A close-up side angle focusing on the texture and form of the installation of Jane Alexander’s “Infantry with Beast.” The human pup is kneeling, their black hood distinct against the mottled gray and white painted finish of the “wild dog” infantry figures. The composition layers the figures, creating a sense of depth and movement as the army marches past the stationary pup.

Posing next to Jane Alexander’s “Infantry with Beast.

#museumpup #pupplay

Oil painting by Gustave Caillebotte titled 'Yerres, Soldiers in the Woods' (c.1871) showing soldiers in red and blue uniforms positioned among tall trees in a forest setting, with a light-colored path winding through the wooded landscape—including one soldier on the left with exposed buttocks, a detail easily missed on first viewing—painted in loose Impressionist brushstrokes with rich greens dominating the forest canopy.

Been absolutely obsessed with #Caillebotte ‘s 'Soldiers in the Woods' at AIC. But wow, only just noticed on visit #3 that there's a soldier with his bare bottom showing on the left! 😅

Caillebotte was really ahead of his time showing such unguarded moments. The […]

[Original post on woof.group]

Oil painting by Gustave Caillebotte titled 'Yerres, Soldiers in the Woods' (c.1871) showing soldiers in red and blue uniforms positioned among tall trees in a forest setting, with a light-colored path winding through the wooded landscape—including one soldier on the left with exposed buttocks, a detail easily missed on first viewing—painted in loose Impressionist brushstrokes with rich greens dominating the forest canopy.

Been obsessed with @artinstitutechi.bsky.social’s Gustave #Caillebotte show and his consistent subversion of the artistic norms at the time, esp w/ male subjects. But wow, only just caught that 𝐬𝐨𝐥𝐝𝐢𝐞𝐫’𝐬 𝐛𝐚𝐫𝐞 𝐛𝐨𝐭𝐭𝐨𝐦 on the left on my 3rd visit 😅. #Impressionism #ArtDiscovery #chicago #gay #MuseumPup

A hooded pup stands next to a gilded, ornately carved frame showcasing Gustave Caillebotte’s The Floor Scrapers, which was the artist’s first submission to the official art exhibition. It was rejected because critics found the subject—half naked bodies of working class men to be too much of a taboo. The horizontal painting features three shirtless workers kneeling and planing long wooden floorboards in a sunlit Parisian apartment, light pouring through tall windows with decorative ironwork while curls of wood shavings scatter across the receding planks. The canvas sits on a clean cream wall with a small placard to its right, and a visitor stands in three‑quarter profile at the far right wearing a black neoprene puppy hood, short‑sleeve white button‑down shirt, and metal bangle, arms folded as they study the scene closely. The painting’s warm browns and cool grays contrast with the bright gallery lighting, and details like a dark bottle and hand tools near the workers emphasize the intimate, labor-focused composition within the richly decorated frame.

G Caillebotte’s The Floor Scrapers (1875) serves muscular teamwork: hard labor looking hella modern and hot.
It’s the artist’s 1st & only submission to the official art show, and was rejected because half naked bodies of men was too much of a taboo!
#Impressionism #QueerArt #PupPlay #MuseumPup #gay

In a two-part visual story set within an art gallery, a person wearing a black neoprene puppy hood engages with the work of Gustave Caillebotte. In the first image, the pup stands with strong, crossed arms, clad in a white patterned button-up shirt and a neon green wristband. They gaze intently at a painting on the terracotta-colored wall. The artwork is Caillebotte's smaller, impressionistic sketch for "The Pont de l'Europe," housed in a simple silver frame. The pup's posture is one of thoughtful contemplation, their dark, smooth hood with its perky ears and white ringed muzzle creating a striking profile against the warm gallery wall.

The scene shifts in the second image. The pup has moved to stand before the final, magnificent oil painting of "The Pont de l'Europe." This version is vast, filling the frame with its detailed depiction of Parisian life on the iconic bridge, all contained within an ornate gold frame. The pup, now seen more from the side and wearing tan pants, has a white bone prop held gently in the muzzle of their hood. Their head is turned towards the painting, mirroring the pose of a man in a white coat who leans over the bridge's railing within the artwork. In a delightful detail, a brown dog trots across the bridge in the painting, creating a whimsical connection between the 19th-century art and its 21st-century admirer.

Saw a missing dog in a painting, so I made it bigger and added a doggo using pup magic 💫

#DogInArt #PontDeLEurope #MuseumPup #PupPlay #Chicago #lgbtq+ #Gustave #Caillebotte #Impressionism #ArtHistory #HumanPup #AIC

A muscular person with tan skin sits in profile on a museum bench, facing a framed print of a dynamic horse scene hung on a gallery wall. The person wears a fitted white sleeveless shirt highlighting their arms and a thick silver chain necklace with a striking metal clasp pendant. Their most eye-catching accessory is a black neoprene puppy hood with perky ears, stylized eye and muzzle panels, camouflage side details, and an O-ring at the snout. Their pose is relaxed but intent—as if studying the artwork closely. The artwork before them is a reproduction of an equestrian print by Rosa Bonheur, a pioneering 19th-century French artist and openly gender-nonconforming woman. Bonheur made her mark painting animals—especially horses—in bold, realistic style, breaking boundaries for women and gender-nonconforming creatives by dressing in men’s clothes and working fiercely in a male-dominated art world. The museum-print's golden mat and dark frame stand out amid surrounding period paintings. Museum information cards beside the frame reference both Anna Klumpke and Alfred Rose Barbeau—Klumpke being Bonheur’s partner and celebrated biographer, further deepening the scene’s resonance with queer and feminist art history. The overall scene mixes playful kink (with the puppy hood referencing human-pup roleplay and alternative queer culture), high art, and homage: a living, breathing tribute in leather and neoprene to historical creativity and gender defiance. #RosaBonheur #GenderNonconforming #PuppyPlay #QueerArt #MuseumALT #ArtHistory #Animalier #AltFashion #NeopreneHood #QueerVisibility

The Horse Fair Rosa Bonheur French 1852–55 On view at The Met Fifth Avenue in Gallery 812 This, Bonheur’s best-known painting, shows the horse market held in Paris on the tree-lined Boulevard de l’Hôpital, near the asylum of Salpêtrière, which is visible in the left background. For a year and a half Bonheur sketched there twice a week, dressing as a man to discourage attention. Bonheur was well established as an animal painter when the painting debuted at the Paris Salon of 1853, where it received wide praise. In arriving at the final scheme, the artist drew inspiration from George Stubbs, Théodore Gericault, Eugène Delacroix, and ancient Greek sculpture: she referred to The Horse Fair as her own "Parthenon frieze." https://www.metmuseum.org/art/collection/search/435702

Paying homage to a print of equines by the legendary artist Rosa Bonheur, who wore men’s dress, lived independently, and became one of the most acclaimed women artists of her era, specializing in animalier realism.

#PupPlay #LGBTQ+ #FristHomosexuals #Wrightwood659 #MuseumPup #Chicago #Gay #ponyplay

A photo of a taxidermied brown dog with white paws standing on a white table inside a museum. The dog is facing the camera and appears to be a medium-sized breed with thick fur. The background shows museum display cases with various artifacts.

"Exhibit A: Extreme floofiness." #DogsofInstagram #MuseumPup #GoodBoy #Floof

A captivating museum selfie featuring an enthusiast in a detailed black leather puppy hood with prominent pointed ears and an expressive tongue playfully sticking out. They're wearing a sleek black fitted top with white piping trim and a metallic chain collar with a green "taft" tag. Posed beside them is a striking piece of historical woodwork - the Independent Order of Odd Fellows Marquetry Table from 1933. The intricately crafted wooden display features geometric patterns with contrasting light and dark woods forming elaborate borders surrounding a central shield-like emblem. Fascinatingly, the central design resembles a round-faced canine with what appears to be an open mouth and collar chain, creating a serendipitous visual harmony with the puppy hood enthusiast posing alongside it. Above in the background hangs a decorative starburst installation with red and golden arrows. The rich amber tones of the marquetry work beautifully against the purple-blue museum wall. #PuppyPlay #LeatherCommunity #HistoricalArtifacts #OddFellows #MarquetryArt #MuseumVisit #WoodworkArt #FraternalHistory #MuseumMoments #CreativeConnections #BlueskyBuzz #MuseumAdventures #PupPlayCommunity #PuppyPlayCommunity #PuppyPride #PupPride #mueseumselfie

Item description: Independent Order of Odd Fellows Marquetry Table, 1933 Probably Islip, New York / Wood Collection American Folk Art Museum, New York, Gift of Kendra and Allan Daniel, 2015.1.160 (ames J. Crozier, a carpenter from Islip, New York, made this intricately decorated marquetry table Is surface features a number of fraternal symbols, but it is the prominent letters "FLT" and "iOOF and the three-link chain that mark this as an Odd Fellows object. The initials for "Friendship," "Love," and "Truth" served to remind lodge members of the ritual teachings from the Initiatory Degree: like the chain, they were bound together in those virtues. The all-seeing eye symbolizes the omniscience of God, and the heart in hand signifies candor and sincerity.

Spotted the paw-fect match! 🤩 Posing beside a stunning piece of marquetry art from the Independent Order of Odd Fellows: its central design looks like a round-faced dog with an open mouth and collar chain! 😄

#MuseumPup #DogsOfCulture #HumanDog #HumanPup #PupLife #PupPlay #ChicagoGay #travel

A captivating scene unfolds in a museum dedicated to American secret fraternities, where history and intrigue intertwine. The image showcases a striking exhibit featuring a peculiar wooden contraption - a white, horse-like figure mounted on bright yellow wheels. This curious object is none other than a ritual initiation device known as the "lodge goat," once a staple in fraternal initiation ceremonies. In the foreground, a figure stands in stark contrast to the vibrant crimson walls. Clad entirely in black, they wear a sleek, form-fitting outfit complete with a leather horse hood, its pointed ears creating a dramatic silhouette. The juxtaposition of the modern, fetish-inspired attire against the historical artifacts creates a compelling visual narrative. The museum's deep red walls serve as a dramatic backdrop, adorned with various artifacts. A weathered wooden sign proclaims "BURY THE DEAD" in faded lettering, hinting at the secretive and sometimes macabre nature of fraternal rituals. Flanking the sign are two ornate banners, their intricate designs barely visible in the dim lighting. This image captures a fascinating intersection of historical fraternal practices and modern subculture, inviting viewers to contemplate the evolution of secret societies and their enduring allure in contemporary times. #SecretSocieties #FraternalHistory #KinkyCosplay #MuseumAfterDark #LodgeGoat #RitualArtifacts #LeatherFetish #HistoricalCuriosity #SubcultureMeetsHistory #AmericanFraternities

The wooden "goat" takes center stage, perched atop a white pedestal. Its simplistic design belies its significance in fraternal history, where it was used to test and often humiliate new initiates. The yellow wheels and white body create a striking contrast against the rich burgundy surroundings. From the accompanying text: Modern Woodmen of America Lodge Goat, early 1900s Possibly Vermont | Painted wood with leather and horsehair Collection American Folk Art Museum, New York, Gift of Susan Sperry Burns, 2020.16.1 This goat was made for the Modern Woodmen of America, an organization founded in lowa in 1883. From its inception, Modern Woodmen was formed as a charitable society, providing financial assistance to families in need. In the early 1900s, various fraternal orders used lodge goats for initiation rituals. Here, the wheelbarrow-like construction indicates how this object would have been used, with a hooded initiate sitting on the animal's back while a society member grasped the handles and directed the goat's intentionally jerky and clumsy movement. THE LOCAL STORY Although originally seized on by the popular press as a means of maligning the secrecy and supposed disorderliness of fraternal orders, the figure of the goat was later reclaimed by these groups as a tongue-in-cheek symbol of insider knowledge, with the lodge goat coming into use from 1900 to 1930 as part of increasingly satirical rituals. In 1902, Cincinnati Freemason James Pettibone compiled The Lodge Goat, which advertisers hailed as the "funniest book ever published for all lodge men and women."

Visiting the Taft’s exhibit on American secret fraternities (www.taftmuseum.org/exhibitions/...).

Couldn't resist posing with the infamous "lodge goat" used for initiation rites! 🐐

#MuseumPup #history #TaftMuseum #Cincinnati #travel #HumanDog #HumanPup #GayPup #PupLife #PupPlay #PuppyPlay