivan Rus, built a wooden Church of St. Nicholas over Askold’s burial site. Over the centuries, the area became a monastic center, with Orthodox monks settling there. By the 17th century, a new monastic complex was established nearby, leading to the relocation of the monastery while the cemetery remained.

During the Soviet era, the cemetery was dismantled, and the site was transformed into a park. Many historical graves were lost, and the St. Nicholas Church was repurposed as a restaurant. However, following Ukraine’s independence, the church was restored and returned to the Ukrainian Greek Catholic Church. In 2017, a bell tower with 51 bells was added to the site.

Today, Askold’s Grave remains a cultural and religious landmark, featuring memorials, chapels, and historical markers. It is a place of reflection, offering panoramic views of Kyiv and preserving the memory of its medieval past.

Askold’s Grave (Askoldova Mohyla) is a historic site and park in Kyiv, Ukraine, located on the steep right bank of the Dnipro River. According to legend, it marks the burial place of Prince Askold, who, along with Dir, ruled Kyiv in the 9th century before being overthrown by Prince Oleg in 882. The site has long been associated with medieval Kyiv’s history and religious traditions. In the 10th century, Princess Olga, the first Christian ruler of Kyivan Rus, built a wooden Church of St. Nicholas over Askold’s burial site. Over the centuries, the area became a monastic center, with Orthodox monks settling there. By the 17th century, a new monastic complex was established nearby, leading to the relocation of the monastery while the cemetery remained. During the Soviet era, the cemetery was dismantled, and the site was transformed into a park. Many historical graves were lost, and the St. Nicholas Church was repurposed as a restaurant. However, following Ukraine’s independence, the church was restored and returned to the Ukrainian Greek Catholic Church. In 2017, a bell tower with 51 bells was added to the site. Today, Askold’s Grave remains a cultural and religious landmark, featuring memorials, chapels, and historical markers. It is a place of reflection, offering panoramic views of Kyiv and preserving the memory of its medieval past.

«Sepultura Domini Iesu Christi» / The Fourteenth Station
Date of unveiling: 2012 Materials: Granite, bronze, wood Sculptor: V.I. Dyakonov

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«Thumbelina» fountain
Kiev State Academic Puppet Theater
Fountain "Thumbelina" at the Puppet Theater.
Opened 2006; bronze; sculptor T. Tsyupa, I. Glukhenky
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«Katigoroshek»
Sculptures of children's fairy tale heroes at the Kulkony Theatre in the City Park
Sculpture of Kotigoroshko finishing off a snake (hero of a Ukrainian folk tale)
Opened 2006; bronze; sculptor T. Tsyupa, I. Glukhenky

(«Катигорошек» или Котигорошко)
Киевский государственный академический театр кукол

«Katigoroshek» Sculptures of children's fairy tale heroes at the Kulkony Theatre in the City Park Sculpture of Kotigoroshko finishing off a snake (hero of a Ukrainian folk tale) Opened 2006; bronze; sculptor T. Tsyupa, I. Glukhenky («Катигорошек» или Котигорошко) Киевский государственный академический театр кукол

«Thumbelina» fountain
Kiev State Academic Puppet Theater
Fountain "Thumbelina" at the Puppet Theater.
Opened 2006; bronze; sculptor T. Tsyupa, I. Glukhenky

«Thumbelina» fountain Kiev State Academic Puppet Theater Fountain "Thumbelina" at the Puppet Theater. Opened 2006; bronze; sculptor T. Tsyupa, I. Glukhenky

«Buratino» (Pinocchio)
Kiev State Academic Puppet Theater
Characters of Alexei Tolstoy's fairy tale "The Golden Key"
A bronze figure of Buratino decorates the balcony of the Kyiv Puppet Theater.
Opened 2006; bronze; sculpture by G. Savchenko
Київський державний академічний театр ляльок

«Buratino» (Pinocchio) Kiev State Academic Puppet Theater Characters of Alexei Tolstoy's fairy tale "The Golden Key" A bronze figure of Buratino decorates the balcony of the Kyiv Puppet Theater. Opened 2006; bronze; sculpture by G. Savchenko Київський державний академічний театр ляльок

Kiev State Academic Puppet Theater
Founded in 1927 on the initiative of People's Artist of Ukraine A.I. Solomarsky and I.S. Deeva. It is distinguished by the highest skill of its actors.

The theater building was erected in 2005 in the form of a fairy-tale castle according to the design of the architects V.L. and O.V. Yudin.

In front of the theater in the puppet theater is the musical fountain Thumbelina.
The fairy-tale perception of the theatre is enhanced by sculptures of favourite children's characters: Buratino, Pierrot (both by sculptor G. Savchenko), Malvina with Artemon (sculptor V. Primakov), Thumbelina, Papa Carlo, Kotigoroshko (all by sculptor T. Tsyupa, I. Glukhenky), Wandering Musicians (sculptor G. Savchenko).

The theatre's interior is painted with beautiful motifs on the themes of Ukrainian fairy tales (artists K. Lavrov and others), decorated with ceramics (Boris Danilov) and delightful lamps (Maria Ralko). The fairy-tale atmosphere is enhanced by a huge aquarium, gnomes mining treasures, a collection of antique theatre dolls and a floor magnificently inlaid with granite and wood (Olga Yudina)

Kiev State Academic Puppet Theater Founded in 1927 on the initiative of People's Artist of Ukraine A.I. Solomarsky and I.S. Deeva. It is distinguished by the highest skill of its actors. The theater building was erected in 2005 in the form of a fairy-tale castle according to the design of the architects V.L. and O.V. Yudin. In front of the theater in the puppet theater is the musical fountain Thumbelina. The fairy-tale perception of the theatre is enhanced by sculptures of favourite children's characters: Buratino, Pierrot (both by sculptor G. Savchenko), Malvina with Artemon (sculptor V. Primakov), Thumbelina, Papa Carlo, Kotigoroshko (all by sculptor T. Tsyupa, I. Glukhenky), Wandering Musicians (sculptor G. Savchenko). The theatre's interior is painted with beautiful motifs on the themes of Ukrainian fairy tales (artists K. Lavrov and others), decorated with ceramics (Boris Danilov) and delightful lamps (Maria Ralko). The fairy-tale atmosphere is enhanced by a huge aquarium, gnomes mining treasures, a collection of antique theatre dolls and a floor magnificently inlaid with granite and wood (Olga Yudina)

Sculptures of fairy tale characters.
Kiev State Academic Puppet Theater Kiev, 1-a Hrushevskogo str. (European Pl.)

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«Malvina and Artemon»
Characters of the fairy tale by Alexei Tolstoy "The Golden Key"
Sculpture - "Malvina and Artemon"
According to tradition, you can make a wish by touching Artemon's nose, so the nose is polished to a shine by the hands of children.
Opened 2006; bronze; sculptor V. Primakov
Kiev State Academic Puppet Theater.
Київський державний академічний театр ляльок

«Malvina and Artemon» Characters of the fairy tale by Alexei Tolstoy "The Golden Key" Sculpture - "Malvina and Artemon" According to tradition, you can make a wish by touching Artemon's nose, so the nose is polished to a shine by the hands of children. Opened 2006; bronze; sculptor V. Primakov Kiev State Academic Puppet Theater. Київський державний академічний театр ляльок

«Malvina»
Characters of the fairy tale by Alexei Tolstoy "The Golden Key"
"Malvina" - a fragment of the sculpture "Malvina and Artemon"
According to tradition, you can make a wish by touching Artemon's nose, so the nose is polished to a shine by the hands of children.
Opened 2006; bronze; sculptor V. Primakov
Kiev State Academic Puppet Theater.
Київський державний академічний театр ляльок

«Malvina» Characters of the fairy tale by Alexei Tolstoy "The Golden Key" "Malvina" - a fragment of the sculpture "Malvina and Artemon" According to tradition, you can make a wish by touching Artemon's nose, so the nose is polished to a shine by the hands of children. Opened 2006; bronze; sculptor V. Primakov Kiev State Academic Puppet Theater. Київський державний академічний театр ляльок

«Artemon»
Characters of the fairy tale by Alexei Tolstoy "The Golden Key"
"Artemon" - a fragment of the sculpture "Malvina and Artemon"
According to tradition, you can make a wish by touching Artemon's nose, so the nose is polished to a shine by the hands of children.
Opened 2006; bronze; sculptor V. Primakov
Kiev State Academic Puppet Theater.
Київський державний академічний театр ляльок

«Artemon» Characters of the fairy tale by Alexei Tolstoy "The Golden Key" "Artemon" - a fragment of the sculpture "Malvina and Artemon" According to tradition, you can make a wish by touching Artemon's nose, so the nose is polished to a shine by the hands of children. Opened 2006; bronze; sculptor V. Primakov Kiev State Academic Puppet Theater. Київський державний академічний театр ляльок

Lantern (Puppet Theatre)
Kiev State Academic Puppet Theater Kiev, 1-a Hrushevskogo str. (European Pl.)
Київський державний академічний театр ляльок
Киевский государственный академический театр кукол

Lantern (Puppet Theatre) Kiev State Academic Puppet Theater Kiev, 1-a Hrushevskogo str. (European Pl.) Київський державний академічний театр ляльок Киевский государственный академический театр кукол

Sculptures of fairy tale characters.
Kiev State Academic Puppet Theater Kiev, 1-a Hrushevskogo str. (European Pl.)

#blackandwhite #sculpture #kiev #ukraine #ClassicMono #kitcam #dark #bnw_drama #KitCamApp #streetbw #street #noiretblanc #art #bw #blackandwhitephoto #monoart #noir #monochrome #bnw

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«Organ-Grinder Carlo»
Characters of the fairy tale by Alexei Tolstoy "The Golden Key"
Papa Carlo holds a hat in his hand, and everyone can try it on and take a photo as a souvenir.
Kiev State Academic Puppet Theater.
Sculpture opened in 2006; bronze; sculptor T. Tsyupa, I. Glukhenky
Київський державний академічний театр ляльок

«Organ-Grinder Carlo» Characters of the fairy tale by Alexei Tolstoy "The Golden Key" Papa Carlo holds a hat in his hand, and everyone can try it on and take a photo as a souvenir. Kiev State Academic Puppet Theater. Sculpture opened in 2006; bronze; sculptor T. Tsyupa, I. Glukhenky Київський державний академічний театр ляльок

«Organ-Grinder Carlo»
Characters of the fairy tale by Alexei Tolstoy "The Golden Key"
Papa Carlo holds a hat in his hand, and everyone can try it on and take a photo as a souvenir.
Kiev State Academic Puppet Theater.
Sculpture opened in 2006; bronze; sculptor T. Tsyupa, I. Glukhenky
Київський державний академічний театр ляльок

«Organ-Grinder Carlo» Characters of the fairy tale by Alexei Tolstoy "The Golden Key" Papa Carlo holds a hat in his hand, and everyone can try it on and take a photo as a souvenir. Kiev State Academic Puppet Theater. Sculpture opened in 2006; bronze; sculptor T. Tsyupa, I. Glukhenky Київський державний академічний театр ляльок

«Pierrot»
Characters of the fairy tale by Alexei Tolstoy "The Golden Key"
Papa Carlo holds a hat in his hand, and everyone can try it on and take a photo as a souvenir.
Kiev State Academic Puppet Theater.
Sculpture opened in 2006; bronze; sculptor T. Tsyupa, I. Glukhenky

Київський державний академічний театр ляльок

«Pierrot» Characters of the fairy tale by Alexei Tolstoy "The Golden Key" Papa Carlo holds a hat in his hand, and everyone can try it on and take a photo as a souvenir. Kiev State Academic Puppet Theater. Sculpture opened in 2006; bronze; sculptor T. Tsyupa, I. Glukhenky Київський державний академічний театр ляльок

«Pierrot»
Characters of the fairy tale by Alexei Tolstoy "The Golden Key"
Papa Carlo holds a hat in his hand, and everyone can try it on and take a photo as a souvenir.
Kiev State Academic Puppet Theater.
Sculpture opened in 2006; bronze; sculptor T. Tsyupa, I. Glukhenky

Київський державний академічний театр ляльок

«Pierrot» Characters of the fairy tale by Alexei Tolstoy "The Golden Key" Papa Carlo holds a hat in his hand, and everyone can try it on and take a photo as a souvenir. Kiev State Academic Puppet Theater. Sculpture opened in 2006; bronze; sculptor T. Tsyupa, I. Glukhenky Київський державний академічний театр ляльок

Sculptures of fairy tale characters.
Kiev State Academic Puppet Theater Kiev, 1-a Hrushevskogo str. (European Pl.)

#blackandwhite #sculpture #kiev #ukraine #ClassicMono #kitcam #dark #bnw_drama #KitCamApp #streetbw #street #blackandwhitephoto #monoart #noir #monochrome #bnw #noiretblanc #art #bw

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