Pyrohiv Museum: Ukraine’s Open-Air Architectural Treasure The National Museum of Folk Architecture and Life of Ukraine, commonly known as Pyrohiv, is a sprawling open-air museum on the outskirts of Kyiv. Though its official name is quite formal, locals simply call it "Pyrohiv"—after the 17th-century village that once stood here. Spread across 150 hectares of rolling hills, the museum features over 300 authentic exhibits—traditional Ukrainian houses, churches, and windmills carefully relocated from different regions of the country.

Brief Overview: The National Museum of Folk Architecture and Life of Ukraine, commonly known as Pyrohiv, is the largest open-air museum in Ukraine. Covering over 130 hectares, it showcases authentic folk architecture from the 16th to 20th centuries. Visitors can explore traditional homesteads, wooden churches, windmills, and idols, while actors bring history to life by reenacting daily routines of the past

Historical Background: Pyrohiv (Ukr. Пирогі́в) is a historic area in Kyiv, named after the village that existed here since the 17th century. The museum was founded on February 6, 1969, and opened to the public in 1976. Today, it remains a vital center for preserving and studying Ukrainian heritage Atmosphere & Experience: A walk through Pyrohiv feels like stepping back in time. Visitors can see traditional houses, farm buildings, wells, and even fully recreated villages, where actors live according to historical customs. It’s a place where history comes alive, allowing everyone to immerse themselves in Ukraine’s rich cultural legacy. Interactive Elements: The museum offers guided tours, workshops, and festivals, where guests can experience folk crafts, traditional cuisine, and live music. It’s not just an exhibition—it’s a living, breathing space, preserving the essence of Ukrainian rural life

Pyrohiv National Museum of Folk Architecture and Life of Ukraine This open-air architectural and landscape complex, founded on February 6, 1969, is located on the southern outskirts of Kyiv (Holosiivskyi District) near the historic village of Pyrohiv. Key facts: — Area: 133.5 hectares — Features all historical and ethnographic regions of Ukraine — Correct name: Pyrohiv (the variant "Pyrohovo" is a common Russification error) Current status (2024): The museum remains operational despite the war, though some events are temporarily paused. According to officials, no artifacts have been damaged by military actions, and the area is safe for visitors. In 2023, Pyrohiv was added to UNESCO’s Tentative List for potential World Heritage status.

Pyrohiv National Museum of Folk Architecture and Life of Ukraine
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Brief Overview: The National Museum of Folk Architecture and Life of Ukraine, commonly known as Pyrohiv, is the largest open-air museum in Ukraine. Covering over 130 hectares, it showcases authentic folk architecture from the 16th to 20th centuries. Visitors can explore traditional homesteads, wooden churches, windmills, and idols, while actors bring history to life by reenacting daily routines of the past. Taken on July 19, 2013

Historical Background: Pyrohiv (Ukr. Пирогі́в) is a historic area in Kyiv, named after the village that existed here since the 17th century. The museum was founded on February 6, 1969, and opened to the public in 1976. Today, it remains a vital center for preserving and studying Ukrainian heritage Atmosphere & Experience: A walk through Pyrohiv feels like stepping back in time. Visitors can see traditional houses, farm buildings, wells, and even fully recreated villages, where actors live according to historical customs. It’s a place where history comes alive, allowing everyone to immerse themselves in Ukraine’s rich cultural legacy. Interactive Elements: The museum offers guided tours, workshops, and festivals, where guests can experience folk crafts, traditional cuisine, and live music. It’s not just an exhibition—it’s a living, breathing space, preserving the essence of Ukrainian rural life Taken on July 19, 2013

The National Museum of Folk Architecture and Life of Ukraine, commonly known as Pyrohiv, is the largest open-air museum in Ukraine. Covering over 130 hectares, it showcases authentic folk architecture from the 16th to 20th centuries. Visitors can explore traditional homesteads, wooden churches, windmills, and idols, while actors bring history to life by reenacting daily routines of the past Relevance & Resilience: Despite ongoing challenges, Pyrohiv remains a vital symbol of Ukrainian culture. The museum continues to welcome visitors, host guided tours, and organize events celebrating folk traditions and craftsmanship. It is a place where history is not just preserved but actively lived, connecting generations and showcasing the richness of Ukraine’s heritage. Taken on July 19, 2013

Pyrohiv Museum: Ukraine’s Open-Air Architectural Treasure The National Museum of Folk Architecture and Life of Ukraine, commonly known as Pyrohiv, is a sprawling open-air museum on the outskirts of Kyiv. Though its official name is quite formal, locals simply call it "Pyrohiv"—after the 17th-century village that once stood here. Spread across 150 hectares of rolling hills, the museum features over 300 authentic exhibits—traditional Ukrainian houses, churches, and windmills carefully relocated from different regions of the country.

Pyrohiv National Museum of Folk Architecture and Life of Ukraine
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«Silent Watchers of Volodymyrska Hill»
Park sculptures on Volodymyrska Hill—enigmatic figures whose names and stories remain unknown. Any information is welcome!
July 17, 2013
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«Silent Watchers of Volodymyrska Hill»
Park sculptures on Volodymyrska Hill—enigmatic figures whose names and stories remain unknown. Any information is welcome!
July 17, 2013
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"The Headless Princess" (Monument to Princess Olga) Monument to Princess Olga: A Story of Destruction and Restoration On September 4, 1911, a monument to Princess Olga was unveiled on Mykhailivska Square in Kyiv. It was designed as part of the historical-artistic complex "Historical Path", which envisioned an alley of monuments to the first Rus princes—Oleg, Ihor, and Sviatoslav—connecting St. Sophia and St. Michael’s Squares. The monument was approved by Tsar Nicholas II, who allocated 10,000 rubles for its construction. The winning design was created by sculptor Ivan Kavaleridze, who crafted the central figure of Princess Olga, along with the side sculptures of Saints Cyril and Methodius and Apostle Andrew the First-Called. Destruction and Loss The monument stood for only eight years. In 1919, following the Bolshevik Revolution, it was destroyed: Princess Olga’s statue was shattered and buried nearby. In 1923, the remaining figures were dismantled. By 1926, a park was created on the site.

"The Headless Princess" (Monument to Princess Olga) The legendary monument to Princess Olga, Cyril and Methodius, and Apostle Andrew the First-Called, located on Mykhailivska Square, has an unusual history. During its restoration in 1996, remnants of the original monument, destroyed in 1919, were discovered. Princess Olga’s statue was almost fully restored, but her head was never found. Now, this "headless" princess is displayed near the House-Museum of sculptor Ivan Kavaleridze at 21 Andriivskyi Descent. Historical Background The original monument was commissioned in 1909 and unveiled on September 4, 1911. Authors: Ivan Kavaleridze, Fyodor Balavensky, Petro Snitkin, Vasyl Rykov. The monument stood until 1919, when it was destroyed. In 1926, a flowerbed was placed at the site, under which the statue of Princess Olga was later found

«Concrete Shevchenko» (Monument to Taras Shevchenko) The monument to Taras Shevchenko on Andriivskyi Descent, near the House-Museum of Ivan Kavaleridze, is a concrete model of the first large monument to the poet, originally installed in Romny in 1918. Material: Stone (concrete). Sculptor: Ivan Kavaleridze. History of the Monument In 1982, the original concrete sculpture was replaced with a bronze version, and when the Kavaleridze Museum was established in Kyiv, the concrete model was transferred there. However, it was severely damaged and required restoration. Museum director Rostyslav Synko recalled: "I brought the concrete model of the Shevchenko monument from Romny, which Kavaleridze had installed there in 1918. In 1982, the sculpture was cast in bronze, and when the museum in Kyiv was founded, the concrete version was gladly given to me. However, it was in very poor condition. I worked hard to restore it as best I could. Some adjustments may still be needed. This creation, along with Olga and Yaroslav the Wise, will form the foundation of the sculpture park." The Most Unusual Shevchenko This monument is not an official memorial but part of the Kavaleridze Museum exhibition. Some consider it the most unusual depiction of Shevchenko, suggesting that the sculptor may have been inspired by Charles Darwin’s On the Origin of Species.

"Stone 'Man with a Cake'" (Monument to Yaroslav the Wise, Reduced Copy) On Andriivskyi Descent, near the House-Museum of Ivan Kavaleridze, stands a reduced copy of the monument to Yaroslav the Wise, originally placed near the Golden Gate in Kyiv2. History of the Monument The original monument was designed by Ivan Kavaleridze in 1949, depicting the prince holding a model of St. Sophia Cathedral. In 1997, for Kyiv Day, a bronze version of the monument was installed near the Golden Gate. Popular Nickname Due to the shape of the model in the prince’s hands, locals humorously nicknamed the monument "Man with a Cake". Interesting Details On the back of the original monument, handprints of sculptors Vitalii Sivko, Mykola Bilyk, and Vitalii Redko were preserved during the casting process. The reduced copy of the monument to Yaroslav the Wise, located on Andriivskyi Descent near the House-Museum of Ivan Kavaleridze, remains in place and continues to be part of the museum exhibition.

«The Headless Princess», «Concrete Shevchenko» and «Stone 'Man with a Cake'»
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Monument to the Characters of Mykhailo Starytskyi’s Play Chasing Two Hares Following a beloved Kyiv tradition, the sculptural composition does not depict abstract characters but rather the famous actors Margarita Krynytsyna and Oleg Borisov, who played these roles in the film adaptation of the play. The monument was installed on August 23, 1999, on Andriivskyi Descent, near St. Andrew’s Church, where the final scene of the movie was filmed. Authors: Volodymyr Shchur and Vitalii Sivko. Material: Bronze. Dimensions: 240×185×86 cm. Additional Information (2025) The monument has become a popular spot for tourists and newlyweds. It is believed that rubbing the bronze beetle on Golokhvastov’s coat or Pronya’s ring brings good luck in love and marriage. The composition captures the moment when Golokhvastov kneels before Pronya, proposing to her, while she extends her hand for a kiss

«Lucky Wish Beetle» The Lucky Wish Beetle on Golokhvastov’s back—a fragment of the sculptural composition Pronya Prokopovna and Golokhvastov—is said to grant wishes if rubbed or touched.

«Pronya Prokopovna and Golokhvastov» - small addition
(Fragment of a Sculptural Composition «Chasing Two Hares»)
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Monument to the Characters of Mykhailo Starytskyi’s Play Chasing Two Hares Following a beloved Kyiv tradition, the sculptural composition does not depict abstract characters but rather the famous actors Margarita Krynytsyna and Oleg Borisov, who played these roles in the film adaptation of the play. The monument was installed on August 23, 1999, on Andriivskyi Descent, near St. Andrew’s Church, where the final scene of the movie was filmed. Authors: Volodymyr Shchur and Vitalii Sivko. Material: Bronze. Dimensions: 240×185×86 cm. Additional Information (2025) The monument has become a popular spot for tourists and newlyweds. It is believed that rubbing the bronze beetle on Golokhvastov’s coat or Pronya’s ring brings good luck in love and marriage. The composition captures the moment when Golokhvastov kneels before Pronya, proposing to her, while she extends her hand for a kiss

Oleg Borisov as Golokhvastov (a fragment of the sculptural composition Pronya Prokopovna and Golokhvastov) Олег Борисов в роли Голохвастова The monument immortalizes the characters from the Ukrainian satirical comedy "Chasing Two Hares", depicting them in the likeness of actors Margarita Krynytsyna and Oleg Borisov. Traditions and Beliefs This monument is especially popular among newlyweds and single people. Kyiv residents believe that the bronze figures bring happiness and prosperity in marriage. Women seeking happiness in their personal lives should touch the ring on Pronya Prokopovna’s right pinky finger. Men should rub the scarab beetle on Golokhvastov’s back. A universal way to make a wish is to rub the characters’ noses. Due to the sheer number of visitors hoping for good fortune, these "magical spots" on the monument have been polished to a mirror-like shine.

Margarita Krynytsyna on Playing Pronya Prokopovna (a fragment of the sculptural composition Pronya Prokopovna and Golokhvastov) «When I was told that a monument to Golokhvastov was going to be unveiled in Podil, I was surprised—why only him? Pronya is just as important! And when I was invited to the opening and the cover was removed, I was stunned—we were standing there together. In surprise, I exclaimed: "Hello, Svirid Petrovych!" I love this monument—the resemblance is striking, and the spirit is captured perfectly. I often visit it, reminiscing about the wonderful work with director Viktor Ivanov. He created a classic adaptation, brilliantly reinterpreting Mykhailo Starytskyi’s play. For me, this role was a fortunate gift of fate. Dozens of actresses auditioned for Pronya, and when almost no one was left, I stepped in. Oleg Borisov and I played our parts so humorously that the artistic council approved us immediately. This role, which I never expected to become my favorite, turned out to be the defining one in my cinematic career».

Pronya Prokopovna and Golokhvastov Bring Marital Happiness One of Kyiv’s most beloved monuments, believed to fulfill wishes, is the statue of Pronya Prokopovna and Golokhvastov, installed on August 23, 1999. It is located on Andriivskyi Descent, near St. Andrew’s Church, where the final scene of the movie was filmed. The monument immortalizes the characters from the Ukrainian satirical comedy "Chasing Two Hares", depicting them in the likeness of actors Margarita Krynytsyna and Oleg Borisov. Traditions and Beliefs This monument is especially popular among newlyweds and single people. Kyiv residents believe that the bronze figures bring happiness and prosperity in marriage. Women seeking happiness in their personal lives should touch the ring on Pronya Prokopovna’s right pinky finger. Men should rub the scarab beetle on Golokhvastov’s back. A universal way to make a wish is to rub the characters’ noses. Due to the sheer number of visitors hoping for good fortune, these "magical spots" on the monument have been polished to a mirror-like shine.

«Pronya Prokopovna and Golokhvastov» (Fragment of a Sculptural Composition «Chasing Two Hares»)
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This photograph, taken in 2013, is now an archival memory of a vanished landmark—the monument to the beloved Soviet animated character, the Hedgehog from Hedgehog in the Fog. The sculpture was originally installed in Kyiv in 2009 at the intersection of Zolotovorotska, Reitarska, and Heorhiyivskyi Lane. Created by sculptor Kostyantyn Skretutskyi and supported by the Kyiv Landscape Initiative, the statue depicted the Hedgehog sitting atop a tall stump, clutching a small bundle. His gaze was fixed upwards, toward the distant silhouette of a horse—a haunting and symbolic element from the film. The sculpture was crafted from wood, with spiky quills made from thousands of screws. Skretutskyi recalled: > "It took a long time to create. The body, face, and bundle were carved in just a few days, but the quills took much longer. All my friends helped—there isn’t a single person in my circle who didn’t add at least a few screws. We installed it on December 15, and by January 10, the press had noticed it. There were interviews all day long, and I saw that people were already leaving coins, candies in the quills, and flowers at its feet. That meant they liked it." Over the years, the sculpture underwent several changes—its bundle had to be replaced three times, as visitors often pulled it off, believing it brought good luck. Although the monument has since been dismantled, it remains alive in photographs like this one, preserving a small piece of Kyiv’s cultural history. About the Film Hedgehog in the Fog is a classic animated film directed by Yuriy Norshteyn and written by Sergei Kozlov. Released in 1975, it became an international masterpiece. In 2003, it was recognized as the greatest animated film of all time.

«Little Horse» (Hedgehog in the Fog)
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Date of unveiling: June 22, 2005 Material: Granite, bronze Sculptors: Tetyana Davydova, Petro Botsvyn Architect: Oleksandr Moroz This memorial was established by the Ukrainian Union of Prisoners – Victims of Nazism (USZHN) in remembrance of the millions of Ukrainians forcibly taken to Nazi Germany during World War II. Many perished due to forced labor, starvation, torture, executions, and were burned in crematoriums. The inscription on the monument reads: "Let us bow in memory of the 3 million citizens of Ukraine who were forcibly taken to Nazi Germany during World War II, many of whom were tortured by unbearable slave labor, starvation, and executions, and burned in crematoriums." Today, the memorial remains part of the Babyn Yar National Historical and Memorial Reserve, which continues its mission of preserving the memory of Nazi crimes

Date of unveiling: June 22, 2005 Material: Granite, bronze Sculptors: Tetyana Davydova, Petro Botsvyn Architect: Oleksandr Moroz This memorial was established by the Ukrainian Union of Prisoners – Victims of Nazism (USZHN) in remembrance of the millions of Ukrainians forcibly taken to Nazi Germany during World War II. Many perished due to forced labor, starvation, torture, executions, and were burned in crematoriums. The inscription on the monument reads: "Let us bow in memory of the 3 million citizens of Ukraine who were forcibly taken to Nazi Germany during World War II, many of whom were tortured by unbearable slave labor, starvation, and executions, and burned in crematoriums." Today, the memorial remains part of the Babyn Yar National Historical and Memorial Reserve, which continues its mission of preserving the memory of Nazi crimes. In 2024, the reserve was granted enhanced protection status under UNESCO

Date of unveiling: June 22, 2005 Material: Granite, bronze Sculptors: Tetyana Davydova, Petro Botsvyn Architect: Oleksandr Moroz This memorial was established by the Ukrainian Union of Prisoners – Victims of Nazism (USZHN) in remembrance of the millions of Ukrainians forcibly taken to Nazi Germany during World War II. Many perished due to forced labor, starvation, torture, executions, and were burned in crematoriums. The inscription on the monument reads: "Let us bow in memory of the 3 million citizens of Ukraine who were forcibly taken to Nazi Germany during World War II, many of whom were tortured by unbearable slave labor, starvation, and executions, and burned in crematoriums." Today, the memorial remains part of the Babyn Yar National Historical and Memorial Reserve, which continues its mission of preserving the memory of Nazi crimes

Babyn Yar. Memorial "Victims of Nazi Terror"
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Date of unveiling: September 30, 2001 Material: Bronze Sculptor: Valeriy Medvedev Architects: Roman Kukharenko, Yuriy Melnychuk The "Executed Children" memorial stands opposite the exit of the Dorohozhychi metro station. The bronze composition depicts a young girl and broken children's toys, symbolizing the tragedy of the children who perished in Babyn Yar during the Nazi occupation of Kyiv. As of today, the memorial remains an integral part of the Babyn Yar National Historical and Memorial Reserve, which is dedicated to preserving the memory of Holocaust victims and other tragic events associated with this site. Taken on July 24, 2013

Babyn Yar. Memorial «Executed Children»
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The monument to Volodymyr the Great is the oldest sculptural landmark in Kyiv, erected in 1853. It is considered one of the city's unofficial symbols, standing prominently on the steep banks of the Dnipro River in Volodymyr Hill Park. The statue was created by sculptor Pyotr Klodt, with the pedestal designed by architect Alexander Ton, and reliefs sculpted by Vasily Demut-Malinovsky. Interesting fact: In 2022, protective structures were installed around the monument to safeguard it from potential damage Taken on July 17, 2013

«Volodymyr the Baptizer» (Volodymyr the Great Monument on Volodymyrska Horka) "Volodymyr the Baptizer, also known as Saint Volodymyr, was the ruler who introduced Christianity to Kyivan Rus in 988." The Monument to Volodymyr the Great (1853) — Kyiv’s oldest sculptural monument, located on the steep Dnipro River bank in Volodymyrska Horka Park. Created by sculptor Petro Klot von Yurhenshburg (statue), architect Oleksandr Ton (pedestal), and sculptor Vasyl Demut-Malyinovskyi (reliefs). A symbol of Kyiv and the Christianization of Rus’. In 2022, the monument was safeguarded with protective structures (wooden framework, concrete blocks) to prevent damage during wartime. As of 2024, the monument remains intact — no war-related damage reported. Taken on July 17, 2013

«Volodymyr the Baptizer» (Volodymyr the Great Monument on Volodymyrska Horka) "Monument to Volodymyr the Great (Sviatoslavych)" The centerpiece of Volodymyrska Horka Park is the 1853 monument to Prince Volodymyr the Great (Sviatoslavych), after whom the hill itself is named. Created by sculptors Vasyl Demut-Malyinovskyi (reliefs), Petro Klot von Yurhenshburg (statue), and architect Konstantyn Ton (pedestal design). Local residents criticized the monument: "The prince who cleansed Rus’ from idols now stands as an idol himself." This backlash spurred the construction of the St. Volodymyr Cathedral in his honor. Source: "Kyiv: A View Through the Centuries," p. 188; Kyiv, "Mystetstvo," 1988. As of 2024, the monument remains intact — protected with wooden frameworks and concrete blocks during wartime in 2022 Taken on July 17, 2013

Figure of Prince Volodymyr
«Volodymyr the Baptizer»(Volodymyr the Great Monument on Volodymyrska Horka)
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Monument and Tomb of Konstantinos Ypsilantis at the Kyiv-Pechersk Lavra. Over the burial site stands a tombstone crafted by St. Petersburg sculptor S. S. Pimenov—a sarcophagus accompanied by a white marble statue of a woman dressed in antique attire. She holds a bronze cross in her left hand for support, while her right hand grasps a chalice. The red granite pedestal is adorned with a white marble relief of Ypsilantis in a medallion form, framed by bronze wreaths and the lord's coat of arms. As of 2024, the preservation status of the monument has not been officially confirmed. Taken on July 16, 2013

Monument and Tomb of Konstantinos Ypsilantis at the Kyiv-Pechersk Lavra. Konstantinos Ypsilantis (1760, Istanbul – June 24, 1816, Kyiv) was the Grand Dragoman of the Ottoman Porte (1796–1799), the ruler of Moldavia (1799–1802), and Wallachia (1802–1806). A member of the Phanariot aristocratic Ypsilantis family, he inherited his father’s political convictions and continued his policies. Ypsilantis participated in a conspiracy aimed at liberating Greece from Ottoman rule. However, his plans were exposed to the Turkish government by the French envoy Sébastiani, forcing him to flee to Russia, where he lost his property. His attempts to persuade Emperor Alexander I to support the Greek independence movement were unsuccessful, as Russian authorities viewed his ties with Balkan revolutionaries with suspicion. In 1806, leading a 20,000-strong Russian army, he returned to Bucharest, but the Treaty of Tilsit ended his aspirations for Greek liberation. Konstantinos Ypsilantis passed away in Kyiv, leaving behind five sons, three of whom (Alexander, Nicholas, and Dmitry) played significant roles in Greece’s war of independence. As of 2024, the preservation status of his tomb and monument at the Kyiv-Pechersk Lavra has not been officially confirmed. Taken on July 16, 2013

Monument and Tomb of Konstantinos Ypsilantis at the Kyiv-Pechersk Lavra. "Free Greeks restored it in gratitude, 1997." The first attempt to restore the tombstone in the 1950s was unsuccessful due to a lack of funding. However, the second effort, initiated in 1995 with financial support from the Greek community, led to a successful restoration. In July 1997, the restored tombstone of Prince Konstantinos Ypsilantis was ceremoniously unveiled at the Kyiv-Pechersk Lavra. As of 2024, the preservation status of the monument has not been officially confirmed. Taken on July 16, 2013

Monument and Tomb of Konstantinos Ypsilantis at the Kyiv-Pechersk Lavra. Konstantinos Ypsilantis passed away in Kyiv on June 27 (July 10), 1816, and was buried in St. George’s Church near St. Sophia Cathedral, where his funeral service was held. In 1818, a tombstone designed by renowned sculptor Stepan Pimenov Sr. was placed at his burial site. The monument’s fate was tragic: in 1934, St. George’s Church was dismantled, and the tombstone was temporarily moved to St. Sophia Cathedral, then later to the Dormition Cathedral of the Kyiv-Pechersk Lavra. However, on November 3, 1941, the Dormition Cathedral was destroyed in an explosion, and the monument was lost. Between 1952 and 1954, numerous fragments of the tombstone were discovered among the ruins, but restoration efforts did not begin until 1995. Thanks to Ukrainian historian Svetlana Mazarati, of Greek descent, and the Greek organization “Panhellenic Union of Pontic Officers ‘Alexandros Ypsilantis,’” funds were raised in Greece to finance the restoration. The restoration took approximately two years, and in June 1997, Konstantinos Ypsilantis’ cenotaph was installed at the Kyiv-Pechersk Lavra. A large delegation from Greece attended the unveiling ceremony. Konstantinos Ypsilantis is believed to have been one of the inspirations for the character of the Count of Monte Cristo in Alexandre Dumas’ novel. As of 2024, the preservation status of the monument has not been officially confirmed. Taken on July 16, 2013

«The Cross, the Chalice, and Sorrow»
Monument and Tomb of Konstantinos Ypsilantis at the Kyiv-Pechersk Lavra.
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"River of Love" The River of Love sculpture is one of the most striking symbols of love in modern Ukrainian art. Created by Oleksandr Lidahovskyi, it stands as a testament to passion, youth, and the fleeting beauty of summer. The sculpture was part of the Kiev Fashion Park project—Ukraine’s first park dedicated to contemporary sculptures and installations. The project was officially launched on May 27, 2011, with all artworks and benches auctioned at the Mystetskyi Arsenal on March 12. The purchased sculptures were then donated to the city and installed on Kyiv’s Landscape Alley. The two metal figures—representing a man and a woman—stand together, their silhouettes seemingly woven from rusted ship fragments, evoking memories of sunlit seaside days. Locals quickly nicknamed the sculpture "Master and Margarita", despite another sculpture of the same name already existing in the park. It seems that any artistic duo within a kilometer of House No. 13 is destined to receive this title. Another popular name for the piece is "Assa", a nod to the iconic Soviet rock film—suggesting that live music still thrives in this neighborhood. Interesting Fact In 2014, a replica of this sculpture was installed in a small park near the Khreshchatyk metro station, further cementing its cultural significance. This version maintains the artistic essence while making it clear and engagi Taken on July 20, 2013

"Rain" («Дощ» / «Дождь») The sculpture Rain is one of the most recognizable works of modern Ukrainian art, created by sculptor Nazar Bilyk in 2010. It was installed on Kyiv’s Landscape Alley as part of the Kiev Fashion Park project and officially unveiled in 2011 to mark Kyiv Day. Standing two meters tall, the bronze figure portrays a man gazing upward, as a large glass raindrop rests on his face. According to the artist, the droplet symbolizes a dialogue between man and nature, as well as an exploration of one's inner perception of the surrounding world. Interesting fact: A replica of this sculpture has been installed at Turn Park in Massachusetts, USA—highlighting its international recognition. Taken on July 20, 2013

"Rain" and "River of Love"
Kiev Fashion Park
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"In Love Zebras" A sculptural fountain on Peyzazhna Alley by Konstantin Skretushkyi (2010). A whimsical blend of romantic fantasy and urban art, featuring two zebra lovers in a playful pose. While its current operational status isn’t confirmed, many central Kyiv fountains have been temporarily shut down due to resource conservation efforts. Check with local authorities for updates. Taken on July 20, 2013

"Girl and Elephant" A fountain sculpture fragment on Peyzazhna Alley (Kyiv) by Konstantin Skretushkyi (2009). Features a girl, elephant, kitten, and puppy — symbols of friendship, care, and harmony. Part of Kyiv’s urban art scene blending playfulness with public design. As of 2024, its condition remains unconfirmed, but major central artworks are typically preserved. Taken on July 20, 2013

"Melancholy Caterpillar" A sculptural-play piece inspired by Alice in Wonderland , located on Peyzazhna Alley. Created by sculptor Konstantin Skretushkyi (2010). The work blends the story’s philosophical imagery with interactive art elements. As of 2024, the sculpture’s current condition hasn’t been officially confirmed, but major open-air exhibits in Kyiv’s central areas are typically maintained. Always check with local sources for updates. Taken on July 20, 2013

"Prince Sviatoslav" This controversial 2004 monument to Kyivan Prince Sviatoslav (r. 957–972) on Peyzazhna Alley is known for its hyper-muscular figures — both rider and horse. Yet it holds historical significance: the only equestrian statue in Kyiv carved from a single block of stone. Created by sculptor Alexander (Oleksandr) Pergamenchuk and architect Kostiantyn Pergamenchuk (National Academy of Arts and Architecture alumni, Union of Artists of Ukraine). Took 3 years to complete. Inscription on the pedestal reads: "A gift to the city by its creators." The warrior’s powerful build aligns with medieval descriptions. As of 2024, located in central Kyiv — major landmarks there are typically preserved, but check local sources for updates.

Peyzazhna Alley (Kyiv)
Open-air sculpture gallery in the historic center. Part of Mariinsky Park, blending art with nature. Features works by Ukrainian artists. A space for walks and inspiration.

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Cossack Mamay is one of the most iconic figures in Ukrainian culture, symbolizing the noble warrior and embodying the spirit of the Ukrainian people. He first appeared in traditional Ukrainian puppet theater, known as the vertep, and by the mid-18th century, his image had become widely popular in paintings. The symbol was so deeply ingrained in the national consciousness that some households displayed Mamay’s portraits alongside religious icons. The sculpture was installed in 2001 following the reconstruction of the square. Mamay is depicted sitting cross-legged in a traditional pose, playing a musical instrument. Some Kyiv residents jokingly refer to him as a "Conservatory applicant." Unveiling Date: October 13, 2001 Material: Bronze Sculptors: Valentyn Ivanovych Znoba, Mykola Valentynovych Znoba Interesting Fact: Valentyn Znoba co-authored the Monument to the Great October Socialist Revolution, which once stood nearby in Kyiv’s central square. The monument was dismantled after Ukraine declared independence.

«Berehynia» (Independence Monument of Ukraine) The Independence Monument is the central landmark of Maidan Nezalezhnosti, erected in 2001 to commemorate the tenth anniversary of Ukraine’s independence. As part of a large-scale reconstruction of the square, new monuments, sculptures, and fountains were introduced. At its center stands a 62-meter column, clad in white Italian marble, crowned by the figure of Berehynia, a woman holding a guelder-rose branch—a symbol of Ukraine’s independence. Unveiling Date: 2001 Material: Marble, bronze Sculptor: Anatoliy Vasylovych Kushch Architects: Serhii Vasylovych Babushkin, Oleksandr Volodymyrovych Komarovskyi, Ruslan Ivanovych Kukharenko, Oleh Kostiantynovych Stukalov Interesting Fact: For the statue of Berehynia, sculptor Anatoliy Kushch used his daughter, artist Kristina Kushch-Katrakis, as the model

Cossack Mamay and Berehynia
More info in ALT

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The Archistrategos Michael sculpture, created by Anatoliy Kushch, was installed in 2002 on Independence Square in Kyiv. Archistrategos Michael is considered the heavenly patron of the city, and his image appears on Kyiv’s coat of arms. The monument depicts the archangel as a muscular, broad-shouldered man with spread wings, draped in a heavy cloak. The sculpture is made of bronze, with a dark surface and gilded details. Previously, a different sculpture by Heorhii Kuravskyi stood in front of the Main Post Office on Independence Square. In 2001, authorities decided to replace it with a more imposing monument, and the original statue was relocated to Donetsk. The new sculpture by Anatoliy Kushch was placed on the Liadsky Gate. Controversy Surrounding the Monument The new sculpture sparked mixed reactions. Officials and religious figures suggested replacing it, while critics pointed out: — An overly imposing and intimidating appearance; — Deviation from Orthodox artistic traditions; — Influence of Italian rather than Byzantine styles; — Dark bronze color instead of the traditional light tones; — Strongly masculine features, whereas angels are traditionally depicted as genderless; — Short wings, which do not align with canonical depictions. Despite the criticism, many Kyiv residents accepted the monument without issue, and Anatoliy Kushch dismissed concerns about the bronze color and stylistic choices as unfounded

Archangel Michael is one of the most revered angels in Christianity, Judaism, and Islam. In Orthodox tradition, he is called Archistrategos, meaning "Commander-in-Chief" of the heavenly host of angels and archangels. Michael’s name appears multiple times in the Bible, where he is portrayed as a defender of the faithful and a victor over dark forces. In Christian art, he is often depicted in armor, wielding a sword or spear, symbolizing his role as a warrior against evil.

Archistrategos Michael
(on Independence Square in Kyiv)
More info in ALT

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«Virgin Mary and Angel» — Continuation [fifth frame]
(Memorial to the Victims of Political Repressions)
More info in ALT
(2013)

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Figure of the Virgin Mary (medium shot), ver. 3 Memorial to the Victims of the Holodomor and Political Repressions in Ukraine A sculptural composition of the Virgin Mary and Angels beneath a commemorative cross This memorial honors those who endured difficult times marked by political repressions in Ukraine. In August 2012, a commemorative cross in Kyiv, dedicated to the memory of those affected by historical upheavals, was destroyed. Shortly after, it was replaced with a new cross, consecrated by priests from the Ukrainian Greek Catholic Church of St. Basil, preserving its role as a symbol of remembrance. Today, the memorial continues to serve as a place for reflection on the past and a tribute to those whose lives were shaped by history. Every year, on the third Sunday of May, Ukraine observes the Day of Remembrance for the Victims of Political Repressions, marked by ceremonies and moments of silence. Taken on July 18, 2013

Figure of the Virgin Mary (close-up, frontal view), ver. 2 Memorial to the Victims of the Holodomor and Political Repressions in Ukraine

«Virgin Mary and Angel» (Memorial to the Victims of Political Repressions) (ver. 4) Memorial to the Victims of Political Repressions A sculptural composition of the Virgin Mary and Angels beneath a commemorative cross This memorial honors the victims of political repressions in Ukraine, including the tragic events of the Holodomor and Stalinist purges. On August 17, 2012, activist Inna Shevchenko and other members of the feminist movement "Femen" destroyed the commemorative cross near the October Palace, which had been erected in memory of the victims of the Holodomor and Stalinist repressions. On August 18, 2012, priests of the Ukrainian Greek Catholic Church of St. Basil consecrated a new cross as a symbol of remembrance for the victims of totalitarian regimes. On August 20, the restored commemorative cross was reinstalled. Today, the memorial remains a significant site of remembrance, particularly in the ongoing discussions about political repressions and historical justice. Every year, on the third Sunday of May, Ukraine observes the Day of Remembrance for the Victims of Political Repressions, marked by commemorative events and wreath-laying ceremonies Taken on July 18, 2013

«Remembrance Cross» (Commemorative Cross on Instytutska Street) Commemorative Cross on Instytutska Street Memorial to the Victims of the Holodomor and Political Repressions in Ukraine Near the October Palace stands a commemorative cross dedicated to the memory of the victims of the Holodomor and political repressions. In 2012, the cross was damaged but was soon restored through the efforts of dedicated individuals. During the restoration, sculptural figures were added, further emphasizing the symbolic significance of the memorial. Today, this site remains an important place for remembrance and reflection on the difficult chapters of history. Taken on July 18, 2013

«Virgin Mary and Angel»
(Memorial to the Victims of Political Repressions)
More info in ALT
(2013)

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Monument to Zheglov and aSharapov (Legendary Soviet Detectives) The bronze figures immortalize Gleb Zheglov and Vladimir Sharapov - iconic characters from the 1979 film “The Meeting Place Cannot Be Changed”. Unveiled in 2009 near Ukraine’s Ministry of Internal Affairs, the monument honors criminal investigators’ dedication. Monument to Zheglov and Sharapov: History and Current Status On April 15, 2009, a monument dedicated to the iconic characters Gleb Zheglov and Vladimir Sharapov from the Soviet film “The Meeting Place Cannot Be Changed” was unveiled near the building of Ukraine’s Ministry of Internal Affairs at 8 Akademika Bohomoltsia Street in Kyiv. The roles were famously portrayed by Vladimir Vysotsky and Vladimir Konkin. The bronze sculpture is set into a recess of the building’s facade, creating a secluded corner that seems purpose-built for a clandestine meeting-an artistic nod to the film’s title and atmosphere. The monument was installed to commemorate the 90th anniversary of Ukraine’s criminal investigation department. The plaque on the monument reads: “The sculptural composition ‘The Meeting Place Cannot Be Changed’ was installed to mark the 90th anniversary of the establishment of the criminal investigation department in Ukraine and is dedicated to the knights of valor-employees and veterans of the criminal investigation unit, courageous and brave fighters against crime, whose calling is loyalty to the people and the law, and devotion to their duty. Honor and glory to the ‘Zheglovs and Sharapovs’ of Ukraine’s criminal investigation department.” Unveiling date: April 15, 2009 Material: Bronze Sculptors: A.V. Chepelik, A.V. Chepelik Architect: B. Pisarenko Address: 8 Akademika Bohomoltsia St., Kyiv Current Situation as of 2025

Gleb Zheglov and Vladimir Sharapov (Soviet-Era Cultural Icons) Detail of the sculptural composition showing Sharapov’s thoughtful gaze and Zheglov’s boot crushing a black cat (symbol of crime). The dynamic poses recreate a pivotal scene from the film. ___ The monument to the heroes of the TV film “The Meeting Place Cannot Be Changed”-Gleb Zheglov and Vladimir Sharapov-stands near the Ministry of Internal Affairs building in Kyiv, commemorating the 90th anniversary of Ukraine’s criminal investigation department. It is dedicated to both current and veteran officers of the criminal investigation unit. The bronze sculpture features the iconic film characters, portrayed by Vladimir Vysotsky and Vladimir Konkin. The composition immortalizes a memorable scene from the film, where the protagonists approach the theater in an attempt to apprehend the criminal known as “Ruchechnik.” Under Zheglov’s boot, there is a depiction of a black cat-a symbol of criminality. The monument was created by a team of artists and sculptors. Funding for the project came from sponsors, veteran organizations, and contributions from law enforcement personnel. Taken on July 24, 2013 As of 2025, the monument to Zheglov and Sharapov is under threat of removal. Kyiv authorities have included it in a list of monuments slated for dismantling as part of ongoing derussification and decommunization efforts. This initiative aims to remove symbols associated with Russian and Soviet history from public spaces, a process that has intensified amid the ongoing war and shifting public sentiment in Ukraine. While the monument is still in place for now, its future is uncertain, and it may be taken down soon. There is discussion about relocating such sculptures to museum collections, preserving them as historical artifacts but removing them from the urban landscape.

Gleb Zheglov and Vladimir Sharapov: Hidden Gem of Kyiv’s Lypky District. Tucked away from main streets, this monument invites quiet reflection. The secluded location mirrors the film’s atmosphere of tense stakeouts and moral dilemmas. ___ The monument is located in the Lypky district, near the building of Ukraine’s Ministry of Internal Affairs, and was unveiled on April 15, 2009. The sculptural composition features actors Vladimir Vysotsky and Vladimir Konkin as Gleb Zheglov and Volodya Sharapov, the iconic characters from the classic film “The Meeting Place Cannot Be Changed.” Fittingly, the monument bears the film’s name and was installed to mark the 90th anniversary of Ukraine’s criminal investigation department. It’s not easy to stumble upon this monument by chance-it’s set away from metro stations and the city’s busy streets. But that’s part of its unique charm: here, you can quietly admire the sculpture, spend time in contemplation, and experience the atmosphere of Lypky, one of Kyiv’s most charming and picturesque neighborhoods.

Monument to Soviet-Era Detectives (Gleb Zheglov & Vladimir Sharapov)
Hidden Gem of Kyiv’s Lypky District
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«Labor» (Sculpture) ver.White The sculpture "Labor" portrays a worker holding a satellite, symbolizing progress and the achievements of science and technology. It is also located at the open-air Dnipro station of the Kyiv Metro. The sculpture was unveiled in 1965 and is made of bronze. Its creators are F.A. Kotsiubynskyi, E.M. Kuntsevych, I.S. Horovyi, and B.M. Karlovskyi. Like "Peace," "Labor" is part of the architectural ensemble of the Dnipro Metro station, which has been designated as a cultural heritage site of Ukraine since 2008. This status ensures its preservation and protection from demolition or significant alterations. Taken on July 22, 2013

«Peace» (Sculpture) ver.White The sculpture "Peace" depicts a woman with doves, symbolizing peace and harmony. It is located at the open-air Dnipro station of the Kyiv Metro, a unique architectural landmark. The sculpture was unveiled in 1965 and is made of bronze. Its creators are F.A. Kotsiubynskyi, E.M. Kuntsevych, I.S. Horovyi, and B.M. Karlovskyi. Since 2008, the Dnipro Metro station, along with its architectural ensemble including the sculpture, has been designated as a cultural heritage site of Ukraine (protection number 529/1-Kv). This status ensures the sculpture's preservation in its historical form. After a temporary closure from February 24, 2022, to March 8, 2024, due to the full-scale Russian invasion, the station has reopened, and the sculpture continues to adorn Kyiv's skyline. Taken on July 22, 2013

«Labor» (Sculpture) ver.Black The monumental sculpture "Labor" features a majestic figure of a worker holding a satellite, symbolizing scientific and technological progress. The composition represents labor achievements and technological advancement of the Soviet era. The sculpture is installed at the open-air "Dnipro" metro station of the Kyiv subway system, on the opposite side from the "Peace" sculpture. Opening date: 1965 Material: bronze Sculptors: F.A. Kotsyubinsky, E.M. Kuntsevich, I.S. Gorovoy, B.M. Karlovsky The sculpture, located along Naberezhne Highway, is a significant element of the metro station's architectural appearance and a notable city landmark. Its open-air location allows it to be observed both from the station platform and from the opposite bank of the Dnipro River. Like the "Peace" sculpture, "Labor" is also protected by the state as part of the architectural ensemble of the Dnipro metro station, which has held the status of a Ukrainian cultural heritage site since 2008. This status ensures the preservation of the sculpture in its historical form. After the reopening of the Dnipro station in March 2024, the "Labor" sculpture continues to fulfill its aesthetic and cultural-historical function, reminding visitors of past achievements while remaining an important element of Kyiv's cultural heritage. Taken on July 22, 2013

«Peace» (Sculpture) ver.Black The monumental sculpture "Peace" depicts a majestic female figure with doves, symbolizing peace, joy, and love. This 33-foot composition is mounted on a tall glass and concrete pylon, harmoniously blending into the architectural ensemble of the open-air "Dnipro" metro station of the Kyiv subway system. The sculpture was created in the Soviet monumentalism style and reflects the artistic trends of its time. Opening date: 1965 Material: bronze Sculptors: F.A. Kotsyubinsky, E.M. Kuntsevich, I.S. Gorovoy, B.M. Karlovsky The sculpture is located on the picturesque bank of the Dnipro River and is one of Kyiv's numerous landmarks. It has become an integral part of the urban landscape and an important cultural object that attracts attention from both locals and tourists. Since 2008, the Dnipro metro station, including its architectural ensemble with the sculpture, has held the status of a Ukrainian cultural heritage site (protection number 529/1-Kv). This ensures its preservation and protection from demolition or substantial changes. After the temporary closure of the station from February 24, 2022, to March 8, 2024, due to the full-scale Russian invasion of Ukraine, the station has reopened to visitors, and the monumental "Peace" sculpture continues to adorn Kyiv's panorama. Taken on July 22, 2013

«Labor» and «Peace» (Sculpture)
It is located at the open-air Dnipro station of the Kyiv Metro, a unique architectural landmark.

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The sculptural composition "Kyi, Shchek, Khoryv, and Lybid" was installed in 2001 following the reconstruction of the square. Officially named the "Monument to the Founders of Kyiv," it depicts the legendary brothers Kyi, Shchek, Khoryv, and their sister Lybid, who, according to legend, founded the city of Kyiv. The monument is located within a fountain, which has become a traditional gathering spot for high school graduates celebrating on May 31. The sculpture is made of bronze and was created by renowned Ukrainian sculptor A.V. Kushch. This monument differs from the earlier one erected in 1982 in Navodnytsky Park along the banks of the Dnipro River. Unlike V. Borodai’s "Soaring Lybid," where the figures are depicted on a boat, the composition on Maidan Nezalezhnosti presents them standing on a massive stone slab, symbolizing the city's strength and grandeur. Over the years, the monument itself has remained unchanged, though its surroundings on Maidan Nezalezhnosti have undergone significant transformations, especially following the events of 2013–2014. Taken on July 18, 2013

Monument-Fountain "Kyi, Shchek, Khoryv, and Lybid" on Maidan Nezalezhnosti
More info in ALT

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Monument to the Founders of Kyiv in Navodnytsky Park Monument to the founders of Kiev was erected in the park on the Dnieper embankment in spring 1982 in preparation for the 1500 anniversary of the city The monument to the legendary founders of Kyiv was installed in the spring of 1982 on the banks of the Dnipro River as part of preparations for the city's 1500th anniversary celebration. According to ancient legend, Kyiv was founded by three brothers—Kyi, Shchek, and Khoryv—and their sister Lybid. As they traveled along the Dnipro, they were captivated by the beauty of its hills, decided to settle there, and named the city after the eldest brother. The sculptural composition, created by sculptor Vasyl Zakharovych Borodai and architect Mykhailo Mykhailovych Feshchenko, depicts the founders standing on a boat. The sculpture is made of wrought copper and mounted on a granite pedestal, with a basin at its base. In front of the monument, a granite stone bears a quote from the Primary Chronicle: "And there were three brothers: the eldest was Kyi, the second was Shchek, the third was Khoryv, and their sister was Lybid. They built a town in the name of their eldest brother and called it Kyiv." The monument has become a traditional location for wedding photography. However, on February 23, 2010, due to metal corrosion in the reinforced concrete structure, part of the monument collapsed—specifically, the sculptures of Shchek and Khoryv. After restoration, the monument was ceremoniously reopened on May 28, 2010, in time for Kyiv Day. Today, the monument remains an important symbol of the city, though it requires periodic maintenance. In recent years, discussions have emerged about potential restoration efforts to preserve its historical and artistic significance. Taken on July 22, 2013

«And there were three brothers...» (Fragment of the Monument to the Founders of Kyiv) The three legendary brothers—Kyi, Shchek, and Khoryv—are said to have founded the city and named it after the eldest, Kyi. According to the Primary Chronicle, each settled on a different hill, which later became part of Kyiv. Their sister, Lybid, also became part of the legend, and her name remains in the city's geography. Some researchers believe that the legend of Kyiv’s founding may have been an etymological myth explaining local place names. Different versions of the tale exist—one describes Kyi as a prince, while another portrays him as a ferryman on the Dnipro River. Taken on July 22, 2013

«...and their sister Lybid» (Fragment of the Monument to the Founders of Kyiv) Lybid is the sister of the three legendary founders of Kyiv: Kyi, Shchek, and Khoryv. Her name, which resembles the Ukrainian word for "swan," has been preserved in the city's geography. Kyiv's Lybid River, according to some researchers, may have inspired the name of this legendary figure. Taken on July 22, 2013

«Brothers» (A close-up fragment of the Monument to the Founders of Kyiv) A portrait of two of the three legendary brothers. Taken on July 22, 2013

Monument to the Founders of Kyiv in Navodnytsky Park
More info in ALT

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Monument to Gnat Yura as Schweik (Taken on July 18, 2013) In 2011, to celebrate Kyiv Day, a bronze monument to actor Gnat Yura, founder of the Ivan Franko Theater, was installed in the park near the theater. The sculpture depicts Yura in the likeness of his favorite character—soldier Schweik—a role he performed on stage with unmatched skill. The monument was created by sculptors Oleksii and Volodymyr Chepelik, commissioned by Russian-born Ukrainian philanthropist Yurii Koptev. Unveiling date: 2011 Materials: Bronze Sculptors: Oleksii Chepelik, Volodymyr Chepelik Architect: Borys Pisarenko Address: Franko Square, 3

In 2011, to celebrate Kyiv Day, a bronze monument to actor Gnat Yura, founder of the Ivan Franko Theater, was installed in the park near the theater. The sculpture depicts Yura in the likeness of his favorite character—soldier Schweik—a role he performed on stage with unmatched skill. The monument was created by sculptors Oleksii and Volodymyr Chepelik, commissioned by Russian-born Ukrainian philanthropist Yurii Koptev. Unveiling date: 2011 Materials: Bronze Sculptors: Oleksii Chepelik, Volodymyr Chepelik Architect: Borys Pisarenko Address: Franko Square, 3

In 2011, to celebrate Kyiv Day, a bronze monument to actor Gnat Yura, founder of the Ivan Franko Theater, was installed in the park near the theater. The sculpture depicts Yura in the likeness of his favorite character—soldier Schweik—a role he performed on stage with unmatched skill. The monument was created by sculptors Oleksii and Volodymyr Chepelik, commissioned by Russian-born Ukrainian philanthropist Yurii Koptev. Unveiling date: 2011 Materials: Bronze Sculptors: Oleksii Chepelik, Volodymyr Chepelik Architect: Borys Pisarenko Address: Franko Square, 3

In 2011, to celebrate Kyiv Day, a bronze monument to actor Gnat Yura, founder of the Ivan Franko Theater, was installed in the park near the theater. The sculpture depicts Yura in the likeness of his favorite character—soldier Schweik—a role he performed on stage with unmatched skill. The monument was created by sculptors Oleksii and Volodymyr Chepelik, commissioned by Russian-born Ukrainian philanthropist Yurii Koptev. Unveiling date: 2011 Materials: Bronze Sculptors: Oleksii Chepelik, Volodymyr Chepelik Architect: Borys Pisarenko Address: Franko Square, 3

actor Gnat Yura as Schweik (sculpture) in Kyiv
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The monument to the famous Soviet comedy actor Nicholas Yakovchenko stands in central Kyiv, in the park in front of the Ivan Franko Theater. Yakovchenko was renowned for his many comedic roles, including Prokop Serko—the father of Pronya in Chasing Two Hares, Patsiuk in Evenings on a Farm Near Dikanka, and Spirid in Viy, among others. The monument was created in 2000 to commemorate the 100th anniversary of the actor’s birth. The sculpture depicts Yakovchenko seated on a bench, with his loyal dachshund, Fan-Fan, resting at his feet. Unveiling date: 2000 Materials: Bronze Sculptor: Volodymyr Chepelik

The monument to Ukrainian theater and film actor Nicholas Yakovchenko, best known for his role as Prokop Sviridovych Serko in Chasing Two Hares, stands in central Kyiv near the Ivan Franko Theater. The sculpture depicts the elderly actor seated on a bench, with his loyal dachshund, Fan-Fan, resting at his feet. Installed in 2000 to commemorate the 100th anniversary of Yakovchenko’s birth, the monument quickly became a beloved spot for photos and gatherings. Unveiling date: 2000 Materials: Bronze Sculptor: Volodymyr Skulskyi

The miniature sculpture of Fan-Fan the dachshund, resting at the feet of Nicholas Yakovchenko, is a touching detail of the monument that highlights the actor’s deep affection for his loyal companion.

It is said that when the sculpture was brought to its location the day before the unveiling, the first to approach was a tipsy passerby who struck up a conversation with the elderly figure, as if he were alive. Soon after, local dog owners arrived with their pets, and neighborhood poodles and lapdogs eagerly sniffed the bronze dachshund. From the very first moments, the monument won the hearts of Kyiv residents. People took photos, sat beside it, and dogs curiously examined the city’s newest “inhabitant.”

comedy actor Yakovchenko
Monument to Nicholas Yakovchenko in Kyiv)
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The monument to Mikhail Bulgakov, located on Andriivskyi Descent, was the first in the world dedicated to the writer. It stands next to house No. 13, where Bulgakov lived with his family, now a museum. The bronze sculpture depicts Bulgakov seated on a bench, one leg crossed over the other, arms folded across his chest. The figure is three-quarters life-size and placed on a granite pedestal, allowing visitors to sit beside him or take photos. The monument was created by renowned Kyiv sculptor Mykola Rapai, with the initiative led by the Bulgakov Museum and the Arts Promotion Fund. Unveiling date: October 19, 2007 Materials: Bronze, granite Sculptor: Mykola Rapai Architect: V.A. Dormidontov Currently, the monument is under consideration for removal as part of Kyiv’s decommunization efforts.

The world's first monument to Mikhail Bulgakov was installed in 2007 near the writer’s museum on Andriivskyi Descent, funded by an anonymous patron. Like many other monuments, this one has not escaped popular superstitions. Over time, admirers of Bulgakov identified a "lucky spot"—his nose, which, according to belief, should be rubbed for good fortune. As a result, the bronze in that area has been polished to a shine. However, the monument’s fate remains uncertain. As part of Kyiv’s decommunization policy, the city administration is considering its removal along with other objects linked to Russian and Soviet culture2. The decision has already been supported by a working group, but no official demolition date has been announced yet.

The monument to the great Ukrainian philosopher and educator Grigory Skovoroda stands on Kontraktova Square, facing the walls of the Kyiv-Mohyla Academy, where he studied and taught. The monument was unveiled on March 1, 1977, when its sculptor, Ivan Kavaleridze, was nearly 90 years old. Initially, Skovoroda was depicted barefoot, with a Bible under his arm and a cross around his neck. However, Soviet authorities demanded changes: the cross was removed, traditional footwear was added, and the Bible was replaced with a bag. The monument has become a symbol of the academy, and every year on October 14, it is ceremonially washed in honor of the institution’s founding. On June 28, during the graduation ceremony, students place a traditional academic cap—bonnet—on Skovoroda’s head. Unveiling date: March 1, 1977 Materials: Bronze, granite Sculptor: Ivan Kavaleridze Architect: Vasyl Hnizdilov

The monument to the great Ukrainian philosopher and educator Grigory Skovoroda stands on Kontraktova Square, in front of the Kyiv-Mohyla Academy, where he studied from 1738 to 1750, sang in the choir, and later taught. The sculpture depicts Skovoroda as if returning to his alma mater. Initially, the sculptor Ivan Kavaleridze envisioned him barefoot, with a Bible under his arm and a cross around his neck. However, Soviet authorities demanded changes: the cross was removed, traditional footwear was added, and the Bible was replaced with a bag. The monument has become a talisman for the academy’s students. Every year on October 14, it is ceremonially washed in honor of the institution’s founding, and on June 28, during the graduation ceremony, students place a traditional academic cap—bonnet—on Skovoroda’s head. It is also a popular meeting spot for informal youth gatherings. Unveiling date: March 1, 1977 Materials: Bronze, granite Sculptor: Ivan Kavaleridze Architect: Vasyl Hnizdilov

Bulgakov and Skovoroda
1-2 — Monument to Mikhail Bulgakov in Kyiv
3-4 — Monument to Grigory Skovoroda in Kyiv
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Unveiling Date: November 4, 2001 Material: Bronze Sculptors: Volodymyr Shchur, Vitalii Sivko Architect: Vitalii Skulskyi Location: Glory Park, Kyiv, Ukraine One of Kyiv’s most beloved and heartfelt monuments is dedicated to military pilots and immortalizes Leonid Bykov in his legendary role as Captain Alexei “Maestro” Titarenko from the film «Only Old Men Are Going to Battle». The sculpture depicts the commander of the “singing squadron” seated on a fragment of an aircraft structure. At his feet rests a bronze grasshopper—a reference to the film’s character nicknamed “Grasshopper.” Behind him stretches the vast Dnipro horizon, symbolizing the boundless skies and the spirit of aviators. The monument was funded by F.I. Shpyha, V.I. Butko, and A.A. Andriyaka, philanthropists who contributed to preserving the memory of aviation heroes.

Unveiling Date: November 6, 2001 Material: Bronze Sculptors: Volodymyr Shchur, Vitalii Sivko Location: Glory Park, Kyiv, Ukraine The Monument to Military Pilots stands in Kyiv’s Glory Park on Dnipro Descent, near the Eternal Glory Memorial at the Tomb of the Unknown Soldier. It was unveiled on November 6, 2001, marking the 58th anniversary of Kyiv’s liberation from Nazi forces. Dedicated to the military pilots who perished during Ukraine’s liberation, the monument is also deeply connected to the legacy of Soviet actor and director Leonid Bykov. The sculpture portrays him in his most iconic role—Captain Alexei “Maestro” Titarenko from the beloved film «Only Old Men Are Going to Battle». His character became a symbol of resilience, camaraderie, and devotion to duty. The pedestal bears an inscription in Ukrainian: «Військовим льотчикам присвячується. Леонід Биков» («Dedicated to Military Pilots. Leonid Bykov»). Thus, the monument serves both as a tribute to fallen aviators and as a memorial to Bykov himself, who tragically died in a car accident near Kyiv in 1979. A touching detail: at the base of the sculpture, there is a small figure of a grasshopper—an homage to the character nicknamed “Grasshopper” in the film. This subtle addition makes the monument even more personal and heartfelt.

Monument to Military Pilots (actor Leonid Bykov)
Location: Glory Park, Kyiv, Ukraine
More info in ALT

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Unveiling Date: May 7, 2013 Material: Bronze Sculptors: Oleksandr Morgatskyi, Hryhorii Kostiukov Location: Khreshchatyy Park, Kyiv, Ukraine The sculpture Love Story is dedicated to the extraordinary fate of Italian Luigi Pedutto and Ukrainian Mokrina Yurzuk. Their story began in 1943 in an Austrian prisoner-of-war camp, where they fell in love. After two years together, the war tore them apart, and each went their separate ways. Nearly 60 years later, they found each other again through the television program Wait for Me. Their reunion became a symbol of love that transcended time and distance. The monument depicts the elderly couple in a tender embrace, capturing the moment of their long-awaited reunion. Luigi Pedutto passed away in 2013, and Mokrina Yurzuk in 2015. In 2017, a replica of the sculpture was installed in Luigi’s hometown, Castel San Lorenzo, Italy, ensuring their love story remains remembered.

Unveiling Date: May 7, 2013 Material: Bronze Sculptors: Oleksandr Morgatskyi, Hryhorii Kostiukov Location: Khreshchatyy Park, Kyiv, Ukraine

Love Story: Luigi and Mokrina (Sculpture)
Khreshchatyy Park, Kyiv, Ukraine
More info in ALT

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Holodomor Memorial "Candle of Remembrance" At the entrance to the Memorial Complex stands the sculpture Angels of Sorrow—guardians of the souls lost during the horrific years of the Holodomor. Their solemn figures, frozen in eternal silence, stand as sentinels of memory, bearing witness to the suffering of millions. This composition serves as a symbolic gateway, inviting all who pass through to reflect and honor the lives taken by tragedy.

Holodomor Memorial "Candle of Remembrance" At the entrance to the Memorial Complex stands the sculpture Angels of Sorrow—guardians of the souls lost during the horrific years of the Holodomor. Their solemn figures, frozen in eternal silence, stand as sentinels of memory, bearing witness to the suffering of millions. This composition serves as a symbolic gateway, inviting all who pass through to reflect and honor the lives taken by tragedy. Taken on July 16, 2013

«The Crane That Broke Free» («Cranes in Cages») Holodomor Memorial "Candle of Remembrance" At the base of the memorial candle, four crosses extend outward, resembling the wings of a windmill. Each represents a period of famine (1921–22, 1932–33, 1946–47), while the central cross stands in remembrance of all the famines that have afflicted Ukraine. These crosses transform into cages, enclosing golden sculptures of cranes. In Ukrainian tradition, cranes symbolize the soul and freedom, yet here they are trapped—imprisoned by history’s sorrow. Yet, one crane breaks free, lifting into the air—a powerful emblem of resilience and the rebirth of the Ukrainian people, who, despite immense suffering, continue to endure and strive for freedom.

«Cranes in Cages» Holodomor Memorial "Candle of Remembrance" At the base of the memorial candle, four crosses extend outward, resembling the wings of a windmill. Each represents a period of famine (1921–22, 1932–33, 1946–47), while the central cross stands in remembrance of all the famines that have afflicted Ukraine. These crosses transform into cages, enclosing golden sculptures of cranes. In Ukrainian tradition, cranes symbolize the soul and freedom, yet here they are trapped—imprisoned by history’s sorrow. Yet, one crane breaks free, lifting into the air—a powerful emblem of resilience and the rebirth of the Ukrainian people, who, despite immense suffering, continue to endure and strive for freedom.

«Angels of Sorrow»
«Cranes in Cages»
More info in ALT
(2013)

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At the center of the square stands the memorial ensemble Bitter Memory of Childhood, a poignant reminder of the tragic fate of the most vulnerable victims of the Holodomor—children. The girl holds five stalks of wheat in her hands, symbolizing the infamous Law of Five Stalks. This term was used to describe the decree issued by the Central Executive Committee and the Council of People’s Commissars of the USSR on August 7, 1932, titled On the Protection of Property of State Enterprises, Collectives, and Cooperatives and the Strengthening of Public (Socialist) Property. Under this law, collective farm property was equated with state property and deemed untouchable. Starving peasants who gathered leftover wheat stalks from the fields after harvest were accused of theft and sentenced to long prison terms—up to ten years with confiscation of property—or even execution. No exceptions were made, not even for children or the elderly. Those caught with a few stalks of wheat or frozen potatoes found in collective farm fields faced severe punishment.

At the center of the square stands the memorial ensemble Bitter Memory of Childhood, a poignant reminder of the tragic fate of the most vulnerable victims of the Holodomor—children. The girl holds five stalks of wheat in her hands, symbolizing the infamous Law of Five Stalks. This term was used to describe the decree issued by the Central Executive Committee and the Council of People’s Commissars of the USSR on August 7, 1932, titled On the Protection of Property of State Enterprises, Collectives, and Cooperatives and the Strengthening of Public (Socialist) Property. Under this law, collective farm property was equated with state property and deemed untouchable. Starving peasants who gathered leftover wheat stalks from the fields after harvest were accused of theft and sentenced to long prison terms—up to ten years with confiscation of property—or even execution. No exceptions were made, not even for children or the elderly. Those caught with a few stalks of wheat or frozen potatoes found in collective farm fields faced severe punishment.

Millstones of Fate Holodomor Memorial "Candle of Remembrance" At the heart of the square, Millstones of Fate form a circular stone arrangement, encircled by massive grinding stones. These millstones carry a dual symbolism. On one hand, they represent the source of life—an essential tool of Ukrainian farmers who, for generations, cultivated grain and ground it into flour. On the other, they serve as silent clocks of history, marking the relentless passage of time—a grim reminder that during the years of the Holodomor, 24,000 starving people perished each day.

Candle of Remembrance Holodomor Memorial The Candle of Remembrance is a solemn 32-meter concrete chapel, designed in the shape of a white candle with an ornate golden flame. Its sides are adorned with intricate patterns reminiscent of traditional Ukrainian embroidery, while the carved cross-shaped windows symbolize the souls of Ukrainians who perished from starvation. The memorial was unveiled on November 22, 2008, in Glory Park. The project was designed by artist Anatoliy Haidamaka.

«Bitter Memory of Childhood»
«Millstones of Fate»
«Candle of Remembrance»

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"The Ballerina" – Kyiv’s Unique Street Art Sculpture The "Ballerina" sculpture stands at the intersection of Sretenskaya and Streletskaya Streets in Kyiv. Carved from linden wood, the Ballerina stands on the corner of Sretenskaya and Streletskaya Streets, her tutu made of wire mesh giving the impression she has just gracefully floated down from the stage. Her ceramic face is slightly sad, pensive, and beautiful. Interestingly, the sculpture was installed at the request of local residents in honor of a real-life ballerina who lives nearby. "The face and hands are made of ceramic, the hair from red synthetic threads, and the tutu from construction mesh," explains Skretutsky. "A month ago, someone tried to vandalize her. There was a sneaker print high up on her left leg," he says, touching the sculpture. "Looks like some karate enthusiast tested her durability. The Ballerina held strong—I smoothed out the damage—but I still can’t understand how anyone could kick a girl, even if she is just a sculpture." Photo taken on July 20, 2013

From a Matchstick to a Ballerina: The Story Behind Kyiv’s Charming Sculpture At the corner of Sretenskaya and Streletskaya Streets, sculptor Konstantin Skretutsky—already known for his other works—installed a unique monument honoring a ballerina who lives nearby. Ironically, he originally planned to create… an ordinary matchstick. But everything changed thanks to an anonymous note. Here’s how the artist describes the matchstick’s transformation into a ballerina: "At first, I made a matchstick sculpture there. The tree was perfect—straight, thin, and smooth. I ordered a ceramic 'head' for it and sawed the trunk into shape. Just a simple matchstick. But two days later, someone left a note on it: 'Please make a ballerina here. A renowned ballerina lives nearby—it would mean a lot to her. Thank you.' How could I ignore such a request? And so, the matchstick became a ballerina." Photo taken on July 20, 2013

"The Ballerina" – Kyiv’s Unique Street Art Sculpture
Sculpture by Konstantin Skritutsky
More info in ALT

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