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Visitor looking at a painting called Las Meninas in The Prado.

Visitor looking at a painting called Las Meninas in The Prado.

👁️ 🎨 Are you interested in joining our Look Club? The idea is to look closely at one artwork each month & then meet & discuss on Exploring Art History.

As your Look guide, we'd provide context, etc. This would take place on our blog: substack.com/@ideasroadshow

Thoughts? 💭 💭

🗃️ #arthistory #art

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Michelangelo and Titian by William E. Wallace is a dual biography of two towering artists of the Renaissance, whose decades-long rivalry spurred both to greater heights.

Now available worldwide!

Find it here:
press.princeton.edu/books/hardco...

#History #ArtHistory

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A large piece of turf #nature #naturalhistory #histsci #arthistory #environment #envhist

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Self-Portrait by Albrecht Dürer, made in 1500 when he was 28.

Self-Portrait by Albrecht Dürer, made in 1500 when he was 28.

Self-Portrait by Albrecht Dürer when he was 13 years.

Self-Portrait by Albrecht Dürer when he was 13 years.

Self-Portraits by Albrecht Dürer, 1500 (28 yrs) and 1484 (13 yrs).

Watch/listen to a video podcast about his art & world. He lived at a time when so much was happening which is expressed in his art.

More here: ideasroadshow.substack.com/p/back-to-th...

🗃️ #arthistory #skystorians #art #academia

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#radioflomm FEAT. our exclusive PEANUTS comic strip EXPOSÉ

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#arthistory #charliebrown #snoopy #beaglerescue #sovietavantgarde #malevich #gossip &c.

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Michael Neher – Wikipedia

Biographie zum heute vorgestellten deutschen Maler Michael Neher

#OTD #ArtHistory #Biography

de.wikipedia.org/wiki/Michael...

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Stadtmauer in Kelheim an der Donau, 1844, mit 3 Personen, links eine Frau, knienend mit einer Sichel im Gras, in der Mitte ein Mann mit großem Fischkescher üner der Schulter, mit dem Rücken zum Betrachter, rechts eine stehende Frau, die sich mit beiden unterhält, der Turm der Stadtmauer ist offenbar bewohnt, wie ein nachträglicher Anbau mit Fenstern und zum Auslüften ausgehängte Bettwäsche illustrieren

Stadtmauer in Kelheim an der Donau, 1844, mit 3 Personen, links eine Frau, knienend mit einer Sichel im Gras, in der Mitte ein Mann mit großem Fischkescher üner der Schulter, mit dem Rücken zum Betrachter, rechts eine stehende Frau, die sich mit beiden unterhält, der Turm der Stadtmauer ist offenbar bewohnt, wie ein nachträglicher Anbau mit Fenstern und zum Auslüften ausgehängte Bettwäsche illustrieren

Guten Morgen!
Michael Neher, * 31.3.1798 in München; † 4.12.1876 ebd., war ein deutscher Maler des Biedermeier 🎨🇩🇪
Stadtmauer in Kelheim an der Donau, 1844 🖼️
#OTD #ArtHistory #LandscapePainting #Biedermeier #BskyArt #History

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Late 19th century portrait of Elsa Lindberg, an authoress. She turned to her right, her gaze directed slightly away from the viewer. Lindberg has light brown, curly hair, fair skin, and is wearing a dark collared jacket or coat over a white high-necked garment. She smiles gently, as if she is holding back a secret. Her right hand rests on what appears to be a red book. Caption reads: Out of your harem

Late 19th century portrait of Elsa Lindberg, an authoress. She turned to her right, her gaze directed slightly away from the viewer. Lindberg has light brown, curly hair, fair skin, and is wearing a dark collared jacket or coat over a white high-necked garment. She smiles gently, as if she is holding back a secret. Her right hand rests on what appears to be a red book. Caption reads: Out of your harem

Out of your harem

Albert Edelfelt, Portrait of writer Elsa Lindberg, 1898, institution Finnish National Gallery #arthistory #puns

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Painted in October 1909, the remarkably expressive and dynamic "Both Members of This Club" is the third and largest of Bellows's early prizefighting subjects. The painting's title is a reference to the practice in private athletic clubs of introducing the contestants to the audience as "both members" to circumvent the Lewis Law of 1900 that had banned public boxing matches in New York State. Boxing was a controversial subject, but the interracial theme made this painting even more so, especially since the Black boxer appears to be winning the match.
It is likely that Bellows intended "Both Members of This Club" as an allusion to the recent and much-publicized success of the African American professional prizefighter Jack Johnson, who had won the world heavyweight championship in 1908. The idea of a black boxing champion was so unsettling to the prejudiced social order of the time that many thought interracial bouts should be outlawed. Painted at the height of the Jim Crow era, Bellows' powerful delineation of a White fighter about to be defeated by Black opponent was an exceptionally daring and provocative piece of social commentary.

Painted in October 1909, the remarkably expressive and dynamic "Both Members of This Club" is the third and largest of Bellows's early prizefighting subjects. The painting's title is a reference to the practice in private athletic clubs of introducing the contestants to the audience as "both members" to circumvent the Lewis Law of 1900 that had banned public boxing matches in New York State. Boxing was a controversial subject, but the interracial theme made this painting even more so, especially since the Black boxer appears to be winning the match. It is likely that Bellows intended "Both Members of This Club" as an allusion to the recent and much-publicized success of the African American professional prizefighter Jack Johnson, who had won the world heavyweight championship in 1908. The idea of a black boxing champion was so unsettling to the prejudiced social order of the time that many thought interracial bouts should be outlawed. Painted at the height of the Jim Crow era, Bellows' powerful delineation of a White fighter about to be defeated by Black opponent was an exceptionally daring and provocative piece of social commentary.

Both Members of This Club by George Bellows, 1909, National Gallery of Art (Washington DC)

#ArtHistory #ModernArt #Realism #NewRealism #AmericanRealism #AshCanSchool #TheEight

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little spoiler from the research for the first art video of the channel stay tunned
#arthistory #vtuber #research

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#Dada #Dadaism #ww1 #worldwar1 #historychannel #histodon #histsci #histodons #history #arts #art #arthistory #modernart #popart #cubism #visualarts #politicschannel #politics #democracy #liberalism #fascism #anarchism


#Dada #Dadaism
#ww1 #worldwar1 #historychannel #histodon #histsci #histodons #history #arts #art #arthistory #modernart #popart #cubism #visualarts #politicschannel #politics #democracy #liberalism #fascism #anarchism
#usa #gop #fascists

👉 Vote 'em Out!

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In her frequent depictions of children, Mary Cassatt invested relatively quiet and unexceptional moments with considerable dynamism in handling and composition.

"Child in a Straw Hat" is one of many paintings Cassatt made of little girls appearing to play dress-up. But where Cassatt often portrayed girls taking pleasure in the act of role- playing, here the child's expression suggests that she is not enjoying herself, Isolated and required to stand still, her demeanor conveys a mixture of pensiveness, frustration, and boredom. While the subject matter captures a languid moment, the paint is handled energetically. Broad, visible brushstrokes are used throughout the composition, forming abstract patterns in some areas, such as the white sleeves of the blouse and smock. The paint was applied quickly and directly to the canvas, in a manner referred to as "alla prima," which lends an appearance of spontaneity to the work.

In her frequent depictions of children, Mary Cassatt invested relatively quiet and unexceptional moments with considerable dynamism in handling and composition. "Child in a Straw Hat" is one of many paintings Cassatt made of little girls appearing to play dress-up. But where Cassatt often portrayed girls taking pleasure in the act of role- playing, here the child's expression suggests that she is not enjoying herself, Isolated and required to stand still, her demeanor conveys a mixture of pensiveness, frustration, and boredom. While the subject matter captures a languid moment, the paint is handled energetically. Broad, visible brushstrokes are used throughout the composition, forming abstract patterns in some areas, such as the white sleeves of the blouse and smock. The paint was applied quickly and directly to the canvas, in a manner referred to as "alla prima," which lends an appearance of spontaneity to the work.

Child in a Straw Hat by Mary Cassatt, c.1886, National Gallery of Art (Washington DC)

#ArtHistory #ModernArt #Impressionism

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Janet Fish grew up in Bermuda and she attributed her fascination with light and intense color to her tropical upbringing. She incorporated exotic vases, richly patterned textiles, sparkling glass and ceramic bowls filled with fruit, and colorful flowers into her composition in a way that is exuberant and energetic. Her objects are painted with fluid strokes of intense color but the subject is really light – how it shapes and reflects off each and every item.

Janet Fish grew up in Bermuda and she attributed her fascination with light and intense color to her tropical upbringing. She incorporated exotic vases, richly patterned textiles, sparkling glass and ceramic bowls filled with fruit, and colorful flowers into her composition in a way that is exuberant and energetic. Her objects are painted with fluid strokes of intense color but the subject is really light – how it shapes and reflects off each and every item.

March theme: When Life Gives You Lemons...
JANET FISH (1938 - 2025), “Embroidery from Uzbekistan”, 2008. Dayton Art Institute, Dayton, Ohio US.
#arthistory #art #lemons #StillLife

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Post from ABC News - YouTube Thieves made off with three paintings by Renoir, Cézanne and Matisse worth millions of dollars from a museum near the city of Parma in northern Italy, police...

You know it’s one hell of an #art heist when I recognize all three artists: Renoir, Cézanne and Matisse.

youtube.com/post/UgkxHNF...

I can also get into the Monet/Manet thing, thanks to an #ArtHistory minor, but also mostly that scene in Ocean’s Eleven (iykyk).

#artists #artheist #FilmSky

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Arrellano, "Wicker Basket with Flowers"(c. 1660s)

#MarioPaint #snes #nintendo #ArtHistory #mastercopy #speedpaint #pointillism #art

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The Maiden Tree (Nariphon): Iconographic Evolution and Modern Art in Thailand (Part 2) Access peer-reviewed studies, field reports, and academic articles on the ethno-botany and cultural significance of sacred flora in Southeast Asia.

The visual evolution of the Thai Nariphon. 🌿 From classical murals & amulets to powerful feminist art. How ancient myth thrives today.

🔗 buff.ly/se1se6S

#ArtHistory #Thailand

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Back To The Future Talking about Islamic themes in Albrecht Dürer's prints

🔊 🎉 Today we're officially launching our highly-illustrated Exploring Art History video podcast! The 1st episode features Susan Dackerman, UCLA, talking about Dürer's enigmatic prints & knots!

🗃️ #arthistory #skystorians #art #academia 🏺 #durer #booksky

ideasroadshow.substack.com/p/back-to-th...

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scientific illustrations showing the metamorphosis of the Garden Tiger moth, its plant host, and parasitic wasps, and life cycle of the Dark Tussock moth on its host plant, the dandelion (both published 1679)

scientific illustrations showing the metamorphosis of the Garden Tiger moth, its plant host, and parasitic wasps, and life cycle of the Dark Tussock moth on its host plant, the dandelion (both published 1679)

🐛 🏵️ 🦋

'Merian’s Metamorphosis: Discovering the Cycle of Life'

@kimvertue.bsky.social takes a closer look at the #art & #science of C17th illustrator & pioneering entomologist Maria Sibylla Merian

🐜 medium.com/signifier/me...

#art #illustration #イラスト #biology #botany #entomology #ArtHistory

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#ArtHistory
Throughout history, numerous art styles and specific artworks were rejected, banned, or scandalized because they challenged traditional aesthetic standards, religious beliefs, or social norms. These "rejected" styles often went on to redefine the art world.

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Johann Heinrich Suhrlandt – Wikipedia

Biographie zum heute vorgestellten Maler Johann Heinrich Suhrlandt

#OTD #ArtHistory #Biography

de.wikipedia.org/wiki/Johann_...

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Burning Desire Magazine - VNA 14 | Urban Art Core The 14th issue of the London-based “Very Nearly Almost” (VNA) magazine for urban art is out for a few weeks now, including nice interviews with artists like Voina and Pedro Matos...

15 years ago today, VNA #14 dropped—capturing raw graffiti energy & the burning desire behind every tag. This issue wasn’t just a mag; it was a time capsule of the streets. What’s your favorite graffiti moment from 2011? Let’s reminisce! #Graffiti #StreetArt #ArtHistory

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Beweinung Christi. Neustadt-Glewe/Mecklenburg-Vorpommern, Marienkirche: das (ursprüngliche) Altar-Gemälde „Die Beweinung Christi“, eine Kopie gemalt von Johann Heinrich Suhrlandt nach einem Original von Anthony van Dyck befindet sich heute rechts vom Chor an der Südwand;

Beweinung Christi. Neustadt-Glewe/Mecklenburg-Vorpommern, Marienkirche: das (ursprüngliche) Altar-Gemälde „Die Beweinung Christi“, eine Kopie gemalt von Johann Heinrich Suhrlandt nach einem Original von Anthony van Dyck befindet sich heute rechts vom Chor an der Südwand;

Guten Morgen!
Johann Heinrich Suhrlandt, * 30.3.1742 in Schwerin; † 1.1.1827 in Ludwigslust, war ein Hofmaler am Hof der mecklenburg-schwerinschen (Groß-)Herzöge Friedrich und Friedrich Franz I. 🎨 🇩🇪
Beweinung Christi 🖼️
#OTD #ArtHistory #ReligiousPainting #BskyArt #History

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Image credit: Juan Bautista Simó, Portrait of Antonio Palomino, 1726, private collection;
Francisco de Goya, Portrait of Juan Agustín Ceán Bermúdez, c. 1786–1793, private collection

#CallForPapers #ArtHistory #Historiography #EarlyModern #HispanicArt #AcademicConference #CFP #Madrid #Toledo
(6/6)

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“There is no reality without interpretation; just as there is no innocent eye, there is no innocent ear.”

🎨 Sir #ErnstGombrich, Austrian-English art historian (The Story of #Art), was #BOTD 30 March 1909. #ArtHistory

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Hillside was one of the first works by Nakamura purchased by the National Gallery of Canada-it was acquired in 1955. This depiction of a dense forest along the side of a hill is yet another stylistic variant in the artist's exploration of the line between figuration and abstraction, appearance and underlying structure. Hillside is an interesting combination of the brushwork found in the background of Autumn, c. 1950, which would recur in some of his contemporary landscapes, such as Landscape, Green Hillside, 1954, and the spidery lines in his drawings and in Morning Mist, 1951.

In this painting, Nakamura seems to be trying to match up a rectilinear application of colour, likely informed by the late work of Paul Cézanne, such as in Mont Sainte-Victoire, 1902-4, with line loosely enclosing the color. He continues to limit his palette to a very small range of colors, predominantly green in this painting, but also some blue. Like Morning Mist, it has a striking a similarity to the greens and blues Vincent van Gogh preferred late in his career. Nakamura admired van Gogh, and his palette may have inspired the yellow color that we find in Hillside.

Hillside was one of the first works by Nakamura purchased by the National Gallery of Canada-it was acquired in 1955. This depiction of a dense forest along the side of a hill is yet another stylistic variant in the artist's exploration of the line between figuration and abstraction, appearance and underlying structure. Hillside is an interesting combination of the brushwork found in the background of Autumn, c. 1950, which would recur in some of his contemporary landscapes, such as Landscape, Green Hillside, 1954, and the spidery lines in his drawings and in Morning Mist, 1951. In this painting, Nakamura seems to be trying to match up a rectilinear application of colour, likely informed by the late work of Paul Cézanne, such as in Mont Sainte-Victoire, 1902-4, with line loosely enclosing the color. He continues to limit his palette to a very small range of colors, predominantly green in this painting, but also some blue. Like Morning Mist, it has a striking a similarity to the greens and blues Vincent van Gogh preferred late in his career. Nakamura admired van Gogh, and his palette may have inspired the yellow color that we find in Hillside.

Hillside by Kazuo Nakamura, 1956, National Gallery of Canada (Ottawa)

#ArtHistory #ContemporaryArt #AbstractExpressionism

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Princeton University Press Discover the remarkable story behind Grandma Moses: A Good Day’s Work, a new book and exhibition that reveal Anna Mary Robertson “Grandma” Moses as far more than a beloved folk artist. This interview....

In this edition of Ideas, discover the remarkable story behind Grandma Moses: A Good Day’s Work, a new book and exhibition that reveal Anna Mary Robertson “Grandma” Moses as far more than a beloved folk artist.

#art #ArtHistory #GrandmaMoses #books

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NOWPLAYING #symphonicsunday on le flommus músik blog: flommischen.tumblr.com

#symphony
#music
#orchestra
#longhair
#arthistory

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Warhol did not create many still lifes, which makes his Space Fruit portfolio all the more special. In this series of screen prints from the 1970s, the artist scattered lemons, oranges, cantaloupes, cherries and other fruits across a flat color surface (one type of fruit per composition). In “Space Fruit: Lemons”, the lemons appear with various degrees of detail – some have textured, almost photographic detail while others are simply yellow blobs – and solid pink and blue areas suggesting shadows. The background is a minty green here, but in another run the background is a candy pink. It is an artificial space, with artificial color, without the stability of a table top surface as per more traditional still life compositions. Warhol’s composition is playful and graphic.

Warhol did not create many still lifes, which makes his Space Fruit portfolio all the more special. In this series of screen prints from the 1970s, the artist scattered lemons, oranges, cantaloupes, cherries and other fruits across a flat color surface (one type of fruit per composition). In “Space Fruit: Lemons”, the lemons appear with various degrees of detail – some have textured, almost photographic detail while others are simply yellow blobs – and solid pink and blue areas suggesting shadows. The background is a minty green here, but in another run the background is a candy pink. It is an artificial space, with artificial color, without the stability of a table top surface as per more traditional still life compositions. Warhol’s composition is playful and graphic.

March theme: When Life Gives You Lemons...
ANDY WARHOL (1928 - 1987), “Space Fruit: Lemons”, 1978. Andy Warhol Museum, Pittsburgh, Pennsylvania US.
#arthistory #art #lemons #warhol

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a magazine cover, it has thick emerald-green marbled borders, the lettering on this border at the bottom in large letters, the title, the painting is of a woman in a black evening dress sitting casually on a tan-gold sofa, an eastern asian changing screen behind her , she is looking to the left, a happy expression on her face, her hair pinned up

a magazine cover, it has thick emerald-green marbled borders, the lettering on this border at the bottom in large letters, the title, the painting is of a woman in a black evening dress sitting casually on a tan-gold sofa, an eastern asian changing screen behind her , she is looking to the left, a happy expression on her face, her hair pinned up

cover of a 1922 issue of L'Illustration by Jean-Gabriel Domergue #art #arts #artwork #artist #artists #magazine #magazines #illustration #fashion #style #arthistory #artnet #artgallery #artgalleries #museum #museums #artmuseum #artmuseums

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The inspiration of this work was by a biblical poem in which a bride reveals her face to her lover. The women surrounding her are modeled by Ellen Smith, an English laundress, Fanny Eaton, of Jamaican heritage, and Kiome Bonnet, of Romany descent. The young boy, whose name is unknown, was brought to London by an American around the time slavery was abolished there. Rossetti's choice of models often challenges rigid Victorian beauty ideals. Yet, the central placement of the white sitter, modelolitical theory. By producing titanic icons of classical liberal, romantic,led by Mary Ford, suggests a racial hierarchy. The luxurious fabrics and jewelery from North Africa and East Asia reflect Victorian fantasies of cultures outside of Europe.

The inspiration of this work was by a biblical poem in which a bride reveals her face to her lover. The women surrounding her are modeled by Ellen Smith, an English laundress, Fanny Eaton, of Jamaican heritage, and Kiome Bonnet, of Romany descent. The young boy, whose name is unknown, was brought to London by an American around the time slavery was abolished there. Rossetti's choice of models often challenges rigid Victorian beauty ideals. Yet, the central placement of the white sitter, modelolitical theory. By producing titanic icons of classical liberal, romantic,led by Mary Ford, suggests a racial hierarchy. The luxurious fabrics and jewelery from North Africa and East Asia reflect Victorian fantasies of cultures outside of Europe.

The Beloved by Dante Gabriel Rossetti, 1865-1866, Tate Britain (London, UK)

#ArtHistory #Romanticism

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