Project Repoman 3 – Diva When I was younger there were some films and TV series I never saw, but knew from adjacent elements. For example I only recently started watching Twin Peaks, but I know the soundtrack intimately, b…

My third #projectrepoman post is up, this time looking at the film Diva. All of these are fairly short. For me, they're a nice little record of thoughts as I work my way through the #moviedrome films, but I do hope other people find them interesting. stevetoase.wordpress.com/2026/01/26/p...

#MyMoviedrome
Continuing my Sunday night film viewing with -
N°29 We Have Always Lived In the Castle (2018)
N°29a Shirley (2020)

#Moviedrome #Movies #Films #ShirleyJackson

#MyMoviedrome
Continuing my Sunday night film viewing with
No27 Sonatine (1993)
+
No27a Ichi the Killer (2001)

#Film #Moviedrome #NeoNoirvember

#MyMoviedrome
Continuing my Sunday night film viewing with a James M Cain #Noirvember double bill
No26 Double Indemnity (1944)
+
No26a The Postman Always Rings Twice (1946)

#Moviedrome #Films #FilmNoir

Alex Cox on Moviedrome, Cult Cinema, and the State of Modern Film From punk westerns to BBC cult classics, filmmaker Alex Cox has always gone his own way. The Repo Man and Sid and Nancy director talks about his time hosting Moviedrome, why Hollywood has lost its …

I interview #alexcox about his love of #movies #moviedrome #bbc #robocop #spagettiwesterns and #cultcinema as part of this years @britishfilminstitute #celebration of #moviedrome he hosted

aaroncarruthers85.wordpress.com/2025/11/12/a...

#MyMoviedrome
Continuing my Sunday night film viewing with
No25 Shadow of a Doubt (1943)
+
No25a Strangers On A Train (1951)

#Moviedrome #Movies #Hitchcock #Noirvember

Finishing off the Hallowtide weekend #MyMoviedrome film viewing with a Mexican Gothic double-bill
N°24 Veneno para las Hadas (Poison for the Fairies) (1984)
+
N°24a Más Negro que la Noche (Blacker Than Night) (1975)

#Moviedrome #Horror

Extending #MyMoviedrome across the #Halloween weekend.
Tonight's #film viewing is ~
N°22 Spider Baby (1967)
+
N°22a The Old Dark House (1932)

#Moviedrome #Movies #Horror 🎃

www.youtube.com/watch?v=oZ4h...

#Moviedrome

#MyMoviedrome 🎃

Continuing my Sunday night #film viewing with
N°21 Something Wicked This Way Comes (1983)
+
N°21a The Other (1972) 🎃

#Halloween #Horror #Moviedrome #Movies

#MyMoviedrome N°19 + N°19a

Continuing my Sunday nights tribute ot #Moviedrome with
Wisconsin Death Trip (1999)
+
Searching For The Wrong-Eyed Jesus (2003)

#Film #Documentary

#MyMoviedrome N°18 + 18a
Continuing my Sunday night #film viewing tribut to #Moviedrome with Taxi Driver (1976) + Nightcrawler (2014)

#MyMoviedrome N°17 Continuing my Sunday night film viewing with Dracula's Daughter (1936)

#Horror #Film #Moviedrome #Movie

#MyMoviedrome N°16 + N°16a
Arsenic and Old Lace (1944)
The Cat and the Canary (1939)

My Sunday night #Film viewing tribute to #Moviedrome

#MyMoviedrome
Continuing my Sunday night film viewing tribute to #Moviedrome with -
N°15 Kiss Me Deadly (1955)
+ N°15a Split Second (1953)

#Film #FilmNoir

#MyMoviedrome N°14
Continuing my Sunday night #Film viewing in tribute to #Moviedrome with Seance on a Wet Afternoon (1964)

#MyMoviedrome N°13
Continuing my Sunday nights #film fest with 28 Years Later (2025)

#Moviedrome #Movie #Horror

Fuck me! After 20 years #BBC4 have finally woken up to the idea of showing classic films.

#moviedrome redux next👌

#MyMoviedrome N° 12
Cotinuing my #Moviedrome Sunday night viewing of cult #Film with Lost Highway (1997)

Escape From New York (1981) - Projected Figures John Carpenter's post-Watergate, pre-9/11 ESCAPE FROM NEW YORK offers bleak futurism while looking ruefully back to values from an older American playlist

“I don’t give a fuck about your war, or your President”: John Carpenter's dystopian action SF blaxploitation oater ESCAPE FROM NEW YORK (1981) turns its back on America's corrupted, fascist future. Re-screens 6.20pm tonight in NFT3, BFI Southbank #MovieDrome projectedfigures.com/2019/04/14/e...

Alex Cox introduces The Wicker Man on the much loved BBC2 cult movie programme Moviedrome.

The Biggest Loser was a massive ratings success for NBC but as Netflix's Fit for TV The Reality of The Biggest Loser shows it was a deeply flawed and morally questionable concept from the start.

Journalist Samira Ahmed is one of the Moviedrome fans interviewed on the documentary Moviedrome Welcome To The Cult on BFI Player and Apple TV+.

Biggest Loser winner Danny Cahill is among those interviewed on Netflix's three part documentary Fit for TV The Reality of The Biggest Loser.

TV HEAVEN, TV HELL: Two documentaries capture the best and worst of television. But what does Pomona make of #MoviedromeWelcomeToTheCult on #BFIPlayer & #AppleTv+ and #FitForTVTheRealityofTheBiggestLoser ?.. loveitinpomona.blogspot.com/2025/08/tv-h... #moviedrome #bbc2 #AlexCox #MarkCousins

Darkman (1990) Liam Neeson and Frances McDormand star in Sam Raimi's crime-fighting action-fantasy

#Moviedrome films on the telly
S6E1 Darkman
On Channel4 for 27d
www.channel4.com/programmes/d...
Intro and outro are here
youtu.be/PooFlPURpio?...

#MyMoviedrome N°11 Dark Country (2009)
Continuing my Sunday night viewing tribute to #Moviedrome

#Movies #CultFilm #Films

Watching a documentary about #Moviedrome
Alex Cox features and is as likeable as always.
Fun to see how he now looks like a more disreputable Edward Fox.

Escape From New York (1981) - Projected Figures John Carpenter's post-Watergate, pre-9/11 ESCAPE FROM NEW YORK offers bleak futurism while looking ruefully back to values from an older American playlist

“I don’t give a fuck about your war, or your President”: John Carpenter's dystopian action SF blaxploitation oater ESCAPE FROM NEW YORK (1981) turns its back on America's corrupted, fascist future. Re-screens 8.50pm today at NFT1, BFI Southbank #MovieDrome projectedfigures.com/2019/04/14/e...

Johnny Guitar (1954) - Projected Figures Nicholas Ray's oater JOHNNY GUITAR subverts the gender norms and moral standards of the western in vibrant Trucolor (with noirish undertones)

"subverts the gender norms and moral standards of the western in vibrant Trucolor (with noirish undertones)": Nicholas Ray’s oater JOHNNY GUITAR (1954) screens 6.10pm tonight at NFT2, BFI Southbank #MovieDrome projectedfigures.com/2022/12/04/j...

#MyMoviedrome N°10 The Collector (1965)

I had this on my list for a rewatch anyway but today seems an apt time.
R.I.P. Terence Stamp

#Films #Moviedrome #Movies

Carnival of Souls (1962) - Projected Figures Herk Harvey's uncannily off-kilter mystery CARNIVAL OF SOULS comes with an intangible eerieness that has often been imitated but rarely matched

You can't step into the same river twice: Herk Harvey's uncanny, unmissable, underwater CARNIVAL OF SOULS (1962) rescreens 8.50pm tonight, NFT2 at BFI Southbank. A chilly, stone-cold classic. #MovieDrome. projectedfigures.com/2016/04/14/c...

Escape From New York (1981) - Projected Figures John Carpenter's post-Watergate, pre-9/11 ESCAPE FROM NEW YORK offers bleak futurism while looking ruefully back to values from an older American playlist

“I don’t give a fuck about your war, or your President”: John Carpenter's dystopian action SF blaxploitation oater ESCAPE FROM NEW YORK (1981) turns its back on America's corrupted, fascist future. 8.45pm tonight in NFT1, BFI Southbank #MovieDrome projectedfigures.com/2019/04/14/e...

#MyMoviedrome N°9
Continuing my Sunday night cult #Film viewing with
Southern Comfort (1981)

#Moviedrome #Movies