#Austrianart hashtag - Bluesky

5 months ago

Native American Art
31 in acrylics on red cedar 850
#WomenInArt #art #artText #artwork #EgonSchiele #Schiele #AustrianArtist #AustrianArt #oilpainting #PortraitofaWoman #LentosKunstmuseum #BlueskyArt #VienneseExpressionist #Expressionism

20 2 2 0

Michael

@mdstamper.bsky.social

5 months ago

A young woman stands facing us within a shallow, flattened space. Her wavy long, dark brown hair falls loose past her shoulders; her skin is light, with a faint rose warmth at the cheeks. She wears a modest, long-sleeved dress with a high neckline. Its folds are indicated by taut, economical brushstrokes rather than soft volume. She is framed by a reddish, triangular field that rises like an apex behind her head and shoulders, set against earthy browns and oranges. Austrian artist Egon Schiele’s contour lines are sharp and irregular, darkly encircling her arms, jaw, and collar. Her gaze is direct and steady though a little guarded with her lips closed. Whether she stands or sits is intentionally ambiguous. Trude Engel was the daughter of Schiele’s Viennese dentist; the portrait grew from that relationship and an arrangement that exchanged treatment for art. Later technical study revealed an earlier composition beneath the paint: an allegorical figure with a skull-like head, aligning with Schiele’s recurring themes of life and death. Family correspondence recounts that, as a teenager, Trude slashed the canvas in anger; the repairs remain part of the work’s material history and can be seen. Painted as both Schiele’s reputation and controversy rose, the image condenses his radical portrait language: incisive line, compressed space, and psychological charge. The triangular, mantle-like field behind Trude reads as both halo and warning sign, intensifying her composed yet uneasy presence. In 1912 Schiele was jailed briefly, an ordeal that sharpened his sense of human vulnerability; in his prison drawings he simply wrote, “I am human,” a sentiment that resonates in Trude’s unsentimental, searching gaze that is less a likeness than a revelation of being.

Portrait of Trude Engel by Egon Schiele (Austrian) - Oil on canvas / c. 1912 - Lentos Kunstmuseum (Linz, Austria) #WomenInArt #art #artText #artwork #EgonSchiele #Schiele #AustrianArtist #AustrianArt #oilpainting #PortraitofaWoman #LentosKunstmuseum #BlueskyArt #VienneseExpressionist #Expressionism

59 7 0 0

Jason D. Brawn

@jasondbrawn.bsky.social

5 months ago

The Misery. Painted by Adolf Werner (1862–1916).

#AdolfWerner #Misery #SymbolistArt #19thCenturyArt #AustrianArt #ParanormalArt #GhostlyFigure #HauntingArt #MelancholyMood #DarkRomanticism #SpectralVision #PsychologicalArt #EerieAtmosphere #HauntedStudio #GothicArt #ArtAndDespair #MysticalArt

2 0 0 0

Robert Azensky Fine Art

@azenskyfineart.bsky.social

8 months ago

Wilhelm Von Heydebrand
Austrian Landscape Oil on Linen 1905 Goetheanum Designer Hand Carved Wood Frame

More info:
buff.ly/pdadwZb

#oilpaintingoncanvas #oilpaintingartist #fineart #fineartforsale #ornateframe #ornateframes #austrianartist #austrianart #handcarvedwood #oilonlinen

2 0 0 0

American Malaise

@thenewmalaise.bsky.social

8 months ago

POV: You try watching the tech news after noticing enough to become antiseptic YouTube video by JAKEGTV

Found it!

#JakegTV #AI #DroneSnipe #GoySlop @barstoolsport.bsky.social #Influencers #TalmOOD #AntiCementMix #ChristoFascist #EvangelicalPastors #BenShapirstein #LittleStache #AustrianArt #Nazi #EpsteinList #BeheadedBabies

1 0 1 0

Michael

@mdstamper.bsky.social

9 months ago

I wish I knew more about this 1931 portrait by Austrian artist Rudolf Lehnert that blends formality with a touch of quiet intimacy to depict a young fair-skinned woman with short blonde curly hair, wearing a black long-sleeve dress with large white lace cuffs, and a silver cross necklace, while holding a single orchid. She is the central focus, occupying most of the canvas. Her hair is a light blonde, styled in soft, shoulder-length curls. Her expression is serious and reserved, perhaps slightly melancholic, though not unhappy. Her eyes are a light grey. Her skin tone is fair with a subtle rosy hue on her cheeks. Her black long-sleeved dress is simple in cut, but features a striking contrast of textures and colors. A white, Peter Pan style collar stands out against the dark dress. This collar has a delicate lace trim that is repeated on the cuffs of the long sleeves. The cuffs are puffed, adding some volume to the otherwise relatively plain sleeves. The dress is form-fitting, showing the subtle curves of her slender body. The unidentified woman wears a long silver chain around her neck that ends in a small ornate silver cross. On the index finger of her right hand is a silver lace ring. Her hands are elegantly placed near her waist, holding a single, vibrant pinkish-purple orchid, offering a splash of color against her dark clothing … and perhaps a symbol of decadence or secrecy. Lehnert (1893-1932) was an Austrian painter associated with the New Objectivity (Neue Sachlichkeit) German art movement that emerged in the 1920s as a reaction to Expressionism. It focused on depicting reality in a detached, objective manner, often with a critical eye towards the social and political realities of the Weimar Republic. The movement had a significant presence in Austria, particularly in Vienna and was characterized by a return to realism, with precise details and sharp forms. Its name is derived from the title of a 1925 exhibition curated by Gustav Hartlaub in Mannheim.

Porträt by Rudolf Lehnert (Austrian) - Oil on canvas / 1931 - Tiroler Landesmuseum (Innsbruck, Austria) #WomenInArt #art #portrait #portraitofawoman #ArtText #AustrianArt #RudolfLehnert #Lehnert #TirolerLandesmuseum #Ferdinandeum #womensart #AustrianArtist #TyroleanStateMuseum #1930s #OilPainting