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A single woman fills a vertical scroll, her body bent forward in a tight curve against a quiet, gray-beige ground. Her face is a pale, porcelain-toned complexion with heavy-lidded eyes cast downward, and a small mouth half-hidden by her own hair. One hand rises to her lips as she bites and tugs at a thick, disheveled lock like an anxious, self-soothing gesture that reads as pain. Her very long straight black hair pours over her shoulder like ink, contrasting with the light kimono that wraps her figure. Across the garment, delicate spiderweb lines spread and snag, while wisteria blossoms bloom in clusters of dense, tangled, and uneasy beauty. The robe’s patterns and the curve of her spine echo each other, making her torment feel physical, not abstract. A white ribbon loops above her head, and the collar opens to a dark, cool inner layer of greens and blues that feel like a shadow under the white cloth. Her sleeve hangs heavy, its edge lined with gold and muted color, while a small foot peeks from beneath the hem, grounding this supernatural story in a real body. All motion is contained in the sweep of hair and the tightening spiral of her stance. This is Lady Rokujō (六条御息所 / Rokujō no Miyasudokoro), a court woman from The Tale of Genji (源氏物語), imagined at the moment jealousy overwhelms her.

Kyoto-born artist Uemura Shōen (上村松園) was celebrated for bijinga within nihonga, so this subject is a departure. The museum calls Rokujō “driven mad with jealousy,” and Shōen makes it bodily with a spine that folds and hair that becomes a tether. “Flames” are emotion inside the body like envy and grief compressing into silence. Spiderwebs suggest entrapment and wisteria, refinement turned invasive. In The Tale of Genji, Rokujō’s jealousy is said to manifest as a living spirit that harms a rival and here she remains dignified even as she unravels. Painted in 1918, it is among Shōen’s most psychologically intense works asking us to witness complicated emotion without moralizing it.

A single woman fills a vertical scroll, her body bent forward in a tight curve against a quiet, gray-beige ground. Her face is a pale, porcelain-toned complexion with heavy-lidded eyes cast downward, and a small mouth half-hidden by her own hair. One hand rises to her lips as she bites and tugs at a thick, disheveled lock like an anxious, self-soothing gesture that reads as pain. Her very long straight black hair pours over her shoulder like ink, contrasting with the light kimono that wraps her figure. Across the garment, delicate spiderweb lines spread and snag, while wisteria blossoms bloom in clusters of dense, tangled, and uneasy beauty. The robe’s patterns and the curve of her spine echo each other, making her torment feel physical, not abstract. A white ribbon loops above her head, and the collar opens to a dark, cool inner layer of greens and blues that feel like a shadow under the white cloth. Her sleeve hangs heavy, its edge lined with gold and muted color, while a small foot peeks from beneath the hem, grounding this supernatural story in a real body. All motion is contained in the sweep of hair and the tightening spiral of her stance. This is Lady Rokujō (六条御息所 / Rokujō no Miyasudokoro), a court woman from The Tale of Genji (源氏物語), imagined at the moment jealousy overwhelms her. Kyoto-born artist Uemura Shōen (上村松園) was celebrated for bijinga within nihonga, so this subject is a departure. The museum calls Rokujō “driven mad with jealousy,” and Shōen makes it bodily with a spine that folds and hair that becomes a tether. “Flames” are emotion inside the body like envy and grief compressing into silence. Spiderwebs suggest entrapment and wisteria, refinement turned invasive. In The Tale of Genji, Rokujō’s jealousy is said to manifest as a living spirit that harms a rival and here she remains dignified even as she unravels. Painted in 1918, it is among Shōen’s most psychologically intense works asking us to witness complicated emotion without moralizing it.

“焔 (Flames)” by Uemura Shōen / 上村松園 (Japanese) - Color on silk / 1918 - Tokyo National Museum (Japan) #WomenInArt #WomensArt #WomanArtist #WomenArtists #ShoenUemura #上村松園 #Uemura #TokyoNationalMuseum #東京国立博物館 #Nihonga #日本画 #TaleOfGenji #JapaneseArt #art #artText #JapaneseArtist #WomenPaintingWomen

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The only thing redeeming about Kaoru and Niou bloodlines is that they’re gay through and through like their forefathers #taleofgenji

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@satorukun0530.bsky.social You've Genji Monogatari in your banner. 🥰 Mine shows the Shining Prince disappearing into myth after meeting his creatrix on a bridge between the worlds of literature and reality. (Brilliant film which I somehow managed to follow without subtitles.) #Japan #TaleofGenji

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Oh, Tale-of-Genji-loving friends, look at this wonderful resource now being developed! For each poem, you can look at the original and at the various translations side by side.
genjipoems.org
#TaleofGenji

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DYK #MurasakiShikibu referred to the normalcy of #QueerSex in the 11thC? At one point in The #TaleOfGenji, Lord #Genji deeply misses a beloved. To console himself, he has sex w/her young & pretty brother (Kogimi). HowSexGotScrewedUp.com #HistSex #QueerHistory

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Newest read … influenced by @cyrilpedia.bsky.social
#TaleOfGenji #booksky #japaneseliterature #currentlyreading

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#incense #japaneseincense #taleofgenji #fragrance #incensecoils #homefragrance #literature

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Classic Chinese Novels - Wikipedia

@theresthistory.bsky.social loved the #TaleofGenji episode.

If @holland-tom.bsky.social liked that book, I’m sure he’d love the four great Chinese novels. Later than Genji but a much broader scope!

en.wikipedia.org/wiki/Classic...

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The Tale of Genji Incense The legendary Japanese story The Tale of Genji is one of the world's profound cultural achievements. Written by the Lady Murasaki in the early 11th Century as entertainment for the Empress Akiko, this...

Be transported to a time and place unlike any other through the magic of next-level fiction and fragrance!

Peruse our Genji line on our website, and happy reading in 2025! 😊

shoyeido.com/collections/...

#incense #genji #taleofgenji #japan #history #literature #homefragrance

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Nosferatu in the Palace of Genji, by AirStripOne 1 track album

I'm really looking forward to Robert Eggers's Nosferatu. Here is a musical tribute I engineered to the old bloodsucker. airstripone1.bandcamp.com/album/nosfer...

#Blueskymusic #Experimentalmusic #Musiccollage #Nosferatu #Vampires #Dracula #TaleofGenji #Musiqueconcrète #RobertEggers #KlausKinski

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Hi!
I'm a #DeidaraBotchi.

This is the ‘ #UjiJūjōStoneStatue ’.

It symbolises the entire historic site of the ‘ #UjiJūjō ’ of the #TaleOfGenji.

#宇治十帖石像 #源氏物語 #宇治十帖
#Uji #宇治市
#Kyoto #京都
#Japan #日本

#Nuidori #ぬい撮り
#WoolFelt #NeedleFelt
#WoolFeltTravel #NeedleFeltTravel
#Travel

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Our final illustration from the 12th century "Genji Monogatari Emaki" is the one which depicts the death of Lady Murasaki. Only about 15% of the handscroll remains. #ladymurasaki #murasakishikabu #handscrolls #yamatoe #genjimonogatariemaki #gentji #taleofgenji

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This is an image of the calligraphy of the "Genji Monogatari Emaki" (written by Murasaki Shikabu/Lady Murasaki). It is a section of the "Yokobue" (Flute) chapter. #ladymurasaki #murasakishikabu #handscrolls #calligraphy #japanese #genjimonogatariemaki #genji #taleofgenji

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Another illustration from the 12th century "Genji Monogatari Emaki" which contain "The Tale of Genji", written by the 11th century writer, Murasaki Shikabu (also known as Lady Murasaki). #murasakishikabu #ladymurasaki #taleofgenji #genjimonogatariemaki #handscrolls #japanese #yamatoe #genji

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Drying my clothes on a rack from IKEA whilst burning incense from Ryoanji. Just like in #TaleofGenji @chirpingatdusk

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Downloaded a Chinese dictionary & checked #TaleofGenji is on my iThing. Now just have to put the clothes, soaps & vitamins in the bag.

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In Kyoto I live-tweeted reading #TaleofGenji & now I'm choosing a Chinese epic. They seem twice as long as Genji. Vote now!

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That appears to be what is in the book.

#TaleofGenji

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I am a mountain ascetic, too, now, she thought. No wonder my tears flow on and on.

#TaleofGenji

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For the last three hundred or more pages, there's hardly one paragraph without someone collapsing from weeping. 18 pages left #TaleofGenji

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She was remembering now all those moments that had taught her how impossibly single-minded men are.

#TaleofGenji

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The other formed the mudra for quelling such creatures and meanwhile glared at it.

#TaleofGenji

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she could only suppose that a demon had devoured her or that some foxlike creature had made off with her

#TaleofGenji

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Ukon got a worse fright than from the hoot of an owl.

#TaleofGenji

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"In Hitachi my sister had two lovers--this can happen to little people, too, you know..."

#TaleofGenji

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For the last three hundred pages, The #TaleofGenji has been feeling like 90210 set in the Heian Period.

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Outside, the river roared menacingly past.

#TaleofGenji
#coulditbeforeshadowing

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So the two of them talked. Ukon was glad no longer to be alone in devising her lies; it was good to have a confederate.

#TaleofGenji

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So they parted, and he started back again in an agony of unappeased longing.

#TaleofGenji

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