📖 Read Corey Cribb's response to our panel at #NECS2025, hosted by Lusófona University last June.
👉 Full text available on our website: filmdeath.fcsh.unl.pt/2025/08/11/r...
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#necs2025
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Freshly returned from the excellent 2025 NECS conference "Discovering/Uncovering: Navigating the Complexities of Screen Media," hosted by Lusófona University in Lisbon.
I greatly appreciate the productive engagement throughout the conference. #NECS2025
necs.org/conference/2...
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Three people in person and one projected onto a large screen engage in discussion in a university seminar room
Still thinking about #NECS2025 in Lisbon last week. It was an honor to present on the panel "Socialism Goes Global: Cold War Geopolitics Beyond Europe" with @cheryldueck.bsky.social, Deniz Göktürk, and Balázs Varga. More in Montpellier? [Photo credit: @nwbaer.bsky.social]
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Situācija mazās kopienās, kur cits citu pazīst un ir visnotaļ cieši saistīti dažādās atkarības attiecībās, kino pētnieku nostāda tādu izaicinājumu priekšā, kādus nepazīst lielo kino valstu kino zinātnieki. 6/6
#NECS2025
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Mana darba ikgadējā intelektuālā kulminācija un mājas ir NECS - Eiropas kino un mediju pētniecības tīkla - konference. Šogad Lisabonā. Esmu pateicīga par šo kopienu, kas man ar saviem padomiem, priekšlikumiem vai vienkārši garāmskrejot izteiktām remarkām palīdz attīstīt domāšanu, 1/6
#NECS2025
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✨ Such a delight to officially launch our new book "Doing Digital Film History. Concepts, Tools, Practices" at #NECS2025 in Lisbon! 📕Thanks to my co-editors, the contributors, and the team at De Gruyter! 👉 www.degruyterbrill.com/document/doi...
#DigitalFilmHistory #MediaStudies #DH #DataPractices
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(Quería bluitear sobre #NECS2025 pero igual lo dejo para mañana, en fin)
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Final panel of #NECS2025 for me this year was on experiments in decolonial worldbuilding in the Algerien film magazine "Les deux écrans" (1979 - 1984). Another historical example that film criticism is almost always closly connected to politics.
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Pirmo reizi Eiropas lielākajā kino un mediju pētniecības konferencē NECS ir tik plaši pārstāvēta Latvijas kino pētnieku kopiena!
No kreisās: Astra Zoldnere, Zane Balčus, lidmašīna, pati, Dita Rietuma.
#NECS2025 #waitingfortheplain
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Eiropā lielākajai kino un mediju pētniecības konferencei NECS, kura šogad notiek Lisabonas universitātē, ir īpašs audiālais līmenis. Ik pa 2 minūtēm. 🤣
#NECS2025
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An outstanding (but very grim) keynote by Lee Grieveson on the digital as a biopolitical practice of information control.
#NECS2025
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View of Lisbon with rooftops, waterfront, and bridge
After exploring the beautiful city of Lisbon with Maggie @hennefem.bsky.social, I'm ready for #NECS2025 to begin!
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Panel B7 | Gaps, Possibilities, Vampirism: Feminist Interventions in Film and Media Historiographical Narratives Chair | Thomas Scherer (European University Viadrina Frankfurt (Oder)) Room G.1.5 sarah-Mai Dang (Philipps-Universitat Marburg) | Missing Data. Exploring Algorithmic Bias and Power in Film and Media Historical Research Elisa Linseisen (HfBK Hamburg) & Lisa Gotto (University of Vienna) | How to not become a vampire. Approaches to Unfinished Films and Histories Laura Katharina Miicke (JGU Mainz) | Too Fragmented to Pay Attention. Gaps vs. Stereotypes in Early Women Film Spectatorship Josephine Diecke (University of Zzurich) | Reconstructing and Reimagining ‘Someone Else’s Spectral Images: The Case of Chetna Vora
Panel D14 | Uncovering Amateur Media Histories: Digital Approaches to Archival Collections Supported by | Amateur Media Cultures Chair | Alexandra Schneider (Johannes Gutenberg University Mainz) Room B.1.2 Tim van der Heijlden (Open University of the Netherlands) & Lauren Tilton (University of Richmond) | Exploring Amateur Media Collections at Scale Through Distant Viewing Andrea Mariani (University of Udine) | Amateur Film as Lossy Media: Overscanning and the Digital Fac-simile Charles Tepperman (University of Calgary) | Mapping a Global Vernacular: Data (Trouble) and Amateur Film History Between the Wars Respondent | Sarah-Mai Dang (Philipps-Universitat Marburg)
So excited for the start of the #NECS2025 conference today in Lisbon!
Looking forward to the contributions by #DAVIF PI @SarahMaiDang who will discuss the effects of missing data on research in film and media studies (Thursday, 19 June) and respond to papers on […]
[Original post on fedihum.org]
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#NECS2025 There we go! Feliz de volver a Lisboa con este panel de título infinito (qué risas mañana cuando toque leerlo) y con fantásticas compañeras. Presentamos varios trabajos en curso del I+D "El documental institucional y el cine de aficionado coloniales: análisis y usos"
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Banner of the NECS 2025 conference hosted by Lusófona University in Lisbon from 18-21 June 2025. The theme of the conference is Discovering/Uncovering. Navigating the Complexities of Screen Media.
The final program of #NECS2025 in Lisbon is now available with two contributions by #DAVIF PI @SarahMaiDang!
✨ On Thursday, 19 June at 11am she will give a paper on missing data, algorithmic bias and power in film and media studies (room G.1.5 - panel B7)
✨ On […]
[Original post on fedihum.org]
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Thrilled to announce that @SarahMaiDang will be contributing to two panels at NECS 2025 Conference.
She will present on “Missing Data. Exploring Algorithmic Bias and Power in Film and Media Historical Research” in a panel organized with @josidie, Lisa Gotto, Elisa Linseisen, and Laura Katharina […]
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For those still looking to form a panel on #FilmFestivalResearch for #NECS2025, please see the detailed CfP for the pre-constituted panels in the FFR Workgroup here: www.filmfestivalresearch.org/index.php/cf...
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DL for submitting to #NECS2025 conference in Lisbon, Portugal (18-21 June) is approaching (Jan. 31). Submit your paper proposal to m.devalck@uu.nl by Jan. 26 to be included in pre-constituted panel in #FilmFestivalReseach. More info about conference, CfP & updates, pls visit necs.org/conference.
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