An Allegory of Napping (Kodak Vision3 200T + D‑76) Sleep as a philosophy, rendered in a single, generous smear. The Dog as a Verb — Not a creature but an action: to rest, to be present, to make the world softer. 📍 Location: Moscow, Muzeon Arts Park 📷 Camera: Canon EOS 5 🔍 Lens: Canon Zoom Lens EF 70–210 mm 🎞️ Film / Dev: Kodak Vision3 200T; developed in D‑76 📅 Date taken: July 29, 2017 🖨️ Scanner: Noritsu LS‑1100

The Memory That Ran (Kodak Vision3 200T + D‑76) A recollection in motion; the film chased the thought and caught its tail. The camera failed to witness form but succeeded in witnessing presence. 📍 Location: Moscow, Muzeon Arts Park 📷 Camera: Canon EOS 5 🔍 Lens: Canon Zoom Lens EF 70–210 mm 🎞️ Film / Dev: Kodak Vision3 200T; developed in D‑76 📅 Date taken: July 29, 2017 🖨️ Scanner: Noritsu LS‑1100

Edges on Holiday (Kodak Vision3 200T + D‑76)

Edges went on leave
A tail scribbles the weather
Summer signs itself

#filmphotography #35mm #blackandwhite #noiretblanc #bnw #believeinfilm #documentary #phojournalism #monochrome #streetportrait #bwphotography #lomography #film #streetphotography

Birds Sit Like Drops That Can’t Fall into the Sky—Waiting for Wind to Write a Word Rublev’s monument is not an image, but an attempt to listen. His face was never preserved, and bronze doesn’t know how he looked. But the birds know where to sit. They come to him like to an icon painter who still paints — not with pigment, but with silence. No face was preserved, but birds redraw him each day — memory sleeps in feathers. _____ 📷 Technical Credits: Series: Andronikov Necropolis: Memory on Film Locations: Square in front of the former Andronikov Monastery entrance Camera: Nikon Lite Touch Zoom 120 ED (AF) (№3431629) Film: Ilford PAN 400 (expired, storage unknown, exposed at nominal ISO) Development: Kodak D-76 Scanner: Pakon F235+ (no corrections applied — raw scan) Date: October 11, 2018 (exposure) / August 13, 2022 (scan)

“A monument is a nest, if you know how to look” (Ilford PAN 400)

#ilfordpan400 #FilmPhotography #ilfordphoto #believeinfilm #blackandwhite #noieretblanc #classicmono #monochrome #bnw #sculpture #documentary #phojournalism #35mm #bw #streetphotography #film #noir_shots #streetphoto @ilfordphoto.com

“Silence watches over her shoulder” (Ilford PAN 400) She Draws But Doesn’t See—Trees Turn to Crosses, Wind Becomes Voices of the Gone. The third frame is an epilogue with no ending. She draws not what she sees, but what the earth remembers. Her pencil glides like a shadow that can’t find its place. Lines torn from the air become crosses, the notebook a bridge between what war and revolutions took and what trees gave back. She doesn’t know whose names these lines write—but feels the ground tremble beneath her, ready to yield what it’s held for centuries. Air here is thick with silent words, and every stroke is a cry that never flew away. Pencil slides softly, memory steps out of shadow — she is not alone. ___ 📷 Technical Credits: Series: Andronikov Necropolis: Memory on Film Locations: Necropolis of the Andronikov Monastery Camera: Nikon Lite Touch Zoom 120 ED (AF) (№3431629) Film: Ilford PAN 400 (expired, storage unknown, exposed at nominal ISO) Development: Kodak D-76 Scanner: Pakon F235+ (no corrections applied — raw scan) Date: October 11, 2018 (exposure) / August 13, 2022 (scan)

“Crosses stand like voices, forgotten and returned” (Ilford PAN 400) Wood keeps the names, earth keeps the breath. Air Here’s Thick with Words Never Said—Heavier Than Shadows. The first frame of the triptych is like the first line of a prayer. The crosses, set where forgotten graves once were, stand as guards between past and present. Their shadows, longer than time, stretch toward the earth where heroes once rested—now only wind remembers their names. Leaves falling on stone carry voices of those who never lived to see restoration. Here, memory isn’t a recollection—it’s a shadow that never fades. It rustles in the cracks of crosses: “We didn’t leave. We just became trees to keep breathing. Crosses in day’s shade, names breathing without a sound — the earth remembers. ___ 📷 Technical Credits: Series: Andronikov Necropolis: Memory on Film Locations: Necropolis of the Andronikov Monastery Camera: Nikon Lite Touch Zoom 120 ED (AF) (№3431629) Film: Ilford PAN 400 (expired, storage unknown, exposed at nominal ISO) Development: Kodak D-76 Scanner: Pakon F235+ (no corrections applied — raw scan) Date: October 11, 2018 (exposure) / August 13, 2022 (scan)

“The earth knows names not carved in stone” (Ilford PAN 400) Air’s Thick with Words That Fell into Grass—But Couldn’t Become Voices The second frame answers the first. A white cross stands in shadow, yet becomes a source of light. It doesn’t mark a grave — it marks return. The space around it is not just forest, but a temple of memory, where every shadow is a name, and every beam a voice. White cross in shadow, a prayer without sound — light remembers the names. ___ 📷 Technical Credits: Series: Andronikov Necropolis: Memory on Film Locations: Necropolis of the Andronikov Monastery Camera: Nikon Lite Touch Zoom 120 ED (AF) (№3431629) Film: Ilford PAN 400 (expired, storage unknown, exposed at nominal ISO) Development: Kodak D-76 Scanner: Pakon F235+ (no corrections applied — raw scan) Date: October 11, 2018 (exposure) / August 13, 2022 (scan)

“The earth knows names not carved in stone” (Ilford PAN 400)
2018.10.15

#ilfordpan400 #FilmPhotography #ilfordphoto #believeinfilm #blackandwhite #noieretblanc #classicmono #monochrome #bnw #documentary #phojournalism #cemetery #gravecross #cross #bnwzone #35mm #film @ilfordphoto.com

“Wings as Shadow, Flower as Question, Pillar as Silence” (Ilford PAN 400) (“Angel Stands. Time Lies at His Feet—Like Shoes Without an Owner”) The angel leans on the column, looking for support in stone but finding it in silence. In the hand, a flower that can’t fade—it’s already part of forever. Fallen leaves at the base are a calendar nobody flips. In black-and-white, grief turns into music that only the photograph can hear. Angel on the stone, flower trembling in the hush, autumn leaves below. __ Location: Vvedenskoye Cemetery (Foreign Confessions Cemetery), Lefortovo, Moscow Camera: Nikon Lite Touch Zoom 120 ED (AF) (№3431629) Film: Ilford PAN 400 (expired, storage unknown, exposed at nominal ISO) Development: Kodak D-76 Scanner: Pakon F235+ (no corrections applied — raw scan) Date: October 15, 2018 (exposure) / August 13, 2022 (scan) Notes: The film rested in unknown conditions, like a letter without an address. Silver and chemistry entered into dialogue with autumn: grain softened, contrast grew hesitant, tonal shifts carried the flavor of both decay and light. Each frame is less a document than a conversation between time and stone, with chance conducting the score. This roll is not a record but a ritual: emulsion whispering with fallen leaves, shadows rehearsing eternity. Grain softened, contrast bent, tones shifted like voices in a choir of silence. Each frame carries its own autumn, its own stillness, its own stubborn memory.

“The necropolis breathes, its breath smells of time” (Ilford PAN 400) (“Angel Holds Cross—But Heaven’s Door Has No Knob”) Trees ain’t growin’ here—they’re guardin’ forgotten promises. Angel’s holdin’ a cross, but in his hand’s a clock spring that’ll never stop tickin’. Grave shadows creep like cats, hissin’: “We were alive once—till we became shadows.” And the wind, slitherin’ through the branches, repeats: “Time ain’t a river. It’s a nail hammered into your heart every damn day. Fences and gravestones, worn and new, join in a chorus where every voice is stone. This isn’t just a monument; it’s a stage where eternity takes the lead role. Angel with the cross, forest whispers gothic hymns, echoes of autumn. __ Location: Vvedenskoye Cemetery (Foreign Confessions Cemetery), Lefortovo, Moscow Camera: Nikon Lite Touch Zoom 120 ED (AF) (№3431629) Film: Ilford PAN 400 (expired, storage unknown, exposed at nominal ISO) Development: Kodak D-76 Scanner: Pakon F235+ (no corrections applied — raw scan) Date: October 15, 2018 (exposure) / August 13, 2022 (scan) Notes: The film rested in unknown conditions, like a letter without an address. Silver and chemistry entered into dialogue with autumn: grain softened, contrast grew hesitant, tonal shifts carried the flavor of both decay and light. Each frame is less a document than a conversation between time and stone, with chance conducting the score. This roll is not a record but a ritual: emulsion whispering with fallen leaves, shadows rehearsing eternity. Grain softened, contrast bent, tones shifted like voices in a choir of silence. Each frame carries its own autumn, its own stillness, its own stubborn memory.

Autumn lies at the base, silence rises up” (Ilford PAN 400)
...Gothic is light hidden in shadow...

@ilfordphoto.com #ilfordpan400 #FilmPhotography #ilfordphoto #believeinfilm #VvedenskoyeCemetery #blackandwhite #documentary #phojournalism #cemetery #bnw #noieretblanc #classicmono #gothic

“Trees whisper, crosses hush, statue listens” («Leaves Whisper: “Rest, Dead Ones—We’re Just Ghosts in Light”») The stone remembers what the trees forgot. The angel, slipped off her shoulder, whispers: “Bored of being forever.” Flowers are fake eyes staring into the void where time trips over its own shadow. Here, where the wind’s last name is “Eternity”, every brick of the grave groans: “Why’d you mold me from ash?” And the stone mother, hugging the angel like a loaf of bread, murmurs: “I ain’t crying. I’m just holding the door open.” __ Location: Vvedenskoye Cemetery (Foreign Confessions Cemetery), Lefortovo, Moscow Camera: Nikon Lite Touch Zoom 120 ED (AF) (№3431629) Film: Ilford PAN 400 (expired, storage unknown, exposed at nominal ISO) Development: Kodak D-76 Scanner: Pakon F235+ (no corrections applied — raw scan) Date: October 15, 2018 (exposure) / August 13, 2022 (scan) Notes: The film rested in unknown conditions, like a letter without an address. Silver and chemistry entered into dialogue with autumn: grain softened, contrast grew hesitant, tonal shifts carried the flavor of both decay and light. Each frame is less a document than a conversation between time and stone, with chance conducting the score. This roll is not a record but a ritual: emulsion whispering with fallen leaves, shadows rehearsing eternity. Grain softened, contrast bent, tones shifted like voices in a choir of silence. Each frame carries its own autumn, its own stillness, its own stubborn memory.

"Statue’s Eyes See What Her Hand Holds: Time" (“Stone whispers, nobody’s tuned in”) Close-up = time forgets to breathe. The statue’s face, carved from ash, stares not at the grave but at a branch where a bird sits, undecided if it’s alive or stone. The angel sleeps, cheek pressed to shoulder—its wings just a crack in the rock. Here, death murmurs: “I ain’t the end. Just a shadow that forgot how to be light.” __ Location: Vvedenskoye Cemetery (Foreign Confessions Cemetery), Lefortovo, Moscow Camera: Nikon Lite Touch Zoom 120 ED (AF) (№3431629) Film: Ilford PAN 400 (expired, storage unknown, exposed at nominal ISO) Development: Kodak D-76 Scanner: Pakon F235+ (no corrections applied — raw scan) Date: October 15, 2018 (exposure) / August 13, 2022 (scan) Notes: The film rested in unknown conditions, like a letter without an address. Silver and chemistry entered into dialogue with autumn: grain softened, contrast grew hesitant, tonal shifts carried the flavor of both decay and light. Each frame is less a document than a conversation between time and stone, with chance conducting the score. This roll is not a record but a ritual: emulsion whispering with fallen leaves, shadows rehearsing eternity. Grain softened, contrast bent, tones shifted like voices in a choir of silence. Each frame carries its own autumn, its own stillness, its own stubborn memory.

“Silence in conversation”(Ilford PAN 400)
Stone mother waiting, angel leaning into sleep — breath caught in silence
@ilfordphoto.com

#FilmPhotography #ilfordphoto #believeinfilm #ilfordpan400 #noieretblanc #classicmono #VvedenskoyeCemetery #bnw #blackandwhite #documentary #phojournalism #cemetery

"Poet. Character. Memory". (Kodak Professional Plus-X 125) He’s not the hero, but gave her voice — and now she stands. 2022.08.11 Vvedenskoye Cemetery. On poet Isaac Borisov’s tomb, it’s not his likeness but the heroine of his poems. A girl in Red Army uniform stands as the voice of memory. The inscription — “Don’t say he died. No, he fell in battle” — turns the monument into a poetic manifesto. She’s not the poet. She’s the character he wrote. A face carved in stone, a name borrowed from verse. Now she stands alone — silent, remembered, as if the poem outlived the poet. Technical Credits: Location: Vvedenskoye Cemetery. Moscow, Russia Camera: Samsung Vega 77i QD Film: Kodak Professional Plus-X 125 (expired December 2012) Development: Kodak D-76 Scanner: Fujifilm Frontier SP-3000 (no corrections applied — raw scan) Date: August 11, 2022 Notes: Film stored under unknown conditions for ~10 years past expiry. Results are experimental — a dialogue between time, chemistry, and chance. Grain softened, contrast reduced, tonal range subtly shifted. Each frame carries the memory of its own decay.

"The Bird That Didn’t Get to Fly" (Kodak Professional Plus-X 125) Her name remains. Her face — in stone. All else is guesswork. 2022.08.11 Katyusha Pavlova. 1967–198?. All we know is a name, some years, and a face carved in stone. She left life young, and no one told her story. Maybe she simply lived. Maybe she loved. Maybe she dreamed. But someone placed this stone. Which means — she mattered. At least to one person. Which means — she matters. Technical Credits: Location: Vvedenskoye Cemetery. Moscow, Russia Camera: Samsung Vega 77i QD Film: Kodak Professional Plus-X 125 (expired December 2012) Development: Kodak D-76 Scanner: Fujifilm Frontier SP-3000 (no corrections applied — raw scan) Date: August 11, 2022 Notes: Film stored under unknown conditions for ~10 years past expiry. Results are experimental — a dialogue between time, chemistry, and chance. Grain softened, contrast reduced, tonal range subtly shifted. Each frame carries the memory of its own decay.

"Voice and Face" (Kodak Professional Plus-X 125)
One speaks for those who are gone. The other stays silent for herself. Both remain.
2022.08.11

#FilmPhotography #KodakPlusX #VvedenskoyeCemetery #ClassicMono #bwfilm #believeinfilm #blackandwhite #sculpture #documentary #phojournalism #cemetery #film

“She weeps, the crypt listens, the lamp stays silent.” (Kodak Professional Plus-X 125) 2022.08.11 Grief Frozen on the Step. Vvedenskoye Cemetery. Tomb of the Fuld family. A marble mourner sits by the crypt, as if waiting for time to start moving again. __ Among Lutheran graves, a marble mourner sits — the tomb of merchant Robert Fuld’s family. Her posture embodies grief, her veil breathes through stone. Created in the 1920s, the monument became a symbol of memory that outlasted eras and decay. __ The mourner sleeps, the lamp never burns out — time does not move. Technical Credits: Location: Vvedenskoye Cemetery, Moscow, Russia Camera: Samsung Vega 77i QD Film: Kodak Professional Plus-X 125 (expired December 2012) Development: Kodak D-76 Scanner: Fujifilm Frontier SP-3000 (no corrections applied — raw scan) Date: August 13, 2022 Notes: Film stored under unknown conditions for ~10 years past expiry. Results are experimental — a dialogue between time, chemistry, and chance. Grain softened, contrast reduced, tonal range subtly shifted. Each frame carries the memory of its own decay.

“She stands at the door, and memory holds the key.” (Kodak Professional Plus-X 125) 2022.08.11 The flower is gone, the legend remains. At Vvedenskoye Cemetery, the bronze figure by the Plo family crypt is no portrait — it’s allegory. Leon and Sophie died two days apart, and their children commissioned a monument where grief stands at the door. The flower is gone, but the living bring new ones — a gesture of memory, not myth. __ She is not Sophie, but stands at her doorway — the flower awaits a hand. Technical Credits: Location: Vvedenskoye Cemetery, Moscow, Russia Camera: Samsung Vega 77i QD Film: Kodak Professional Plus-X 125 (expired December 2012) Development: Kodak D-76 Scanner: Fujifilm Frontier SP-3000 (no corrections applied — raw scan) Date: August 13, 2022 Notes: Film stored under unknown conditions for ~10 years past expiry. Results are experimental — a dialogue between time, chemistry, and chance. Grain softened, contrast reduced, tonal range subtly shifted. Each frame carries the memory of its own decay.

“She stands at the door, and memory holds the key.” (Kodak Professional Plus-X 125) 2022.08.11 The flower is gone, the legend remains. At Vvedenskoye Cemetery, the bronze figure by the Plo family crypt is no portrait — it’s allegory. Leon and Sophie died two days apart, and their children commissioned a monument where grief stands at the door. The flower is gone, but the living bring new ones — a gesture of memory, not myth. __ She is not Sophie, but stands at her doorway — the flower awaits a hand. Technical Credits: Location: Vvedenskoye Cemetery, Moscow, Russia Camera: Samsung Vega 77i QD Film: Kodak Professional Plus-X 125 (expired December 2012) Development: Kodak D-76 Scanner: Fujifilm Frontier SP-3000 (no corrections applied — raw scan) Date: August 13, 2022 Notes: Film stored under unknown conditions for ~10 years past expiry. Results are experimental — a dialogue between time, chemistry, and chance. Grain softened, contrast reduced, tonal range subtly shifted. Each frame carries the memory of its own decay.

"Threshold and Silence" (Kodak Professional Plus-X 125)
📝 One in the shade, the other at the doorway. Memory does not sleep.
2022.08.11

#FilmPhotography #KodakPlusX #VvedenskoyeCemetery #HistoricMonument #RussianHistory #ClassicMono #bwfilm #believeinfilm #documentary #phojournalism #blackandwhite

“The cat rests, the bench thinks, the bushes whisper of eternity.” In the Donskoy Monastery necropolis, a new character appears — a black cat. Resting on a bench, he seems the master of shadows and sunlight. His pose carries irony, his eyes fire, and the frame breathes with the spirit of Bulgakov’s Moscow. Technical Credits: Location: Donskoy Monastery Necropolis, Moscow, Russia Camera: Samsung Vega 77i QD Film: Kodak Professional Plus-X 125 (expired December 2012) Development: Kodak D-76 Scanner: Fujifilm Frontier SP-3000 (no corrections applied — raw scan) Date: August 13, 2022 Notes: Film stored under unknown conditions for ~10 years past expiry. Results are experimental — a dialogue between time, chemistry, and chance. Grain softened, contrast reduced, tonal range subtly shifted. Each frame carries the memory of its own decay.

“The cat sleeps on the wooden bench, and the bench sleeps on the earth.” Donskoy Monastery. The same cat, closer now. He sleeps as if he knows all the necropolis’ secrets. Technical Credits: Location: Donskoy Monastery Necropolis, Moscow, Russia Camera: Samsung Vega 77i QD Film: Kodak Professional Plus-X 125 (expired December 2012) Development: Kodak D-76 Scanner: Fujifilm Frontier SP-3000 (no corrections applied — raw scan) Date: August 13, 2022 Notes: Film stored under unknown conditions for ~10 years past expiry. Results are experimental — a dialogue between time, chemistry, and chance. Grain softened, contrast reduced, tonal range subtly shifted. Each frame carries the memory of its own decay.

“The cat just lies there, and time takes the scenic route.”
The cat stretched a paw. The paw stretched time. Time stretched us.
(Kodak Professional Plus-X 125)
2022.08.13

#filmphotography #blackandwhite #donskoymonastery #cat #believeinfilm #documentary #phojournalism #KodakPlusX #bnw #animal #mood

“The cross rises from shadow, the sun bows to stone.” In the Donskoy Monastery necropolis, crosses turn into a theater of light and shadow. One stands like an actor, lit by the sun and framed by darkness. Stone and light argue about eternity, while the viewer remains silent. Technical Credits: Location: Donskoy Monastery Necropolis, Moscow, Russia Camera: Samsung Vega 77i QD Film: Kodak Professional Plus-X 125 (expired December 2012) Development: Kodak D-76 Scanner: Fujifilm Frontier SP-3000 (no corrections applied — raw scan) Date: August 13, 2022 Notes: Film stored under unknown conditions for ~10 years past expiry. Results are experimental — a dialogue between time, chemistry, and chance. Grain softened, contrast reduced, tonal range subtly shifted. Each frame carries the memory of its own decay.

“Three bars! Three strikes! Three times eternity!” In the Donskoy Monastery necropolis, crosses speak to each other. One in sunlight, the other in shadow. This Orthodox cross, with its slanted bar, seems to guard the balance between earth and sky, light and darkness. Technical Credits: Location: Donskoy Monastery Necropolis, Moscow, Russia Camera: Samsung Vega 77i QD Film: Kodak Professional Plus-X 125 (expired December 2012) Development: Kodak D-76 Scanner: Fujifilm Frontier SP-3000 (no corrections applied — raw scan) Date: August 13, 2022 Notes: Film stored under unknown conditions for ~10 years past expiry. Results are experimental — a dialogue between time, chemistry, and chance. Grain softened, contrast reduced, tonal range subtly shifted. Each frame carries the memory of its own decay.

"One cross in the sun, the other replies in shade — silence starts to sing" (Kodak Professional Plus-X 125)
2022.08.13

#filmphotography #blackandwhite #donskoymonastery #cross #believeinfilm #documentary #phojournalism #KodakPlusX #bnw #filmphoto #monochrome #bwfilm #bnwzone #necropolis #cemetery

“The woman weeps, the urn listens, the bricks think of something else.” (Kodak Professional Plus-X 125) She leans on the urn, and time leans on her. This is the tomb of Vasily Dunin (1793–1812), a 19‑year‑old ensign who fell at Borodino. In the Donskoy Monastery, bronze and stone turn a personal tragedy into an eternal symbol of remembrance. __ The “Mourner” by the urn was a popular 19th‑century motif, embodying grief and loss. Bronze and stone turn a personal tragedy into an eternal symbol of remembrance. Technical Credits: Location: Donskoy Monastery Necropolis, Moscow, Russia Camera: Samsung Vega 77i QD Film: Kodak Professional Plus-X 125 (expired December 2012) Development: Kodak D-76 Scanner: Fujifilm Frontier SP-3000 (no corrections applied — raw scan) Date: August 13, 2022 Notes: Film stored under unknown conditions for ~10 years past expiry. Results are experimental — a dialogue between time, chemistry, and chance. Grain softened, contrast reduced, tonal range subtly shifted. Each frame carries the memory of its own decay.

“A tree with no branches but with secrets; marble grows while time dries out.” (Kodak Professional Plus-X 125) Donskoy Monastery. Tomb of Vasily Karachinsky. A marble tree with severed branches — symbol of a broken line, a life cut short. Masonic undertone? Perhaps. Either way, a rare cemetery metaphor. (In the Donskoy Monastery Necropolis stands a rare monument — a marble tree with severed branches. It marks the grave of Vasily Karachinsky (1751–1793), a Freemason and veteran of the Russo-Turkish war. A symbol of a broken line and a life cut short, it blends 19th‑century funerary fashion with the hidden codes of its age) Technical Credits: Location: Donskoy Monastery Necropolis, Moscow, Russia Camera: Samsung Vega 77i QD Film: Kodak Professional Plus-X 125 (expired December 2012) Development: Kodak D-76 Scanner: Fujifilm Frontier SP-3000 (no corrections applied — raw scan) Date: August 13, 2022 Notes: Film stored under unknown conditions for ~10 years past expiry. Results are experimental — a dialogue between time, chemistry, and chance. Grain softened, contrast reduced, tonal range subtly shifted. Each frame carries the memory of its own decay.

"The Urn's All Ears, The Tree's Got Secrets, The Film Remembers" (Kodak Professional Plus-X 125)
2022.08.13

#filmphotography #blackandwhite #donskoymonastery #documentary #phojournalism #KodakPlusX #RussianHistory #believeinfilm #bnw #filmphoto #documentary #phojournalism #monochrome #bwfilm #bnw

"Woman Wrapped in the Circle of Forever" (Kodak Professional Plus-X 125)
Tomb of I. A. Alekseev (1816) #donskoymonastery
2022.08.13

#filmphotography #blackandwhite #monochrome #bwfilm #KodakPlusX #RussianHistory #believeinfilm #bnw #filmphoto #ClassicMono #noiretblanc #documentary #phojournalism

“She holds the cross, and we hold our breath.” (Kodak Professional Plus-X 125) Donskoy Monastery Necropolis, 1816. Ivan Martos casts grief in bronze: a woman with a cross, a medallion with Alekseev’s face. Eternity is posing, and we’re just peeking in. _____ This tomb, created by I.P. Martos in 1816, honors Ivan Alekseev (1750–1816), a State Council member. The central figure is “Faith,” holding a cross and supporting a portrait medallion — one of Martos’s first “dogmatic” memorials. The cross was stolen in the 1950s… but restorers brought it back — and even gave the statue a little “makeover.” Shot on expired Kodak Plus-X 125. Moscow, 2022. #DonskoyCemetery #RussianHistory #Classicism #FilmPhotography

“Cross! Face! Forever!” (Kodak Professional Plus-X 125) Beneath the arches of an old Moscow monastery, a bronze woman leans on a cross—Martos’s 1816 monument to Ivan Alekseev. Pure neoclassical poetry: a grieving figure and a portrait medallion. The sorrow feels direct and distinct, like summer thunder—silent now, but alive. __ At Moscow’s Donskoy Cemetery: the tomb of Ivan Alekseev: Figure of “Faith” with a cross — symbol of belonging to the Church. Portrait medallion. The cross was stolen in the 1950s… but restorers brought it back — and even gave the statue a little “makeover.” Shot on expired Kodak Plus-X. Technical Credits: Location: Donskoy Monastery Necropolis, Moscow, Russia Camera: Samsung Vega 77i QD Film: Kodak Professional Plus-X 125 (expired December 2012) Development: Kodak D-76 Scanner: Fujifilm Frontier SP-3000 (no corrections applied — raw scan) Date: August 13, 2022 Notes: Film stored under unknown conditions for ~10 years past expiry. Results are experimental — a dialogue between time, chemistry, and chance. Grain softened, contrast reduced, tonal range subtly shifted. Each frame carries the memory of its own decay.

"Woman Wrapped in the Circle of Forever" (Kodak Professional Plus-X 125)
Tomb of I. A. Alekseev (1816) #donskoymonastery
2022.08.13

#filmphotography #blackandwhite #monochrome #bwfilm #KodakPlusX #RussianHistory #believeinfilm #bnw #filmphoto #ClassicMono #noiretblanc #documentary #phojournalism

"The Angel Who Prayed for Everyone But Himself" This angel isn’t just decoration. He’s praying. For Sofya Tutolmina (1772–1833), the senator’s wife who raised a foundling boy and left him her fortune. For her husband Ivan Vasilyevich (1760–1839). For their childless life, full of love. Tomb, 1839, sculptor I.P. Vitali. Lost in the 1920s, restored in 2019. Here he is again, in summer sun, shot on expired Kodak Plus-X 125. Moscow, 2022. Technical Credits: Location: Donskoy Monastery Necropolis, Moscow, Russia Camera: Samsung Vega 77i QD Film: Kodak Professional Plus-X 125 (expired December 2012) Development: Kodak D-76 Scanner: Fujifilm Frontier SP-3000 (no corrections applied — raw scan) Date: August 13, 2022 Notes: Film stored under unknown conditions for ~10 years past expiry. Results are experimental — a dialogue between time, chemistry, and chance. Grain softened, contrast reduced, tonal range subtly shifted. Each frame carries the memory of its own decay.

"The Weeping Cupids of the Baryshnikova Tomb" This tomb in Moscow’s Donskoy Cemetery belongs to Elizaveta Ivanovna Baryshnikova (1772–1806) — a noblewoman, mother of 13 children (6 died in infancy), who passed away at 34, half a year after giving birth to her last child. Designed by architect N.A. Lvov: red quartzite, bronze relief with Chronos, and a marble group of two mourning cupids holding a funeral urn. The epitaph reads: “To my gentle wife and truest friend, a mother who gave her life for her children…” — a personal letter across centuries. Shot on expired Kodak Plus-X 125. Moscow, 2022. Technical Credits: Location: Donskoy Monastery Necropolis, Moscow, Russia Camera: Samsung Vega 77i QD Film: Kodak Professional Plus-X 125 (expired December 2012) Development: Kodak D-76 Scanner: Fujifilm Frontier SP-3000 (no corrections applied — raw scan) Date: August 13, 2022 Notes: Film stored under unknown conditions for ~10 years past expiry. Results are experimental — a dialogue between time, chemistry, and chance. Grain softened, contrast reduced, tonal range subtly shifted. Each frame carries the memory of its own decay.

"The Angels They Brought Back" (Kodak Professional Plus-X 125)
2022.08.13

#filmphotography #blackandwhite #monochrome #bwfilm #KodakPlusX #HistoricMonument #MourningArt #DonskoyCemetery #RussianHistory #Classicism #believeinfilm #bnw #filmphoto #ClassicMono #noiretblanc #documentary #phojournalism

In the Patriarch’s backyard? Forget quiet prayer. It’s game time. Girl 1: “I got this!” (hands up like she’s catching a Hail Mary). Girl 2: “Catch me if you can!” (mid-sprint, grinning like she just stole the last cookie). Leaves? Not falling. They’re defensive linemen on the ground. God’s probably watching from the bleachers. He’s not mad. He’s just… impressed by the footwork. And that mom in the back? She’s got one kid jumping like a kangaroo, and another one chilling in the stroller like a tiny CEO. She’s calling it “No penalty.” (Because moms always do.) — Gear: Camera: Canon EOS 5 — the one that still works if you yell at it nicely. Lens: EF 28-105mm f/3.5–4.5 USM — the “I’m not fancy but I get the job done” lens. Film: Astrum 135 Color Negative (ISO 125) — Russian film, American dreams. Scan Magic: Converted to B&W in post — because sometimes color is just too much drama. Date Captured: October 11, 2018 — peak leaf-crunch season. Scanner: Noritsu LS-1100 — the machine that whispers “I see your soul… and your dust particles.

Location: Backyard of the Patriarch’s Place — Church of the Intercession, Pokrovsky-Streshnevo, Moscow. (Yes, that’s a real place. No, we didn’t make it up.) Filmic Vibe: Variations on a Theme: “...with a film across Moscow” (Because why walk when you can roll?) Gear: Camera: Canon EOS 5 — the one that still works if you yell at it nicely. Lens: EF 28-105mm f/3.5–4.5 USM — the “I’m not fancy but I get the job done” lens. Film: Astrum 135 Color Negative (ISO 125) — Russian film, American dreams. Scan Magic: Converted to B&W in post — because sometimes color is just too much drama. Date Captured: October 11, 2018 — peak leaf-crunch season. Scanner: Noritsu LS-1100 — the machine that whispers “I see your soul… and your dust particles.

"Patriarch Park Playoffs" (Astrum 135 Film + BNW)
Autumn vibes, two girls, one tote bag, 372 leaves, and one superhero parent multitasking like a boss.

#filmphotography #blackandwhite #monochrome #streetbw #documentary #phojournalism #bnw #autumnvibes #35mm #girls #girlsbeinggirls #bwfilm #autumn

🍦 For Three Sun — for three. Ice cream — for three. Selfie — for three. In Russia, many things are done “for three” — not about numbers, but about closeness. Technical Credits: Location: Moscow, Muzeon Arts Park, Krymskaya Embankment Camera: Canon EOS 5 Lens: Canon Zoom Lens EF 70–210 mm Film: Fujifilm Fuji Eterna (exact type unknown, heavily expired Exposure: Rated at ISO 100 Development: Kodak D-76, 7 minutes Scanner: Fujifilm Frontier SP-3000 (no corrections applied) Date: 15 September 2018 Notes: Storage conditions of the film unknown. The results are experimental, balancing chance and chemistry.

☀️Too Much Sun for One Frame The final frame, the final flare. Sun floods half the film, as if refusing to leave. The girl behind the stand — not just a vendor, but part of the day’s rhythm. Ice cream, soda, September. Technical Credits: Location: Moscow, Muzeon Arts Park, Krymskaya Embankment Camera: Canon EOS 5 Lens: Canon Zoom Lens EF 70–210 mm Film: Fujifilm Fuji Eterna (exact type unknown, heavily expired Exposure: Rated at ISO 100 Development: Kodak D-76, 7 minutes Scanner: Fujifilm Frontier SP-3000 (no corrections applied) Date: 15 September 2018 Notes: Storage conditions of the film unknown. The results are experimental, balancing chance and chemistry.

Raw Moments of City Life (Fujifilm Fuji Eterna + D76)
15/09/2018

#filmphotography #blackandwhite #monochrome #streetbw #blackandwhitephoto #documentary #phojournalism #bnw #face #girls #female #autumn #bwfilm #believeinfilm #bw #noiretblanc #ClassicMono #streetphoto #FujiEterna #everybodystreet

💦 Summer Within September may be called autumn, but warmth still pulses through it. Especially when you’re young, especially when you’re inside the fountain. Water rises, the body responds — and the city becomes play. Technical Credits: Location: Moscow, Muzeon Arts Park, Krymskaya Embankment Camera: Canon EOS 5 Lens: Canon Zoom Lens EF 70–210 mm Film: Fujifilm Fuji Eterna (exact type unknown, heavily expired Exposure: Rated at ISO 100 Development: Kodak D-76, 7 minutes Scanner: Fujifilm Frontier SP-3000 (no corrections applied) Date: 15 September 2018 Notes: Storage conditions of the film unknown. The results are experimental, balancing chance and chemistry.

📷 Kindred Eye He’s searching too. Capturing too. He couldn’t walk past either. We don’t know what he’s shooting — but we know why. In this moment, he’s a reflection. Technical Credits: Location: Moscow, Muzeon Arts Park, Krymskaya Embankment Camera: Canon EOS 5 Lens: Canon Zoom Lens EF 70–210 mm Film: Fujifilm Fuji Eterna (exact type unknown, heavily expired Exposure: Rated at ISO 100 Development: Kodak D-76, 7 minutes Scanner: Fujifilm Frontier SP-3000 (no corrections applied) Date: 15 September 2018 Notes: Storage conditions of the film unknown. The results are experimental, balancing chance and chemistry.

"September Inside the City's Flesh" (Fujifilm Fuji Eterna + D76)
15/09/2018

#filmphotography #blackandwhite #monochrome #streetbw #blackandwhitephoto #documentary #phojournalism #bnw #ClassicMono #streetphoto #everybodystreet #filmisnotdead #believeinfilm #noiretblanc #bwfilm #FujiEterna #Fujifilm

🎓 The Threshold Moment Frame I — The Aside On a day meant for shared celebration — gowns, photos, congratulations — she steps aside. Something on the screen matters more, and the world pauses around her. 📋 Technical Credits Location: Moscow, Pushkinskaya Embankment, Pier Camera: Canon EOS 5 Lens: Canon Zoom Lens EF 70–210 mm Film: Fujifilm Fuji Eterna (exact type unknown, heavily expired Scanner: Fujifilm Frontier SP-3000 (no corrections applied) Exposure: 100 ISO Development: Kodak D-76, 7 minutes Date: 15/09/2018

🎓 The Threshold Moment Frame II — The Capture On a day meant for shared celebration — gowns, photos, congratulations — she steps aside. Something on the screen matters more, and the world pauses around her. 📋 Technical Credits Location: Moscow, Pushkinskaya Embankment, Pier Camera: Canon EOS 5 Lens: Canon Zoom Lens EF 70–210 mm Film: Fujifilm Fuji Eterna (exact type unknown, heavily expired Scanner: Fujifilm Frontier SP-3000 (no corrections applied) Exposure: 100 ISO Development: Kodak D-76, 7 minutes Date: 15/09/2018

🎓 The Threshold Moment (Fujifilm Fuji Eterna + D76)
15/09/2018

#filmphotography #blackandwhite #monochrome #streetbw #blackandwhitephoto #documentary #phojournalism #bnw #ClassicMono #streetphoto #everybodystreet #filmisnotdead #believeinfilm #noiretblanc #bwfilm #FujiEterna #Fujifilm #D76 #girls

🎞️ The Touch Frame I — Shared Sunlight On the steps by the river, they sit together, the scooter waiting nearby. The city stretches wide, but their laughter narrows it to a single point. Technical Credits: Location: Moscow, Pushkinskaya Embankment, Pier Camera: Canon EOS 5 Lens: Canon Zoom Lens EF 70–210 mm Film: Fujifilm Fuji Eterna (exact type unknown, heavily expired Exposure: Rated at ISO 100 Development: Kodak D-76, 7 minutes Scanner: Fujifilm Frontier SP-3000 (no corrections applied) Date: 15 September 2018 Notes: Storage conditions of the film unknown. The results are experimental, balancing chance and chemistry.

🎞️ The Touch Frame I — Closer Sunglasses hide the eyes, but not the tenderness. A head on the lap, a hand on the face — the city vanishes, leaving only them. The frame narrows, the bond grows deeper. Technical Credits: Location: Moscow, Pushkinskaya Embankment, Pier Camera: Canon EOS 5 Lens: Canon Zoom Lens EF 70–210 mm Film: Fujifilm Fuji Eterna (exact type unknown, heavily expired Exposure: Rated at ISO 100 Development: Kodak D-76, 7 minutes Scanner: Fujifilm Frontier SP-3000 (no corrections applied) Date: 15 September 2018 Notes: Storage conditions of the film unknown. The results are experimental, balancing chance and chemistry.

🎞️ The Touch Republic (Fujifilm Fuji Eterna + D76)
15/09/2018

#filmphotography #blackandwhite #monochrome #35mmFilm #monochrome #blackandwhite #FujiEterna #Fujifilm #D76 #bwfilm #noiretblanc #documentary #phojournalism #bnw #ClassicMono #streetphoto #blackandwhitephoto #street #everybodystreet

🎞️ The Bench Republic Frame I — The Ritual Braids, nails, chatter — a private ceremony of friendship, untouched by the city’s flow. Technical Credits: Location: Moscow, Gorky Park Camera: Canon EOS 5 Lens: Canon Zoom Lens EF 70–210 mm Film: Fujifilm Fuji Eterna (exact type unknown, heavily expired Exposure: Rated at ISO 100 Development: Kodak D-76, 7 minutes Scanner: Fujifilm Frontier SP-3000 (no corrections applied) Date: 15 September 2018 Notes: Storage conditions of the film unknown. The results are experimental, balancing chance and chemistry.

🎞️ The Bench Republic Frame II — The Intrusion The shutter claps, and suddenly the island is aware of its borders. Their world remains intact, but now it knows it is being watched. Technical Credits: Location: Moscow, Gorky Park Camera: Canon EOS 5 Lens: Canon Zoom Lens EF 70–210 mm Film: Fujifilm Fuji Eterna (exact type unknown, heavily expired Exposure: Rated at ISO 100 Development: Kodak D-76, 7 minutes Scanner: Fujifilm Frontier SP-3000 (no corrections applied) Date: 15 September 2018 Notes: Storage conditions of the film unknown. The results are experimental, balancing chance and chemistry.

🎞️ The Bench Republic (Fujifilm Fuji Eterna + D76)
15/09/2018

#filmphotography #blackandwhite #monochrome #girls #bwfilm #monochrome #blackandwhite #FujiEterna #Fujifilm #D76 #ClassicMono #streetphoto #everybodystreet #filmisnotdead #noiretblanc #documentary #phojournalism #bnw #blackandwhitephoto

🎞️ The Legend of the Gorky Cup Frame I — The Rumor They say the park keeps its own recipe, older than the bridge itself. Whether true or not, each bite tastes like a rumor turned into sugar. Technical Credits Location: Moscow, Krymsky Bridge (near Gorky Park) Camera: Canon EOS 5 Lens: Canon Zoom Lens EF 70–210 mm Film: Fujifilm Fuji Eterna (exact type unknown, heavily expired Exposure: Rated at ISO 100 Development: Kodak D-76, 7 minutes Scanner: Fujifilm Frontier SP-3000 (no corrections applied) Date: 15 September 2018 Notes: Storage conditions of the film unknown. The results are experimental, balancing chance and chemistry.

The Legend of the Gorky Cup Frame II — The Deal Not money, not ice cream — but a ritual. A fleeting ceremony of giving and receiving, performed on the bridge of the city. Technical Credits Location: Moscow, Krymsky Bridge (near Gorky Park) Camera: Canon EOS 5 Lens: Canon Zoom Lens EF 70–210 mm Film: Fujifilm Fuji Eterna (exact type unknown, heavily expired Exposure: Rated at ISO 100 Development: Kodak D-76, 7 minutes Scanner: Fujifilm Frontier SP-3000 (no corrections applied) Date: 15 September 2018 Notes: Storage conditions of the film unknown. The results are experimental, balancing chance and chemistry.

🎞️ The Legend of the Gorky Cup (Fujifilm Fuji Eterna + D76)
15/09/2018

#filmphotography #blackandwhite #monochrome #streetbw #believeinfilm #bwfilm #FujiEterna #Fujifilm #D76 #noiretblanc #blackandwhitephoto #documentary #phojournalism #bnw #ClassicMono #streetphoto #everybodystreet #filmisnotdead

The train was heading toward the dark, but the dark kept transferring to the next car. She held his shoulder the way you hold a sleeping pigeon, afraid it might fly up to the ceiling. He held a phone where black‑and‑white snow kept falling, and the snow smelled faintly of iron. The carriage trembled like an old refrigerator where someone had forgotten a heart. Somewhere beyond the glass, a voice announced a station that wasn’t on the map, and they both nodded — yes, time to get off — but stayed seated, each inside their own screen, each inside their own world, still together. _ Series: "Life in the Tunnel That Never Ends" (Underground Lives) Photo taken: September 18, 2025

"Parallel Closeness" (Underground Lives)
18.09.2025

#StreetPhotography #SubwayLife #UrbanIntimacy #CandidMoments #BlackAndWhitePhoto #QuietDrama #UrbanExistence #LifeInTransit #SubwaySurrealism #ClassicMono #everybodystreet #noir #noiretblanc #documentary #phojournalism #streetbw #everybodystreet

📸 Summer Portrait: “Offline, Online” She sinks into the bean bag, wrapped in shade and silence. The fountain’s long behind her, the crowd a distant hum. Now it’s just her and the screen — a private moment in a public summer. Stillness, connection, and the soft buzz of digital daydreams. Series: “Raw Summer 2017" 📍 Location: Moscow, Muzeon Arts Park 📷 Camera: Canon EOS 5 🔍 Lens: Canon Zoom Lens EF 70–210 mm 🎞️ Film: Kodak Vision3 200T + dev. D-76 🗓️ Date Taken: July 29, 2017 🖥️ Scanner: Noritsu LS-1100

📸 Summer Portrait: “Sun-Soaked & Unbothered” They’ve claimed their patch of grass, their throne of fabric, and their slice of sunlight. Phones in hand, shoes off, time suspended. The city hums around them, but here — in this soft, sunlit bubble — nothing matters but warmth and stillness. Series: “Raw Summer 2017" 📍 Location: Moscow, Muzeon Arts Park 📷 Camera: Canon EOS 5 🔍 Lens: Canon Zoom Lens EF 70–210 mm 🎞️ Film: Kodak Vision3 200T + dev. D-76 🗓️ Date Taken: July 29, 2017 🖥️ Scanner: Noritsu LS-1100

📸 Photo 1: “Touch-Ups & Tenderness” 💄 Diptych: “Two Faces of Summer Glam” On a wooden bench, summer unfolds in eyeliner and soft gestures. She leans in, steady-handed, while the city hums behind them. It’s not vanity — it’s ritual, connection, and a moment of stillness in the swirl of Moscow’s heat. Series: “Raw Summer 2017" 📍 Location: Moscow, Muzeon Arts Park 📷 Camera: Canon EOS 5 🔍 Lens: Canon Zoom Lens EF 70–210 mm 🎞️ Film: Kodak Vision3 200T + dev. D-76 🗓️ Date Taken: July 29, 2017 🖥️ Scanner: Noritsu LS-1100

📸 Photo 2: “Benchside Beauty” 💄 Diptych: “Two Faces of Summer Glam” The tools are laid out, the focus is real. One girl becomes the artist, the other the canvas — framed by sunlight and street noise. It’s Moscow’s version of a dressing room: open air, shared laughter, and a little mascara magic. Series: “Raw Summer 2017" 📍 Location: Moscow, Muzeon Arts Park 📷 Camera: Canon EOS 5 🔍 Lens: Canon Zoom Lens EF 70–210 mm 🎞️ Film: Kodak Vision3 200T + dev. D-76 🗓️ Date Taken: July 29, 2017 🖥️ Scanner: Noritsu LS-1100

“Grain of Summer” (Kodak Vision3+D76)
🎭 Chapter from the series “Raw Summer 2017”

#filmphotography #35mm #blackandwhite #noiretblanc #bnw #believeinfilm #streetphotography #people #lomography #summer #documentary #phojournalism #monochrome #streetportrait #bwphotography #lomography #film

📖 Raw Summer 2017: “Absorbed” She lounges like no one’s watching — legs stretched, phone held close. The bench becomes her private island, the screen her portal. Whatever she’s reading, it’s got her. And the city, for now, fades into soft background noise. 📍 Location: Moscow, Gorky Park. 📷 Camera: Canon EOS 5 🔍 Lens: Canon Zoom Lens EF 70–210 mm 🎞️ Film: Kodak Vision3 200T + dev. D-76 🗓️ Date Taken: July 29, 2017 🖥️ Scanner: Noritsu LS-1100

📖 Raw Summer 2017: “Reading Through the Static” She sits quietly, absorbed in the glow of her screen, while the bench holds her like a frame holds a painting. The scene is simple — a girl, a phone, a summer afternoon. But the film tells another story. Chemical ghosts bloom across the image — patches of fixer left behind, like memories that refused to rinse away. They creep into the shadows, blur the edges, as if the photo itself is trying to remember something it forgot. She doesn’t notice. She’s somewhere else — in a message, a novel, a thread of thought. And we, the viewers, are left between two worlds: the digital one she’s reading, and the analog one that’s slowly decaying in silver and salt. 📍 Location: Moscow, Gorky Park. 📷 Camera: Canon EOS 5 🔍 Lens: Canon Zoom Lens EF 70–210 mm 🎞️ Film: Kodak Vision3 200T + dev. D-76 🗓️ Date Taken: July 29, 2017 🖥️ Scanner: Noritsu LS-1100

🎥 Raw Summer 2017: “The Street Seeker” He’s back in the crowd, camera in hand, eyes scanning. Not for spectacle — for truth. The fountain girls are long gone, their laughter dissolved in silver halides. Now he searches for something sharper, something that cuts deeper. He knows the rhythm of the street, the way people move when they think no one’s watching. He’s not chasing beauty — he’s chasing honesty. And in this frame, caught mid-hunt, he becomes part of the very story he’s trying to tell. 📍 Location: Moscow, Gorky Park. 📷 Camera: Canon EOS 5 🔍 Lens: Canon Zoom Lens EF 70–210 mm 🎞️ Film: Kodak Vision3 200T + dev. D-76 🗓️ Date Taken: July 29, 2017 🖥️ Scanner: Noritsu LS-1100

🍴 Raw Summer 2017: “Talk & Taste” They stand close, locked in a fast, animated exchange — hands gesturing, eyes locked, words tumbling between bites. A palm-tree shirt, a white Adidas tee, a plastic cup with a straw, and something wrapped in foil that’s half-eaten, half-forgotten. The crowd swirls around them, but they’re in their own orbit — a summer debate, a shared snack, a moment that tastes like street food and urgency. 📍 Location: Moscow, Gorky Park. 📷 Camera: Canon EOS 5 🔍 Lens: Canon Zoom Lens EF 70–210 mm 🎞️ Film: Kodak Vision3 200T + dev. D-76 🗓️ Date Taken: July 29, 2017 🖥️ Scanner: Noritsu LS-1100

🎞️ Four Scenes from a Russian Summer (Kodak Vision3+D76)
🎭 Chapter from the series “Raw Summer 2017:Part Two — Street Rituals”

#filmphotography #35mm #blackandwhite #noiretblanc #bnw #believeinfilm #streetphotography #people #lomography #summer #documentary #phojournalism #monochrome #streetportrait

“Corn Tenderness” By the fountain’s edge, a mother feeds her daughter boiled corn. The child reaches with trust, with hunger, with summer in her eyes. The mother leans in, patient and sunlit, offering not just food, but memory — a golden moment that will taste like July for years to come. 📍 Location: Moscow, Gorky Park. 📷 Camera: Canon EOS 5 🔍 Lens: Canon Zoom Lens EF 70–210 mm 🎞️ Film: Kodak Vision3 200T + dev. D-76 🗓️ Date Taken: July 29, 2017 🖥️ Scanner: Noritsu LS-1100

“Something with the Foot” She sits on the fountain’s edge, floral dress brushing the wood, sandals cast aside. One foot in her hands, brows furrowed — maybe a pebble, maybe a blister, maybe just a pause. Behind her, the park breathes: people lounging, chatting, unaware. But here, in this small gesture, summer slows down to a single touch. 📍 Location: Moscow, Gorky Park. 📷 Camera: Canon EOS 5 🔍 Lens: Canon Zoom Lens EF 70–210 mm 🎞️ Film: Kodak Vision3 200T + dev. D-76 🗓️ Date Taken: July 29, 2017 🖥️ Scanner: Noritsu LS-1100

“Selfie, Interrupted” (Diptych) Frame I — The Ritual: She prepares the shot like a warrior paints her face. Ink, skulls, shadows — a portrait of defiance. 📍 Location: Moscow, Gorky Park. 📷 Camera: Canon EOS 5 🔍 Lens: Canon Zoom Lens EF 70–210 mm 🎞️ Film: Kodak Vision3 200T + dev. D-76 🗓️ Date Taken: July 29, 2017 🖥️ Scanner: Noritsu LS-1100

“Selfie, Interrupted” (Diptych) Frame II — The Reveal: But in the act of capturing, her hand grazes her temple. A gesture too soft for armor. The tattoos remain, but now they cradle something tender: a woman who knows her strength, and dares to show her softness. 📍 Location: Moscow, Gorky Park. 📷 Camera: Canon EOS 5 🔍 Lens: Canon Zoom Lens EF 70–210 mm 🎞️ Film: Kodak Vision3 200T + dev. D-76 🗓️ Date Taken: July 29, 2017 🖥️ Scanner: Noritsu LS-1100

🎞️ Four Scenes from a Russian Summer (Kodak Vision3+D76)
Chapter from the series “Raw Summer 2017”

#filmphotography #35mm #blackandwhite #noiretblanc #bnw #summer #documentary #phojournalism #people #lomography #bw #moscowstreet #monochrome #streetportrait #streetbw #believeinfilm #streetphotography

📸 Summer Portrait: “Caught Between Clicks” She was in the fountain, he was filming — their own little summer story unfolding. But then they saw the lens pointed their way, and everything shifted. A smile, a glance, a moment shared with a stranger behind the camera. Now they’re part of another story... 📍 Location: Moscow, Muzeon Arts Park 📷 Camera: Canon EOS 5 🔍 Lens: Canon Zoom Lens EF 70–210 mm 🎞️ Film: Kodak Vision3 200T + dev. D-76 🗓️ Date Taken: July 29, 2017 🖥️ Scanner: Noritsu LS-1100

“Caught Between Clicks” (2017, Kodak Vision3+D76)
(Each photo has a heartbeat.Peek into the ALT)

#filmphotography #35mm #blackandwhite #noiretblanc #portrait #moscowstreet #monochrome #streetportrait #bnw #believeinfilm #streetphotography #summer #documentary #phojournalism #people #lomography #bw

📸 Bonus Photo: “The Watcher in the Spray” He blends in — cap backwards, camera ready, just another face in the crowd. But behind that lens is a sharp eye, capturing joy, chaos, and fleeting moments with quiet precision. The fountain dances, and he doesn’t miss a beat. A tourist to some, a storyteller to those who know. 📍 Location: Moscow, Muzeon Arts Park 📷 Camera: Canon EOS 5 🔍 Lens: Canon Zoom Lens EF 70–210 mm 🎞️ Film: Kodak Vision3 200T + dev. D-76 🗓️ Date Taken: July 29, 2017 🖥️ Scanner: Noritsu LS-1100

“The Watcher in the Spray” (2017, Kodak Vision3+D76)
(Each photo has a heartbeat.Peek into the ALT)

#filmphotography #35mm #blackandwhite #noiretblanc #summer #fountain #believeinfilm #streetphotography #monochrome #ishootfilm #lomography #documentary #phojournalism #bnw #people #moscowstreet #bw

📸 Bonus Photo 9: “Fountain Frenzy” Kids, teens, grown-ups — no one’s holding back. The fountain’s alive, and so is everyone in it. It’s not about age or rules, just pure, soaking joy. A spontaneous summer celebration where laughter echoes louder than the water jets. Series: 🌈 Where the Water Laughs One summer day, the fountain became a stage. Laughter echoed through the spray, friendships danced in droplets, and time stood still — just long enough for everyone to feel young again. This is not just water. This is joy in motion. 📍 Location: Moscow, Muzeon Arts Park 📷 Camera: Canon EOS 5 🔍 Lens: Canon Zoom Lens EF 70–210 mm 🎞️ Film: Kodak Vision3 200T + dev. D-76 🗓️ Date Taken: July 29, 2017 🖥️ Scanner: Noritsu LS-1100

🌈 Where the Water Laughs
(A story told in splashes, laughter, and barefoot joy.)
📸 Bonus Photo 9: “Fountain Frenzy”

#filmphotography #35mm #blackandwhite #noiretblanc #summer #fountain #believeinfilm #streetphotography #monochrome #ishootfilm #lomography #documentary #phojournalism #bnw #people

Street Ice Cream
25.07.2025

#moscowstreet #monochrome #blackandwhite #moscow #bw #streetportrait #everybodystreet #icecream #childrenphoto #children #streetlife #monochrome #documentary #noiretblanc #phojournalism #people #street #streetphotography #streetbw #moscow #streetmoment #streetphoto

Ping pong
25.07.2025

#moscowstreet #monochrome #blackandwhite #moscow #bw #streetportrait #female #girl #bnw #streetbw #streetlife #face #streetphotography #streetlife #streetmoment #streetphoto #monochrome #documentary #noiretblanc #phojournalism #everybodystreet #people #street #pingpong

🎈The Joy Brokers She held their hands like threads of a tale, spinning wonder into the air with each gesture. In her patterned dress and bright scarf, she was more than performer — she was a pulse in the city’s celebration. The children leaned in not because they had to, but because belief, here, felt easy. Series: Faces of Moscow 872: Threads of Play Camera: Canon EOS 5 Lens: Canon Zoom EF 70–210mm Film: Tasma Type42L Scanner: Noritsu HS-1800 Location: Moscow, Russia Date: September 07, 2019

She didn’t just entertain — she connected. With one hand in hers, the child stepped into a world where play was sacred. The crowd blurred, the noise faded. In that instant, it was just two people, sharing a story told without words. This frame captures a fleeting exchange where laughter becomes currency, and the city breathes through its people. Series: Faces of Moscow 872: Threads of Play Camera: Canon EOS 5 Lens: Canon Zoom EF 70–210mm Film: Tasma Type42L Scanner: Noritsu HS-1800 Location: Moscow, Russia Date: September 07, 2019

⏳ When Time Walked In She didn’t arrive — she emerged. Gears turned where her heart might be, and the crowd paused, sensing something ancient in the air. The children stared, not with fear, but with awe. Because sometimes, even in celebration, Time decides to join the dance. Series: Faces of Moscow 872: Threads of Play Camera: Canon EOS 5 Lens: Canon Zoom EF 70–210mm Film: Tasma Type42L Scanner: Noritsu HS-1800 Location: Moscow, Russia Date: September 07, 2019

Faces of Moscow 872: Threads of Play (Tasma Type42L)
September 07, 2019

#filmphotography #tasmatype42 #blackandwhite #film #face #childrenphoto #children #bwfilm #believeinfilm #35mm #bnw #monochrome #documentary #noiretblanc #phojournalism #streetphoto #everybodystreet #analogvibes #people #street