'...two Native Americans from Taos Pueblo: a man wrapped in a traditional white blanket & a woman wearing a colorful shawl. This serene painting speaks of the deep love Hennings felt for Taos, New Mexico, where he was a leading member of the artists’ colony. His subjects walk quietly through the snow together as the sun sets behind them. In works like this, Hennings created poetic visual connections between the people of Taos & the stunning high desert where they lived. Here the artist contrasts the man’s warm blanket, lit by the golden sunset, with the cold covering of snow on the ground, cast into blue shadows by the hills in the west. Hennings links the two figures to their home landscape by likening them to the tall native sunflowers standing against the sky with their long stalks gracefully intertwined. While many PWAP artists documented timely scenes of the Great Depression, Hennings chose to celebrate the continuity of local traditions.’ https://www.flickr.com/groups/1934/...
The #WINTER of 1933-1934 - the Public Works of Art Project (#PWAP)
‘Homeward Bound’
E. Martin Hennings (1866-1956) Oil on canvas Smithsonian #AmericanArt Museum (from US Dept. of Labor). 1934.
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#EMartinHennings #AmericanArt #TheNewDeal #TaosPueblo #NativeAmericans #landscape
