Hillside was one of the first works by Nakamura purchased by the National Gallery of Canada-it was acquired in 1955. This depiction of a dense forest along the side of a hill is yet another stylistic variant in the artist's exploration of the line between figuration and abstraction, appearance and underlying structure. Hillside is an interesting combination of the brushwork found in the background of Autumn, c. 1950, which would recur in some of his contemporary landscapes, such as Landscape, Green Hillside, 1954, and the spidery lines in his drawings and in Morning Mist, 1951.
In this painting, Nakamura seems to be trying to match up a rectilinear application of colour, likely informed by the late work of Paul Cézanne, such as in Mont Sainte-Victoire, 1902-4, with line loosely enclosing the color. He continues to limit his palette to a very small range of colors, predominantly green in this painting, but also some blue. Like Morning Mist, it has a striking a similarity to the greens and blues Vincent van Gogh preferred late in his career. Nakamura admired van Gogh, and his palette may have inspired the yellow color that we find in Hillside.
Hillside by Kazuo Nakamura, 1956, National Gallery of Canada (Ottawa)
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