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A delivery bike rider, rides past a Freshii store in downtown Toronto.
Freshii Run (©2026, Peter Crock)
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A pedestrian walks past a public art sculpture by Henry Moore, in Toronto’s Grange Park.
Movements (©2026, Peter Crock)
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The giant white head public art piece by sculptor Jaume Plensa looms over a pedestrian walking by.
Everyside (©2026, Peter Crock)
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A glass exterior reflects the street and walking pedestrians on an angle.
Street Reflection (©2026, Peter Crock)
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Sharp diagonal angles on a glass building in downtown Toronto.
Working the Angles (©2026, Peter Crock)
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A public art piece by artist by Will Cuthbert. It’s wooden piece in the shape of a hand, with several slats coloured in the form of a rainbow.
A view of the fingers at the top, with a blue sky with clouds behind it.
Colourful Embrace (©2026, Peter Crock)
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A public art piece by University of Waterloo School of Architecture and the Department of Architectural Engineering: Clay te Bokkel, Isabella Ieraci, Matthew Lam, Sasha Rao, Simon Huang, Oskar Peng, David Shen, Professor Fiona Lim Tung. Crest emerges from the sand and snow of the Toronto Beaches as a sweeping wave positioned moments before break. From afar, the installation resembles a mere pile of driftwood washed up on the beach. As one approaches, the geometry of the wave gradually reveals itself. The waffled plywood form acts as an illusion where individual pieces appear and disappear with different directions of arrival, merging with the landscape beyond. The cantilever of the wave envelops and invites visitors to gather, sharing a moment to pause and take in the vast Lake Ontario coastline. Like the fleeting moment of a wave crashing onto shore, the installation serves as a reminder that reality is finite, and fulfillment is found in being present.
A view from the side of the piece, towards the view of the beach and Lake Ontario. A forced perspective with two people walking on the beach with the curvature of the wood making them look diminutive.
Beach Crest (©2026, Peter Crock)
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A public art installation at Woodbine Beach. The piece is called “Chimera”, by Ukrainian and German artists Denys Horodnyak & Enzo Zak Lux. It consists of multiple cylindrical mirrors on four sides (12 mirrors on each side). The frame shows six mirrors at the top, reflecting the blue sky and clouds.
Mirrored Sky (©2026, Peter Crock)
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Light fog covers the landscape of a cemetery, several bare trees surround a small figure in the distance sitting on a bench.
A Quiet Moment (©2026, Peter Crock)
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Cemetery shrouded in fog, a single cross is buried in the snow, while a gnarled tree sits behind it.
Headstones surround a bare tree in a cemetery shrouded in fog.
Sunday Morning Fog III (©2026, Peter Crock)
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A thin layer of fog rolls through a cemetery, and a yellow, red, and green coloured gazebo with shrubbery surrounding it sits amongst it.
A thick layer of fog rolling through a cemetery obscures a view of buildings in the distance.
Headstones and trees get obscured by a thin layer of fog.
Sunday Morning Fog II (©2026, Peter Crock)
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Thick blanket of fog in a cemetery surrounded by trees.
Think blanket of fog in a cemetery surrounded by trees.
Thick blanket of fog in a cemetery surrounded by trees.
Sunday Morning Fog
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A lone pedestrian walks along an empty Spadina looking south. Storefronts and trees on either side of the sidewalk give an interesting vanishing point perspective in the frame.
Spadina Blues (©2026, Peter Crock)
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A view inside of an Espresso Cafe, a woman is sitting at a table on her laptop. The reflection from the window also gives a view of the street outside.
Darkhorse (©2026, Peter Crock)
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A pedestrian walks past a bus shelter covered with snow. From my perspective, the person is framed by the shelter as it walks past.
Take Shelter (©2026, Peter Crock)
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A pedestrian walks past a piece of public (consisting of a large circular ribbon shaped object), outside of TIFF in downtown Toronto.
Eighty Proof (©2026, Peter Crock)
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Smoke rising from a smokestack.
The Little Smoke (©2026, Peter Crock)
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A giant white head stands amidst financial buildings downtown. The public art piece is by renowned sculptor Jaume Plensa.
Side view of giant white head sculpture.
View of giant white head sculpture from the side, this time from further away.
How to Get Ahead in Advertising (©2026, Peter Crock)
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A pedestrian walking through a cloud of steam from a vent below.
Shrouded (©2026, Peter Crock)
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A pedestrian walks over a steam vent in downtown Toronto.
Urban Steam (©2026, Peter Crock)
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A bare tree in the foreground obscures high rise buildings downtown.
Overgrown (©2026, Peter Crock)
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In the frame is a snowstorm with low visibility, and the focus is on a public art sculpture placed in the median between traffic. It is a lively art piece that contains 14 figures (meant to represent only two). 7 of the figures on the left are in a crouching position and gradually in a standing position. 7 of the figures on the right are leaping in the air. In the center, they meet where the figure on the left is catching the figure on the right mid leap. Between the art piece is a gap, and in the gap can be seen two pedestrians walking within the gap.
Olympic Spirit (©2026, Peter Crock)
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Walking along a snowy path, a pedestrian is reflected in the one sided glass exterior of a building.
Winter Reflects (©2026,Peter Crock)
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On a snowy day, the side view of a Kinton Ramen features an illustrated pig, with the words Kinton Ramen above and below it.
It’s Ramen Time (©2026, Peter Crock)
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Two bare and spindly trees stand against a grid formed background.
Bare and Spindly (©2026, Peter Crock)
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A light snowstorm among Condominium towers.
View looking north on Yonge Street, with snow obscuring visibility.
A father and son walk on a snow covered sidewalk.
Finally getting around to snowstorm shots from a couple weeks ago. More to come…(©2026, Peter Crock)
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Public art installation by artist Jyhling Lee. The semi-circular, muti-faceted artwork is named Reflektor and really catches the eye as you pass by. I was drawn to the piece and walked up into the circle, taking photos and reflected back into the camera. It's kind of like a giant, metal orange, spread apart in one piece and created in the cyber orange factory.
Reflektor (©2026, Peter Crock)
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